Baby Driver

Baby Driver Movie poster

Director: Edgar Wright
Writer: Edgar Wright
Released: June 2017
Starring: Jamie Foxx, Kevin Spacey, Ansel Elgort, Lily James and Jon Hamm

From the genius that is Edgar Wright (Shaun of the Dead, Hot Fuzz, The World’s End and Scott Pilgrim vs the World), comes Baby Driver. A music-infused movie about a getaway driver named Baby, played by baby-faced actor Ansel Elgort (The Fault in our Stars).

Deborah (Lily James): “You’re name’s Baby? B-A-B-Y, Baby?”

Baby scores his own life by picking the appropriate music on his iPod for everything he does. He doesn’t do anything without music playing in his ears, stemming from a traumatic car crash as a child that left him with tinnitus.

Doc (Kevin Spacey): “Still got a hum in the drum, he plays his iPod to drown it out”

I’m thinking this might be converted into an all-singing, all-dancing musical or stage play one day.

In some ways, it’s a ‘runaway film‘. But this theme in the movie is soon hijacked by reality, how you can’t run forever and how you must face the music at some point. This realism is something I like about the film.

Baby Driver movie

Whereas I usually fall asleep during action films, such as in various James Bond scenes, I didn’t in Baby Driver. I think because it was mixed with comedy a lot of the time, and it appears to be a tad more realistic, because the protagonists actually get hit in gun fights.

Bats (Jamie Foxx): “The moment you catch feelings is the moment you catch a bullet.”

I have studied Wright’s films ever since I started studying media at high school. Baby Driver exhibits classic Wright hallmarks, including extremely layered shots where you’ll pick something new up on every watch. There is nothing in this movie that is there by accident. Their costume, the music; everything is there for a reason.

Baby Driver movie - Kevin Spacey and Ansel Elgort

My favourite Wright hallmark is the very long scene without a single edit, all perfectly choreographed, just like in Shaun of the Dead when Simon Pegg’s character walks to the corner shop and back.

Another one, is the compilation of short, sharp edits. Finally, Wright’s English humour running through the dialogue, making Baby Driver stand out from the more glossy Hollywood action films.

Baby (Ansel Elgort): Your tattoo says ‘hat’?
JD: Yeah, it used to say ‘hate’. But to increase my chances of employment I had the E removed.
Baby: How’s that working out for you?
JD: Who doesn’t like hats?

While I thoroughly enjoyed the first third of the film, it went a bit long and flabby in the middle. Toward the end it picks up again, until the very end, which seems rushed, causing my suspension of disbelief to be stretched.

JD: I left my shotgun behind.
Bats: Not groovy JD. Not groovy at all.

While this isn’t a favourite film of mine, it is certainly a one-in-a-million film, and a good date night movie. The characters are cool and are played by talented actors, with a love story and a ton of wicked car chases and gun fights.

Griff: Is [Baby] retarded?
Doc: Retarded means slow. Was he slow?
Griff: No.

Jodie’s rating: 6.5/10

Split

split1

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2017
Starring: James McAvoy and Betty Buckley

Another brilliant film from M. Night Shyamalan. It’s the best kind of story – the kind that you’ll be thinking about for days.

For me, Split is a return to Shyamalan’s trademark of well-rounded characters and fantastic storylines. It’s a film that echoes the genius of The Village and The Sixth Sense.

Split is about a man called Kevin Wendell-Crumb (James McAvoy, whose talent will be gushed upon shortly) who has 23 personalities. He kidnaps three girls and keeps them hostage. All the while, one of the three girls cottons on to his multiple personalities, and tries to manipulate one of them – a nine-year-old boy – to help them escape. But, will they be able to escape before the mysterious 24th personality reveals itself?

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I can’t explain how remarkable McAvoy is in this film. I know McAvoy as Mr Tumnus from the Narnia films, we named our goat Mr Tumnus after his portrayal of this character because we loved him so much.

Every one of McAvoy’s personalities in this film is so believable, especially Patricia. Oh my goodness, she’s scary. The crazy thing is, you feel relieved when you realise McAvoy’s character is the nine-year-old, and petrified when he’s Patricia, even though he’s physically the same person. That’s how talented he is. He can morph himself into different people seemlessly.

I didn’t think much of the hostages’ acting. They were mostly appearing dumb-founded with a lot of silent, wide-eyed staring. But I was fascinated by the psychiatrist in the film, Dr Karen Fletcher (Betty Buckley). Buckley’s acting was phenomenal. I was hooked on every word she said; she was so articulate and fascinating. So actually, perhaps I should say kudos to the screen writing. Nevertheless, along with McAvoy, she was great.

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I was expecting a horror, but this is actually a thriller. More than that, it is a sequel to the thriller Unbreakable (featuring Bruce Willis), and a prequel to a thriller called Glass, which is set to be released next year! I’m on that like white on rice.

I thoroughly enjoyed this film. If you loved Shyamalan’s films from the early days, then you’ll love this too. Brilliant writing, fantastic casting, and horrifyingly complex characters and theories that will have you dwelling on the film for days.

Highly recommend seeing it.

Jodie’s rating: 8.5/10

 

The Reader

 

the reader film

Director: Stephen Daldry
Writer: Screenplay by David Hare, based on Der Vorleser by Bernhard Schlink
Released: 2008
Starring: Kate Winslet, Ralph Fiennes, David Kross, Lena Olin and Bruno Ganz

I’ve been thinking about this movie for days.

A gripping tale in post-war Germany, about a woman name Hanna Schmitz (Kate Winslet) who has a summer affair with a teenage boy named Michael Berg (David Kross). Their romance centres around the novels Berg is reading at school, which Schmitz asks him to read aloud to her everyday. Their passionate relationship soon ends when Schmitz mysteriously disappears, heartbroken Berg is hugely impacted by the relationship and its abrupt end.

A few years later, Berg is a law student and is sitting in on a Nazi war crime trial in court where he is stunned to see Schmitz. She is accused of being wholly responsible for mass murder during the war, but Berg knows a certain bit of information that could reduce her sentence significantly. Should he reveal it to the courts to save a former lover? Or does she not deserve his help?

The Reader film with Kate Winslet

The Reader is about the guilt innocent people feel for the bad things loved ones have done. The guilt of loving someone who is guilty of major crimes. The betrayal and shame felt of a loved one’s poor decisions.

Professor Rohl (Michael Berg’s law professor): Societies think they operate by something called morality, but they don’t. They operate by something called law. 8000 people worked at Auschwitz. Precisely 19 have been convicted, and only 6 of murder. The question is never “Was it wrong”, but “Was it legal”. And not by our laws, no. By the laws at the time.

This was inspired by the writer’s experience of post-war Germany where his beloved and respected professors revealed the text books they had written during Hitler’s reign, and how he felt betrayed by the people he thought were perfect.

The first half of the film made me feel uncomfortable because the love affair is between a woman who is twice the age of the boy. The nudity and intimate scenes is typical of European movies – who find no shame in the human body, or with sex. Whereas, English and American films are far less comfortable with nudity and increasingly at ease with violence, blood and gore. A strange cultural divide that’s influenced their films.

The second half of the film, however, is absolutely gripping. The war-crime trial in the courtroom, and the tangible tension between the main characters; the emotional extremes of innocence and guilt, love and regret. There is such a build-up to this point that I really felt I was looking through the eyes of Michael Berg.

The writers did an amazing job of never telling the audience how to feel. Because it’s based in post-Nazi Germany, they intended the story to steer clear of blame, justice and forgiveness in respect for the survivors and victims.

Michael Berg doesn’t have a monologue, but you can feel the responsibility and guilt easily; the guilt is so easily transferred to the audience. This makes you feel uncomfortable, because of the guilt you feel for feeling sorry for Hanna.

The Reader Film - michael Berg

The whole time I was in Berg’s head, trying to figure out what the right thing to do was: ‘I surely shouldn’t feel sorry for a murderer… But I’ve only known her as a lover this entire time. I also know she’s being unfairly charged… But why should I care? She’s a murderer. But I’m a law student and fair justice comes first…’  As I said, it is a heavy film that stayed with me for days.

The film follows Michael Berg right the way through to when he’s middle-aged (Ralph Fiennes), showing how guilt and secrets have affected him later on in life.

The Reader will leave you with more questions than answers, which was the intention. You’re toying with your emotions just as much as Michael Berg is – what’s right and wrong, what punishment guilty people deserve and what they don’t, and when the truth should and shouldn’t be told.

Michael Berg: I have a piece of information, concerning one of the defendants. Something they do not admitting.

Professor Rohl: What information? You don’t need to tell me. It’s perfectly clear you have a moral obligation to disclose it to the court.

Michael: It happens this information is favourable to the defendant. It can help her case. It may even affect the outcome, certainly the sentencing.

Professor Rohl: So? …what we feel isn’t important. It’s utterly unimportant. The only question is what we do. If people like you don’t learn from what happened to people like me, then what the hell is the point of anything?

A fascinating watch. My wish is only that it wasn’t a romance/drama, and that is was a courtroom drama like A Few Good Men. It would have a totally different movie of course, but it was the courtroom scenes that were the most compelling.

Jodie’s rating: 7/10

It Don’t Seem Right – Eyal Erlich

eyal erlich

It Don’t Seem Right is an acoustic song with the raw and stripped-back sound of Eyal Erlich.

Erlich is a relatively new artist who is currently performing throughout Israel, and plans to release his first album this year.

His waning vocals makes It Don’t Seem Right an emotive tune, which reminds me of Cold War Kids, an alternative Californian band. The solo acoustic guitar supports Erlich’s organic and unrefined voice, but would perhaps benefit from a softer touch, or the accompaniment of a piano or harmonica to create a smoother sound.

Most of my influences aren’t really musical ones, but life experiences that just bring out the music in me. – Eyal Erlich

His unlayered sound is honest and shows off Erlich’s talent for songwriting. I think his style of music would be perfect for live performances, and may benefit from a more climactic chorus in the recording studio to create a more punchy tune.

Check out It Don’t Seem Right on soundcloud here.

Follow Eyal Erlich on Twitter, Facebook and Instagram, and follow his personal Facebook.

Blade Runner 2049

Blade runner 2049 reviewDirected: Denis Villeneuve
Writer: Hampton Fancher
Released: October 2017
Starring: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista and Jared Leto

The story: Based in the year 2049, replicants (bioengineered humans) are servants and slaves in society. K (Ryan Gosling) is a replicant who works as a “Blade Runner”—an officer who hunts down and “retires” (kills) rogue replicants. However, he discovers the corpse of a female replicant who died during an emergency caesarean section.

This scares the authorities because reproduction of replicant was previously thought impossible. Fearful that this new discovery could result in a war between humans and replicants, K is ordered to find and kill the child.

Well, thank Christ we went to see this movie in the ‘Gold Class’ luxury cinema, because the recliner seats made for a comfortable place to sleep.

This snail-paced sequel highlights the reason why sequels to blockbuster originals should not be done.

Admittedly, I haven’t seen the first Blade Runner film from start to finish in one sitting, but I’ve seen basically all of it if you puzzle together all of my attempts. It is a good film – a fantastic film in fact – according to many. And I am happy to agree with this opinion. It certainly was a film before its time in many ways.

Blade Runner 2049 2

Nevertheless, Blade Runner 2049 was slow both in terms of the film’s pacing (made worse by its almost 3-hour duration), and the characters’ slow movements (a bit of a let-down for an action film). It was also a bit weird. Nevertheless, the casting saved it, particularly with Harrison Ford’s great return.

Rick Deckard (Ford): I had your job once. I was good at it.

‘K’ (Gosling): Things were simpler then.

Ryan Gosling and his chiseled jawline. Harrison Ford and his smokey voice. Robin Wright and her ‘don’t care ’bout nothin’, Son’ attitude. Carla Juri and her remarkable expressions (who features in my favourite Sharon Van Etten music video). The talent here saved the film, for sure.

Blade Runner 2049 3

For those of you who haven’t seen the first Blade Runner, I think you’d be more inclined to enjoy it. So long as you enjoy the sci-fi action genre. However, because I knew the tone of the first film, I was expecting it to be vastly similar but updated for the modern audience. Which, I think they certainly tried to do.

Alas, it wasn’t terrible. But certainly hasn’t cast a shadow on the original.

Jodie’s rating: 5/10

Into the Water – Paula Hawkins

into the water book review

Writer: Paula Hawkins
Genre: Thriller
Released: 2017
Blurb: Just days before her sister plunged to her death, Jules ignored her call. Now Nel is dead. They say she jumped. And Jules must return to her sister’s house to care for her daughter, and to face the mystery of Nel’s death. But Jules is afraid. Of her long-buried memories, of the old Mill House, of this small town that is drowning in secrecy . . . And of knowing that Nel would never have jumped.

Firstly, I will save the suspense and answer your call; ‘no’, it’s not as good as Girl on the TrainNevertheless, it is a fantastic book in its own right. Keeping Paula Hawkins’s style of short chapters from different characters’ points of view, you’ll find your self on the final chapter without even realising it.

Into the Water is a compelling and moody ‘who done it’ tale about the most recent death at a particular spot in a river known as the ‘drowning pool’ within the town of Beckford. The drowning pool is where suspected witches were drowned years ago, but the haunting tales and myths of the area are oppressive and obsessed upon by many.

“Beckford is not a suicide spot. Beckford is a place to get rid of troublesome women.”

Beckford is where many residence are said to be descendants of witches, and the river is as much a character as anyone. It courses like veins through the town, connecting all the characters as it weaves itself through their lives.

“Some say the women left something of themselves in the water; some say it retains some of their power, for ever since then it has drawn to its shores the unlucky, the desperate, the unhappy, the lost. They come here to swim with their sisters.”

We follow the story of Jules mostly, whose dark childhood of growing up by the river is reflected upon. She has had to return to the town because her estranged sister, Nel, is dead. Nel was researching and writing about the drownings in the river until she became the most recent victim. Was she murdered? Did she commit suicide like all the women she wrote about? Or was it something even more mysterious?

“You were never the princess, you were never the passive beauty waiting for a prince, you were something else. You sided with darkness, with the wicked stepmother, the bad fairy, the witch.”

This was a page turner in the same fashion that Girl on the Train was, with the same gritty, dark and moody themes. But unfortunately, like a Scooby Doo cartoon, the fear surrounding the almost supernatural river that claims lives in a trance-like way is soon unmasked to show nothing more than a body of water surrounded by superstition.

Into The Water is less about witches and curses and unexplained deaths, and more about female victims becoming strong, and male villains getting their just deserts. Which, was disappointing for me.

“No one liked to think about the fact that the water in that river was infected with the blood and bile of persecuted women, unhappy women; they drank it every day.”

Nevertheless, there are a couple of twists in there, with one twist being the final line on the final page. (So don’t rush through the ending.)

If you enjoyed Girl on the Train, I still think Into the Water is worth a read. I praise Hawkins’s style of writing, which makes for addictive reading. It’s absolutely brilliant.

Jodie’s rating: 6/10

 

Darkest Hour

Darkest Hour film review - churchill

Directed: Joe Wright
Written: Anothony McCarten
Released: January 2018
Starring: Gary Oldman Kristin Scott Thomas Lily James Stephen Dillane Ronald Pickup Ben Mendelsohn

If you thought Dunkirk and The King’s Speech were epics, wait until you see Darkest Hour. It’s another perspective of the remarkable rescue of British soldiers from the shores of Dunkirk, this time the story is told from inside British parliament.

With the Germans closing in, the battle appears to be lost. But Britain’s new prime minister Winston Churchill is not ready to give up. While his cabinet threatens resignation unless he agrees to peace talks with Hitler, Churchill becomes desperate to find a way to save the men on the front lines, and prevent invasion.

With merely hours to go until the Germans get through Dunkirk, Churchill has the weight of the nation on his shoulders as he figures out a way stop them on his own. But time is ticking!

Winston Churchill is played by Gary Oldman, whom I had seen in a lot of films without even realising it (Harry Potter, Batman, A Christmas Carol…). What a guy. The prosthetics are flawless, and his impersonation of how we’ve come to know Churchill was brilliant. You would think they had brought him back from the dead for the film!

darkest hour film review - churchill

Churchill’s speeches and his word-wizardry is legendary, and this film certainly takes advantage of this. It is dialogue-heavy, but I think that’s where the magic is, so make sure you hold your attention. There are some hard-hitting one-liners in this movie, powered by the shear emotion and strength.

Will you stop interrupting me while I am interrupting you! – Churchill

It is almost unbelievable how Winston Churchill saved not only the UK, but Europe from Hitler’s reign. He did it without the support of his cabinet, although, the British public were behind him as shown in a fantastic scene depicting Churchill’s first ride on the underground.

He speaks frankly with the public in his carriage; not speaking down to them and not sugar-coating anything. I got chills from the unity of the people, as they all proclaimed that they would stand up to Hitler and not reason with him in peace talks. As Churchill said:

You can not reason with a Tiger when your head is in its mouth! – Churchill

I don’t know how it must have felt having such a decision to make, but this movie certainly projected the stress and weight of the situation well.

darkest hour film review - churchill

A brilliant film with fantastic cast members, lighting and suspense. Akin to a courtroom drama, I suppose, but ultimately a fantastic alternative to watching a documentary on the events.

Definitely worth a watch, but I think the second watch would be better because there’s so much information to absorb.

Jodie’s rating: 8.5/10

I Am Missing – Tim Weaver

Tim Weaver book I Am Missing

Writer: Tim Weaver
Genre: Crime thriller
Released: 2017
Blurb: When a young man wakes up bruised, beaten and with no memory of who he is or where he came from, the press immediately dub him ‘The Lost Man’. Ten months later, Richard Kite – if that is even his real name – remains as desperate as ever. Despite appeals and the efforts of the police, no one knows this man. Kite’s last hope may be private investigator David Raker – a seasoned locator of missing people. But Raker has more questions than answers.
Who is Richard Kite?
Why does no one know him?
And what links him to the body of a woman found beside a London railway line two years ago?

*I have tried my best not to include any spoilers in this review*

Within five days of reading it whenever I could steal an hour or two, I finished I Am Missing. I breathed a massive sigh of relief; I had been carrying a heavy burden over the last five days. I lived and breathed this story, and I felt as though I had experienced this mystery first-hand. Needless to say, I’m feeling emotionally exhausted now (in a good way).

As the story is written in first-person (rather effectively too), I felt like I was walking in the protagonist David Raker’s shoes. After Raker meets the man without any memory, ‘Richard Kite’, I felt like I had reached a dead-end along with Raker – despite only being five chapters in. It’s a missing person’s case where the missing person is standing right in front of him… Where on earth do you start to figure out who he is and where he’s come from?

“I started to wonder for the first time whether taking this case may have been a mistake.” -Investigator David Raker, chapter 5

Believe me, Raker, I was too. I was scratching my head thinking, ‘how the hell are we going to get to the bottom of where this Richard Kite fellow has come from?’. I felt genuinely anxious and concerned, my eyes drifted away from the book as I bit my lip worriedly, trying to think what to do…

Before reminding myself that I am, in fact, not a private investigator called David Raker, and I am merely sitting on a couch reading a fictional book.

Idiot.

This book does suck you right in, though. I had no awareness of my surroundings when I was reading I Am Missing. An hour became three, and at the end of every chapter phrases such as ‘no way’, ‘shut-up’, ‘holy Jesus Christ’, ‘get out of town’, ‘he did not just do that…’ were muttered as I sat in shock and suspense.

This book was particularly poignant for me because it is partly based in the Dorset/Devon area, which is where I live! I love reading about stories based so close to home.

Style of writing
Being a massive fan of Agatha Christie’s murder-mysteries, I knew I would enjoy Tim Weaver’s crime-thriller from the first page. But it was Weaver’s style of writing that hooked me in before the story itself did; it’s the author’s ability to write an exciting story in an easy-to-read fashion. Perhaps it’s his journalistic background that has influenced his style.

Don’t get me wrong: that is not a reflection of simple or amateur writing by any means. Rather an enviable skill of creating complex and exciting scenes without confusing or losing the reader along the way.

I loved how short the chapters were; it’s such a sense of accomplishment. (This 516-page novel is divided into 81 chapters, which is an average of 6.4 pages per chapter.) But what’s genius about it, is how there is a cliffhanger at the end of every chapter! I really struggled to keep my heart rate down, particularly the few chapters about the ‘The Monster’.

It was about a hundred feet away, on the fringes of the torchlight…Whatever it was, it was following them, crouched slightly, the arch of its back, its arms, visible above the apex of the grass… –The Monster

I read this part on the train, and I can’t imagine what my expression looked like when the guard interrupted my engrossed reading to check my ticket.

The only passages in his book that I found jarring were a few bits of dialogue from a young character called Beth. Maybe Weaver isn’t too familiar with how young teenage girls talk to each other? I would have swapped a few words, and written the dialogue a bit differently. But perhaps that’s simply because I was a teenage girl once. Nevertheless, it didn’t detriment the story in any way.

How I wish I could write a well-articulated story. I kept thinking about Kristen Wiig’s character in Walter Mitty who spoke about how to write a mystery book:

“Connect the clues, and then scatter them so they seem unrelated” – Cheryl, The Secret Life of Walter Mitty

Although, in my attempts at writing a novel, it certainly isn’t as easy as Cheryl makes it seem!

Characters
Although there was no character in particular I could strongly identify with or whom I looked forward to reading about, the characters certainly all had a strong sense of identity. Perhaps I didn’t resonate with the characters as much as I have with other books because I tend to read books about a female character’s internal, emotional struggle rather than external, environmental problems that Raker experienced in this book.

I did, however, enjoy that the protagonist was not a cold-hearted killing machine, which I’ve found tends to be the case in crime and action books. The emotions of this character surprised me, as he endured remorse, regret and a reflection of what his conscience would be battling with afterward. I liked that about him the most; he’s a forward-thinking empathetic person.

“I pushed the guilt down, burying it with all the grief I’d tried to suppress over the years, the regrets, the fear…” –Raker, chapter 62

There were mini summaries at the end of most chapters, whereby Raker would go over all the notes he had just taken and all the remaining questions yet to be answered, which was massively helpful for the reader.

I also liked how, even in a situation of panic and where a decision had to be made quickly, Weaver would write out the decision-making process of the protagonist. Surprisingly, this didn’t take away from the urgency of the situation either – it heightened the intensity if anything.

“A moment of hesitation halted me, gluing me to the carpet. Take it, and he’d know for sure that someone had broken in. Don’t, and I might never know the truth. In a split second, I thought about the consequences of taking it – stealing it…” –David Raker’s decision-making, chapter 31

Overall
In Weaver’s story, I was absolutely taken into another world where I studied what every character said and did. I wasn’t just reading, I felt like I was actively taking part in solving the mystery. As cheesy and lame as that sounds… I just mean that my suspension of disbelief never wavered.

I Am Missing is a tense read, but I strongly recommend it. I know it’s a cliche, but you seriously won’t be able to put it down. I read it on the train, over dinner, on the toilet, in the bath, at work while pretending to listen to angry customers over the phone, before breakfast… Seriously. At the end of every chapter, your stomach will drop and you’ll be fighting nervous sweats.

There aren’t any lulls or ‘fluffy’ chapters, just a lot of mystery and questions that ever so slowly get answered – but probably not with the answers you’d expect.

Jodie’s rating: 8/10

PS. Note to publisher: On page 248, 11 lines from the bottom, there is an error where the word ‘were’ has been repeated. ‘So what were they were doing together?’ #hireme #wannabeproofreader

Cherry Blossom Trees – Leafy Satori Risk

Leafy Satori Risk - Cherry Blossom Trees

Cherry Blossom Trees is a lullaby love song to Japan by Leafy Satori Risk. It’s a cool blues/soft jazz song with an echo of folk that blends into a song that evokes a passionate and beautiful Spring romance.

The singer/songwriters Iris and Karl of Leafy Satori Risk both hail from Vienna, but have settled in France, Berlin, New Mexico and then finally in Los Angles. However, their hearts are forever in Tokyo where they spend two months of every year, and where many of their live shows are performed.

Both artists are creative by nature, both working in the film industry when they’re not performing in their band: Iris Karina is an actress and Karl Lohninger is a sound mixer and sound designer.

Inspired by the travelling duo’s dream of experiencing the bloom of cherry blossom trees, this dreamy song reflects on goals that may never be achieved.

Cherry Blossom Trees is a slow-tempo song about, perhaps, being shrouded in desire and aspiration. Just like the floating petals, the writer’s dreams are beautiful and bold, yet barely tangible. The showers of pink petals summons a scene of a soft, pink-hued world. Maybe we’re looking through rose-tinted glasses.

The lyrics describe tides of pink cherry blossom petals that rain down on to the palms of your hand. This imagery makes me think of opportunities that land in the palm of your hand, and it’s up to you to seize them, or ‘wait for the tide to turn’.

Stretch out your arms,
And watch them land on your palms,
We could drown in a sea of flowers if you want,
Or we could wait for the tide to turn.

It’s the theme of love and loss represented by the provocative saxophone and strong male vocals (reminding me of Barry White’s romantic ballads), and the breathy female vocals echoing softly-spoken French love songs.

These combinations of emotive genres and tones creates imagery within itself of a lost or unattainable love. Whether it be someone, something or some place that can not be reached. Judging by the soft strumming of the guitar and gentle hum or purr of the saxophone, I get the sense that as strong as this longing is, it’s been accepted that it may never be achieved.

My love why – why don’t you stay close to me,
The air is cool,
The light is strong,
And spring is near.

With inverted colours, the music video for Cherry Blossom Tree evokes a dream-like state as the singer wanders leisurely and reflectively through Japan. The video was shot by Karl Lohninger inside the Inokashira Park in Kichijoji and at the Shibuya Crossing in Tokyo.

The video, although simple, reflects the melancholic subject matter. Combined, the song and images articulate and engage so much emotion while saying so little. Therefore, you can read and interpret so much into it, which I like. Perhaps partly because of the musicians’ multi-cultural influences, every listener can find a new angle and meaning for it.

Have a listen on YouTube here, and let me know what it makes you think of. Check out Leafy Satori Risk’s website and Facebook.

Mississippi Devil – The Darkest Hearts

 

TDH_Laugh_

Hailing from Tennessee, The Darkest Hearts is a hard rock band recently nominated for the Nashville Industry Music Award for Best Alternative Rock Band. They are drawing attention world-wide for their unique combination of rock, pop and punk genres, featuring striking guitars and rich, theatrical vocals.

Their song Mississippi Devil is scheduled to be released October 6 of this year. It echoes characteristics of the likes of grunge band Nickelback with strong, melodic pop rock vocals against almost heavy metal instrumentals.

The deep bass that the band’s song sports creates the heavy atmosphere intertwined with punk and gothic undertones. This dark imagery combined with the complexities of the song’s alternative genre reminds me of Evanescence’s early work in album Fallen. I love the punchy drums; it’s the strong heartbeat of Mississippi Devil.

If you enjoy punk and dark, punk rock bands, you’ll love The Darkest Hearts!
Check them out on their website, Facebook and Twitter!

 

Miles Above the Baseline – I, Symptom

Miles Above the Baseline

Miles Above the Baseline is an astronomical-inspired song with emotive lyrics, self-described as ‘an unsupervised journey in space’.

This almost drum and bass, electronic rock & roll genre with extraterrestrial-inspired effects and material, reminds me of the theatrical sound effects in the War of the Worlds (2005) film. Yet, quite unabashedly, this concoction creates the unique and bold style of I, Symptom.

Miles above the baseline I lost control
I wonder who’s gonna save my rotting soul
Miles above the baseline I lost control
I wonder if anyone cares at all

The strong imagery painted by the meticulous lyrics certainly takes you on a journey. The passion and self-confidence of this band comes across clearly, despite the niche genre that they promote.

Check out Miles Above the Baseline on YouTube and find I, Symptom on Facebook, Twitter, Instagram and on their website.

In The Air Tonight [cover] – Peter Nordberg

In the Air tonight Peter Nordberg

Peter Nordberg covers the Phil Collins classic, In The Air Tonight. With Nickleback-esk vocals and traditional-sounding stringed and percussion instruments, Nordberg certainly brings a different angle to the well-known song.

Both hailing from Sweden, Nordberg teamed up with mixer/producer Fredrik Andersson to release his first song in English. With electronic twists and layered vocals against the punchy bass really puts chills down my spine.

Although, it is a more tame version than the Phil Collins original with the drums taking a backseat rather than being centre stage. Nevertheless, this is a brave, authentic and raw cover, which sounds original despite the well-known lyrics.

The drums sound almost tribal – something I could imagine hearing from talented buskers on the streets of arty Melbourne. Whereas the vocals are manipulated to create a modern and rich tone. Brilliant. I’m not surprised this artist was snapped up by a label by the time he was 19, and was such a hit in Norway and Sweden. I expect he will be incredibly popular everywhere else too.

Find Peter Nordberg on Facebook and on his website. Check out the teaser for the single In the Air Tonight here.

 

Let’s Make This Earth From House To Home – Lyrics of Two

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Lyrics of Two is an indie/folk/pop band from California with a unique style. They have been the #1 band in Los Angeles Deli Music Charts, a chart for emerging and indie artists, and have been well-received by a dedicated following.

Their recent single, Let’s Make This Earth From House to Home, is a tender and idealistic song about how our world could be a blissful utopia.

The lyrics are written by published poet and author, Marie Helen Abramyan, who founded Lyrics of Two Publishing and recently released a children’s book titled ‘The Rhyming Tales Of The Helpful Friends And The Garden Show’. Her story-like song writing captures your imagination. The rhymes and imagery used reminds me of a simplified Johanna Newsom or Kate Bush sort of style of song writing.

A mother’s gentle love, an elder’s wise words
Same heart and soul, no matter where in the world
So in this one world, we got one chance, under this one sky
Let’s come together for all mankind

Lyrics of Two’s single certainly channels eco-warrior values, with a gentle, swaying tune that taps into the idealistic point-of-view of how today’s world should be. To bring countries and cultures and peoples together, rather than living in war-town and fractured societies.

Let’s bring peace to this world
No more sadness, hate or hurt
Only kindness, compassion, and unity
For the sake of all humanity
Let’s make this earth from house to home

This song strongly echoes a less-dramatic and a more soothing Earth Song by Michael Jackson. It’s a nurturing and embracing song that features breathy and passionate vocals, which evokes the authenticity of the band’s message.

Check out their website, Facebook, Twitter and Instagram.
Listen to Let’s Make This Earth From House to Home here.

Say You’re Mine – Smoking Martha

smoking martha band

Aussie rockers, Smoking Martha, are releasing their debut album In Deep.

After listening to their single Say You’re Mine, I would say that Smoking Martha is a traditional punk rock band, which is so refreshing considering the rock bands of today are becoming more and more plastic and glossy.

The melodic vocals remind me of Hayley Williams of Paramore; very strong and powerful with pop undertones. Whereas, almost in contrast, the heavy guitar echoes early Evanescence and Queens of the Stone Age. 

Style-wise, I got nostalgic flashbacks to Gwen Stefani in No Doubt, as I watched the lead-singer in the Say You’re Mine music video. Nevertheless, the classic punk attire reminds me of the old days when punk rockers were raw and genuine. Smoking Martha would be a wicked band to see live, for sure!

Check them out on Facebook, Twitter and Instagram. See their single below:

 

 

 

 

Dunkirk

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Directed: Christopher Nolan
Written: Christopher Nolan
Released: July 2017
Starring: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance and Tom Hardy

I don’t know where to start – I’m about to word-vomit on the page! There’s so much to say, so I’ve broken it up with little titles so that you don’t get too overwhelmed…

Well firstly, I’ll set the scene: I went to see this film with my significant-other in the town of Wareham, Dorset. We went to the REX Cinema, which is an independent cinema that was built in 1889. The small hall was packed when we went – I even had to book tickets two weeks in advance! The showing attracted many locals, likely due to the local film locations such as Swanage railway station and Weymouth.

Dunkirk is definitely the best war-based film I have seen since Saving Private Ryan.

Before I continue, I must mention that ‘yes’, this film is based during the war – as are plenty of films. But this one is different. It’s not full of blood and gore – it feels more like an emotional documentation of a snapshot in time. A remarkable story indeed.

This is an incredibly moving and haunting survival film about British soldiers desperately trying to escape the ever-approaching Nazi German forces. They’re attacking by air and land. The British soldiers attempt to evacuate France at Dunkirk to England via ship, despite all odds.

How the story is told:
The film is told by intertwining three stories, which transports you back in time by putting you in the shoes of various characters:

Land
“You can practically see it from here… Home.”Dunkirk film review
Soldiers evacuating the beach. This story is told within a time frame of one week through the eyes of Tommy* (Fionn Whitehead). The sky is dark and the sea is just as unwelcoming as the freezing cold beach they’re stranded on. With enemy planes flying over-head, the foot-soldiers must have felt insignificant and vulnerable as the British await for an overcrowded ship to take them home.
* Named after the slang term for a common British Army Solider.

Sea
“Men my age dictate this war. Why should we be allowed to send our children to fight it?”

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Brave, unarmed civilians journeying from Dorset into the rough channel on their wooden boats. They try to save as many men as they can from overturned Navy ships that are bleeding oil into already blackened seas, with men fighting to escape the ruins in a blind panic. This story is told within the time frame of 24 hours from the point of view of Mr. Dawson (Sir Mark Rylance) and his son Peter (Tom Glynn-Carney).

Air
Why [would the Germans] waste precious tanks when they can pick us off from the air like a fish in a barrel?”

Dunkirk film review

Royal Air Force pilots flying planes over the English channel, protecting the ships and boats carrying soldiers from Dunkirk as they aim for England’s shore. The Spitfires scream overhead, not immediately knowing if they’re British or German… The feeling of claustrophobia from being strapped inside a plane without fuel, or being stuck in the cockpit of a sinking plane… It creates an atmosphere thick with anxiety that can be felt all the way to the cinema chair. This section of the film is told in a time frame of one hour from the point-of-view of RAF pilot, Farrier (Tom Hardy).

These intertwining stories of various time windows was genius. Just enough time to understand each character and what they were risking, but not so dragged-out that it becomes a Peter Jackson marathon movie.

I really felt like I got a glimpse into how the soldiers, pilots and civilians felt in that moment in time.

Audio:
The first thing that struck me was the audio (this movie is a cinematic essential – don’t wait for the DVD! Buy a ticket! You need the surround-sound). The sound of ships creaking, the sound of the Spitfires over-head, the sound of distant gunfire. All of which clearly inspired the Hans Zimmer soundtrack. The audio of this film is an art within itself. Incredible.

Commander Bolton: “The tide’s turning now.”

Captain Winnant: “How can you tell?”

Commander Bolton: “The bodies are coming back.”

Casting:
I didn’t recognise many of the actors apart from half of the Inception and Batman cast, of course (Michael Cain’s voiceover, Tom Hardy and Cillian Murphy).

Dunkirk film review - Harry Styles

But the actors were all fascinating to look at – they have interesting faces (particularly Barry Keoghan’s character, George) that makes you want to study and stare at them.

Of course, there is Harry Styles – Nolan reckons he didn’t have the faintest Scooby-Doo about the level of Styles’ fame before casting him. Poppycock if you ask me. Nevertheless, he doesn’t exactly steal the show, and he doesn’t look too out of place either.

Conclusion:
This is a once in a lifetime film. It’ll make you jump, it’ll make you cry, it’ll send chills down your spine, but most importantly it makes you think about what could have been.

Blind Man: “Well done lads. Well done.”

Alex: “All we did is survive.”

Blind Man: “That’s enough.”

I got so choked up at that line. “That’s enough.” I was gone, and so was my mascara.

After the Dunkirk screening at REX cinema, the audience (predominately Baby Boomers) were vocal post-showing as they discussed their stories amongst themselves. One gentleman even slapped my fiancé on the back and said: “it would have been you should the war have happened today!” Chilling. Particularly because we walked out on to the old, narrow streets of Wareham, which made me feel like I was still being transported back to war-time Dorset.

The next day I took out a book called ‘World War II for beginners’ and a book called ‘Frontline Dorset’ to educate myself more on this unfathomable time. 

Jodie’s rating: 9/10

 

 

 

 

 

Million Dollar Baby

Million Dollar Baby film review

Director: Clint Eastwood
Writers: Paul Haggis (Based on F.X. Toole’s story)
Released: December, 2004
Starring: Clint Eastwood Hilary Swank Morgan Freeman

I have heard references to this movie within multiple movies (Pitch Perfect in particular), but had never bothered watching it. From the outside, I figured it’s just a violent, shallow and dark tale of a female boxer. So I never showed much interest before I was leant the movie, so I thought I should give it a go.

Nevertheless, after watching Million Dollar Baby, I realised that my assumption was correct. It is certainly dark and violent.

However, the story is far more engaging and more emotionally satisfying than I thought it would be. I had assumed it would be like a Bourne action film, but instead of the endless bullets and guns and shooting, it would endless hits, punches and toothless, bloody grins. Thankfully this film held more substance though.

I should have known that if Morgan Freeman and Clint Eastwood are in it, then it would be a decent film.

Million Dollar baby film

Despite Maggie’s (Hilary Swank) jarring Southern accent, I enjoyed watching a female protagonist being as successful as a typical male protagonist would be. It was also refreshing to see a strong woman retain her femininity within the male-dominated sport of boxing.

It was gruesome at times, particularly the part where Maggie gets her nose broken. (Very realistic though.) Then it’s deeply philosophical at other times. It’s a great underdog movie.

That is until the ending…

Her final round was hard-hitting (no pun intended). It only took one second for a dirty swing from a dodgy competitor to result in such permanent damage. I found this scene quite moving actually; how in a split second, a decision can massively change a person’s fate.

Disappointingly, the conclusion is far from what I hoped. Was it really necessary to build our main character up that high, only to let her fall so devastatingly? Bit grim. Bit depressing.

Jodie’s rating: 6/10

The Girl on the Train

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Directed: Tate Taylor
Written: Erin Cressida Wilson. Based on The Girl on the Train by Paula Hawkins
Released: October 2016
Starring: Emily Blunt, Rebecca Ferguson, Justin Theroux, Haley Bennett, Luke Evans, Allison Janney (Juno’s mum!), Édgar Ramírez and Lisa Kudrow.

The Girl on the Train is up there with Gone Girl! A mind-twisting psychological thriller, through the eyes of Rachel (Emily Blunt) – a frail alcoholic who is the last person to see Megan Hipwell (Haley Bennett) alive.

However, as we see the events unfold from Rachel’s point of view, you never know what is real and what has been imagined, as she struggles to remember what she saw .

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Is she the murderer? Was it the ginger dude on the train? Was it Megan’s husband? You honestly wouldn’t know for sure – massive twists!

We experience the battle against herself as she grows stronger and more focussed on trying to remember what she saw that night when Megan went missing.

I have read the book, and if I had of seen the movie immediately after I think I would have agreed with the public’s negative reaction of it being too different to the novel. As instead of it being set in the dingy outer suburbs of London, it is set in glamourous waterside mansions of New York.

Apparently the movie was always going to be set somewhere in the USA, because alcoholism is ‘less accepted there‘, and the juxtaposition of the character’s sadness with the glorious mansions she passed on the train made it visually shocking… I still don’t think it was necessary to change the country’s setting, but whatever. At least Emily Blunt was allowed to remain English.

girltrain3I enjoyed it very much, though. The characters are believable and relatable (my two big ticks for every movie). Emily Blunt makes an amazing drunk person – that must have taken a lot of practice to look that authentic. It’s actually scary and makes you think twice about drinking.

I’m pleased they didn’t make her look flawless while she was drunk. I was worried they would make her look too ‘pretty’, but her cheeks are puffy and red, her eye make-up is smudged and her hair is messy – you wouldn’t know she’s a celebrity.

But if I had to be nit-picky, the male characters all looked far too similar. I guess this was to encourage you to see through the hazy eyes of a drunkard who couldn’t identify anyone. But with the film being visually dark, everyone having short, dark hair could get confusing if you didn’t know the storyline.

Or maybe it’s just our crappy TV that makes the contrast too deep.

Nevertheless, if you haven’t read the book you’ll likely enjoy it more, because you wouldn’t be able to notice the differences from the novel. But you may find it a bit slow-paced and long-winded at times.

Would recommend!

Jodie’s rating: 8/10

PS. On more than one occasion, I have been told that if I didn’t have crooked teeth, chubby cheeks or many of my current facial features, that I would look JUST like Emily! 🤪🤪 *so proud*.

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Windows – Greye

Windows by Greye is a country-pop song, which echoes early Taylor Swift and Ashley Simpson.

With squeaky-clean, youthful and energetic female vocals – not dissimilar to the likes of Paramore’s lead vocalist – Greye certainly has a distinctive, almost acoustic folk, sound at times.

With vivid lyrical imagery, I could actually imagine this song featuring on The Hunger Games:

“…and shoot that arrow, who know if it’ll be there tomorrow.”

At more than five and a half minutes in duration, Windows is quite a marathon song. Nevertheless, this song has plenty of emotional suspense and instrumental build-up that keeps you listening.

With clear talent on the band’s behalf, I’m sure this song could easily find its way on to an easy-listening or country tunes radio station, if it hasn’t already. Certainly a harmless, sweet, harmonious and youthful group of musicians.

Greye will be hitting the road on July 15, 2017 for a tour of the Eastern United States in support of Windows. Information and dates can be found at here.

Follow Greye on Facebook and Twitter!

Method of Madness 1 – CG Kid

method of madness

Method of Madness 1 by CG Kid, is not a song I would typically listen to.

It is described as ‘dubstep techno metal rap’. A sort of rap music that is influenced by heavy metal and techno genres.

This song was written for the mosh-pit environment, with the ‘speed rap vocals’ bringing a particularly anxious and frantic air to the music – it’s hard to sit still while listening to Method of Madness 1! The auctioneer-style vocals against the 1980’s-inspired techno instruments reminds me of German rock bands and rappers.

The messages in CG Kid’s tongue-twisting lyrics, are that of staying sober and clean.

CG Kid’s accompanying music video is of the fiery-red-haired rapper sat on a chair drinking ice-cold water is a peculiar juxtaposition to the music, but intriguing nevertheless.

It may not be my style, but I can see that CG Kid from Texas could easily summon a dedicated following – particularly from Europe, perhaps.

Till I See You Again – Bunny Sigler

Bunny music_Fiverr

Dedicated to the US military and America’s uniformed first responders, Till I See You Again could certainly be a moving song for many.

Till I see You Again is a recognisable and loyal echo of the 1980’s R&B/soul music sound, that I’m sure listeners of this era will enjoy. Bunny Sigler includes melancholy backing vocals, chiming harps and sharp drums to create the sounds of a distinct genre and generation since past.

With heart-wrenching vocals and a solemn electronic keyboard, this soulful song will have you reminiscing in feelings of soft nostalgia from the first note. In one listen, you can hear the passion and commitment that the vocalist is putting into his performance of smooth jazz.

Listen to Till I See You Again on YouTube, follow Bunny on Facebook and Twitter.

Hunt for the Wilderpeople

hunt1

Director: Taika Waititi
Writer: Taika Waititi (screenplay), Barry Crump (author of “Wild Pork and Watercress”) and Te Arepa Kahi
Released: 2016
Starring: Sam Neill, Julian Dennison, Rachel House, Rima Te Wiata, Stan Walker, Oscar Knightly, Rhys Darby…

I really needed this film in my life.

Another Kiwi classic from director Taika Waititi, Hunt for the Wilderpeople is about a national manhunt ordered for a rebellious Kiwi kid, Ricky (Julian Dennison), and his foster uncle, Hec (Sam Neill), who go missing in the wild New Zealand bush.

[Reading wanted poster]: “‘Faulkner (Sam Neill) is cauc-asian’… Well, they got that wrong because you’re obviously white.” – Ricky Baker

A fantastically hilarious and beautiful tribute to everything that is Kiwi.

Sam Neill and Julian Dennison in hunt for the wilderpeople

After moving back to the UK, I didn’t realise how much I missed New Zealand until I bought the DVD of Hunt for the Wilderpeople. I also didn’t realise how much I identify with the Kiwi ways of life before finishing this movie.

For I can relate to the Kiwiana culture that courses through this movie, the humour, the landscape, the accent – once a cause for embarrassment to me, is now a twang that makes me feel overwhelmingly nostalgic and patriotic. I have concluded that the only English thing about me left is my crooked teeth.

I finished watching this movie with mascara running down my face (mostly due to nostalgic tears of joy and laughter) and an empty packet of Whittaker’s chocolate in my hand, while my feet were cosy in my New Zealand sheepskin slippers (you wouldn’t know it’s currently summer in the UK).

The main character, 12-year-old Julian Dennison, was absolutely phenomenal. He needn’t say much at all – his facial expressions are enough.

But I must say, Paula (Rachel House) has to be my favourite character. She made me laugh so hard! She’s absolutely hilarious. It’s not always what she says, it’s how she says it. Golden!

Paula (Rachel House) in Hunt for the WIlderpeople

“Well, I see he has a rifle. Just keep it away from this little guy. God knows what he’s capable of. OK, he’s all yours. No returns.” – Paula, child welfare

Of course, it wouldn’t be a New Zealand film if it didn’t have Rhys Darby in it! He makes an appearance as “PSYCHO SAM”.

Rhys Darby - Psycho Sam in Hunt for the Wilderpeople

A perfect film for homesick Kiwis. Loved it. I’m about to watch it for a fourth time this week.

Jodie’s rating: 9/10

Ithaca – Danny Baxley

Single

 

From Texas to Boston, this one-man band is making his way in the music industry with his unique genre-blended songs. Danny Baxley has independently released a single called Ithaca.

“…everything on my EP or anything I’ve done since November is all me.”Danny Baxley

The song starts with a rhythmic guitar, echoing the artist’s rock band background. As the vocals come in so does the synth and electronic instruments, which took me by surprise somewhat. With instruments that remind me of Owl City’s Fireflies song, Baxley’s intriguing hybrid of genres is certainly a twist on fundamental electronica and rock.

“I’ve always attempted to blend genres – sometimes [they’re successful]…”

Baxley’s vocals are blunt and occasionally stray from the desired melody, yet they seem to ground the song rather than allow the listener to lose themselves in the electronic tones.

Certainly an interesting and unique sound that might very well make a permanent home for itself in the indie corner of the music industry.

Check out Danny Baxley’s website, Facebook and Twitter. Ithaca is available on iTunes!

Indecision – The Beekeepers

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The Beekeepers are an all-woman band, with all the characteristics of folk music, with a classical twist.

A rather self-sufficient band; each band members writes, arranges and performs their own material. They incorporate 13 instruments to create their unique sound.

The Beekeepers are winners of the May 2017 Akademia Music Awards for Best Folk/Singer-Songwriter EP, and band member/songwriter Sylvie Abate has been heard on more than 70 radio stations in the United States of America.

Their raw and innocent vocals in their single Indecision reminds me of Joanna Newsom’s tunes. The Beekeepers’ song is easy to sing along to as the attainable vocal range accommodates for every fan.

With Indecision’s almost lullaby tune, the accompanying classical-sounding guitar is soothing and makes this folk song an easy-listen. But what it lacks in complexity, it gains 10-fold in integrity as it is a remarkable tribute to the Indie-Folk genre.

If you enjoy the simplicity of the folk genre, and the youthful, string-heavy sounds of Joanna Newsom and the likes, then you will love this feminine trio.

Check out The Beekeeper’s song Indecision below.

Not Giving Up – Roadcase Royale

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With deep vocals reminding me of The Dead Weather, Roadcase Royale are a mature rock band who are serious about their art.

Not Giving Up is a song with hardened, almost soul-like vocals, that provokes flash-backs to 1980’s Joan Jett. While the vocal harmonies between the lead and back-up singer evokes the glam-rock elements of ACDC.

This is classic, old-school rock.

The live performance for this single reminds me of animated high school punk/rock bands I’ve been in. As Roadcase Royale’s collective character is so passionate, it’s almost tangible – you certainly can’t deny their talent, enthusiasm and sheer happiness to be playing together, which is evident in their performance.

An old-school rock band: Check our their website and Facebook.

Hometown – Dru Cutler

Dru Cutler
With a triumphant and uplifting piano, Hometown by Dru Cutler is a soft rock song smothered in nostalgia.

With harmonies that remind me of the Plain White T’s, this band is an easy listening, all-American band that brings back fond memories of high school ‘jams’ at lunchtime.

The perfect mantra to accompany a daydream of a past life – of school, bad haircuts, hot summer sun and first loves. Or, perhaps during the credits of a coming-of-age Hollywood movie. (The Way, Way Back came to mind.)

Small town a-lovin’! Check out their website and Facebook page.