Directed: Wong Kar-Wai
Written: Wong Kar-Wai
Released: September 2000
Starring: Maggie Cheung and Tony Leung
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Because this movie isn’t in English, I’m just going to do a fat dissection of the visuals… Enjoy!
A story about two married couples who move into an apartment next door from one another. One couple is Chow Mo-wan, a journalist, and his wife. The other is Su Li-zhen, a secretary, and her husband.
Chow and Su both have a spouse who works over-time often, leaving them alone in their rooms most nights. However, their absence slowly brings Chow and Su together, and they speculate over unfaithfulness in their respective spouses.
Based in Hong-Kong during the 1960s, their closeness is frowned upon so, even though only friends, Su and Chow begin a more secretive relationship.
I love how the director portrays the story visually. The spouses of Chow and Su are never seen, their faces are forever unrecognisable, with only their voices heard. This reinforces their lack of identity within their respective marriages, and their lack of presence.
I’m not familiar with Asian film, but it is a fantastically shot movie, although veeeery slow in pace.
The use of slow-motion is used often, emphasising Chan and Su waiting for their spouses to come home every night. A great scene is when the two begin to work out that both of their spouses are having an affair with each other. The camera movements get faster and closer while sitting in a cafe, and then Chan and Su leave together in slow motion, emphasising their shared heartbreak and unity.
The slow motion scenes occur regularly to mark chapters, married with the same piece of suspicious/melancholy music. Although repetitive, it works well to portray the characters growing and moving closer.
Food is a very important symbol in the film. Chan’s and Su’s first meal together parallels them coming to terms with their spouses infidelity. Where they used to get take-out from the same place and eat alone, this first meal is an important milestone.
Chan orders for Su, picking out a dish his wife likes, and Su picks out a dish for Chan that her husband would usually eat. They frequently ‘play’ each other’s spouses, almost as though to keep their growing friendship a make-believe, so as not to take responsibility.
Food is something to share and something that expresses themselves. Where Chan enjoys noodles and sesame soup, his cheating wife prefers steak with hot mustard, for example.
This is a story about coincidence, and people who have the courage to pursue chance encounters and near-missed opportunities. Chan and Su are both frequently referred to as being too polite. Their almost cowardliness natures lead to them being perpetually unhappy in their already broken marriages, too scared to make the first move.
A film that perfectly illustrates the tug-of-war between, ‘what’s meant to be, will be’ and ‘make it what you want’. A right to be happy and honest, versus secrets and unhappiness.
That turned out to be a bit longer than expected! It’s worth a watch, the full movie can be found on Youtube at the moment.
In the same way that English and American films are completely different in tone and humour, even if in the same genre, this Chinese film is different again. I’m having difficulty rating it as I’m not familiar with the culture, humour or film production, with nothing for comparison. 6/10 perhaps?
Director: Sean Penn
It’s certainly a sad story, and it bursts your idealistic bubble of living in the wilderness. As it turns out, being in the wild is a brutal place to be. Especially all alone.
A classic ‘
Director: Jean-Marc Vallee
To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.
In fact, if you enjoyed
I’d like to point out that the screenplay was written by Nick Hornby, who wrote
I’ve written on this subject before regarding a fantastic poem called 
It gets dark very quickly by this point as they outline the characters’ backstories, and how it came to this.
I wanted to make a quick post regarding the fantastic English actress, Rosamund Pike. [EDIT: it’s not a quick post at all. I lied.]
From the outside, this change in [our perceived] celebrity’s identity seems jarring, as though they are acting out. Which, in LaBeouf’s case at least, perhaps is true..?
Just thought it was interesting, how easily actors can change our perception of them, as Daniel Radcliffe and Anne Hathaway have.
actors are in a prime spot to frequently distort that based on what acting roles they take – intentionally or not.
Concept, Script, Animation and Design: Prateek A Sethi
I love the 1960s… I feel like my huge amount of posts regarding this era may have given that away.




While we are on the topic of Sia, I love her earlier song: Chandelier.
I am so slow to the party.
(Toward the end of the video, Ziegler softly hits LaBeouf on his forehead. Each time she does so he changes his expression to show the emotions he represents: scared (he’s holding his breath – claustrophobia?), sarcastic, angry and depressed.
Personally, I didn’t realise how young the girl was until I read about it. However, it hasn’t changed my view on the video. I find it creative and expressive. But I suppose you can read into anything if you have an angle in mind.
Director: George Lucas
American Graffiti is the colourful account of the final night of high school for a group of students who go out cruising, attend ‘the hop’ and hang at the drive-in dina.
Of course with music comes radio, and its influence on the culture is seen. Wolfman Jack is the most popular radio host among the teenagers, who is looked up to and even sought out especially for personal advice. His charisma and unique material captures the infatuated listeners as his frequency hits almost every car in town.

We’ve had so many Kong movies, and now they want another!
Having finished the vacuuming, dishes and tidying, I found myself sitting in a spotless house – with my one-month-old bachelors degree certificate mocking me on the wall – watching The Real Housewives of Beverly Hills.
Have. You. Seen. This!
Such as when Joyce moved a bit of hair out of Lisa’s face, and Lisa shook her head and said ‘I don’t care, don’t worry about it’. Joyce was VERY offended and confronted her about it later, even reinacting it:
Nevertheless, you have to acknowledge the skill involved. It’s an art. Combined with the music and sound effects, the edits are comedic regardless of who’s appearing in them. I don’t think editors get enough recognition.
Directors: Don Hall and Chris Williams
Anyway, one thing leads to another and Hiro has to get a super team together to catch the bad guy. The rest, I’m sure, you will be able to figure out.
The controversial film we’re all waiting for [here in New Zealand and Australia] is of course, The Interview.
Having worked in a cinema leading up to the release of The Interview, I came to hear of the general LACK of buzz the film was receiving (before it’s release was postponed).
Apparently the major cinema chains pulled out and said they weren’t going to show the film. So the release was cancelled.
If we had the choice, would we bother going to the cinema at all? A loud audience, over-priced popcorn and day-old hotdogs… Why would we? We could just microwave popcorn and sit in the comfort of our beds watching new releases on our tablets.
Very interesting! It just goes to show that ‘they’ can cancel the release of movies, but a viewership is still inevitable, if not more inevitable.
Never Tear Us Apart was written and performed by Australian rock band INXS in 1988. However, it was originally written in a bluesy genre with a similar sound to Fats Domino.
The American Garage is an online DIY show about woodwork and restoration. Some of their projects include restoring planes and building boats, as well as more affordable projects that are “at grass roots”.
My fellow time travellers and time travel enthusiasts! ’tis 2015 – the year that
Phones in our glasses
Video calling
3d holographic adverts
Hover boards
Gardens in the kitchen
Cycling while eating
Self-walking dog leads
Fax machines
Inside-out pants
On Indiegogo, a group are asking for funding for their short biographic about James Banning; the first African American to fly coast-to-coast.

Since graduating, the question I have been asked like a broken record is:
I wasn’t smart enough in uni for my life to turn out like
Director: Nora Ephron
So! Julie & Julia, it is a typical rom-com drama, with a twist! The twist being the gorgeous, wonderful, classic Meryl Streep.
And microwavable things. So, the fact that this is a story about cooking is not attractive to me.
Have you heard?
The holidays are nigh!
A Christmas Carol
The Polar Express
Dr Seuss’ How the Grinch Stole Christmas
This is a sci-fi, action, superhero film that is looking for funding.
In order for the feature film to be completed, they need $250,000USD. Depending on how much an individual donates, depends on what prize you get – and some of the prizes are pretty decent!