Struggling to know what to watch that your date will enjoy? Here are a few of my recommendations. I’ve made sure there’s nothing too heavy, too depressing, too girlie or too boyish.
Director: Taika Waititi
Writer: Taika Waititi (screenplay), Barry Crump (author of “Wild Pork and Watercress”) and Te Arepa Kahi
Released: 2016
Starring: Sam Neill, Julian Dennison, Rachel House, Rima Te Wiata, Stan Walker, Oscar Knightly, Rhys Darby…
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I really needed this film in my life.
Another Kiwi classic from director Taika Waititi, Hunt for the Wilderpeople is about a national manhunt ordered for a rebellious Kiwi kid, Ricky (Julian Dennison), and his foster uncle, Hec (Sam Neill), who go missing in the wild New Zealand bush.
[Reading wanted poster]: “‘Faulkner (Sam Neill) is cauc-asian’… Well, they got that wrong because you’re obviously white.” – Ricky Baker
A fantastically hilarious and beautiful tribute to everything that is Kiwi.
After moving back to the UK, I didn’t realise how much I missed New Zealand until I bought the DVD of Hunt for the Wilderpeople. I also didn’t realise how much I identify with the Kiwi ways of life before finishing this movie.
For I can relate to the Kiwiana culture that courses through this movie, the humour, the landscape, the accent – once a cause for embarrassment to me, is now a twang that makes me feel overwhelmingly nostalgic and patriotic. I have concluded that the only English thing about me left is my crooked teeth.
I finished watching this movie with mascara running down my face (mostly due to nostalgic tears of joy and laughter) and an empty packet of Whittaker’s chocolate in my hand, while my feet were cosy in my New Zealand sheepskin slippers (you wouldn’t know it’s currently summer in the UK).
The main character, 12-year-old Julian Dennison, was absolutely phenomenal. He needn’t say much at all – his facial expressions are enough.
But I must say, Paula (Rachel House) has to be my favourite character. She made me laugh so hard! She’s absolutely hilarious. It’s not always what she says, it’s how she says it. Golden!
“Well, I see he has a rifle. Just keep it away from this little guy. God knows what he’s capable of. OK, he’s all yours. No returns.” – Paula, child welfare
Of course, it wouldn’t be a New Zealand film if it didn’t have Rhys Darby in it! He makes an appearance as “PSYCHO SAM”.
A perfect film for homesick Kiwis. Loved it. I’m about to watch it for a fourth time this week.
Director: Clint Eastwood
Writer: Todd Komarnicki
Released: September 2016
Starring: Tom Hanks, Aaron Eckhart and Laura Linney
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If this film was a human, it would be:
A white American male holding the US flag in one hand with a hamburger in the other, a bald eagle perched on his shoulder, while sitting on a mustang, wearing a cowboy hat and a shirt that reads ‘God bless America’, with keys in his back pocket to his Chevrolet and his white-picket-fenced suburban home in the distance… This movie was an all-American film indeed.
Based of course on the spectacular events of January 2009 where Chesley Sullenberger (Sully) landed a commercial plane on the Hudson river after an birdstrike took out both the plane’s engines. All 155 souls onboard survived.
What Sully: Miracle on the Hudson focusses on is the aftermath where our hero is interrogated as questions over whether both engines really did stop working arise, and whether or not Sully really did make the safest decision to make a water landing.
The reenactments of the plane crash were remarkable, and Tom Hanks did a marvellous job of portraying the self-doubt and desperation his character experienced as he tried to keep his reputation as a pilot and safety expert intact. But of course Tom Hanks did an incredible job; he’s Tom Hanks.
The actors playing the parts of the passengers, I reluctantly say, were particularly poor at acting. Over-acting made them extremely unbelievable.
Imagine if this incident happened in the UK – I would love to see that movie. Because Great Britain doesn’t hail heroes, we hail underdogs. As Ricky Gervais once said, that’s the difference between the English and the Americans – we love a good underdog story because we focus on the negative, whereas they focus on the positive. ‘Anyone can be the next president’ versus ‘it would never happen to you’ kind of attitude, which feeds into our society and films. As my media studies teach once said, films are the mirrors held up to society.
Our Sully movie would be down-to-Earth (no pun intended) and probably a lot of depressing. Which, strangely I would probably relate to more. Therefore, I enjoyed Sully, but it was a bit difficult to relate to as it was a tad ‘happy-clappy’ and a bit too intensely positive.
I wouldn’t say it’s an inspirational epic, but it was an enjoyable story.
Director: Theodore Melfi Writers: Allison Schroeder & Theodore Melfi. Based on the bookby Margot Lee Shetterly Released: December 2016 Starring: Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst Jim Parsons, Mahershala Ali, Aldis Hodge and Glen Powell
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This was actually quite a funny film!
I was expecting a super dramatic biopic, but as compelling as the storyline absolutely is, it is intertwined with down-to-Earth humour. (Pun intended.)
A fantastically inspiring movie based on three real-life black women who worked at NASA in the sixties. It follows their triumphs and successes, despite being completely discriminated against for being black, and for being women.
A classic ‘human’ story, with particularly relatable and believable moments that are so easy to connect with emotionally.
Karl Zielinski: …Let me ask you, if you were a white male, would you wish to be an engineer? Mary Jackson: I wouldn’t have to. I’d already be one.
Truly inspiring, shocking and sassy!
The three main characters are Katherine Goble Johnson (Taraji Penda Henson, The Curious Case of Benjamin Button), Dorothy Vaughan (Octavia Spencer, The Help) and Mary Jackson (Janelle Monáe).
Mary Jackson was my personal favourite because she had some of the best come-backs, and every dress she wore was absolutely beautiful. I want all of them please. (Look at everyone’s shoes too! I’m in love.)
The film is perhaps longer than needed… But having said that, there’s not a single scene I would be happy parting with!
Vivian Mitchell (Kirstin Dunst): Despite what you may think, I have nothing against y’all. Dorothy Vaughan: I know, I know you probably believe that.
I thoroughly enjoyed it, and so did my fiancé. We laughed a lot, I cried a lot (the proposal seen oh my Loooooord!!) and we walked away at the end of a mighty fine evening feeling uplifted.
We went to see Hidden Figures at a cinema in Wareham, Dorset called The Rex Cinema. I would thoroughly recommend paying a visit. The cinema was built in the 1800s, and the same grand and intriguing interior remains today. It was the perfect atmosphere to watch such a historical and proud film.
Director: Damien Chazelle Writer: Damien Chazelle Released: December 2016 Starring: Emma Stone, Ryan Gosling, John Legend and J.K Simmons
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IT’S SO MAGICAL!
Despite the trailer making me expect Glee meets Grease, I had heard so many rave reviews about La La Land, that I simply had to see it for myself.
I was not disappointed.
A story about a boy and a girl, with grand dreams (already a refreshing storyline in itself). Ryan Gosling’s character, Sebastian, wants to be a jazz musician playing in his own bar – he represents old-style Hollywood. Emma Stone’s character, Mia, wants to be a successful actress – she represents the Prius-driving new-age Hollywood. Two strong-minded people going in different directions, yet refusing to let go of each other.
With elements of Woody Allen’s Midnight in Paris, this absolute feel-good epic is layered and definitely deserves more than one viewing.
Damien Chazelle’s La La LandWoody Allen’s Midnight in Paris
It’s not only romantic, but Mia and Sebastian’s stories are incredibly relatable and real.
Many people were disappointed by the ending (don’t worry, I won’t give it away), as it’s not exactly what was expected, and tinged with sadness. But I thought the ending was absolutely spot-on and perfect, as it keeps the tone of life being a little messy and little disappointing.
Thankfully I was pre-warned about the opening scene, so the overly theatrical and colourful intro did not startle me. But I think everyone must be warned – it only gets better from here.
Nevertheless, this highway traffic jam intertwines with the story throughout the film. A metaphor for being stuck and not sure which direction to go, perhaps. But also the poignant location of the main characters’ first meeting.
This is a refreshing journey, unlike anything I have seen before.
I love the songs, which are few and far between. So claiming you’re ‘not into musicals’ is no excuse to avoid this movie. They sing about meaningful things during meaningful moments, and not about eating cheese or pointless things.
Emma Stone and Ryan Gosling are incredible dancers, singers and musicians – who knew! Gosling actually learnt the piano for the role, with no use for a hand-double.
I love how Stone’s voice isn’t the breathy, stage-sounding voice that you would typically find in American musicals, too. If her voice was too clean or edited, it certainly would have spoilt the soundtrack.
The jazz influence is AH-MAY-ZING. The writer and director is Damien Chazelle who wrote and directed Whiplash (love this movie too). So if you loved how jazz supported that story, you’ll adore the band performances in La La Land.
The trumpets! The pianos! The Sax! Brilliant.
The best part? (Apart from the costume design, music, story, dialogue, pianos and acting) It’s actually funny! I chuckled through my tears of sadness and joy throughout the whole film.
Especially any scene starring the amazing J.K Simmons, who plays Seb’s boss:
Sebastian: I want to let you know you’re looking at a new man. A man who’s happy to be here. [working a pianist at a dingy restaurant] Boss: Right, and you’ll play the set list. Sebastian: Gladly… Although, you know, I thought in this town it worked on a sort of “one for you, one for me” basis type system. How about two for you, one for me? Sebastian: How about all for you and none for me? Boss: That’s perfect, yes. Sebastian: Great. Boss: Okay. Sebastian: Okay, a mutual decision then. Boss: Made by me. Sebastian: Right, and I sign off on it, so… Boss: Whatever. Tell yourself what you want to know.
What a guy!
This movie is full of emotion, and you need to just go with it. Hence why you must lose yourself by watching it in the cinema. It’s a feelings kinda film.
Thank Christ Emma Watson and Miles Teller weren’t the lead actors. Rumour has it they were too demanding and wanted too much money. Youch! And now they are apparently gutted they didn’t snatch the roles.
God. That would have been a disaster… Think what the world would look like today if Hermione played the part of Mia… Think of the La La Land we have come to know, and how easily the movie could have changed… Disaster.
Stone and Gosling were perfect, it wouldn’t have been the same if anyone else had their roles. They’re grounded, humble and elegant. They’re relatable, but also aspirational.
I will see this again. IT’S JUST SO REAL. And beautiful. And true. And honest. With incredibly moving jazz music, which created a movie that is layered, moving and deep.
“Here’s to the ones who dream, foolish as they may seem. Here’s to the hearts that ache, here’s to the mess we make.” – Mia’s audition song
Oh my God I think I might cry again, just thinking about how perfect this movie is. I want a yellow dress and take dance lessons now.
Director: Andrew Stanton
Writer: Andrew Stanton
Released: June 2016
Featuring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy
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I was more keen to see BFG if I’m honest, but mostly because I thought Finding Nemo was so good that ‘Finding Dory‘ was just going to be a cash-in. But due to a particularly over-excited boyfriend, we ended up seeing Finding Dory.
Sharing a small cinema with about 50 people – some of them peculiar, some of them creepy, and only a couple of them under the age of 13 – we unabashedly cracked open a couple of ciders and the movie began. And I was pleasantly surprised.
With new characters and a heart-felt story line, Finding Dory was another genius creation of Pixar.
We follow Dory (Ellen DeGeneres) as she slowly gets flash-backs to her home and parents. It leads her, Nemo (Hayden Rolence) and Marlin (Albert Brooks) across the ocean once again, and finding themselves in a Marine Life Institute. (Featuring Sigourney Weaver as herself).
My favourite character was probably Becky, who is a dotty bird who is rather simple.She is as creepy as she is quirky.
Although I did think Hank (Ed O’Neill (granddad in Modern Family)) the octopus was the most heart-warming character.
But my boyfriend’s favourite character was Bailey (Ty Burrell (aka dad in Modern Family)) the beluga whale due to the humour of watching him figure out how to be a whale, as well as the sounds he made.
Unfortunately, my boyfriend pointed out that the goofy sea lion Gerald has an uncanny resemblance to my good self… I was offended.
In between the genuinely laugh-out-loud moments, the storyline was heavy in parts. The emphasis on family and unity and support and friendship and acceptance and patience… Man! Please calm down on the wholesome messages.
Dory’s short term memory loss became a little irritating, as the ‘wait, what are we talking about?’ jokes began to seem over-used, and wearing thin.
But it’s a movie I would happily see again. I haven’t laughed that loudly in a movie for a long time! It’s certainly aimed at us older kids (in our twenties) who grew up watching Finding Nemo.
Director: Rob Reiner (Misery) Writer: Aaron Sorkin Released: December 1992 Starring: Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kevin Pollak, Wolfgang Bodison, James Marshall, J. T. Walsh and Kiefer Sutherland —
“You can’t handle the truth!”
Well. Now I know where this famous quote actually comes from. I’ve heard it being referenced in Seinfeld (and probably countless other shows), and hadn’t the slightest clue it was from a good movie – not some Terminator, mindless action film that for some reason I always assumed it would be from.
A Few Good Men, a courtroom drama from 1992. I know, I know, I’m only 23 years behind.
Man, this movie is my favourite at the moment. I’m assuming I was the only person on the planet who hadn’t seen this film, but if you need a refresher of the plot without any of the court or Marine jargon…
Kaffee, (Tom Cruise), Galloway (Demi Moore) and Weinberg (Kevin Pollak) are defending two Marines – Dawson and Downey – who are accused of killing another Marine named Santiago, via a “Code Red”. Which is a “violent extrajudicial punishment”, according to Wikipedia. But it’s fundamentally where people of higher ranks turn their heads while Marines beat the crap out of each other for being late, or running slowly, or just being a dick in general.
Cruise’s character is over-confident, and he asks super awesome questions to people ranked way above him. But he has to be careful when he begins questioning Jack Nicholson’s character, because if he can’t get him to admit that he knew about the Code Red, then Tom Cruise’s character will be down the pan for accusing a Colonel… Basically.
Oh! And, Captain Jack Ross (Kevin Bacon) – not to be confused with popular Disney pirate, Captain Jack Sparrow – is the lawyer person on the other side, trying to get Dawson and Downey out of the Marines for supposedly murdering Santiago.
Anyway! Explaining any court-based story sounds boring on paper, but super cool in the movies.
I love how Demi Moore’s character isn’t a typical downtrodden, infatuated female. She’s as strong, competent and as funny as the men, and does well in her job without being the damsel in distress, or totally boring.
Oh! And how she asks Tom Cruise’s character on a date, because she’s a strong, independent woman who don’t need no man to ask her! *Snaps fingers in a sassy fashion*. But it doesn’t get lovey-dovey at all – such a breath of fresh air.
Galloway: But my feeling is that if this case is handled in the same fast-food, slick-ass ‘ Persian Bazaar manner with which you seem to handle everything else, something’s gonna get missed. And I wouldn’t be doing my job if I allowed Dawson and Downey to spend any more time in prison than absolutely necessary, because their attorney had pre-determined the path of least resistance.
Kaffee: Wow… I’m sexually aroused, Commander.
Although, through all three viewings of this film within a week, I could not figure out Demi Moore’s hair… Is it short? Is it long and tied back? Is it actually Travolta’s hair from Grease..? It broke my brain a little bit. Looks pretty cool, nevertheless.
I’m typically not a fan of Tom Cruise, but he is comical, intense, and plays the part of the spoiled, cocky, lawyer remarkably well. He’s so sassy, with smart-mouthed come-backs.
Kaffee: Oh, hah, I’m sorry, I keep forgetting. You were sick the day they taught law at law school.
The only thing that dates this film is the repeated music that is quite obviously from the late 80s/early 90s. Apart from that, I think it’s held its own very well indeed. It’s just as entertaining now, as I’m sure it was back in ’92.
I almost forgot – Kiefer Sutherland is in it! He’s so intense. Everyone is! I definitely could not survive in the Marines… But, doesn’t Sutherland just look SWELL. *Swoon* I still prefer him in The Lost Boys though…
I love courtroom dramas. Just when you think Cruise’s character is out, he finds a loophole. It’s like Sherlock Holmes meets Judge Judy!
“It doesn’t matter what I believe. It only matters what I can prove!”
So much sass, so much awesomeness. Loved it, loved it, loved it. Scary, nail-biting, funny, inspiring. So amazing.
Kaffee: I know what you’re going to say – You don’t have to. We’ve had our differences. I said some things I didn’t mean; you said some things you didn’t mean, but you’re happy I stuck with the case. And if you’ve gained a certain respect for me over the last three weeks… well, of course, I’m happy about that. But we don’t have to make a whole big deal outta that – you like me? I won’t make you say it.
Galloway: I was just going to tell you to wear matching socks tomorrow.
Director: Tim Burton
Writer: Larry Karaszewski and Scott Alexander
Released: December 2014
Featuring: Amy Adams and Christoph Waltz
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A Tim Burton film with Christoph Waltz and Amy Adams in it, and composed by Danny Elfman… I kind of knew how this was going to pan out before even pressing play.
It was going to be a bit creepy – because Burton. Quirky and fun – because Adams. Emotionally charged and dark – because Waltz. And choirs and strings – because Elfman.
Nevertheless! This was not a totally predictable Burton tale because it was based on real people and events.
Being set in an era I love, with mesmerising art and admirable, strong female characters, I enjoyed this film very much.
This is the story of Margaret (Adams) who is the artist responsible for the memorable paintings of the children with big eyes during the sixties and seventies.
She married a salesman Walter Keane (Waltz) after walking out on her previous husband. (Which was a big thing for women of that time.) Keane told her that people don’t buy ‘lady art’, so it would be in both of their best financial interests if Margaret’s art was passed off as his.
Over 10 years, that lie snowballed into something much larger, where Margaret was lying to her daughter, lying to herself and losing her identity in a dominated relationship.
Big Eyes follows Margaret’s struggle to pick herself up and stand up to her husband. She had his name, therefore he had her work and consequently, her identity. It wasn’t going to be an easy fight.
Tim Burton has won me back as a Burton fan, because it was different enough, while still keeping the Burton-esk feel. Not everyone had heavy eyeliner, striped fingerless gloves, and Helena Bonham Carter and Johnny Depp were not cast!
Yet the pastel colours, crazy eyes and gorgeous costumes still brought back fond memories of Edward Scissorhandsand Dark Shadows.
There were some great scenes, like when everyone’s eyes were like dinner plates in the supermarket. I was mesmerised by how believable Amy Adams is! She is an incredible actress for sure. I could completely understand how blinded she was in her marriage, just by her nervous gestures and mannerisms.
Christoph Waltz is so talented. He is portrayed as the conman who is vindictive and dark, yet so trustworthy and confident – like a used-car salesman. I think he is the best villainous actor in Hollywood.
I love films where the underdog gets justice and revenge…
A true story portrayed like that of a fairytale. We get in the head of a suppressed artist and woman, who expresses her feelings through the sad eyes of the children she paints. Wonderful film, with great 60s and 70s music and décor. Beautiful!
Director: Pete Docter
Writer: Pete Docter and Ronnie del Carmen
Released: June 2015
Starring: Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, Mindy Kaling, Richard Kind, Kaitlyn Dias, Diane Lane, Kyle MacLachlan
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What a fantastic premise!
I am fascinated by psychology and why people behave the way they do, and this film has simplified our complex behaviours into an entertaining and interesting animation.
It’s about a young girl… Well, more like the emotions that make up a young girl. We see inside her head and see who controls her moods, decisions and feelings:
Joy, Sadness, Disgust, Anger and Fear.
Each are relatable and lovable, each with pros and cons, strengths and weaknesses. No mood is less important than the other, or more favourable than the other. Which is a moral within itself.
My favourite character was Sadness. Because she seems so helpless and incorrigible, but she’s not self-loathing or deceitful.
Joy was my least favourite… She is positively irritating.
However! I was surprised to notice there are more female characters than male characters.
I love how much we find out about this world – the subconscious, personal values, suppressed memories, even her imaginary friend. But my favourite part is the explanation of dreams…
“Action!”
By turning the brain from a wibbly-wobbly system, a complex map – if you will – of intertwined motorways, power lines, unpredictable traffic jams and road rage. This movie physicalises many components of what makes you, you!
All that is natured and nurtured, all that is influential and permanent. This movie has assigned a character to represent it.
Thoroughly enjoyed it. I think perhaps, on a deeper level beyond the entertainment value, perhaps this film could shine a new light on why people are the way they are. Hopefully increasing understanding and acceptance among us… That’s wishful thinking…
But you should see it.
My only hope is that an R16 version comes out where it’s not an animation, but a real person. Who is a psychopathic murderer like Hannibal… IMAGINE THAT. Watching what Hannibal Lecter is THINKING…
Perhaps a sequel?
Jodie’s rating: 8/10
Why not a 10/10? Because it sagged a little at times, and at the end, you realise you spent $18.50 on a children’s movie…
Directors: Don Hall and Chris Williams
Writers: Jordan Roberts, Dan Gerson and Robert L. Baird
Released: November 2014
Featuring: Ryan Potter, Scott Adsit, Daniel Henney, T.J. Miller, Jamie Chung, Damon Wayans Jr., Genesis Rodrigeuz, James Cromwell and Maya Rudolph (Bridesmaids)
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2015’s new year animated film, Big Hero 6, is a perfectly adequate gate-way film to the Superhero genre.
It’s about an orphaned boy – because it would unravel the very fabric of the space-time continuum and destroy the entire universe (BttF2) if it was a hero who had parents.
This orphaned boy is called Hiro, and his brother made a robot, who is essentially a nurse, named Baymax.
Anyway, one thing leads to another and Hiro has to get a super team together to catch the bad guy. The rest, I’m sure, you will be able to figure out.
The first half was typical Walt Disney: fun, whimsical with a dash of the warm and fuzzies. We had laugh-out-loud moments and knee-slapping scenes.
But by the time we got half way in, it was such a cookie-cutter, colour-by-numbers superhero film. The storyline was so obvious, and they had forgotten to make us laugh.
There’s a flying scene in it, which I’m certain was developed purely because they released a 3d version. Personally, I wouldn’t spend the extra dosh. It wasn’t that great of a scene.
Also, the city they’re in is San Francisco blended with Tokyo. They called it ‘San Fransokyo’. Which I think is STUPID. They should call it ‘San Tan Frokyo’ to ensure even distribution of both city names.
Director: Christopher Nolan
Writer: Jonathan Nolan, Christopher Nolan
Released: November 2014
Starring: Matthew McConaughey, Anne Hathaway, Michael Caine, Jessica Chastain and Matt Damon
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The time travelling concepts in this movie are easy to grasp if you’re familiar with the sci-fi genre. If you can keep up with Doctor Who, you’ll keep up with this.
It’s set in the future where scientists are aware that crops are failing and the end of the world could be near. NASA is attempting to find another planet so that the human race can continue.
I would love to tell you more, but I’m worried I’ll ruin something! (For the record, the trailer makes it out to be an average film… It’s not.)
Anne Hathaway in InterstellarSandra Bullock in Gravity
I love this movie. I think Matthew McConaughey did a fantastic job, and I have a new found respect for Anne Hathaway.
It did make me wonder if Anne Hathaway was considered for Sandra Bullock’s role in Gravity though. Because the characters are very similar, physically and characteristically.
There are some gorgeous scenes in this movie. Which isn’t surprising, because Interstellar is a Nolan film.
My favourite scene is when they are on another planet, a water planet. Rather than regular waves, there are tsunamis that arrive every so often. And every one hour spent on this planet, is seven years on Earth.
There was just one thing I was disappointed about: the ending. It was a little too perfect. I think if it ended with a similar feel to Gravity‘s final scene, which was open-ended but with a feeling of hope.
Whereas, Interstellar ended like a Hollywood drama, the i’s were dotted and the t’s were crossed, wrapped in glossy paper with a bow.
Despite that, it is worth a watch if you’re fascinated with worm holes, time manipulation, outer space and strong characters.
It was a great concept, but it was just so weird! It was simply bizarre.
Scarlet Johansson plays the protagonist, Lucy, who is kidnapped and used as a drug mule. The new drug seeps into her system, which enables her to use more and more and more of her brain.
She is able to manipulate everything from pain tolerence to technology. She even pulls some solid Matrix moves.
It would have been a great as a short film… It’s almost as though it should have been an arty film festival film. The mere fact it ha Johansson and Freeman in it threw it into the Hollywood sphere. I don’t think it belongs there though. It attracts the kind of audience who want an awesome sci-fi film, when it should attract the deep-and-meaningful film analysts.
Some parts of the script were super cool, particularly in regards to how people have evolved, how we think and behave.
Other parts were plain odd.
Basically, this movie isn’t what you think it will be like. The trailer advertises a Hollywood action sci-fi, when in fact it’s mind-bender with a screwed up ending.
Directors: Phil Lord andChristopher Miller
Writers: Story: Jonah Hill and Michael Bacall Screenplay: Michael Bacall, Oren Uziel and Rodney Rothman
Released: June 2014
Featuring: Jonah Hill, Channing Tatum, Peter Stormare and Ice Cube
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22 Jump Street certainly didn’t match up to its prequel, 21 Jump Street.
This one was long and had as many topless scenes of Channing Tatum as possible… I’m assuming this was written into his contract..?
I didn’t find it as funny as the first one because it was so ridiculous. It was similar to the first but more outrageous. Although, I’m sure the Jump Street fans won’t be disappointed.
The amount of references to the first film kept the cookie-cutter-comedy fresh. The movie made fun of itself, hinting at the repetitive storyline and stereotypical characters they play. This decision saved the film from being put on the scrap heap.
It looks like the cast had a lot of fun on this film. As though it was for themselves rather than the audience. Which was actually okay!
I don’t have a lot to say about this film to be honest. It was a bit weird, quite typical, but not as funny as the first. It’s for the younger Hangoverfans and the Channing Tatum lovers.
Director: Matt Reeves
Writers: Mark Bomback, Rick Jaffa and Amanda Silver
Released: July 2014
Featuring: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell and Kodi Smit-McPhee
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I wasn’t expecting much from this sequel, but I thoroughly enjoyed it!
A desolate planet with a small population living within the remains of an apocalypse. The humans are in search of a water supply to ensure electricity to their commune. However, the apes that were used in trials in the prequel have populated the forests where the water supply is.
I found the body language of the apes and the reactions of the humans fascinating.
The apes didn’t use English too much of the time so subtitles were uses, but even without them it was remarkably easy to understand them.It’s clear the makers did their homework regarding the body language of the apes!
Although, I did find the human storyline almost irrelevant. I was so captured by the story of the apes that the humans became uninteresting. Apes riding horses holding spears? Come on. Who needs people?
It was a great balance between emotion and action. The fight scenes showed off the motion capture incredibly! Particularly with apes riding the horses… I can’t get over how realistic it all was.
An exciting and captivating film about the clash of cultures and revenge. The storyline is more-or-less typical of the genre, but it is one of the best examples of modern film making; taking advantage of today’s technology… The motion capture will make you drool.
Directors: Phil Lord and Christopher Miller
Writers: Dan Hageman, Kevin Hageman, Phil Lord and Christopher Miller
Released: April 2014
Starring: Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett, Nick Offerman, Alison Brie, Charlie Day, Liam Neeson and Morgan Freeman
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I feel silly thinking this kids’ movie could be anything but a shallow cartoon.
Animation aimed at children but also being entertaining for adults, such as The Lion King and the Toy Story trilogy, have been and gone.
Perhaps it’s just going to be a string of cheaply made kids movies from now on. With famous voice actors dragging it to the cinema.
I thought it had a blatant moral of “be yourself”. But then I realised it’s a bit deeper than that – it’s about breaking out of the mould created by society. Liking the same songs as everyone else and told to be happy by staying in the same job for the rest of your life is the lifestyle the protagonist breaks out of.
The Lego Movie was bizarre and silly. It’s a film with a lot of hugely successful actors lending their voices to characters made of bricks.
The lego-bricked world is smart on one hand, but also looks pretty cheap.
There were a few funny one-liners, and I loved Liam Neeson’s two-faced character. His voice was hilarious.
A very similar story and appearance to Wreck It Ralph… which I gave a 5/10.
I found it a bit dull, not very quirky or clever and quite a boring family movie. I know it’s aimed at children though, so my expectations shouldn’t be high anyway… Even so, I think they’re underestimating how much children can understand.
The Way Way Back is a funny, feel-good film, similar to Little Miss Sunshine and Juno. It’s an uplifting tale about Duncan (Liam James) who has to endure a summer with his mum Pam (Toni Collette) and her new boyfriend Trent (Steve Carell).
Struggling to withstand Trent’s subtle bullying, Duncan goes out as often as possible. He soon gets a secret job at the local pool, where he gains a lot more confidence and gets a good reputation.
It is extremely well cast. Carell does a fantastically accurate job of being a total a-hole. Collette, just like in Little Miss Sunshine, plays the warm mother figure convincingly. She is a fantastic actress. The main character, Duncan is aloof but certainly not played as an emotionless character, which I think should be applauded.
My favourite character is laid-back Owen (Sam Rockwell), Duncan’s boss at the local pool. He’s a hilarious character who balances the heavy situations out with a lighter perspectives.
Director: David O. Russell Writer: Eric Warren Singer and David O. Russell Starring: Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner and Jennifer Lawrence Released: January 2014
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I honestly didn’t know what to expect. All I knew was Jennifer Lawrence is in it. Which sold it for me.
Bright, bold, glossy and rawkus. American Hustle shows off the glamorous seventies in a gorgeous light.
In the same way The Boat that Rockedmade the sixties nostalgic, American Hustle enhanced our recollection of the seventies.
I was utterly gob-smacked to discover that Danny Elfman composed the music… You can’t even tell. Certainly a step away from the stereotypical sound expected from Elfman. The actors were incredible. Everyone was so believable and realistic. Kudos to Amy Adams. I lost my faith in her acting ability after Man of Steel, (as Lois Lane) but she has made a come-back, for sure. She even does a fantastic monologue without make-up on.
Bradley Cooper, Christian Bale, Amy Adams and Jennifer Lawrence – absolutely flawless acting.
Someone told me American Hustle is “all cleavage and big hair”… I can’t really disagree with this statement. But it’s shot in such a classy and upbeat way, the plunging neck lines and big up-dos fit perfectly.
The script is beautiful! There are double meanings and strong themes in the dialogue, with funny lines and meaningful quotes.
The story was below average though. It was over-complicated, and relied too heavily on voice-overs. But the overall idea of two con artists and the characters they play to do the illegal dealing is cool.
The music was fun, the pub scenes were moody, and emotions ran high.
Probably not needing to be a two and a half hour movie, but a playful and provocative watch nevertheless.
Jodie’s rating: 6.5/10 – mostly for the acting and script
Director: Ben Stiller
Writer: Steve Conrad. Based on The Secret Life of Walter Mitty by James Thurber
Released: January 2014
Featuring: Ben Stiller, Kristen Wiig, Shirley MacLaine, Adam Scott, Kathryn Hahn and Sean Penn
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An inspirational fable to say the least. I have been waiting for a movie like this for a long time.
“Having a Walter Mitty moment”, you’ve probably heard the phrase. The Secret Life of Walter Mitty explores the ‘what if’ situations in life.
Coincidently, there is a hilarious reference to Benjamin Button in the movie.
Everybody can relate to Walter Mitty. Dreamers, travellers, photographers, bored office workers… Anybody who fantasises about running away or doing something crazy.
Ben Stiller not only produced and played the lead, but he directed it too. I have a new-found respect for this man. I have fished him out of the pile of cheap laughs in comedies with Owen Wilson or Adam Sandler. He is way up there with respected artists and creatives. Absolutely incredible.
The shots are beautifully framed and the locations are simply breath-taking.
Iceland has been on the top of my travel list for a few years now, so the fact that this movie is mostly based in Iceland just gives me warm and fuzzies. No other location could offer this film with a better foundation. What an exceptional choice.
The characters are real. The acting and casting is superb. Kristen Wiig, Ben Stiller, Sean Penn, Patton Oswalt, Adrian Martinez… Holy beans. This cast is gorgeous.
I can’t think of another movie that put me in these situations and locations first hand. I feel like I experienced the courage Walter experiences, and how he felt when he is embarrassed or intimidated. I don’t know how they did it.
I suppose it is the genuine dialogue, the seamless transitions between scenes and the emotional and realistic reactions. Genius.
Now. The music. The soundtrack and the use of music for the scenes is simply a HUGE part of The Secret Life of Walter Mitty. Jose Gonzalez and Of Monsters and Men in particular had songs that complimented the film perfectly.
My favourite scene is the montage of Walter Mitty going through the mountains to the song ‘Lake Michigan’ by Rogue Wave. The music is more than icing on the cake… This is the flour IN the cake; it is so essential and so well mastered.
House on fire leave it all behind you,
Darkest night let the lightning guide you
– Step Out by Jose Gonzalez
I won’t lie to you; I did have a fat cry. But I shan’t be ashamed! This film just gave me chills, and the songs moved me. I blubbered like a baby. Deal with it.
Films should be entertaining and transport you to another world, and make you feel different when you walk out the theatre. The Secret Life of Walter Mitty did this. I walked out feeling inspired, excited, exhilarated, happy and feeling the urge to travel, even more so than before.
My favourite component is how a lot of the characters’ mistakes were things that would happen in real life, such as throwing something away absent-mindedly or daydreaming about having a conversation with somebody.
This is more than a feel-good film. This is a lively, funny, adventurous film, full of rich and interesting characters and places. I cried, I laughed, I felt empowered and excited. It’s just a magical adventure. I’m going to see this again.
Don’t just dream it; live it.
Jodie’s rating after first watch: 10/10
The first 10/10 ever given on filmfreak.co.nz!!
November 2014: I have to say, after almost a year of watching Walter Mitty, I think it’s realistically closer to an 8/10 because Kristen Wiig doesn’t really work with the genre, and the movie can look a bit sterile.
However, I’ll stick with 10/10, because that’s how it feels after the first watch.
Director: Alfonso Cuarón
Writers: Alfonso Cuarón and Jonás Cuarón
Released: October 2013
Starring: Sandra Bullock and George Clooney
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This movie is out of this world!
Ha.
I saw Gravity 3D and it was spectacular. The director, Alfonso Cuarón, said movies should be a visual experience – a lot of dialogue isn’t necessary to tell the story – and he certainly did that well.
Claustrophobia, agoraphobia, isolation, suffocation and death. This is a terrifying movie, playing on our natural fears. It is a very ‘human’ film – it goes back to basics – which is extremely effective in such an alien environment.
I’m not sure how to describe the epicness of the visuals… It is inviolable. Simply spectacular. The shot of the Northern Lights from outer space, and of the sun emerging from behind Earth… Wow.
Ryan (Sandra Bullock) and Matt (George Clooney) were absolutely incredible. I am a huge fan of George Clooney anyway, who played a chatty and upbeat character. But I was pleasantly surprised with Sandra Bullock! She convincingly played a strong protagonist.
All the dialogue used makes a huge impact. There is literally no unnecessary dialogue. The spoken word is almost used as a parallel storyline; Ryan’s back story links to her current traumas.
The audio is so detailed and layered. The use of silence is powerful and serene. Ryan’s heartbeat can often be heard in the background. The point-of-view shots include the dampened sounds of collision as though heard from inside the astronaut suit.
Speaking of audio, the soundtrack is incredibly moving – especially in the final scene! RANDOM FACT: Steven Price, who composed for Gravity, also composed for The World’s End.
Structurally, the story keeps you hooked. The count down before the next debris shower from the destroyed satellite near-by, and the suspense as the oxygen depletes… You literally find yourself holding your breath.
The loneliness, desperation, mourning, horror and serenity creates a hugely emotional journey. The point-of-view shots, as mentioned before, just gets you closer to the action.
Director: Neill Blomkamp Writer: Neill Blomkamp Released: August 2013 Starring: Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga, Diego Luna, Wagner Moura and William Fichtner
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What a concoction! An action sci-fi film with epic fight scenes, storyline, characters and sets.
Elysium (a term from Greek mythology referring to where the blessed dwell after death) is based in the year 2154 where Earth is polluted, diseased and overpopulated by the poor and dying.
On an artificial planet/space station not far from Earth is ‘Elysium’. This is a place populated by the wealthy, where robots and machines take care of all the work and security of the station. They have access to machines that can cure anything from cancer to old age.
We follow the struggle of Max Da Costa (Matt Damon), as his fight to get to Elysium is littered with obstacles and unexpected twists and turns, loss and conflict.
What I like about this film is how it’s not a cold-hearted sci-fi. Every development is paralleled by an emotional character change too. It is clear how Max’s perspectives and values shift as he grows through his traumatic experiences.
The fight scenes are extremely well choreographed and shot! Wow, I got chills when the camera was mounted on the gun, as it moved around – almost first person. The jerky/shaky camera work was effectively used, without giving anybody motion sickness. This technique certainly accentuates the gory scenes! Prepare yourselves for exploding people…
Because Earth was no longer divided by countries, it was a huge boiling pot of accents. A bit of French, Spanish, American, Afrikaans and English accents/dialects were all spoken, but subtly mixed.
The characters were wicked! Jodie Foster’s character verbally bitch-slapped anybody who stood in her way. She began speaking French, and then spoke with a posh English accent with an American twang here and there. I thought her English accent was an epic fail, but considering my previous paragraph, perhaps her accent is accurate of the era.
Matt Damon kicked ass! He’s a talented actor because he plays the emotive dramas (Good Will Hunting) convincingly, with the ability to do actions (Bourne trilogy…) well. These two strengths were perfect for the character.
You’ll all know him as Wikus (the “sveetie man”) in District 9, but Sharlto Copley was far from sweet in this film. He played a vicious character, Agent Kruger, very well indeed. I think he’s one of my favourite actors, up there with good ol’ Christoph Waltz.
The ‘sveetie’ man of District 9
My favourite character, however, was Spider (Wagner Moura). He was not a stereotypical ‘geek’, but an intelligent and complex person. His intentions are confusing at first, which makes his character strong and respectable.
The bad: There were a few dull scenes and minor plot annoyances, such as certain occurrences being a little too lucky. The motives of the villain – Agent Krugar – are relatively unknown/unconvincing. There were a few dull spots where my mind wandered a tad, and the final fight could have been more memorable.
If I had to illustrate what this movie is like, I would explain it by using the following recipe:
Ingredients:
A bunch of futuristic flying machines, that reminded me of Star Wars,
A few chase scenes and the adventure of Total Recall,
A pinch of In Time – the future representations are similar at times
And for the icing, spread on a DOLLOP of District 9. The set design, attitudes and props are similar. (Due to sharing the same writer and director)
Method:
Mix everything together. Add the neglected love interest, and a sprinkle of violent fire arms. Beat into submission and heat at magma level to make the hottest sci-fi film of 2013.
Director: Louis Leterrier
Writers: Boaz Yakin and Edward Ricourt
Released: July 2013
Starring: Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco, Mark Ruffalo, Mélanie Laurent, Michael Caine and Morgan Freeman
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Um. Yeeeeaaaah. So the reviews I had been reading before I went to see Now You See Me, basically stated that it was over-complicated and so layered that one would need to watch it more than once.
This is quite simply, not the case.
It is so clichéd, so typical, so obvious, that the ending could be guessed half way through the film.
The ‘twist’ is… Barely even a twist. It wasn’t shocking or unforeseen at all. My reaction was more like, “oh yeah. Hmm. I’m not surprised”.
So, it really is nothing like The Prestige. The magicians are superficial and unlovable, as are the other characters who are all underdeveloped. For the most part, they were unbelievable – despite the epic cast!
I usually love Woody Harrelson’s and Michael Caine’s work, but they really weren’t given the chance to shine. Their characters were brief and shallow. But oh my God, Jesse Eisenberg just got on my nerves! I can’t stand the characters he plays, who are usually very similar.
The story was like something seen on a long-running TV series like CSI or what not. It was so… Average.
The only cool parts were when they explained how the tricks were performed. That was quite effective.
Unfortunately, there were a lot of major jump-cuts that became jarring. Leaving out a lot of footage, although kept the pace, did make you feel disconnected from the film.
I am quite disappointed in this movie. Despite hearing negative reviews on this film I still went into the theatre expecting to be thoroughly entertained and mystified… Yeah.. Nah.
Director: James Wan
Writers: Chad Hayes and Carey Hayes
Released: July 2013
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston and Mackenzie Foy
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That was the coolest horror movie I have experienced in a long while.
It was top of its game in the horror genre! It had all the things you love about horrors in one movie.
Creepy ‘chuckie’ dolls
Freaky children
Supernatural hauntings
Demonic exorcism
Based on true events
It’s got the lot! If you like sudden jumps, suspense AND interesting story lines, then you will love The Conjuring.
The story is surprising to say the least! The trailer makes it out to be a good old fashioned house haunting. In fact, the film is much more complex with various characters being directly linked to the hauntings. The hauntings are not necessarily by ghosts, but by demonic forces.
I read about the back story, and the film is pretty loosely based on it. A negative force or spirit, believed to be a previous owner named Bathsheba Sherman, allegedly tormented the mother, Carolyn Perron. However, that’s the main event that was included into the script, the rest were mostly embellishments. (Read more here).
Some of my favourite parts about the true events were left out of the movie. Like how ghosts were apparently whispering “there are seven dead soldiers hidden in the walls”, when in the movie, they changed it to “we want to kill your family”…
One of best things about this movie is that it isn’t too predictable. The Conjuring does not have a typical structure, it has many false climatic and low points which keeps you on edge. Also, there’s no mucking around with sceptical main characters in the beginning, you’re just thrown straight into the story!
My FAVOURITE thing about this movie is how the camera would linger on whatever was scary. It wouldn’t be like: ‘*Scream* oh my God… Did you see that?‘. It’s more like:
‘*Scream* oh my God! Get it off the screen! Pan the camera! I can’t watch! Is it still there!? Jeez!‘
Which was an awesomely affective technique…
Of course, expect some cringe-worthy and weird masks. This is a James Wan movie after all with some clear similarities with Insidious and Dead Silence.
Some of the acting was a little over the top, with a few cheesy lines. But pretty good for the most part.
If you’re going to watch The Conjuring, spend out to have the cinematic experience. The surround-sound is essential for many of the frights, which are very well timed! None of the jumps happen when you think they will, and when the frights do occur, they don’t hold back!!
Absolutely fantastically made! I don’t think we’ll see another horror this scary for a while.
Director: Edgar Wright Writers: Edgar Wright and Simon Pegg Released: July 2013 Starring: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan and Rosamund Pike
—
…what the hell did I just watch..?
So I’m guessing most of you are huge Edgar-Simon-Nick combo fans! I’m sure you were just as psyched when you heard about the final instalment of the Cornetto trilogy being released!
Shaun of the Dead, Hot Fuzz and The World’s End – bring your check list for all of the similarities and shared jokes! It’s like being a part of a huge inside-joke.
Anyway! So I was so excited to see this film! But this was more wacky, more psychedelic, out of left-field, ‘what the hell’ material that I ever thought could be possible for these three guys to invent.
The movie started out awesomely! It was hilarious as they introduced the main characters.
The general storyline was that the five main characters wanted to complete the 12 pub pub-crawl they failed to finish in highschool. So these near-on 40 year olds begin their journey, until they realise the people in the town are super weird.
Many people in the town turn out to be blue-blooded robots. And a Shaun of the Dead-esk pursuit begins… It got pretty weird. Not going to lie.
Just on a deeper note, I felt the robots were a metaphor for being in the institution of 9-5 jobs and not fulfilling the more enjoyable parts of life.
Simon Pegg’s character is my favourite of all their creations within the trilogy! He was absolutely convincing! Fantastic!
Simon Pegg and Nick Frost had loosely swapped their Hot Fuzz characters around, as in, Nick Frost had the straight-laced character and Simon Pegg had the weird and lazy guy. It was cool to see a different side of them.
I wish more of the characters from the previous two films showed up in this one… Although I did adore Rosamund Pike! I’ve been a fan of hers since Made In Dagenham.
I felt bad noticing how old everybody looked in this film. But I LOVED how they wrote that into the script – their story is about 40 year olds rediscovering the freedom of their youth.
It was sort of nostalgic reflecting on how long ago Shaun of the Deadwas made – 2004 and Hot Fuzz – 2007. For some reason, I think all of their fans feel like they’ve followed them on their journey for the last eight years.
I really want to see it again – I feel like it will be better the second time around. But, it’s definitely in third place within the trilogy, for me. I feel like the storyline was a little too similar to Shaun of the Dead, and it didn’t flow nearly as well as the other two films.
Just like the other two films, the structuring was impeccable. Although the ending was… Questionable.
However, the strong character development was enough to keep you totally engaged throughout the entire film. Let alone the well-choreographed fight scenes.
OMG I HAVEN’T REVIEWED HOT FUZZ YET! It’s on my priority list!
Jodie’s rating: 7.5/10
PS: You’re going to feel the urge for an ice cold lager after this movie.
Director: Marc Forster
Writers: Matthew M. Carnahan and J. Michael Straczynski. Based on World War Z by Max Brooks
Released: June, 2013
Starring: Brad Pitt and Matthew Fox
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I love zombie films! They are probably my favourite kind of horror.
World War Z was an awesome, classic zombie film with big frights. It was not nearly as gruesome or cringe-worthy as many other zombie films like Dawn of the Dead or its sequel, which I think, although mildly disappointing, was an interesting change for the genre.
I won’t give away the unique trait of these zombies, but it is certainly a cool adjustment to the classic zombies you’ve seen in other films.
I can assure you, you will be intrigued with the altered storyline in this film. It’s not quite a cookie cutter zombie movie.
There was no mucking around at the beginning! There was like a five minute intro, then BANG! You’re in a world-wide zombie apocalypse.
There were heaps of moments where you were holding your breath, particularly the climatic parts which were the quietest and most suspenseful parts.
There was a scene, however, that could have been hugely suspenseful, but it was brushed over. It was the part where Brad Pitt’s character, Gerry, was out doing his thing, and his family were in a very compromising situation where their safe-haven may not be able to accommodate them anymore.
Gerry knew this and instead of making a fast-cut, intense race against the clock sort of sequence, it was just… Glazed over like the safety of the main characters were unimportant.
I loved the visual effects! The zombies manically climbing on top of each other like ants to get over the wall, the EPIC plane crash, the behaviour of the zombie mobs… Very well done.
Brad Pitt was a pretty good actor as usual, but nothing outstanding. He also produced it.
Oh! But there was a strong female character in this zombie film! Like, she was taking charge and not being all helpless and “damsel-in-distress” which was such a breath of fresh air. She was known as “Segen”, played by Daniella Kertesz. She’s my fave.
It was a decent zombie movie that wasn’t too far removed from the classic zombie, yet not a stale re-tell.
I don’t know if it’s my sick mind, but there wasn’t enough gore for it to be completely realistic…
I’m looking forward to the sequel!
Jodie’s rating: 7.5/10
The trailer makes this movie way suckier than it actually is.
Director: Rodger Mitchell Writer: Aline Brosh McKenna Released: November 2010 Starring: Rachel McAdams, Harrison Ford and Diane Keaton
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I love this movie. This is my happy movie.
Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show.
There are some fantastic lines! Harrison Ford is so dry with his delivery. It’s so perfect!
Mike: Why do we have to mention that first cup of coffee? Why not just say, “Watch Mike Pomeroy before your morning dump?”
I love Becky because she has arms flailing all over the place, her hair is messy and she’s so intensely dedicated to her job. Rachel McAdams was reluctant to take this part because she said she’s not funny enough to be in a comedy. But I disagree! McAdams is so natural in this, she makes it funny in a Bridget Jones sort of way.
Morning Glory‘s morals are sort of similar to The Devil Wears Prada… Well, it’s written by the same person, so I guess that’s why. But they’re basically about how important a career can be to someone, treating it like a relationship. In fact, when Becky discusses her job, it sounds like she’s talking about a person.
I guess although I understand why the reviews of this movie are average, I personally love it because I can relate to the industry having studied television and journalism. Becky is a character who I would love to be! I want her hair, wardrobe, confidence and success.
Becky: Why haven’t they bumped you up [to executive producer]? Lenny: It’s not for me. I did it for a couple of weeks once, but they put me back at Number Two. Apparently, the crying was distracting.
Keep an eye out for how Becky’s hair and clothes change as she grows and becomes more secure. It’s the attention to detail that makes this movie fun.
A very funny film, particularly if you’re familiar with the news industry!
Director: Paul Feig Writer: Annie Mumolo and Kristen Wiig Released: May 2011 Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey, Ellie Kemper, Chris O’Dowd and Jill Clayburgh
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I was put off of seeing this movie when it first came out because it just looked like The Hangover – but the female version. However, after seeing a few scenes of it over the last couple of years, I decided to buy it in the sales.
And boy am I glad! I haven’t laughed this hard in ages! It is a truly hilarious journey that these wacky characters go on – any one of them could have been the leading lady.
Nothing is going well for Annie (Kristen Wigg). Her bakery closed down due to the recession, she’s in her mid-30s and a hopeless spinster. Thankfully she still has her best friend, Lillian (Maya Rudolph).
Annie gets her heartbroken, however, when Lillian gets engaged and in the process of planning her wedding, finds a new best friend named Helen (Rose Byrne). Helen appears superior to Annie in every way. Their rivalry eventually gets Annie kicked out of the wedding planning.
Their friendship is so well portrayed – I swear they must be best friends in real life, with the quirks and inside jokes that anyone who has had a super close friend will recognise. Anybody who has had a close friend move away or move on will totally get the pain and loss that Annie experiences in this.
Unlike many comedies, the characters in Bridesmaids are more than two-dimensional. They are all relatable or recognisable. The characters – including the loyal yet totally bizarre Megan (Melissa McCarthy) who is absolutely hilarious, straight up and blunt – are amazing.
Megan: I fell off a cruise ship… I’m not gonna say I survived, I’m gonna say I thrived. I met a dolphin down there. I swear to god that dolphin looked not at me, but into my soul, into my goddamn soul Annie, and said ‘I’m saving you, Megan.’ Not with his mouth, but he said it… I’m assuming telepathically.
Kristen Wigg is an incredible actor. After seeing her in Whip It I thought she was pretty cool, but her performance is so convincing in Bridesmaids that she is definitely one of my new favourite actors.
Passenger on plane: I had a dream last night that we went down. It was terrible… You were in it.
A ton of crazy hilarious events happen along the way. Including food poisoning (which was actually super gross…), as well as very interesting encounters with Annie’s room mates, siblings Brynn (Rebel Wilson – I love her in Pitch Perfect) and Gil (Matt Lucas).
Brynn: At first I did not know that it was your diary. I thought it was a very sad, hand-written book. But then because of the personal details and the bits that mentioned Gil and Brynn…
The soundtrack is pretty awesome, with a song that I first heard on Bridesmaids (that has now put on repeat) called Paper Bag by Fiona Apple. Check it out!
This film is clearly not for everyone though. It has a decent amount of swearing and a lot of sexual references so be careful who you watch it with.
It is a hilarious story that is written and performed extremely well.
Loved it!
Jodie’s rating: 8/10
Can I just say that half of the dialogue in this trailer is not actually in the film… Nevertheless, the facials in this films are so funny!