NZ Film Freak

Down Down Down to the Wishing Well – Leafy Satori Risk

Leafy Satori Risk down down down

I have reviewed a Leafy Satori Risk song before called Cherry Blossom Trees. This song, Down Down Down to the Wishing Well, is of a similar genre – sort of folk meets electro/psychedelic.

Although, the band refer to their genre as ‘dream pop’, which is a great way of describing their sound.

The singer/songwriters Iris and Karl of Leafy Satori Risk both hail from Vienna, but have settled in France, Berlin, New Mexico and then finally in Los Angles. However, their hearts are forever in Tokyo where they spend two months of every year, and where many of their live shows are performed.

Both artists are creative by nature, both working in the film industry when they’re not performing in their band: Iris Karina is an actress and Karl Lohninger is a sound mixer and sound designer.

This new song of theirs takes a few unexpected turns in terms of its sound and tempo before reaching the chorus. The chorus (down, down down, to the wishing well”) strongly echoes the Johnny Cash song ‘Ring of Fire‘ (“I fell down down down, and the flames went higher”) and I wonder if that chorus was used as inspiration for this Leafy Satori Risk.

The ethereal vocals against the electric guitar, which acts as the rhythmic heart to the song works well with the haunting accordion.

As always, the lyrics are written with layered meaning. You can read into the song as much or as little as you’d want.

Why don’t you stay with me
Why can’t I stay awake
Why can’t I fall asleep?
Why can’t we fall in love?

If you enjoy folk/indie with a twist, then you should give this a listen:

Mary Poppins Returns

Director: Rob Marshall
Writer: David Magee, Rob Marshall and John DeLuca (based on story by P.L Travers)
Released: December 2018
Starring: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke ,Angela Lansbury, Colin Firth, Meryl Streep
—

Well, I thought this was a scene-by-scene remake. That’s what the rumours said anyway.

However, as the title does actually suggest, this is a sequel. It follows the lives of Michael (Ben Whishaw) and Jane (Emily Mortimer) as adults – the brother and sister in the first film.

After the death of his wife, Michael’s repayments on the house lapsed. The bank demanded that he now pay up in full – which he can’t possibly afford.

Thankfully, Mary Poppins (Emily Blunt) arrives just in time!

It’s a good thing you’ve come along when you did, Mary Poppins.

I have been looking forward to see this movie for ever! So as part of my hen do, we all went to watch it. It was such a magical day.

It is a beautiful film; a real feel-good movie! I would absolutely recommend it to anyone needing cheering up.

I had to hold back the tears throughout most of the scenes because everything is just so beautiful!

Everything is possible, even the impossible.

Emily Blunt is 100% the only option to play Mary Poppins. Mary is a tough and tender character; maternal but fierce. And I think that’s Emily Blunt in a nutshell. Plus, who else is a triple threat – a singer, dancer and actress?

(Remaining ‘practically perfect’ on set was said to be difficult though!)

You’ll probably find that you adopt a frightfully posh English accent after the movie, and make promises to yourself that you will start dressing up and paying more attention to your hair style after watching Mary Poppins Returns.

Nothing. Such a useful word, isn’t it? It can mean anything and everything.

Apart from Mary, I’m sure the favourite character of many would be Jack (Lin-Manuel Miranda) the cockney street lamp lighter. He’s happy and smiley and fun and wonderful!

I adored Julie Walters too, but sadly Meryl Streep’s character was a tad too eccentric for my liking.

I’m not generally a musical fan, but I enjoyed this one. Every song is catchy and uplifting. Particularly ‘A Cover is not the Book‘ and ‘Trip a Little Light Fantastic‘, but the latter is 99% because of the choreography with the streetlights.

This is history in the making – you must go to see Mary Poppins Returns in the cinema. It’s simply the only way because it’s like a stage play.

Before you go to see it though, I’d recommend watching the original Mary Poppins as well as Saving Mr. Banks to fully appreciate the history of the Mary Poppins character.

I enjoyed the echoes in the first film, including the penguins, which were drawn in the traditional way – frame by frame – by the original Disney artists. Such a lovely touch!

100% must-see if you’re feeling blue.

Jodie’s rating: 8/10

Jumanji: Welcome to the Jungle

Director: Jake Kasdan
Writer: Chris McKenna
Released: December 2017
Starring: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Bobby Cannavale
—

I was on the back foot about this film because I loved the ‘first’ Jumanji film so much.

I say ‘first’ film, but these movies are totally unrelated. Jumanji: Welcome to the Jungle is very loosely based on the board game featured in the 1995 film, but updated to a play station game to target the newer generation.

The main characters are high schoolers who find themselves in detention together – not unlike The Breakfast Club. They are cleaning out the basement of the school when they come across this Jumanji game.

Each student picks an avatar based on the names provided. But they soon find themselves being sucked into the game and becoming the characters they chose.

Ironically, the school bully finds himself as Franklin ‘Mouse’ Finbar (Kevin Hart) – the nerdy avatar with no strength and only a giant backpack as a ‘special ability’ – and the nerdy little kid finds himself as the hulking Dr. Smolder Bravestone (Dwayne Johnson).

The character-switch is brilliant, particularly in the case of the girly-girl who finds out that her avatar is not a cute professor – Professor Sheldon Oberon – but a character represented by Jack Black.

Jack Black plays a teenage girl so well! Very funny. Especially when he teaches a fellow teenage girl how to be attractive.

“That was so intense. I like can’t even with this place.” – Bethany/Professor Sheldon Oberon (Jack Black)

Within the game they overcome lots of obstacles and dangerous hurdles. All the while being guided by an NPC (non-player character) called Nigel Billingsley (Rhys Darby). He’s pretty glitchy and repetitive, which was funny.

I thought this was going to be a cheap and nasty knock-off of Robin Williams’ Jumanji. I was ready to be offended on his behalf.

But actually, I laughed a lot! I loved it. I watched it on the plane from the UK to New Zealand – which is a long flight – and I didn’t fall asleep or lose concentration at all!

Cool concept, funny characters and a definite re-watcher!

Jodie’s rating: 8/10

Contagion

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Director: Steven Soderbergh
Writer: Scott Z. Burns
Released: September 2011
Starring: Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Jennifer Ehle, Elliot Gould and Kate Winslet
—

I’m 100% sure I have reviewed Contagion before… But I can’t find it anywhere so I must have only thought about writing about it. Anyway.

Contagion is almost like an apocalyptic film that explores what may happen in the event of a major epidemic that threatens to wipe out much of the population, similar to that of the Spanish flu that killed about 1% of the word’s population at the time (50-100 million people during 1918).

It plays on our fears of being vulnerable and desperate to protect ourselves and our family.

It follows the lives of multiple people such as an ordinary citizen (Matt Damon) whose [cheating] wife (Gweneth Paltrow) is affected by the epidemic (funny how the first person to die is someone who is guilty of having an affair), a doctor (Marion Cotillard) who attempts to trace the origin of the flu, and another doctor (Kate Winslet) who investigates the nature/behaviour of the virus. In the background is Jennifer Ehle’s character who is working hard to find the vaccine to this unknown flu strain.

Meanwhile, we see the ‘faces’ of the epidemic: Laurence Fishburne’s character’s professional opinion is sought after by the Centre of Disease Control, and he is asked to do interviews on the news.

“No one can know until everyone knows”

In the other corner is Jude Law’s character who is a popular conspiracy theorist who attempts to prove that the disease is a bio terrorism weapon used by the government to financially profit from the vaccines. He believes he has found a homeopathic cure for the fatal disease.

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It’s so interesting – every opinion is represented by a character, including the medical industry, government and citizens. The conspiracy theorist – although shown in a negative light with little integrity or authenticity (even given a gammy tooth for good measure) – raises a lot of good questions that should be asked. Challenging authority in such situations isn’t necessarily dangerous, but spreading propaganda may well be.

A thrilling ride with lots of interesting ‘what if’ scenarios.

My only criticism is the music. It’s such bizarre music. It’s sort of indie-sci-fi and reminds me of the Blade Runner soundtrack. The noises certainly put you on edge, but I’m not sure it always works with the more emotional scenes.

Jodie’s rating: 7/10

The MacGregor Brides – Nora Roberts

The Macgregor Brides book review

Writer: Nora Roberts
Genre: Romance
Released: 1997
Plot: The MacGregor clan’s patriarch is powerful, rich – and determined to see his three career-minded granddaughters married. So he hand-picked three unsuspecting candidates as worthy consorts… Now all he has to do is set his plans in motion.

—

A wealthy old man wants great grandchildren, so he devises a plan to set up all three of his granddaughters with eligible bachelors.

Creepy? Maybe. But you can’t deny the perfection of this story. The characters are perfect, their lives are perfect. And everything works out perfectly. Sometimes you need one of these easy books to read without having to think – it’s not a crime, ladies! Feminism may be in full swing, but reading a book about falling in love and marriage is not yet illegal, and shouldn’t be discouraged.

They’ve meddled with Disney love stories, but they can never change my beloved Nora Roberts stories.

Laura the lawyer is successful and rich.

Gwen is a doctor who works tirelessly.

And Julia is the business entrepreneur who doesn’t like to get out of bed in the mornings.

It’s just… Perfection, isn’t it. I love reading books about perfect people with their perfect jobs and perfect hair. You can completely lose yourself in their world in a way that I don’t think you can with TV or movies.

Anyway! They all ‘accidentally’ bump into the men who they are to fall in love with and marry. They each have their own love stories with their own problems and scandal. The characters are mostly aspirational, but there are some traits in each character that you will be able to identify with.

It’s a book that is so easy to read and so easy to lose yourself in. It must be the way Nora Roberts writes – she’s discovered what people like and she knows how to make these characters’ worlds accessible. Brilliant.

It’s shallow and vain and absolutely glorious – the perfect stop gap between heavy thrillers.

If you would like a romance that is a little more realistic, I’d 100% recommend Kat French. Her love stories feature more recognisable characters and slightly more down-to-earth situations.

Jodie’s rating: 6/10

The Racehorse Who Wouldn’t Gallop – Clare Baldwin

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Author: Clare Baldwin
Released: 2016
Synopsis: Charlie Bass is a horse-mad ten-year-old who dreams of owning her own pony. So when she accidentally manages to buy a racehorse, Charlie is thrilled. The horse she buys, Noble Warrior, looks the part: strong, fit and healthy. There’s just one problem – he won’t gallop. In fact, he won’t even leave his stable without his best friend, a naughty palomino pony called Percy. Charlie is convinced that Noble Warrior has what it takes to be a champion. But can she prove it? Derby Day is fast approaching and only a win can save the family farm from being repossessed. The stakes couldn’t be higher for the Basses. Can Charlie turn her chaotic family into a top training team? Can Noble Warrior overcome his nerves? Will Percy the pony ever stop farting?
—

Since I’m co-writing a children’s pony book series… Called The Tales of Pete & Podge… Which you can purchase on Amazon… For only $12.95 or on Kindle for $3.92… (Please judge this book by its cover – a new one is being illustrated as we speak!) I decided to do some research, so I borrowed The Racehorse Who Wouldn’t Gallop from the library.

There’s absolutely nothing to dislike about this book, but that’s almost what I don’t like about it. The main character has a unisex name so as not to alienate anybody, the family doesn’t have much money so as to be more relatable, and the characters are all perfectly ordinary.

Nevertheless, I love a good horse book and the humour in this story sets itself a part from the overly sweet pony tales on the market.

You can tell it’s written by a horsie person – everything was very accurate!

What I learnt from this book was that there must be a challenge to overcome. I appreciate that this is rule 101 when it comes to writing a story, but when you get so attached to the characters you’re writing about, making something bad happen to them can become challenging. (I know that’s a strange thing to admit.)

I love the farting palomino pony called Percy, although I don’t think he’s quite naughty enough!

An easy read for any horse lover who is after a light-hearted story.

Jodie’s rating: 5/10

Glass

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2019
Starring: James McAvoy, Bruce Willis, Anya Taylor-Joy, Sarah Paulson and Samuel L. Jackson
—

Okay. So. In order to enjoy this movie to the max, I strongly recommend you view the two prequels before heading to the cinema.

The very first movie in this trilogy (look at me assuming there’s only going to be three…) is Unbreakable. This came out 2000 and actually has a stronger connection to Glass than Split.

The second movie was Split, and this is important to understand the backstory of the ‘villain’ (James McAvoy) and the ‘brain box’ (Samuel L. Jackson).

I’m so excited about this film, I don’t know where to begin!

Okay, so if you loved seeing all the characters that James McAvoy played in the previous film, then you will feel like you’ve died and gone to heaven in this film. You will learn more about each of his personalities and understand Patricia a little more. But you must watch Split before seeing Glass if you want to understand and appreciate the relationship between the different personalities.

I know that everyone knows, but James McAvoy is just a remarkable actor! He portrays each personality so accurately that you swear you were looking at a different actor. Absolutely obsessed with this character! So amazing to watch. You’ll giggle with nervousness, and chuckle at the absurdity, but ultimately he’s the scariest villain I’ve come across.

Where Unbreakable was about the ‘reluctant hero’ (Bruce Willis), Glass is about the baddies. A psychiatrist (Sarah Paulson) has captured all three characters (Kevin Crumb/The Horde, Elijah Price/Mr. Glass and David Dunn/The Overseer) and locked them in a secure unit. They are unable to escape as each of their weaknesses guards their cell. What kryptonite is to Superman: water is to Dunn, flashes of light is to Crumb and a room void of mental stimulation is to Price.

How will they escape? Who’s really in charge?

There are tonnes of references to comic book tropes and character stereotypes, which I loved! Also, because much of the film is shot via security cameras within the secure unit, you feel like it’s a movie within a movie. Especially because Elijah Price almost narrates the film in third person, referring to each main character as the ‘villain’ and the ‘reluctant hero’.

“That sounds like the bad guys teaming up.” – Mr. Glass

A couple of presenters on either Coast or Radio Hauraki (I can’t remember which) only gave Glass 2/5. But one of the presenters hadn’t watched Split, and the other presenter hadn’t watched Unbreakable. So I think this was likely the reason for their low rating. They probably found it boring because they would have missed the interesting details and references.

You must watch this film if you love movies in general, comics or M. Night Shyamalan.

Jodie’s rating: 7/10

Storm Boy

stormboy

Director: Shawn Seet
Writer: Justin Monjo. (Based on novel by Colin Thiele)
Released: January 2019
Starring: Geoffrey Rush, Jai Courtney, Finn Little, Trevor Jamieson, Morgana Davies and Erik Thomson
—

Storm Boy is a story about a boy who rescues three pelicans in an isolated coastal area of Southern Australia called 90 Mile Beach.

Once nursed back to health and released into the wild, one pelican stays behind with the boy and never left his side.

Why is it called Storm Boy? Because according to Aboriginal beliefs, pelicans are the reincarnation of men who died at sea so every time a pelican is killed, a storm is bound to follow.

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This is a largely unknown and only briefly advertised film, which is a shame. However, I think anybody who has read the novel or seen the 1976 Storm Boy film will adore it.

It’s essentially a slow-paced, emotional drama. Sadly, it lacks the grunt I was expecting of it. As the undercurrent of the story is habitat destruction, I was hoping for an Erin Brockovich sort of film with heated arguments about environmental law and protests in the name of the pelicans!

But none of that really happens, it’s just a quiet film about looking after birds.

My favourite character is the ‘oracle’ character in Storm Boy is an Aboriginal man named Fingerbone Bill (Trevor Jamieson) is a good anchor to the film. He’s the character who keeps the main character grounded and focussed. He also represents indigenous Australia, echoing the friction between Europeans and Aborigines as well as between man and nature.

My favourite actor though, was of course Geoffrey Rush. I became a fan of his after The King’s Speech. I loved the scenes where they showed his character remembering being a child on the beach, and they showed him sat next to his younger self. Such a tear-jerker!

I enjoyed it, but am not inclined to watch it again due to the lack of drama.

Jodie’s rating: 6/10

Mystery in White – J. Jefferson Farjeon

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Writer: J. Jefferson Farjeon
Genre: Murder mystery/crime thriller
Released: 1937
Blurb: On Christmas Eve, heavy snowfall brings a train to a halt near the village of Hemmersby. Several passengers take shelter in a deserted country house, where the fire has been lit and the table laid for tea – but no one is at home. Trapped together for Christmas, the passengers are seeking to unravel the secrets of the empty house when a murderer strikes in their midst.

—

This was one of the first murder-mystery novels I had read, and it got me hooked on the genre.

I think it was after having read an Agatha Christie Miss Marple novel that I decided to investigate the genre further online, and this book came up. I’m not even sure why or how.

Nevertheless, despite it being a book written in the thirties, it was so well written. It was impeccably easy to read, which made it so gripping.

I probably should have told you about this book before Christmas since it is set on the night of Christmas Eve. But never mind!

It’s about a train that gets stuck in an unexpected snow storm. A group of passengers decide to try and walk through the snow to reach a nearby town, but end up taking refuge in an empty house.

What’s strange about it is that the fire is on, the table is laid and a knife has been left out. There are locked rooms and strange occurrences. Then murder strikes!

Storylines intertwine and different character perspectives show the crime from different angles. I loved every page of it! You get so lost in the mystery of it all, and best of all, the ending is brilliant.

The characters are all from different backgrounds with strong personalities – including a chorus girl, an elderly bore and a psychic.

It did get a bit messy within the final chapters, but I’m hoping I interpreted correctly.

A fabulous read! I still think about it often.

Jodie’s rating: 7/10

Radio Girls – Sarah-Jane Stratford

Radio Girls Book.jpg

Writer: Sarah-Jane Stratford
Released: 2016
Plot: The Great War is over, and change is in the air, in this novel that brings to life the exciting days of early British radio…and one woman who finds her voice while working alongside the brilliant women and men of the BBC.

London, 1926. American-raised Maisie Musgrave is thrilled to land a job as a secretary at the upstart British Broadcasting Corporation, whose use of radio—still new, strange, and electrifying—is captivating the nation. But the hectic pace, smart young staff, and intimidating bosses only add to Maisie’s insecurity.

Soon, she is seduced by the work—gaining confidence as she arranges broadcasts by the most famous writers, scientists, and politicians in Britain. She is also caught up in a growing conflict between her two bosses, John Reith, the formidable Director-General of the BBC, and Hilda Matheson, the extraordinary director of the hugely popular Talks programming, who each have very different visions of what radio should be. Under Hilda’s tutelage, Maisie discovers her talent, passion, and ambition. But when she unearths a shocking conspiracy, she and Hilda join forces to make their voices heard both on and off the air…and then face the dangerous consequences of telling the truth for a living.

—

I really felt like buying a brand new book one day. So I walked into W.H. Smith and picked one up that took my fancy.

Radio Girls sparked my interest because it was based in the twenties and was about radio. I studied radio at uni and loved it, but never had the confidence to pursue it (instead, I turned to voiceovers, which is more up my street).

I could easily identify with the protagonist who was a young woman starting her first proper job. She is immediately intimidated by the bosses, but she soon gets the hang of her job as the secretary and begins to get involved with the Talks radio programme.

Soon, she discovers a conspiracy. I’m not sure if it was my lack of intelligence, lack of knowledge of the era or the way that it was written, but I found it difficult to get a grip of what the entirety of the conspiracy was. Nevertheless, I understood enough of it to feel the weight of the situation.

While Maisie is getting mixed up with a huge cover-up, she also meets a man. I enjoyed the relationship side of the book so much that I realised that I must read a romance, and consequently discovered One Hot Summer by Kat French. (Which I still daydream about today.)

I enjoyed the parallel of the romance and the radio. Particularly because it echoed the struggle of balancing a career and a family, but also because the proximity of the love story and the serious mystery begin to intertwine…

If you love journalism, radio, 1920s fashion and a touch of romance, please read Radio Girls.

While it’s not a ground-breaking story, it’s pleasant enough.

Jodie’s rating: 6/10

The Devil’s Staircase – Helen Fitzgerald

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Writer: Helen Fitzgerald

Genre: Horror/thriller

Released: 2009

Blurb: Bronny, a young Australian, finds herself down and out in London. She’s a sweet girl who has spent her teenage years in a fearful, cautious bubble. She’s never taken drugs, had sex or killed anyone. Within six weeks she’s done all three. A group of backpackers break into an abandoned London townhouse seeking a rent-free life of debauchery. They don’t realise someone’s already there: a terrified woman bound and gagged in the basement. The Devil’s Staircase combines a chick-lit voice and a dark crime noir environment. Not for the faint-hearted, The Devil’s Staircase is funny, sexy and disturbing – it will keep you on the edge of your seat from start to finish.

—

This book does so well reading as though it’s a movie. I loved how easy it was to read with all the twists and turns and surprises that you didn’t see coming, while never leaving you behind.

It’s about a girl called Bronny who hops on a plane from Australia to London without a second thought. No bag or preparation whatsoever. This is what captured my interest, because isn’t this what we all dream of doing sometimes? Just getting away spontaneously?

Upon arriving in the UK, she quickly makes friends at a backpackers where she stays before they all become squatters together in an abandoned townhouse.

But this story quickly becomes a cautionary tale for any young, solo traveller.

Unbeknown to Bronny – or seemingly the rest of the group – there is a woman gagged and bound in the basement of the house. The story quickly becomes disturbing, scary and really unnerving.

Having gone on this huge horrific adventure of a girl in a big city with a murderer on the loose where you don’t who to trust, all the while trying to figure out who Bronny is as she comes of age, I was mortified by the ending.

I was baited through a dark forest of monsters, temptation and intrigue before being dropped off the edge of a cliff. What the hell. The ending is SUCH a let-down.

Does the ending fit with the story? Well, yes I suppose it does. On paper, the ending is perfectly in-keeping with the novel. But it’s simply not the ending I wanted! Even though I couldn’t relate to the protagonist very much, I was still too emotionally involved with the story for it to end the way it did.

This novel taught me that I don’t like horrors. I prefer crime/thrillers. This was of no fault of the author, just of the genre itself.

If you want a quick read, and you love horror, then read The Devil’s Staircase. But get ready for the moment when you read the final chapter, close the book and sit on your bed staring into space for twenty minutes before you’re ready to return to reality again.

It’s a shocker.

Jodie’s rating: 5/10

Forget My Name – J.S. Monroe

Writer: J.S. Monroe
Genre: Mystery/crime
Released: 2018
Blurb: How do you know who to trust when you don’t even know who you are?
You are outside your front door. There are strangers in your house. Then you realise. You can’t remember your name. She arrived at the train station after a difficult week at work. Her bag had been stolen, and with it, her identity. Her whole life was in there – passport, wallet, house key. When she tried to report the theft, she couldn’t remember her own name. All she knew was her own address. Now she’s outside Tony and Laura’s front door. She says she lives in their home. They say they have never met her before.
One of them is lying.

This was one of those books that I just took a punt on: I plucked it off the shelf and bought it without any research at all.

I read the synopsis and was captivated enough to read the first page of it in the shop. Then the second. Then the third… So I bought it. (As Tim Weaver mentioned in an interview once, it’s important to find an author who writes how you like to read, and this author certainly does!)

What a find!

It’s another one to add to the Girl on the Train/The Couple Next Door/Gone Girl band wagon to be honest. It’s a psychological thriller with a twist (or two)!

Forget My Name is about a woman who has has forgotten who she is. All she remembers is how to get home from the airport she’s found herself at. But when she arrives at the house that she recognises, she finds two people living there who say that they’ve lived there for several years. They kindly take her in until she can recall more of her life and figure out what has happened.

It certainly gets the cogs turning as it’s a very mysterious story indeed!

Sadly though, there are a few times where my suspense of disbelief was tested with the intriguing twists becoming unexpected u-turns. The story didn’t continue in the direction I’d hoped for as there were a few left-field story arcs.

Nevertheless, it was a page-turner and was good enough for me to recommend to others.

I particularly love the way it was written with the perspective of the different characters alternating between chapters.

It’ll keep you guessing from start to finish, but you’re not going to figure it out!

Jodie’s rating: 6/10

Bird Box

A review of Bird Box.

Director: Susanne Bier
Writer: Eric Heisserer (screenplay). Based on book by Josh Malerman
Released: December 2018
Starring: Sandra Bullock, Trevante Rhodes, John Malkovich, Vivien Lyra Blair, Julian Edwards, Danielle Macdonald, Lil Rel Howery, Jacki Weaver, Rosa Salazar, BD Wong, Tom Hollander, Sarah Paulson and Colson Baker
—

Firstly, if you’ve seen A Quiet Place, then you’ve seen Bird Box. It’s quite comical how similar they both are.

Nevertheless, that is not an excuse not to watch Bird Box – especially if you enjoy an apocalyptic film.

It’s about a mysterious force that if seen, will cause people to kill themselves or harm others. This results in mass suicides, turning the world into a survival of the fittest. No one can go outside without being blindfolded for fear of seeing the nearly invisible killer.

Bird Box river scene

The movie follows a pretty predictable storyline, but that doesn’t stop it from being shocking and unnerving. Especially when the force tempts people to take down their blindfolds by echoing the voice of a loved one.

I’m actually surprised that the storyline didn’t cause mass outrage or offence, considering it’s about suicides. I thought there would be fears of copycat behaviour. From the point of view of mental illness, I also thought offence would be taken by the fact that clinically insane people can see the killer but not kill themselves. Instead, they turn into murderers.

At the very least, I thought offence would be caused by the main character Mallorie (Sandra Bullock) naming the two children she’s looking after Boy and Girl (which are very gender-specific names in this gender diverse world).

Review of the Bird Box movie

However, I despair at what has got people talking: The Bird Box Challenges.

People are posting videos of themselves doing everyday activities – such as driving – blindfolded to see if they would survive in the apocalyptic world that was depicted. This reaction to the movie has resulted in warnings being posted by Netflix.

Can’t believe I have to say this, but: PLEASE DO NOT HURT YOURSELVES WITH THIS BIRD BOX CHALLENGE. We don’t know how this started, and we appreciate the love, but Boy and Girl have just one wish for 2019 and it is that you not end up in the hospital due to memes.

— Netflix US (@netflix) January 2, 2019

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Nevertheless, I thought the movie was well cast – I love Sandra Bullock anyway – but she did so well portraying a desperate mother. I think Reese Witherspoon would have done a good job too.

The storyline moved quickly with lots of twists and turns, which kept you on your feet.

So take your blindfold off – Bird Box is definitely worth watching!

Jodie’s rating: 7/10

A Star is Born

Director: Bradley Cooper
Writers: Based on story by William A. Wellman, Robert Carson, Dorothy Parker, Alan Campbell. Screenplay: Eric Roth, Bradley Cooper, Will Fetters
Released: October 2015
Starring: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle and Sam Elliott
—

Believe it or not, this is the fourth version of A Star is Born.

1937 (Janet Gaynor and Fredric March)
1954 (Judy Garland and James Mason)
1976 (Barbara Streisand and Kris Kristofferson)
2018 (Lady Gaga and Bradley Cooper)

It’s about a rock star called Jackson Maine (Bradley Cooper) who is an alcoholic with failing hearing and a career that is winding down. He bumps into a waitress called Ally (Lady Gaga) who has some decent pipes and takes her under his wing. Before he knows it, she’s an even bigger pop star than him and fame changes her from a humble, ordinary girl into an unrecognisable star.

While she rakes in the money and wins all the awards, Maine’s alcoholism gets worse.

The two main characters’ relationship reminds me of Johnny Cash and June Carter as portrayed by Joaquin Phoenix and Reese Witherspoon in the movie Walk the Line. I liked how in love they seem – no wonder why it sparked rumours that Lady Gaga and Bradley Cooper had a fling! They’re a very convincing couple.

Actually, in so few words: Walk the Line + Burlesque + two and a half hours = A Star is Born.

The movie itself has brilliant music in it, especially everybody’s favourite song ‘Shallow‘. Despite a few plot holes and weird twists and turns, I can certainly appreciate that this movie stands out from the bunch this year.

But while the first quarter of the film was giving me chills and teary eyes, that quickly faded as the pacing of the film was getting slower and slower, and the story was getting longer and longer.

I looked over at my friend (Sascha) who appeared to be thinking the same thing: ‘where is this story going, and when will it end?’

Thankfully, Lady Gaga’s stunning performance almost made up for the dragged-out shots and painfully slow story line – she was a brilliant actress. Bradley Cooper looked the part too, with his rough exterior, long hair and diesel-engine voice.

After the movie finished, I thought I’d check out Lady Gaga’s Instagram as I was excited to follow her and be a fan of her acting career. But then quickly changed my mind as her Instagram isn’t a platform to showcase her talent or personality, it’s an album of her near-naked photos.

Then I remembered there were at least four scenes where Lady Gaga was naked for no reason in the movie. I realised that she’s just a woman who likes to get naked at the drop of a hat and talk total nonsense in interviews. Which was disappointing.

I guess I really only liked the character she was playing, which I suppose is credit to her acting talent.

My verdict is that the acting and the music is top notch, and this remake will probably win all the awards and be known as a Hollywood sensation. But the pacing is so slow and drawn out that even the heavy emotion of the story simply isn’t enough to keep you focused.

Therefore, if you’re looking for an emotional film about musicians falling in and out of love, I’d recommend watching Walk the Line instead. It’s got all the perks of A Star is Born – hit songs, flawless acting and it still covers the same distressing issues (such as substance abuse). The difference being that the pacing is faster in Walk the Line and keeps you hooked.

The music, the performances and the cinematic beauty of this movie is wonderful. But the rest of it lets it down.

Jodie’s rating: 5/10

Baby Let Me Go – Smoking Martha

Stepping away from their more upbeat and rocky music, Baby Let Me Go by Smoking Martha is a soft rock acoustic song with dark undertones on their album In Deep.

Echoing the glamorous aesthetic of rock and roll singers from the deep south, surprisingly this band hails from Brisbane’s sunny coastlines.

This is the second song I have reviewed of Smoking Martha’s, and I didn’t even realise it was the same band because of how different this song is to the last one!

Baby Let Me Go is about death and grief, with the video using classic symbols of religion, angels and roses to represent the loss and acceptance associated with the song.

My only criticism would be that the song takes a long time to warm up with perhaps one too many verses before reaching the bridge. This plus the repetitive shots used in the video made the song drag a little.

This song in particular reminds me of the 2000’s Ashley Simpson and Avril Lavigne, with a rocky and smokey undertone beneath the feminine and melodramatic exterior, which I think would appeal widely to today’s younger generation. However, their back catalogue is far more typical of the classic rock genre.

Check out Baby Let Me Go on YouTube here.

Follow Smoking Martha on Facebook, Twitter and Instagram.

Mission: Impossible – Fallout

mission_impossible_fallout

Director: Christopher McQuarrie
Writer: Christopher McQuarrie
Released: July 2018
Starring: Tom Cruise, Henry Cavill, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Angela Bassett, Michelle Monaghan, Alec Baldwin
—

Not being a massive action film fan myself, I was more in favour of waiting to see Christopher Robin instead. But in the back of my mind I figured Winnie the Pooh may not live up to my expectations as I was convincing myself it would be as magical as the Beatrix Potter biopic, Miss Potter. Whereas the new Mission: Impossible film is a little less risky, as you know exactly what to expect.

We were right – this film is everything you’d hope for in a Mission: Impossible movie.

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It follows Ethan Hunt (Tom Cruise) and his team, which includes geeky Simon Pegg as Benji, as they embark on another seemingly impossible mission to save the world. This time, Ethan is trying to get his hands on some plutonium that is in the wrong hand as it’s intended for nuclear bombs. Meanwhile, he is being flanked by an unwelcome CIA agent (Henry Cavill), hindered by a former flame (Rebecca Ferguson) and shadowed by his former wife.

Ethan’s unwavering loyalty to his friends and team are frequently mentioned, making him the wholesome, invincible, all-American hero (not unlike Superman) that we’ve come to know and love.

Just like the franchise promises, Mission: Impossible – Fallout is outlandish, comedic at times and action-packed. Getting electrocuted by lightening and surviving major helicopter crashes are just a couple of the ‘impossible’ twists and turns in this movie.

mission_impossible_fallout2

The film tip-toes the precipice of making fun of itself, almost becoming what Deadpool is for the superhero genre. But despite teasing the stereotypes of the action genre (making me expect Tom Cruise to turn and wink at the camera at every gun fight) it never quite holds a mirror up to itself, which keeps the integrity of the film.

I am a big fan of Tom Cruise – despite his quirks – he does all of his own stunts including the helicopter flying where he spent two years acquiring the qualifications, and he seems like a really nice guy. But I did feel a little bad for him during some parts of this film:

I’m sure everyone is aware of his accident on set where he practically snapped his ankle when jumping from one building to another, which caused production to shut down for six weeks until he healed. But if you’ve got a keen eye, you’ll notice that he is limping at random points throughout the movie. He also looks quite stiff in many of the physically-arduous scenes.

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Now, I’m not talking him down. But I’m just saying you can’t disguise the fact that you’re ageing if you’re running about in an action film – Botox can only do so much!

I was convinced that crew members from Inception had worked on this film as the music was very Hans Zimmer and the locations paralleled Inception as they both begin in Paris and end in snowy mountains – which are filmed in New Zealand! (After a quick Google search I have discovered that the composer for this film is Lorne Balfe who has a studio at Hans Zimmer’s company.)

As a general action film avoider, I was entertained by this movie. It was fun, and the gun fights and car chases were not dragged out too long. So despite the length of the film, it holds your attention.

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It didn’t make fun of itself so much that you lost respect for the franchise. (Although I wouldn’t have been surprised if Jason Bourne, James Bond and Bryan Mills casually walked into a scene to team-up with Ethan Hunt during a fight.) But it also didn’t take itself too seriously.

It was snappy, easy to follow and entertaining, which is exactly what you hope for in a Mission: Impossible film.

Jodie’s rating: 7/10

Incredibles 2

incredibles

Director: Brad Bird
Writer: Brad Bird
Released: June 2018
Starring: Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner, Samuel L. Jackson, Bob Odenkirk
—

I recently wrote that I was excited to see this film, but I do wonder if I was perhaps influenced by other people’s enthusiasm because I was never really a massive fan of the first film. I liked it of course, but it ain’t no Toy Story.

Nevertheless, I do love a Pixar animation, and I am very interested in the voice acting scene, so I was more then happy to see Incredibles 2.

This second instalment picks up exactly where the first one left off where the Incredibles are attempting to save the city from a giant mole super-villain. Unfortunately despite their best efforts, they do not catch the culprit and superheroes are condemned and remain illegal.

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The movie predominately follows the story of Helen Parr/Elastagirl (Holly Hunter) who is hired by a man named Winston Deavor (Bob Odenkirk) who hopes to make superheroes legal again by showing conflicts from her perspective. Meanwhile, Bob Parr/Mr. Incredible (Craig T. Nelson) has to stay at home with the children – including baby Jack-Jack who is proving difficult.

Just like most other animations that have been released over the last couple of years (including Brave and Maleficent), the feminist movement is a major theme in this film. It features a gender role swap where Bob reluctantly takes over family life at home while Helen enjoys the action-heavy job of being a paid superhero.

Helen thrives at work, which shows how well-rounded she is at being a mum as well as an employee. But Bob is said to be ‘too messy’ to accept the superhero position and struggles to cope at home with the children, painting him as incompetent.

While it was refreshing to have a female hero, I did think this movie swung a little too far away from ‘gender equality’ into the sticky territory of ‘man-hating’, as it showed the male characters failing (including but not limited to Bob) and female characters excelling (including but not limited to Helen). In addition to this, the script was peppered with plenty of derogatory language from female characters toward male characters. (I will include the exact quotes I’m referring to once they become available online.)

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I’m going to say it – if Bob spoke Helen’s script, there would be protests in the street. I believe this highlights that this isn’t a movie promoting gender equality, it’s displaying bitterness toward men by putting them down. Feminism isn’t about revenge, please.

Eesh… Enough of the heavy.

Thankfully, everyone’s favourite characters are in the sequel including Edna Mode (Brad Bird) and Lucious Best/Frozone (Samuel L. Jackson). They are sure to make you giggle!

incredibles4

The supervillain in this film, Screenslaver, has some pretty philosophical lines if you listen out for them. The character talks about staring at a screen all day instead of actually getting up and doing something, quite insightful considering the audience.

Screenslaver: Superheroes are part of a brainless desire to replace true experience with simulation. You don’t talk, you watch talk shows. You don’t play games, you watch game shows. Travel, relationships, risk; every meaningful experience must be packaged and delivered to you to watch at a distance so that you can remain ever-sheltered, ever-passive, ever-ravenous consumers who can’t free themselves to rise from their couches to break a sweat, never anticipate new life. You want superheroes to protect you, and make yourselves ever more powerless in the process.

Overall, you can look as much or as little as you want into this film. It’s certainly fun, but not hilarious. It’s a solid family film and easy to watch, but nothing ‘incredible’.

Jodie’s rating: 6/10

Top 12: Best Movies About Journalism

Some of these films were a larger influence on me choosing to study journalism at university than I care to admit. Morning Glory was the main reason for me deciding to take a television journalism paper, and The Pelican Brief was responsible for introducing me to the world of investigative journalism.

Here are some of the best journalistic films:

Spotlight (2015)
“If it takes a village to raise a child, it takes a village to abuse one.”
Based on the Pulitzer Prize-winning Boston Globe investigation, Spotlight follows the journey of a group of investigative journalists unearthing the child abuse within the Catholic Church. Despite the heavy and disturbing subject matter, it is such a moving film. Just watching the trailer gives me chills; it is so well made.

The Paper (1994)
“A clipboard and a confident wave will get you into any building in the world!”
A comedy/drama directed by the brilliant Ron Howard shows Michael Keaton’s journalist character who is considering a job offer with better pay when a big scoop lands in his lap. It’s a race against the clock to meet the deadline to get the true story printed. It’s a very exciting movie and a great snapshot of how a 90s newsroom looked.

The Pelican Brief (1993)
“If this thing reaches this deep and goes as high as we think it does, these men will do anything not to be exposed.”
Darby Shaw (Julia Roberts), a law student, writes about the assassination of two Supreme Court justices and her theory behind it. Her work turns out to be totally correct, but soon gets into the hands of the wrong people who are determined to keep the truth under wraps. Darby soon finds herself running for her life until an investigative journalist (Denzel Washington) helps her get the truth out. I love this film, we studied the editing and use of sound at high school, but it was John Grisham’s captivating storyline that really captured me.

Nightcrawler (2014)
“Do you know what fear stands for? False Evidence Appearing Real.”
Lou Bloom (Jake Gyllenhaal), is searching for a job he’s really good at. He soon discovers the media industry where freelance camera operators use police scanners to find newsworthy content such as car crashes and shootings to film and sell to local news outlets. Bloom dives into this career and quickly makes a sweet sum. This film is by far one of the creepiest films I’ve seen. It’s not so much scary, but it does put you on edge and makes your skin crawl.

Morning Glory (2010)
“Okay. Is Daybreak a shitty show? Yes! But it’s on a network, and not just any network. This is one of the most legendary news divisions in the entire history of television.”
A bit of a twist to my list, Morning Glory is a comedy. Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show. It is a brilliantly funny story, particularly Harrison Ford’s character who was an investigative journalist before being ployed on to the morning show as an anchor.

The Help (2011)
“Careful, Hilly. That’s chapter 12. Don’t give yourself away now.”
Based on true events, this is about a strong-willed and moral young woman named Skeeter (Emma Stone) who interviewed African-American maids in Jackson, Mississippi despite it being very dangerous and very much against the law. With many struggles and an immense amount of courage from all involved, she wrote a book anonymously based upon the accounts of the Help who serve white families for little money and humiliating conditions. A brilliant movie.

Capote (2005)
“Sometimes when I think of how good my book is going to be, I can’t breathe.”
If I’m including The Help, then it’s only fair to include Capote. Also a Southern-based true story, this is about Truman Capote who interviews a murderer in 1959 to write a book about him. Along the way, he develops a relationship with the criminal who is now on death row. While a slow film, it does follow the journey of a writer who conducts interviews for publishing, which is journalism at its core.

State of Play (2009)
Cal: “I heard a young woman was murdered.”
Police officer: “Who told you that?”
Cal: “…you just did.”
Two seemingly unrelated deaths occur, but reporter Cal McAffrey (Russell Crowe) can join the dots. He discovers a mass conspiracy to be uncovered, but he soon has to decide if it’s worth risking his life for the story. Admittedly, I don’t think I’ve managed to watch this film from beginning to end, but the parts I’ve seen are certainly enjoyable.

Good Night, and Good Luck (2005)
“Funny thing, Freddie, every time you light a cigarette for me, I know you’re lying.”
This story is set against the backdrop of television journalism during its infancy of the 1950s. It chronicles the real-life story of television newsman Edward R. Murrow and his team of researchers who aim to scrutinise every political story with good quality journalism, while resisting corporate and sponsorship pressures for fear-mongering. I’ve only seen bits and pieces of this film, but I’m looking forward to watching it in full.

Network (1976)
“I’m mad as Hell, and I’m not going to take it anymore!”
Set to the backdrop of journalism more than it being about journalism I suppose. It follows a frustrated news anchor who goes on a massive rant and threatens to kill himself live on air after being fired. A producer notices how the television rating spike because of his outlandish reaction and takes advantage of it by deciding to keep the anchor on air. It explores how television is ratings-driven and profit-driven, with little consideration for moral or authentic work. Quite interesting. I’d imagine this film was inspiration to Morning Glory.

All the President’s Men (1976)
“This whole thing is a cover-up and it’s right under our nose.”
Based on the true story of the two Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) who uncovered details of the Watergate scandal. I’ve only seen bits and pieces, but the bits I’ve seen I’ve enjoyed.

The Post (2017)
“Do you know what my husband said about the news? He called it the first rough draft of history.”
Katharine Graham (Meryl Streep) is the publisher The Washington Post. With help from editor Ben Bradlee (Tom Hanks), they expose a massive cover-up of government secrets. The unlikely duo overcome their differences to bring the truth to light, while risking their jobs and freedom. While I thought this film was dry and dragged out with a ton of unnecessary dialogue and lack of emotional tension, this must be included in the list because I’m sure journalism-lovers will enjoy it regardless.

I appreciate that I should probably include Citizen Kane. I have seen it and studied it at school and I am aware that it’s a classic. I feel this movie is the equivalent to Michael Jackson’s music – you can quietly dislike it, but you can’t deny the genius behind it. So, while I appreciate it, I honestly wouldn’t purposely watch it again. But if you haven’t seen it, you probably should.

Top 18: Best Coming-of-Age Movies

I love coming-of-age films. It’s the perfect mix of dark drama and bright comedy, against the backdrop of real-life circumstances and down-to-earth characters. Here are a few of my favourites:

American Graffiti
“I’m getting out of this turkey town! You can’t stay 17 forever.”
My number one favourite film forever. The night in the life of 1960s teenagers who have just graduated high school. They have one last night before they all go their separate ways. Some are moving away for university, some are hoping to settle down and others are wanting their high school career to continue by day along with the iconic culture of ‘cruising’ in their candy-coloured scream machines on the roads by night. To tie everyone in is radio personality Wolfman Jack. Legend.

Brooklyn
“I wish that I could stop feeling that I want to be an Irish girl in Ireland.”
“Homesickness is like most sicknesses. It will pass.”
Another one of my absolute favourite films – it’s so humbling. Saoirse Ronan is a brilliant actor whose character, Eilis, moves from Ireland to Brooklyn during the fifties. She grows from an innocent and naive girl into an independent young woman out of necessity who creates a life for herself. The lady Eilis lives with in Brooklyn is played by Julie Walters, who is essential to keeping this deep movie very funny.

Good Will Hunting
“How do you like them apples!”
This is a beautifully touching film about a genius who refuses to reach his potential. Coming from a rough neighbourhood, Matt Damon’s character is quick to get into fights and back into handcuffs. But Robin Williams’ character is soon able to crack his mask to reveal a scared and unhappy boy.

Dead Poets Society
“…medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”
It follows the internal struggles of boys at a private boarding school who are wrestling between being themselves while pursuing their dreams and pleasing their prestigious fathers. Again, Robin Williams’ character acts as a mentor to these students, but he’s not able to save them all.

The Skeleton Twins
“I can’t wait to be the creepy gay uncle.”
“You’re hired!”
This film is about Bill Hader and Kristen Wiig as suicidal siblings Milo and Maggie. Yeah, it’s a bit of a downer but weaving through the tragedy are sarcastic come-backs that will make you belly-laugh. While coming-of-age films are typically about teenagers growing up, I think this movie can be included because they’re twins who are rediscovering themselves and each other, delving into their childhoods and overcoming their troubles.

About a Boy
“Oh, no… it’s just I thought you had hidden depths.”
“No, no, you’ve always had that wrong about me. I really am this shallow.”
This is my favourite Hugh Grant film because while he still plays the self-obsessed a-hole, he does so in a comedic way with a three-dimensional character. It’s a traditional coming-of-age story for the young boy Marcus, but it’s also about Hugh Grant’s character growing up and realising that being part of a family isn’t a bad thing. They both grow together and learn from each other.

driving lessons.jpg Driving Lessons
“To wit, I leave you with this quote penned by my dear friend, William Shakespeare: ‘When the shit hits the fan, get a tent’.”
Such an underrated coming-of-age film – I doubt many people have ever heard of it. It features Rupert Grint and Julie Walters and follows a storyline similar to that of About A Boy and Scent of a Woman (as explained in my blog post One Story, Six Movies) where an older person and a younger person bond and learn from each other. But I love Driving Lessons in particular because it’s so funny – classic English humour. Julie Walters is brilliant.

scent of a woman.jpg Scent of a Woman
“Oh, where do I go from here, Charlie?”
“If you’re tangled up, just tango on.”
Forever a favourite of mine. It’s quite dark in places as it follows Al Pacino’s blind character, Colonel Slade, who is struggling with depression. He is an experienced soldier and a wise man, who has a story to tell. Chris O’Donnell’s character is young Charlie who is hired as Colonel Slade’s aid for a thanksgiving weekend, he is kind but very naive. He is reluctantly dragged to New York with The Colonel, but learns a lot along the way. They both help each other out profoundly.

The Commitments
“The success of the band was irrelevant… Sure we could have been famous and made albums and stuff, but that would have been predictable. This way it’s poetry.”
The Commitments is about a group of teenagers who all have troubles at home, but come together to make incredible music. While they don’t ‘make it’, their trumpet-player is quick to remind them that they may not have created history, but they’ve created poetry.

Sing Street
“This is life, Conor. Drive it like you stole it.”
Sing Street is similar to The Commitments as they’re both Ireland-based movies about a group of teenagers forming a band. This film is about a new boy at school who starts a band to impress a girl. Meanwhile, he tries to deal with his parents’ divorce with his brother being his only emotional support.

Little Miss Sunshine
“A real loser is someone who’s so afraid of not winning he doesn’t even try.”
A family are trapped in an old yellow Volkswagen van as they drive across the country. The family consists of a dad who is a failed motivational speaker, a mother at the end of her tether, a grandad drug-addict, an suicidal uncle, a son who refuses to speak and a little girl who is just wanting to enter a beauty contest. It is a light-hearted storyline about a family overcoming their obstacles and coming together for the sake of family.

About Time
“…worrying about the future is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life will always be things that never crossed your worried mind.”
Such a beautiful film. About Time is one of the best feel-good comedy/dramas out there. It’s about an innocent and quiet boy called Tim Lake (Domhnall Gleeson) who at the humble age of 21 is told by his father (Bill Nighy) that, like every man in his family, he can travel back in time. It follows his life and the decisions he makes along the way, which touches on love, death and birth. It truly is a lovely almost auto-biographical film.

The Breakfast Club
“We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.”
A day in the life of 1980s teenagers who have ended up in detention for various reasons. Starting the day out as enemies they end the day with an acceptance of each other. The bully, the jock, the nerd, the popular girl and the goth grow over the course of the day through various funny and serious scenes as they begin to work together to gang up on the teacher.

The Way, Way Back
“There’s a whole world out there for you, Duncan. Don’t settle. Not yet.”
Duncan is a 14-year-old boy who is forced to go on a summer holiday with his mum and her boyfriend. But her boyfriend is an utter dick, and just an overall bully to him so Duncan gets a job at the local water park where his boss becomes a bit of a mentor. The water park because his escape while he figures out what to do with his life.

The Perks of Being a Wallflower
“C minus, ladies and gentlemen! I am below average!”
The trailer portrays this film as a fun-loving and laid-back, but it’s actually got very dark undertones. The three main characters (Sam, Charlie and Patrick) are all hiding dark secrets – bulimia, child molestation and being gay. Their friends around them are all struggling with certain issues too – stealing, struggling with academia and popularity. The three main characters all help each other through their difficult stages in their lives as they grow up and mature.

Whip It
“So, what are you, like, alternative now?”
“Alternative to what?”
A teenage girl called Bliss is trying to break away from her mother’s 1950’s-style parenting. She straps on roller skates and joins a roller derby team, where she finds security and support in her teammates. She slowly matures as she embraces the culture of the roller derby scene – surrounded by misfits and the unwanted.

Juno
“No, this is not a food baby all right? I’ve taken like three pregnancy tests, and I’m for shizz up the spout.”
A carefree 16-year-old tomboy gets pregnant with her best guy friend, they decide to adopt the baby out to a couple who can’t have children. It sounds kinda icky and lame, but Juno is so funny with her immature comments and how she gives a reality check to adults. While Juno has found herself in a very adult situation, the potential adoptive father is rediscovering his youth and becomes reluctant to adopt. I guess it’s about never wanting to grow up.

13 Going on 30
“I like your dress.”
“That’s because I have these incredible BOOBS to fill it out!”
While this is a coming-of-age film in the most literal sense, it’s far more light-hearted than my other selections. There’s no themes of suicide or drug-use, the tragedy isn’t as dark and the characters aren’t as relatable. Nevertheless, Jennifer Garner does a brilliant job of playing a 13-year-old in a 30-year-old’s body.

Just realised how many of the same actors are in coming-of-age movies. Kristen Wiig, Ellen Page, Julie Walters, Robin Williams and Toni Collette are regulars of the genre, maybe because they’re so ‘real’ and relatable.

I guess the common themes of the coming-of-age genre include characters who are in the process of growing – typically growing from a teenager into an adult, but it also includes characters who experience profound change or growth well into their adult years.

Coming-of-age storylines carry dark tragedy as well as light-hearted comedy, which is why they’re so relatable and enjoyable. They reflect real life with flawed characters and unsatisfactory circumstances, with a lot of inner-turmoil to be sorted out.

They also include a young naive character and an older mentor. Both have flaws and both help each other to grow.

Spotlight

Director: Tom McCarthy
Writer: Tom McCarthy, Josh Singer
Starring: Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci
Released: November 2015
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Based on the Pulitzer Prize-winning Boston Globe investigation, Spotlight follows the journey of a group of investigative journalists unearthing the child abuse within the Catholic Church.

Despite the heavy and disturbing subject matter, it is such a moving film. Just watching the trailer gives me chills; it is so well made.

I think the writers did a remarkable job of giving a lot of detail about the case without slowing the pace of the movie down. It moves at a steady pace where you are deep enough into the emotion without it being too overbearing.

The cast is brilliant, featuring one of my favourite actors Rachel McAdams who has been in journalistic-based films before (Morning Glory and State of Play). Stanley Tucci, Mark Ruffalo and Michael Keaton are absolutely brilliant too.

Sacha Pfeiffer (Rachel McAdams): I’m here because I care. We’re going to tell this story, we’re going to tell it right.

The year-long investigation takes the team through many difficulties, including the realisation that this is not a Boston-bound issue but a global one. That the church pay lawyers off to settle the child abuse cases unofficially and out of the public eye. Their uphill struggle through a thick web of lies and secrets leads them to the victims who have all been emotionally scarred by the abuse.

Walter ‘Robby’ Robinson (Michael Keaton): We’ve got two stories here: a story about degenerate clergy, and a story about a bunch of lawyers turning child abuse into a cottage industry. Which story do you want us to write? Because we’re writing one of them.

This film is very moving and is a brilliant documentation on what really went on in the Catholic Churches. Every character is brilliant, the script is remarkable and the subject matter is important.

Mitchell Garabedian (Stanley Tucci): If it takes a village to raise a child, it takes a village to abuse one.

I am so inspired by the characters – these are all based on real-life journalists who persisted at digging deeper and deeper into finding the truth. It puts the ‘click bait’ online media of today to shame. This is real journalism.

Michael Rezendes (Mark Ruffalo): They knew and they let it happen! It could have been you! It could have been me! It could have been any of us!

Spotlight is a meaningful, important and inspiring story and I’m so pleased they made a film about it because I never would have known this happened otherwise. That’s what I love about films; they educate and inform people using a medium of entertainment that is easily consumed. And the makers of Spotlight have certainly used film to portray this story impeccably well.

Mike Rezendes: Mitch, are you telling me that the Catholic Church removed legal documents from that courthouse?
Mitchell Garabedian: Look, I’m not crazy, I’m not paranoid. I’m experienced. Check the docket. You’ll see. They control everything.

The script is brilliant – I keep finding more and more quotes I want to include in this review but I’ll end up with the entire script on here if I don’t stop now.

You must watch this.

Jodie’s rating: 8/10

Top 5: Most Magical Films of the 90s

Growing up in the 90s, I remember surrounding myself with VHS tapes of my favourite movies. I’d dress up and pretend I was a character in the movie as I watched it with my stuffed toy collection, and quartered peanut butter sandwiches.

It was a marvellous childhood, hence why there are a few movies I can’t watch without blubbering with overwhelming nostalgia.

I avoided the classics such as Disney’s Lady & the Tramp and Sleeping Beauty, or Matilda because while they are certainly magical I’m sure they were every little girl’s favourite during the 90s. So here are a few hidden treasures that you might have forgotten about:

The Secret Garden (1993)
Dickon: “The animals tell me all their secrets.”
Mary: [Pointing to the robin] “He wouldn’t tell you my secret, would he?”
Dickon: “About what, Miss Mary?”
Mary: “A garden. I’ve stolen a garden.”
An absolute favourite of mine, probably in part to the resemblance between me and the stroppy little girl in the film (according to my mum). But it also included a lot of animals (including ponies), which I adored. I was also intrigued by the mansion the girl lived in and all the hidden locked rooms… and secret gardens.

black beauty.jpg Black Beauty (1991)
“The story of my life is the story of the people in it. I haven’t always been as lucky as I am, in this delicious place with grass, and water, and sunshine. Mine is a story of trust and betrayal, and learning to trust again. I remember everything.”
The best horse film of all time. It’s not too cheesy, it’s not unrealistic. It’s about how tough a horse’s life was in the 1800s, and how nice their owners would be is purely down to chance as animals have no say in their fate. A beautiful film, but will likely leave you in tears. I liked how it had the same actor in it as in The Secret Garden – Andrew Knott. I guess he was one of few young boys around who could ride and act?

A Little Princess (1995)
“I am a princess. All girls are! Even if they live in tiny old attics, even if they dress in rags, even if they aren’t pretty, or smart, or young, they’re still princesses – all of us! Didn’t your father ever tell you that? Didn’t he?”
This became harder to watch the older I got because I didn’t understand it entirely when I was younger. It’s a heart-wrenching story about Sara – a little girl whose father is away at war. She is sent to an all-girls boarding school but is treated poorly and finds comfort in the other girls while she wishes desperately for her father to come home. (PS. Just looked into the actress who plays Sara – didn’t realise she hails from one of America’s richest families, according to Forbes magazine… Suddenly feels a little less magical now.)
FairyTale: A True Story (1997)
“Never try to fool children. They expect nothing and therefore see everything.”
Being an avid believer in fairies throughout my early childhood, I looked to this film as proof of their existence. While I have since discovered that this ‘true story’ was based upon two children who lied to the fragile people of post-war England, this film is still magical. (Featuring a young Bill Nighy.)

Homeward Bound: The Incredible Journey (1993)
Chance: “I can do better! Just give me a second chance!”
Shadow: “That was your second chance, Chance!”
Chance: “Then give me a third chance!”
Two dogs and a cat make their way across the country in search of their owners who left them behind. This cosy American family movie follows Chance, Sassy and Shadow on an emotional journey that will leave you in tears every time. It’s funny to know the faces behind the actors who voiced them now (including Michael J. Fox and Forrest Gump’s mother).

The Post

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Director: Steven Spielberg
Writer: Liz Hannah, Josh Singer
Released: December 2017
Starring: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys
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The Post comes across as a film with similar emotional impact to the likes of Spotlight (a highly recommended investigative journalism movie), but it sorely missed the mark.

It follows the real-life story of the Washington Post in the 1960s, a paper passed down to Katharine Graham (Meryl Streep) who is struggling to keep the company financially afloat. Then, a big story breaks as government secrets relating to the Vietnam war are leaked – this massive story could make or break the paper.

But with the New York Times already being threatened with legal action for publishing only part of the information now available, Katherine is reluctant to allow editor-in-chief Ben Bradlee (Tom Hanks) to publish the story for fear of bankrupting the paper. Meanwhile, she is fighting the emotional turmoil of being a woman in a man’s world.

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The movie opens with a scene of the Vietnam war, which was definitely not required and I believe it was only included to pay homage to Stephen Spielberg’s Saving Private Ryan success. So that kicked this film off poorly.

Then it was about an hour of long, dry dialogue, which I struggled to pay attention to. So I’m not entirely sure if they explained what the government secrets were specifically, but I’m pretty sure the gist was that the government knew the US would lose the war but continued to send troops for fear of being embarrassed. But I don’t see how that could have taken an hour to explain… Maybe I missed something.

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The second half of the film focussed on gender inequality and women’s rights as it follows Katherine, who slowly becomes more self-confident as she learned the ropes of running the paper after her husband’s death. She is spoken down to by colleagues, which makes the decision of publishing the leaked information or not even more difficult to make.

The cast was great of course. Meryl Streep is amazing and Tom Hanks is his usual great self, but did come across as more ‘family man’ than ‘tough editor’. I do wonder if Bryan Cranston was considered for this role due to the amount of Breaking Bad actors featured (Bob Odenkirk and Jesse Plemons). I think his darker domineer would have come across well.

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Overall, the exciting, fast-paced and emotionally-charged storyline that I was expecting was not there. Just a ton of unnecessary dialogue and a story that didn’t portray the risk and stress of the situation very well.

Oh well. Perhaps it needs a second viewing.

Jodie’s rating: 5/10

Brave

Directors: Mark Andrews and Brenda Chapman
Writer: Brenda Chapman
Released: June 2012
Starring: Kelly Macdonald, Billy Connolly, Emma Thompson, Julie Walters, Robbie Coltrane, Kevin McKidd, Craig Ferguson
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I was so certain I had written a review on this film…

Anyway, it’s a medieval, Scottish-based Disney Pixar animation film about a young fiery red-headed princess named Merida (Kelly Macdonald). Her youth and freedom is threatened when her parents organise suiters to win her hand in marriage. She rebels and enlists a witch to change her mum (Emma Thompson) in order to change her fate.

While the dodgy witch (Julie Walters) did make her mother change, she changed her into a bear. This did change Merida’s fate but not in the most ideal way. Therefore, Merida has to find a way to break the spell.

Princess Merida: [narrating] There are those who say fate is something beyond our command. That destiny is not our own, but I know better. Our fate lives within us, you only have to be brave enough to see it.

My favourite scenes all include Angus, Merida’s shire horse. She frequently rides him bareback as they gallop across the Scottish countryside – it’s so dreamy! I spoke about him being one of my favourite animated horses here.

There are a lot of firsts for this movie: Merida is the first princess to not have a love interest, she’s the first to have brothers, and Brave is the first ever Disney film to be entirely set in a historic past.

The lack of romance was probably to set a tone with the equal-rights and gender equality movement of today. Brave shows a strong, independent young woman who ‘don’t need no man’ and can make her own life decisions. It is one step up from Frozen‘s theme of only needing love from family and not necessarily romantic love, I suppose.

While I appreciate we should be shifting our attitudes with gender equality, I really hope the classic Disney love stories don’t die out. I feel like there is a movement shunning princess movies and ‘happily ever afters’.

I saw a video recently where the gender roles were swapped in Cinderella, called ‘Cindefella‘. The story shows a peasant boy who goes to a ball and falls in love with a princess, who then tries to find him after he bails at midnight. Just like in the traditional fairytale, they both marry in the end and live happily ever after.

This video was used as an example of gender inequality: ‘we wouldn’t read this to our sons so why would we read it to our daughters?’ Quite frankly, I don’t think the story was all that bad for girls or boys, gender swaps or not.

Anyway.

While I did enjoy Brave, it wasn’t what I expected. I thought it would carry the tone of the first half of the film where Merida is fun and free and exploring the world right to the end. But it quickly turns into a far more unrealistic tale about turning people into bears, which I found to lack entertainment and relatability. It just took a weird and unexpected turn for me.

Overall, it had some comedic moments and I did enjoy the first half of the film, but it’s not my favourite.

Jodie’s rating: 6/10

Top 10: Saddest Films Ever

Here are a few films that I wouldn’t recommend seeing if you’re planning on feeling remotely happy for the foreseeable future. These ‘not happily ever after’ movies will bring you down, so don’t go accidentally watching any of these if you’re having a bad day and need cheering up. Because they will not help:

Changeling
“No, I didn’t say he was a fake boy. He’s not my boy. They brought home the wrong boy. My son is still missing.”
Oh my Lord this will just tear you apart. Angelina Jolie plays the part of a desperate mother in the 1920s whose son disappears. The corrupt LAPD are determined to make her shut up and go away because they simply can’t find her son. She gets sent to an mental institution, but is still determined to fight for her missing son. Based on a true story too. What a horrible thing to have happen to a person.

Seven Pounds
“In seven days, God created the world. And in seven seconds, I shattered mine.”
The story about a man who is feeling immense guilt for killing seven people in a car accident. So he goes about trying to make it right. It’s heartbreaking.

The Fault in our Stars
“I fell in love with him the way you fall asleep: Slowly, and then all at once.”
Two teenagers who are fighting cancer fall in love and plan their funerals together. It would be inspiring if it wasn’t so depressing.

The Boy in the Striped Pajamas
“We’re not supposed to be friends, you and me. We’re meant to be enemies. Did you know that?”
I mean, obviously this is on the list as it’s a holocaust movie. This isn’t something you’d accidentally watch, but it’s worth noting how soul-destroying it is. I only watched it once but some scenes have been etched into my brain so vividly that I’ll never want to watch it ever again. It’s horrifically and desperately sad.

Moulin Rouge!
“The show must go on, Satine. We’re creatures of the underworld. We can’t afford to love.”
My favourite romance film of all time. It’s passionate and beautiful, but the ending is emotional to say the least. Heartbreak city right here!

The Green Mile
“I’ve done some things in my life I’m not proud of, but this is the first time I’ve ever felt in real danger of hell.”
I haven’t watched this film in ages, but oh my God I do remember crying all the way through it.

The Descendants
“You give your children enough money to do something, but not enough to do nothing.”
I thought this was going to be a ‘dramedy’, but it is way way heavier than I could ever have imagined. It is not a fun film. It’s a good film… But not a fun film. George Clooney plays a dad whose wife is in a coma. It’s about him trying to keep his two daughters going, while dealing with the fresh knowledge that his wife was having an affair before her accident.

Dead Poets Society
“…life exists, and identity; that the powerful play goes on and you may contribute a verse. What will your verse be?”
It’s a tragic story of boys struggling to make their parents happy while pursuing their dreams at a prestigious boarding school. Robin Williams plays an inspiring English teacher who does his best to keep them thinking freely and staying positive. But he doesn’t manage to save everyone.

big fish.jpg Big Fish
“They say when you meet the love of your life, time stops, and that’s true. What they don’t tell you is that when it starts again, it moves extra fast to catch up.”
Oh jeez. Guys. This is just one of those films that is such a ‘real’ story that you’ll probably find yourself welling up all the way through, but it’s the final scene that will get you! The water works will flow forth and there’s nothing you can do about it.

A Little Princess
“Sometimes when I dream, I sense a part of me that’s missing. It’s a strange feeling having your heart remember something your mind can not.”
A little girl gets sent to a boarding school while her dad goes away to war. He goes missing in action and is presumed dead, meaning the money to pay for his daughter’s boarding school dies with him. The little girl goes from riches to rags and is forced to work for her board, but she never forgets the magic of being a little girl and brings love and fun to all the girls in the school. It’s a tear-jerker! It does have a happily-ever-after ending though, so you’re a bit safer with this one.

Author Archives: NZ Film Freak

Down Down Down to the Wishing Well – Leafy Satori Risk

Mary Poppins Returns

Jumanji: Welcome to the Jungle

Contagion

The MacGregor Brides – Nora Roberts

The Racehorse Who Wouldn’t Gallop – Clare Baldwin

Glass

Storm Boy

Mystery in White – J. Jefferson Farjeon

Top 5 Ways to Read More Often in 2019

Radio Girls – Sarah-Jane Stratford

The Devil’s Staircase – Helen Fitzgerald

Forget My Name – J.S. Monroe

Bird Box

A Star is Born

Baby Let Me Go – Smoking Martha

Mission: Impossible – Fallout

Incredibles 2

Top 12: Best Movies About Journalism

Top 18: Best Coming-of-Age Movies

Spotlight

Top 5: Most Magical Films of the 90s

The Post

Brave

Top 10: Saddest Films Ever