Date Night Movies – Page 3

Walk the Line

Director: James Mangold
Writer: James Mangold and Gill Dennis
Released: November 2005
Featuring: Joaquin Phoenix and Reese Witherspoon
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I thoroughly enjoyed this biopic about one of the best country rock n roll singers of the sixties, Johnny Cash.

Joaquin Phoenix did an incredible job of becoming Johnny Cash. His natural intensity was perfect for the really heavy and dark life of Johnny Cash. I didn’t know much about Johnny Cash until I impulsively bought this movie. I had a few of his songs and enjoyed them, but assumed that he was just a country singer for geriatrics.

walk-the-line-folsum — Performing in Folsom Prison

It turns out that Johnny Cash’s life and the people he rubbed shoulders with is incredible. The stories he has are inspiring. I am not sticking up for everything that Johnny Cash did, but I have to say that it was so unfortunate that he was married with children just before he reached his dream of being a musician. He let that old life go, hurting his family, and continue on following his dreams and the new life that come with it.

A lot of ups and downs which can become exhausting to watch, however, that just proves how convincing the film was; it really put you in Cash’s shoes.

Reese Witherspoon, having not enjoyed her performances for almost all of her movies, pleasantly surprised me in Walk The Line. She was very convincing as June Carter and I have a new found respect for her.

Joaquin and Reese both did their own vocals… I’m afraid that I enjoyed their vocal performances more that the original Johnny and June performances! I feel bad for saying that, but their sound is so upbeat and their voices are quite similar to Johnny and June’s. Very well done indeed!

I love the sixties – as I am sure you are aware – so seeing Elvis, Jerry Lee Lewis and a few of my other favourite rock n roll stars was awesome! The clothes, the atmosphere that was so convincingly authentic was beautiful.

Can you name all of the rock and roll stars?

A gorgeously filmed biopic with fantastic actors and characters.

Jodie’s rating: 7.5/10

Midnight In Paris

Director: Woody Allen
Writer: Woody Allen
Released: June 2011
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody
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When I first watched this film I was disappointed because I had hyped up the plot of Gil (Owen Wilson) travelling through different time eras of Paris. The artistic, fashionable, sophisticated and elaborate times of the 1920s, as well as the ceremonious, coming of age times of the 1890s. But after letting my great expectations subside, I really enjoyed the watch.

The plot is about the Golden Age. That is, longing to live in a time before your own. For example, mine is the early 1960s. Rock and roll music and amazing fashion, with the huge liberal movement against war and for free will.

Paul: Nostalgia is denial – denial of the painful present… the name for this denial is golden age thinking – the erroneous notion that a different time period is better than the one one’s living in – it’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.

However, Midnight In Paris attempts to shroud my Golden Age in contempt, trying to convince me that few are content with the current times and to get over it. It dampened my comfort of believing I would be happier in a different time, because the reality is – as Gil discovers – that you would simply find another time that you would believe to be better.

There is a lot of magic in this film, which I love. Gil goes through a wormhole of sorts, where at the strike of midnight every night a 1920s car picks him up and takes him to parties with his literary heroes. It’s a beautiful “what if” storyline that lives out everybody’s dream to travel through time to experience a life not meant for them.

I think that the decision for Gil to be transported to different era via transport appropriate for that time was perfect. It seems like a small, obvious detail, but I’m just glad that there was no CGI, special effects or sound effects to make the transition obvious.

midnight-in-paris-carload-of-literary-types

This magic does not last throughout the film, however. “The grass is always greener on the other side” is a phrase that has been converted into the moral of this story – the cold, harsh light of day is not welcoming.

Gil sees that the beauty of every era can still be inspiring without having the ability to experience it first hand. Which is disappointing since it seems that he is throwing away his idyllic time era of 1920s Paris for an average life in 2010 Paris. He could have continued to live his dream, but chose not to for no convincing reason.

MIDNIGHT IN PARIS marion

On the other hand, I loved how his heroes gave him advice and support, which ultimately builds his confidence to improve his life in the present.

Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.

Instead of taking the easy option of staying in his dream, he takes the tough road of building his life into what he really wants. I guess he shook of the security blanket of living in the past – an easier place to live because you know what’s coming for you.

Gil: Adriana, if you stay here though, and this becomes your present then pretty soon you’ll start imagining another time was really your… You know, was really the golden time. Yeah, that’s what the present is. It’s a little unsatisfying because life’s a little unsatisfying.

Gertrude Stein: We all fear death and question our place in the universe. The artist’s job is not to succumb to despair, but to find an antidote for the emptiness of existence.

The beautiful French music was glorious! Seriously considering buying the soundtrack.

The acting was very well done. I really hated Rachel McAdam’s character. Like, it got to the point where I was starting to think that she must be a total bi-atch in real life because she played evil Inez so convincingly. So, kudos to her acting ability.

Owen Wilson was pretty much the same character he is in everything. I’m not totally sure why he was cast. Perhaps to keep the film upbeat.

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It is an uplifting tale of something that many of us dream of doing. The ending was rather disappointing, at first. But I have come to terms with it, and I think it works well for Gil.

Worth a watch, but don’t expect it to be a deep and meaningful movie – you will be disappointed! Look at it as a quirky drama/rom-com. Although, I do think that it would have been a very moving film if it was heavier with more drama and emotion.

Jodie’s rating: 8/10

Megamind

Directed: Tom McGrath
Written: Alan J. Schoolcraft and Brent Simons
Released: November 2010
Featuring: Will Ferrell, Tina Fey, Jonah Hill, David Cross and Brad Pitt
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I think the best animations are ones where they are enjoyable for more than one age group, which Megamind certainly is! Great for the younger audience as well as teenagers and adults.

This movie is about a blue alien named Megamind (Will Ferrell) who was sent to Earth as a baby, growing up to cause destruction and trouble. Megamind and his rival, Metro Man (Brad Pitt) who is the city’s ‘super hero’, frequently fight in Metro City like Superman and Lex Luthor. It’s a classic good guy/bad guy relationship, which becomes a game to Megamind, until he finally defeats Metro Man and realises that the success he had always strived for was not as rewarding as he had thought.

Moral: Be careful what you wish for; you may just get it.

This animation has some of the best lines in it, I reckon it’s up there with Juno‘s dialogue in some parts. The script is very well written, the dialogue as well as the storyline. It’s a classic superhero story which frequently mocks itself.

This type of animation is similar to that of Cloudy With a Chance of Meatballs, but Megamind is a slightly more mature story; funnier and more entertaining.

I love you, Metro Man!
“And I love YOU, random citizen!”

Megamind: In case you’ve noticed, you’ve fallen right into my trap!
Metro Man: You can’t trap justice! It’s an idea, a BELIEF!
Megamind: Even the most heartfelt belief can get corroded over time!
Metro Man: Justice is a non-corrosive metal!
Megamind: But metals can be melted, by the heat of revanche!
Metro Man: It’s REVENGE, and it’s best served cold!
Megamind: But it can be easily reheated, in the microwave of evil!
Metro Man: Well, I think your warranty’s about to expire!
Megamind: Maybe I got an extended warranty!
Metro Man: Warranties are invalid, if used beyond their intended purpose!

All the characters are awesome! Roxanne Ritchie (Tina Fey) is a news reporter who always gets kidnapped by Megamind to provoke another fight with Metro Man. She has been taken so many times that nothing phases her any more.

Roxanne: Could someone stamp my frequent kidnapping card?
Megamind: You of all people know we discontinued that promotion.

Hal-Roxanne- — Hal: “You’re living a fantasy. There is no Easter Bunny. There is no Tooth Fairy. There is no Queen of England.”

Hal (Jonah Hill) is probably my favourite character though because he’s the funniest. He’s desperate for Roxanne’s attention but fails to be smooth or flattering. Megamind turned Hal into the new ‘good guy superhero’ after Metro Man’s disappearance, and named him Titan.

Hal: I’m havin’ a party at my house, gonna be off the hook, or whatever. You should come over. I got a DJ, rented a bouncy house, made a gallon of dip. It’s gonna be sick!
Roxanne: Oh, I…I don’t know, Hal. I don’t really feel like being around a bunch of people.
Hal: No, no, no! That’s the best part, it’ll just be like, you and me… I did hire a wedding photographer. That’s just in case we were like, something crazy happened and we wanted a picture of it like, maybe we should have this for like, ever. Like a memory, you know?
Roxanne: Um, I’m gonna pass. I have some work here that I need to do, anyway.
Hal: Cool. So, Thursday? Soft Thursday?

A fun, exciting and hilarious twist on the age-old superhero format. Great cast, characters and storyline.

Jodie’s rating: 7/10

The Blair Witch Project

Directors: Daniel Myrick and Eduardo Sánchez
Writers: Daniel Myrick and Eduardo Sánchez
Released: January 1999
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I literally did not sleep last night.

I remember seeing snippets of this film when I was about 11, but I had not remembered how effective the horror aspect of it was! It is the best horror/psychological thriller I have seen in a very long time.

Three film makers go missing in the woods while covering the legend of the Blair Witch that supposedly haunted the area. The film makers were never found again, but their footage was, which makes up this film.

Pretty simple plot line with amateur filming which is very convincing! The idea of this horror is that the less you see the more your imagination runs a riot. You never actually see any witch or any sort of witch craft or supernatural beings, but the sounds and supposed actions of the Blair Witch is more than enough to keep you on edge.

Reading a bit about the making of this film is quite interesting. 2000 actors auditioned and the three actors with the best improvisational skills got the parts. The actors got a very loose script to work with, and to get into to character the cast were taken hiking and camping in the woods, depriving them of food and harassing them at night by the crew.

The acting is well done, with Heather being the main character as she uses the camera (and talks) the most. She is certainly an annoying character who is a total know it all, but apparently that was intentional – perhaps to keep the audience in a false sense of security as she seems convinced that at no point are they ever lost. The other two actors are fantastically convincing and natural too.

A scary story to say the least. The further toward the end it gets, the more terrifying it becomes. The final shot is still freaking me out. Considering this was all done with handy cams and mostly improvised, makes this film a more effective horror.

So awesome!!

Jodie’s rating: 8/10

Cemetery Junction

Directors: Ricky Gervais and Stephen Merchant
Writers: Ricky Gervais and Stephen Merchant
Released: April 2010
Starring: Emily Watson, Ricky Gervais, Ralph Fienes, Christian Cooke, Tom Hughes
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Based in the early seventies, this film follows the lives of three boys in their early twenties whose lives consist of “boozing”, partying and “getting birds”. However, after one of the boys, Freddie (Christian Cooke), meets an old friend, Julie (Felicity Jones) who is bursting to leave town and travel the world, he decides that he wants more in life too.

They both realise that they are both being held back by conservative parents and living in the regimented town of Cemetery Junction. The film follows these two characters as well as their friends and families, as they come to terms with climbing out of the armpit of a town, despite Julie being engaged and their ideas beyond the town are frowned upon.

This movie is fantastically well made! Bright colours from the swinging sixties that reminds me of The Boat That Rocked and Made In Dagenham. Fantastic songs from the sixties and seventies too, including Bowie, Slade and Elton John. I bet the soundtrack would be worth getting.

The characters are (according to my parents) quite accurate of the time. The older generation racist and with plans of keeping in the same job and staying in the same town, but with a growing proportion of the younger generation wanting more than being in a 9 to 5 job, marrying and having children, but wanting to explore and move away.

It is a refreshing plot line that is beyond an aesthetically perfect rom-com, but an inspiring story of escape in search of adventure. The feeling of being trapped experienced by some of the characters who are trying to break free are well communicated in the film. It’s a very human story of breaking the mould and being independent.

Cemetery Junction is convincing and very well made, apart from the frequently questionable language. It is extremely funny, exciting and makes you long for that era with the fashion and majestic clubs with live music booming. The characters are relatable and realistic who encourage the feeling of moving away from all that is familiar just for the sake of the journey.

A fun easy-to-watch, yet deep movie of lovable characters living in an increasingly exciting time.

Jodie’s rating: 8.5/10

The Prestige

Director: Christopher Nolan
Writer: Jonathan Nolan and Christopher Nolan
Released: October 2006
Featuring: Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johansson and David Bowie
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David Bowie is in it… I don’t think anything more really needs to be said…

Act one: “The Pledge”

Are you watching closely?
The Prestige is an incredible movie with real mystery and thrilling themes, like nothing you have ever seen before. Its dark and haunting aesthetic with the ruthless, deceitful, cut-throat and competitive characters makes an extremely intense film.

It is the story of strong-willed magicians who guard their incredible tricks of illusions with their lives resulting in sacrifices way beyond their expectations as their hunger for dominance of rival magicians runs riot.

Of course, I can’t forget to mention the era that this movie is set in, the late 1800s. I wouldn’t mind living in those times… Only if I was very wealthy of course. Beautiful dresses, old school showmanship, horse and carts and the thrill of newly discovered electricity.

With the complexity of Nolan’s Inception, the grungy look of The Dark Knight, but with a hint of total tragedy, this is just another of Christopher’s incredible creations.

Act Two: “The Turn”

I’m sure it will be compared to The Illusionist… But that doesn’t come anywhere near to what The Prestige delivers, nor does it deliver as much mystery, heart-break or violence. The Prestige is truly a one of a kind movie that makes you feel scared, desperate, amazed and sit mesmerised at the end trying to figure out the wild twists and turns in the story.

The trailer for The Illusionist, a second class film in comparison, but a pretty decent film nonetheless.

This film makes you gasp, cry, feel a sense of desperation and total awe as Hugh Jackman and Christian Bale’s characters go to extreme lengths, bending moral judgment to the expense of their loved ones, as they attempt to steal each other’s secrets of their most breath-taking, and threatening, tricks.

With such unexpected twists and turns, it is impossible to guess the ending. Unfortunately, knowing the ending can spoil the magic of the film for future viewing, sort of like in the second or third viewing of The Others.

Act Three: “The Prestige”

There really is no thrill in knowing the secret behind the magic. “The secret impresses no one”.

So incredible.

Jodie’s rating: 9/10

Gangster Squad

Director: Ruben Fleischer
Writer: Will Beall (screenplay),Paul Lieberman (novel)
Released: January 2013
Starring: Ryan Gosling, Emma Stone and Sean Penn
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Wow! I was so looking forward to seeing this and boy was it worth the wait!

It certainly reminded me of Public Enemies (featuring Johnny Depp) for obvious reasons; both based on a true story, both take place in the forties involving Los Angeles gangsters. However, the stories are clearly different.

Emma Stone and Ryan Gosling reunite again since Crazy, Stupid, Love. Both of them are fantastic together once again. Two of my favourite actors, for sure!

A very appropriate choice of lighting (or lack of) on the director’s behalf which made the feel of the movie accurate. It was rough and dangerous, yet still attractive. I am sure that the amount of people who smoked in that era was not exaggerated in the movie, too. Every interior scene was smoky, which was not only historically accurate but very artistic as it diffused the harsh lighting within the dim rooms.

I remember mentioning that I thought that there was not enough car chases in the incredible forties vehicles in Public Enemies… Well, it is safe to say that there are plenty in this movie. At least 60% of the movie are car chases or gun fights.

Unfortunately, I have to mention that the gun fights began to go on for a bit too long within some parts, stopping and starting all over the place with very few people ever getting hit by bullets. Perhaps taking the attention away from the more personal stories that could have been developed further, meaning that attachment to the characters was not quite as possible as they could have been. I think to make the gun fights more attention grabbing, some more slow motion action would have been effective.

Overall, a very exciting film set in one of my favourite time periods. A time with incredible fashion, immaculate cars and terrifyingly powerful gangsters.

Loved the wicked fists fights and sadistic criminals!

Jodie’s Rating: 7/10

21

Director: Robert Luketic
Writer: Peter Steinfeld, Allan Loeb and Chris Kalyvas (screenplay) Ben Mezrich (story)
Released: 2008
Starring: Jim Sturgess, Kate Bosworth, Laurence Fishburne, Kevin Spacey, Liza Lapira, Aaron Yoo, Jacob Pitts
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Winner, winner chicken dinner!

21 clan Inspired by true events, this exciting and high-energy journey follows Ben Campbell (Jim Sturgess) as he discovers the world of counting cards and the game of blackjack in Vegas. The huge financial rewards and glamorous way of life that was supposed to be a means to an end for Ben, became an addictive and extremely risky and dangerous lifestyle choice.

Ben: You know, I’m only really doing this just to pay for medical school. You know, $300,000 and then I’m out.

Jill: That’s what they all say.

Mickey and Ben This is a fast paced film of high-rollers and well-educated characters, some with intimidating power and control. A once conscientious student becomes wrapped up in the underworld of counting cards which jeopardises his future as a Harvard Medical student as blackjack team member, Professor Mickey Rosa (Kevin Spacey), turns on him.

Mickey: You didn’t do your job. You weren’t counting, you were gambling!

The genius who pushes away a possibility to change his life with a mentor with questionable motives sort of reminds me of Good Will Hunting. But 21 is a more modern, less philosophical version with much more risk to keep you on your toes.

The lighting and quick-cut editing is quite incredible. The shadows and gold lighting of the casinos reflect the mood and how well – or tragic – the circumstances are, while the editing puts you in the shoes of the counters who’s lives are rushing past at a 100 miles an hour. The disguises that they all use on each Vegas visit is a fun addition to the work that they do.

We used hand signals, too. Folded arms, the table’s hot. A touch to the eye, we need to talk. And a hand running through perfect flowing hair meant only one thing. Get out. Now.

21 casino The soundtrack to 21 is a mixture of popular artists such as Rihanna and MGMT, classic artists such as The Rolling Stones, plus some more of the middle-of-the-road artists like Peter Bjorn and John and Unkle. There are a few R&B songs that I don’t really like, but the best parts are used in the film effectively.

I thoroughly enjoy this movie. It has action, twists, intellect, good-looking people and the life that many dream of having; fortune but with exhilarating danger and the freedom that no [average] student would ever come close to having.

I would recommend this movie to anybody.
Jodie’s rating: 8/10

Big Fish

Director: Tim Burton
Writer: John August (Screenplay), Daniel Wallace (Novel – Big Fish: A Novel of Mythical Proportions)
Released: 2003
Starring: Marion Cotillard, Helena Bonham-Carter, Billy Crudup, Albert Finney and Ewen McGregor
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I have mentioned this movie in quite a few other posts, relating it to Forrest Gump and The Curious Case of Benjamin Button because of their similar stories about an average man on his adventure through life.

Big Fish is directed by Tim Burton, so already you have probably got an idea of what the feel of this film is. A little bit quirky with gothic undertones, but don’t be fooled, this is not a cookie-cutter Burton film (although it does include the incredible Helena Bonham-Carter), this is an amazing tale about Edward Bloom’s (Albert Finney/Ewan McGregor) life.

circus The protagonist is a storyteller although he is known to exaggerate and embellish the story of his life with fantastical metaphors and unbelievable occurrences. Just like Forrest Gump, Edward is a Southern man who finds himself on a road of various adventures, finds love and goes to war.

But Big Fish is a more light hearted and fantastical version where you’re not quite sure what to believe to be true. Edward Bloom’s stories take up most of the film, but it also tells the story of his son, William Bloom (Billy Crudup).

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He goes on a journey of his own, retracing his father’s footsteps to find out the real story behind all of Edward’s fabricated tales. The contrast between reality and fantasy makes the story more believable. The facts would have made uninteresting tales, whereas the elaborate stories are entertaining and unbelievable.

I love this piece of dialogue where William’s fiancé Josephine (Marion Cotillard) speaks to William Bloom about how he met is wife, Sandra (Jessica Lange/Alison Lohman). I love Bloom’s way of speaking!

Edward Bloom: Your mother-in-law was never supposed to marry me. She was engaged to somebody else.
Josephine: I never knew.
Edward Bloom: Will never told you? Probably just as well. He would have told it wrong, anyway. All the facts, none of the flavor.
Josephine: Oh. So this is a tall tale.
Edward Bloom: Well, it’s not a short one.

This clip should give you a good idea of the feel of the movie:

The music is fantastic in Big Fish. There is Elvis Presley, Buddy Holly and Pearl Jam as well as the compositions by the infamous Danny Elfman (who incidentally cannot read music!)

witch Fate, destiny, time, love and death. From real life giants and lion tamers to mermaids and witches, Big Fish is a fantasy/adventure/drama movie, but with a make-believe glaze over it.

It is a story of great imagination which you will want to watch over and over again and read further into the details. It’s entertaining but also pulls on the heart-strings.

Jodie’s rating: 9/10

Just noticed they have used the same piece of music from Tim Burton’s Edward Scissorhands… and another piece of music I recognise from Black Beauty in this trailer! All of these movies have the same composer though; Danny Elfman.

The Hangover

hangover2

Directed: Todd Phillips
Written: Jon Lucas and Scott Moore
Released: 2009
Starring: Bradley Cooper, Zach Galifianakis and Ken Jeong
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I haven’t kept up with The Hangover movies at all – in fact last night was the first time I had watched the first of the two (soon to be three) of The Hangover films (with the aid of peer pressure). I suppose I always assumed that I wouldn’t like the humour.

However, it wasn’t that bad! I wouldn’t say that I’m a huge fan of The Hangover, or that I am compelled to see the sequels. But I did find it pretty entertaining! There were some pretty hilarious moments, all involving the incredible comedy actor Zach Galifianakis. He was rather humourous in The Hangover playing Alan – the “not all there, but secret gambling genius” sort of character. Galifianakis is equally hilarious in the movie Due Date.

There were some really crazy, random, unbelievable occurrences that were all a part of the weird circumstances that these four guys found themselves in during their stag party in Las Vegas. The night that was happily forgotten by morning, became a night that they were fighting to remember as the conclusions of the night’s events became shocking in the harsh light of day.

It is certainly a very entertaining movie, even if it wasn’t really my cup of tea humour-wise, I still enjoyed it.

Jodie’s rating: 6/10

Stranger Than Fiction

Stranger-than-Fiction-will-ferrell

Director: Marc Forster
Writer: Zach Helm
Released: 2006
Starring: Will Ferrell, Maggie Gyllenhaal, Queen Latifah and Emma Thompson
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I. Love. This. Movie.

I first watched this in Media Studies class to study the narrative structure, and ever since then I have been able to watch it numerous times and never get bored… I know the entire script almost off by heart now.

Stranger Than Fiction is about a man – Harold Crick (Will Ferrell) – who can hear a voice narrating every event in his life, but it becomes sinister when the narrator casually mentions his approaching death.

Narrator: Little did he know that this simple, seemingly innocuous act would result in his imminent death.

Harold Crick now has to try and find the author to get her to stop writing before she completely writes him out of existence.

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I guess the first awesome thing about this film is the cast. Will Ferrell was never really an actor that I thought too much of until his versatility was shown in this comedy drama. He plays a very mundane and dry person, yet Ferrell’s subtle comedic value turns his character into a convincing yet entertaining person as he discovers his purpose in life is more than just being an IRS agent.

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Emma Thompson shows her insane abilities as a struggling author, yet without becoming a drag. She makes her character, Kay, so comedic yet so believable – as with all of her characters that she has ever played. You totally understand where she’s coming from. She has a lot of great come backs with no hesitation or concern for other’s emotional feelings.

Penny: And I suppose you smoked all these cigarettes?
Kay: No, they came pre-smoked.
Penny: Yeah, they said you were funny.

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I can’t go without mentioning Dustin Hoffman. His acting is SO accurate for his character – spot on! He acts as Harold’s mentor and does so in full confidence that Harold is telling him the truth, and takes it very seriously. Professor Hilbert has many little habits that I would expect to be accurate for his career and character, such as excessive coffee consumption and loud eating.

Harold: You have to understand that this isn’t a philosophy or a literary theory or a story to me. It’s my life.
Professor Jules Hilbert: Absolutely. So just go make it the one you’ve always wanted.

Maggie Gyllenhaal as Ana Pascal

My favourite character is the baker; Ana Pascal played by Maggie Gyllenhaal. She is a rebellious yet respectable woman who brings Harold to life. I wanted to own a cookie store after I watched Stranger Than Fiction. She’s just such a cool character with strong morals.

Ana: Mr. Crick, it was a really awful day. I know, I made sure of it. So pick up the cookie, dip it in the milk, and eat it.

This movie is not a light chick-flick at all (even though it has my favourite romance storyline of all time). It is about identity and real life – the characters are not stereotyped or perfect by any stretch.

It’s about feeling out of control of your life, but with determination, focus and the right people, you can change your life to make it what you want it to be. You only have your life’s outline written for you; but you can always change it if you really want to.

The music is amazing – it goes so well with every scene – and I am most definitely going to put this on my Christmas list… *Hint hint*. My favourite song is Whole Wide World by Wreckless Eric and Bottles and Bones by Califone.

The structure is perfect, and once it gets going you realise how emotionally attached to the characters you are. Because they have won you over with their subtle comedy, and lines that you will end up trying to find the perfect conversation to drop them into. My favourite line is by Ana: “You. Miscreant.”

I haven’t been able to drop that into a casual convo as of yet though.

If you enjoy Eternal Sunshine of the Spotless Mind, you are likely to enjoy this trippy story. However, it is a tragic comedy that everyone will enjoy.

Jodie’s rating: 9/10

Looper

Director: Rian Johnson
Writer: Rian Johnson
Released: September 2012
Starring: Joseph Gordan-Levitt, Bruce Willis, Paul Dano and Emily Blunt
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Updated: March 2018

I love time travelling films! I was in love with this film the moment it began as it explained the world of looping, the jargon used and the dangers of it. It was so awesome!

The first time I watch Looper, I was disappointed because I had a different storyline in mind. But I keep coming back to this movie and appreciating it more for what it is.

Looper is set in the year 2044, where 30 years into the future (2074), time-travel has been invented. Badass rich people send back the people that need ‘taking care of’, meaning the body will never be discovered in the year 2074.

This is the loopers’ job. They kill the people of 2074 in return for silver – giving them the life of drugs, sex and rock ‘n’ roll. It’s a business where Loopers ‘take out the trash’ for the criminals of the future.

So that’s a pretty inventive setting, and the first 40 minutes or so where they explain the loopers’ occupation and what happens if they fail to do their job is very cool indeed.

When a looper is no longer needed, the criminals of the future send the looper’s future self back to the looper of 2044 to be unknowingly killed. This is called ‘closing the loop’.

However, looper Joe (Joseph Gordan-Levitt) hesitates when he recognises the target is his future self (Bruce Willis), accidentally allowing him to escape. Joe attempts to kill Old Joe and fulfil his contract, but he is too late. Old Joe is on a mission to get his life in 2074 back, and Young Joe is on a mission to kill his future self to ensure the next 30 years of his life is a comfortable one.

Old Joe is on the hunt for a child who grows up to be the baddie of the future, who is ‘closing all the loops’. He hopes that if he kills this kid, then his loop would not be closed in the future and he can stay in his happy 2074 life. Somehow.

This links into that age-old question, ‘if you could, would you kill Baby Hitler to ensure the Holocaust never happens?’. A true Stephen King thriller right there.

Hopefully this makes sense – time travel stories are always flawed and complicated. Just how I like ’em!

Just like in Total Recall, they threw in a hovering vehicle to remind the audience that they are in the future. Thanks, Hollywood.

There are some parts where you think they’ve gone a bit too far, making it a tad comical. Including Joseph Gordan-Levitt’s ‘young Bruce Willis’ face, and a kid whose tantrums cause what appear to be nuclear explosions.

Nevertheless, worth a look-see if you love time travel, gun fights or a simplified, PG version of Inception. But it is a very random kind of film.

Jodie’s rating: 7/10

PS: Paul Dano from Little Miss Sunshine is in Looper! He plays Seth… His storyline is so intense!!

Pitch Perfect

Director: Jason Moore
Writer: Kay Cannon. Based on Pitch Perfect by Mickey Rapkin
Released: September 2012
———-

Okay, this movie was actually pretty funny! I felt like I needed to suppress my laughing fits so that nobody thought I had such a weird sense of humour – which this movie kind of does.

I really enjoyed it – perhaps more than I would care to let on since it is just a chick flick… But it’s not your typical “boy gets girl”, “random dudes stripping off”, “getting drunk and hooking up”… Okay, well that’s a lie, there was all of the above, but the movie tended to make fun of these stereotypical characteristics of the genre, which set it apart.

Beca – the protagonist – is played by the awesome Anna Kendrick… I reckon Ellen Page would have suited this character too…

Also, the fact that it certainly focussed on the music more than anything – you should see the list of songs in the credits! Plus, I liked how Pitch Perfect had a ‘point’ despite being just a fun, entertaining film. It emphasised diversity and non-conformity while either avoiding stereotypes, or blatantly stating them.

I guess I’m missing out on the main point of the movie, which is that it was all about the competitive world of acapella. I thought “Glee + Bring It On”, but it was actually a thousand times better than either of those. Competitions between numerous groups of dudes and girls who battle for the best performance of any song using nothing but their vocal chords. They all sounded fantastic… Even though their voices were obviously perfected in post. Almost too flawless actually…

Fat Amy has to be everybody’s favourite character, just because she is so freakin’ hilarious. I was so disappointed that they didn’t include the “pirate dancing” scene though… They replaced it with the “mermaid dancing” scene. So, here is the pirate dancing clip since you won’t see it in the movie (25 seconds in):

But the character who made me laugh the most was actually Lilly aka “The Quiet One”… I shan’t give away too many details – but look out for her!

My favourite thing about the movie? Probably that it was set in a university and not a High School! I’m so fed up of 20-something year old actors playing 16 year olds… Also, the love story took a major back seat! So refreshing!! There were also a lot of rather funny one-liners. Most of them being puns… Which were really quite “punny”… Ha.

The worst part? The pointless and really weird idea of having a character that has a tendency to vomit… A lot. Not only does it take you by surprise, but it makes one ponder the reasoning behind why this addition was actually required.

Over all, a very funny film that is worth seeing!

Jodie’s rating: 7.5/10
(Omg, higher than Looper!)

Hit & Run

Directors: David Palmer and Dax Shepard
Writers: Dax Shepard with David Palmer
Released: August 2012
Starring: Dax Shepard, Kristen Bell, Kristin Chenoweth, Tom Arnold, Bradley Cooper
—

Well. It wasn’t bad. I mean, I wasn’t exactly expecting a lot after seeing the trailer, but it wasn’t as terrible as it made it out to be.

There were are few funny parts, but they were few and far between. The actors were good though, and the car chase scenes were pretty good. But, I swear the producers had a check list:

Good-looking people: check!

HitandRun-shepard&bell — Dax Shepard and Kristen Bell. (I thought these two had great chemistry – turns out they’re dating in real life)

Fast cars: check!

Guns: check!

Storyline: n/a

At the end of the film, we wondered where the conflict actually was, since it seemed like the ‘absolute low’ was not that much below the climax. It was just a series of unfortunate events that led to a pleasant resolution.

But the parts that were funny made up for some of the lame scenes/humour as well as the unbelievable gun fights… But this was a comedy so realism isn’t exactly on the top of the list anyway, I guess.

An easy-to-watch and entertaining movie. Probably not worth seeing twice or buying the dvd since it would take me 10 seconds to recite the storyline after one viewing (including the five minutes I missed when I fell asleep).

But, you know. It was okay.

Jodie’s rating: 5/10

Zombieland

Director: Ruben Fleischer
Writer: Paul Wernick and Rhett Reese
Released: 2009
—

So this is pretty much the American version of Shaun of the Dead, except they adopted the typical chick-flick style of the unlikely love interest blah blah blah… That was sort of disappointing because the balance was a bit off in regards to the romance, comedy and horror ratio. (A Rom-Com-Zom film)

But I did like it enough to buy the DVD, I’m not going to lie I do love Zombie films, so Zombieland was a must for my collection. The best part of this film is definitely the ‘rules’ that the main character, Columbus (Jese Eisenberg) basis his survival on during the zombie apocalypse.
He “always follows the rules” in his life, and during the apocalypse, these were some of the rules he mentioned:

Cardio
Beware of Bathrooms
Wear Seat Belts
Travel Light
Get a Kick Ass Partner
Always carry a change of underwear
Opportunity Knocks
Don’t be a hero (later crossed out to be a hero)
Limber Up
It’s a marathon, not a sprint, unless it’s a sprint, then sprint
When in doubt Know your way out
Zipplock
A little sun screen never hurt anybody
Double-Knot your Shoes
Pack your stain stick
Check the back seat
Enjoy the little things

I was disappointed when I realised that Abigail Breslin played Little Rock (sister of Wichita/Krista (Emma Stone) because I totally didn’t even recognise her! I wanted Breslin to stay Olive Hoover from Little Miss Sunshine forever…

Overall, this film is pretty random. Like, they spend a while hanging out with Bill Murray, and the main character’s ‘side kick’ Tallahassee (Woody Harrelson) has a Twinkie obsession and spends most of the film hunting down Twinkies…

So, this is an entertaining film for everybody to enjoy. Yet… Not as funny as the unbeatable Shaun of the Dead… Nor is the storyline as intricate… But it is a great film nevertheless.
The rule of thumb is to watch Zombieland before watching Shaun of the Dead. That way you can appreciate Zombieland more, rather than comparing them all the time.

It was a worth while purchase, but I did wait until it went on sale. I don’t think it’s worth paying the full price of when it was first released.

Jodie’s rating: 7/10

The Wedding Singer

Director: Frank Coraci
Writer: Tim Herlihy
Released: February 1998
Starring: Adam Sandler, Drew Barrymore and Christine Taylor
—

This film is the eighties equivalent of the sixties-based The Boat That Rocked, so it is very funny and has an awesome soundtrack!

Adam Sandler plays Robbie Hart the wedding singer who is very talented and loves his job until he loses faith in love. ‘Love Stinks’ is probably the most memorable song in the entire movie, which is covered by Sandler who has a surprisingly good voice!

The Love Stinks scene is my favourite scene, not because he is at the depths of heartbreak, but because his anger becomes pretty hilarious…

I think if Sandler had carried on doing the more tasteful films like The Wedding Singer, I would be a fan of more of his movies… It’s a shame that this is the only film I own with him in it.

Julia is the sweet girl-next-door type played by Drew Barrymore. Julia is such a cool character who is marrying the wrong guy; Glenn Gulia who is arrogant and rude.

That is until she starts “spending more time with this other man… Robbie Hart” who is, to her mother’s disappointment just “the wedding singer”.

Drew Barrymore has never looked more innocent with short blonde hair, this character shows her versatility as an actress since I always imagine her to be a bolshy and over-confident person in real life.

This film is probably my favourite rom-com of all time because it has a dry sense of humour, but above all it has a soundtrack that I absolutely love! Literally the best of the eighties.

Like all classic rom-coms, stereotypes and inevitable story lines fall into place, but the incredibly accurate fashion trends and set designs – at the very least – will keep you entertained and/or reminiscing!

I am now on the hunt for blue mascara…
Jodie’s rating: 8/10

21 Jump Street

Directors: Phil Lord and Chris Miller
Writers: Jonah Hill and Michael Bacall
Released: 2012
Starring: Jonah Hill, Channing Tatum, Brie Larson, Dave Franco, Ice Cube
—

So it’s not the typical genre that I would watch at the cinema, so my expectations were somewhat low. However, I am happy to say that this film was certainly a good laugh! I did enjoy it.

I guess it was specifically marketed at the Gen-Y population – I couldn’t see my parents enjoying it.

It surprised me that it was the same directors as Cloudy With A Chance of Meatballs – what a change in genre! Yet, very well done nonetheless. It reminded me of Hot Fuzz because it mocked the action genre, pointing out typical occurances that would happen in an action film such as when a car would blow up and what would happen etcetera…

My favourite part was when the failed policemen (Channing Tatum and Jonah Hill) were sent to high school undercover thinking that they would have it all under control since they were experienced high schoolers, until they realise that the classical sterotyped groups were all different this time around. So true – something only a recent graduate would truely get.

The scene about The Miranda Rights made me wet my pants it was so funny!
“Uh… You have the right to be an attorney…”
“Did you just say.. You have the right to be an attorney??”
“Well, you do have the right to be an attorney.. If you want to..”

Although some pretty crude humour and a whole load of swearing, which was definately to be expected, I enjoyed this film. And the only reason why I wouldn’t buy it on DVD would be because I don’t like this genre in general. But this is the best comedy I’ve seen in a while.

Jodie’s rating: 6/10

Shaun of the Dead

Shaun of the Dead Poster

Director: Edgar Wright
Writers: Edgar Wright and Simon Pegg
Released: April 2004
Starring: Simon Pegg, Kate Ashfield, Lucy Davis, Nick Frost, Dylan Moran, Bill Nighy, Penelope Wilton
—

The best black comedy of all time.

I have a weakness for zombie apocalypse movies anyway. However, this film has taken every zombie cliche` in the book and ends up pointing fun at themselves, which is hilarious!

The creators called it a “Rom Zom Com” aka a “Romantic Zombie Comedy” and the “perfect date film” because it has a heart line of a romantic comedy that happens to be set in a time where zombies are attacking the world.

It starts out with Shaun (Simon Pegg) and Shaun’s girlfriend Lizz (Kate Ashfield) at a bar on yet another date at the Winchester Pub, as Lizz bickers about how they never do anything different. The shot slowly widens to show, Lizz’s friends David and Di (Dylan Moran and Lucy Davis) and Shaun’s foul-mouthed best friend, Ed (Nick Frost). Of course, what better to change the monotonous situation than have their lives bombarded with the living dead!?

That’s what I like about the Wright-Pegg-Frost trio. Their ideas are crazy!
Yet they always work.

These zombies are the classic, lazy walker-types where unless you got trapped or are a really slow walker, you would probably not get caught, unlike the kind that is on the TV series The Walking Dead where they run when they are desperate. But these zombies imitate the world we live in – we wake up, go to work, come home again, miserable. So it does have a bit of a wake-up call feeling to it.

Edgar Wright’s signature fast pans, quick cuts and cut always were present which definitely suited the shocking humour and gruesome occurrences.

Another of my favourite things about this film is the parallels between the start and the ending. Such as the trolley boy collecting stray trolleys in the car park of a shopping centre with little enthusiasm. By the end, the remaining zombies are trained and take over the chore in an equally unenthusiastic way… I don’t know. I just find it amusing…

This is the best black comedy because, unlike some others I’ve seen of the same genre *cough* Zombieland *cough*, the comedy element runs through the entire film, not just random crucial parts. Shaun of the Dead make fun of the terrifying situation at every turn.

This is a must-have item in every film-watcher’s collection.

Jodie’s rating: 8/10

Up in the Air

Director: Jason Reitman
Writer: Jason Reitman and Sheldon Turner (based on novel by Walter Kirn)
Released: December 2009
Starring: George Clooney, Vera Farmiga, Anna Kendrick
—

At face value, this may seem like just another shallow idea with a typical love story. But this is far from it.

It’s an incredible story that has a very serious undertone, indeed. It is actually documenting the effects of the start of the financial downfall that we are now experiencing globally.

The movie is not told from the perspective of an employee being let go and the inevitable family and financial problems that would accompany it, but from the point of view of the man that is hired by the boss to tell their employers they no longer have a job.

This is a song that a man named Kevin Renick wrote after losing his job. He sent it to Jason Reitman after hearing about the film and the song is played on the credits. Shows how real this film is, I think.

It’s a fantastic – yet heartbreaking – perspective, because we also see how technology is ruining human connection. For example, it is proposed that instead of Ryan Bingham (George Clooney) flying from city to city letting these people go face to face, that he could actually tell them online via a camera which would be more ‘efficient’, but obviously much less personal. This proposition doesn’t work for Bingham whatsoever. Let alone the people getting told they’re losing a job.

It’s a sad story of how people’s worlds collapse, how in many respects the odds are against us and that people can no longer rely on each other since it is predominately all about profit. It addresses how we have stopped being personal, only professional, and how a job can become somebody’s life. How it can be their only reliable thing.

Of course, being the director of Juno, Jason Reitman has created another fantastic comedy with very quirky lines. I love this kind of humour, particularly in the scene showed in the photo above.

Ryan: I’m not a shrink, Bob. I’m a wake-up call. You know why kids love athletes?
Bob (JK Simmons): I don’t know. Cause they screw lingerie models?
Ryan: No, that’s why we love athletes. Kids love athletes because they follow their dreams… Your resume` says that you minored in French culinary arts. Most students, they work on the fryer at KFC, but you bussed tables at Il Picador to support yourself. Then you get out of college and then you come and you work here. How much did they first pay you to give up on your dreams?
Bob: 27 grand a year.
Ryan: And when were you going to stop and come back and do what makes you happy?
Bob: Good point.

My favourite part is when George Clooney’s character is deliberating which line to join for security screening in an airport:

This fantastic film is pretty much about all the different ways somebody can feel ‘up in the air’ with little substance and solidarity in their life.

It is a sad film if you look beyond its face value, with not much of a happy ending which I think is very appropriate since we are not quite out of the dark yet. However, it’s strong, underlying current of humour keeps us afloat and captured throughout the whole film.

Jodie’s rating: 9/10

Good Will Hunting

Director: Gus Van Sant
Writers: Ben Affleck and Matt Damon
Released: December 1997
Starring: Matt Damon, Robin Williams, Ben Affleck and Minnie Driver
—

This film is fantastic because it achieves thought provoking material without loosing the audience in a deep, meaningful and philosophical black hole. The film is able to do this by keeping the humour, which seems loyal to the culture that the story is based around.

Mathematical Genius

Chuckie (Ben Affleck): You’re sitting on a winning lottery ticket, but too much of a pussy to cash it in

I love these kinds of films. The protagonist, Will (Matt Damon), at face value is a screwed up kid worthy of little sympathy. Yet, his mathematical intelligence is beyond compare, even though he refuses to acknowledge it. Through countless councillors, he finally finds somebody Sean (Robin Williams) who can do more than scratch the surface of his dark past.

Sean: [during a therapy session] You’re not perfect, sport, and let me save you the suspense: this girl you’ve met, she’s not perfect either. But the question is whether or not you’re perfect for each other.

The only way you could tell this film was made on a tighter budget was the repeated songs and the slightly over and under-exposed shots. However, depending on the experience and reputation of the director, this will either be classed as a ‘mistake’ or as ‘art’.

The movie is perfectly cast. Their performances are so totally real and credible that you become immune to the repetitive swearing, which stutters the overall flow of the film until you get to know the characters. I also have a new found respect for Affleck and Damon who wrote the script. Incredible.

Skylar (Driver) Good Will Hunting

This film will either leave you contented with life and excited about your prospects for the future, or, leave you feeling hopeless that you don’t have an obvious talent that could give you a secure future.

But for the most part, you will realise that the script is about how, despite society’s expectations and despite everybody having baggage and fears, everyone has a choice to start again, if only they have the courage to do so. Also, despite all of this we all have the same shot of achieving happiness.

A tremendous film that you can really read into. I thoroughly enjoyed the characters telling their stories too.

Jodie’s rating: 8/10

The Actors

Director: Conor McPherson
Writer: Neil Jordan
Released: 2003
Starring: Michael Caine, Dylan Moran, Lena Headey, Michael Gambon, Miranda Richardson, Michael McElhatton, Abigail Iversen, Aisling O’Sullivan, Ben Miller, Simon Delaney, Alvaro Lucchesi
—

The funniest movie I have seen in a very long time.

It’s intelligent-funny… Not happy-clappy, seen it before, recycled Hollywood shizz. With Dylan Moran playing the protagonist and the supporting act being Michael Caine, this concoction of pure awesome is sure to be a pleaser.

Surprisingly, this film is not well-known. But it is a film everybody would enjoy with its ironic plot line and an under-lying love story, which I am happy to say doesn’t take centre-stage regularly. Dylan Moran’s character, Thomas Quirk, is indeed a quirky guy who loosely calls himself an actor working in play with a fellow actor, Anthony O’Malley (Caine).

Dylan Moran undercover

O’Malley soon hears about a scheme going down in the local bar where
“a certain somebody owes money to another certain somebody, but they have never met”. He decides that Quirk does need to practice his acting skills and convinces Thomas to be the collecter whom the debtor has never met. Of course, how could something like that ever be as straight forward as it sounds!?

Dylan Moran’s disguises throughout this scheme are hilarious and you will be sure to be repeating and imitating the characters after! This script is so funny and its catch-phrases remind me of the film Juno.

The Actors Caine

Despite being an up-beat comedy, the camera work (particularly lighting) in many scenes are spot-on and very well done, so is the music. Now I really want to buy the soundtrack! The songs and compositions by Michael Nyman are spectacularly emotional and support the visuals very well.

It’s a film that merges the stage actors and improvisation actors which I thought was really clever and it gave the film a really unique twist.

I can’t believe the negative reviews I have found on this film… How? o.O I thought it was HILARIOUS and I watch it regularly.

Jodie’s rating: 8/10

I can’t find a trailer, so here’s a pretty funny scene where Dylan Moran is playing Thomas Quirk who is undercover as “Barreller”. Barreller accidentally gave the money to Quirk earlier on. Now, Quirk is pretending to be Barreller, confronting “Jock” who the money was supposed to go to… Ugh, don’t worry, it makes more sense in the film.

The Boat that Rocked

Director: Richard Curtis
Writers: Tim Bevan, Eric Fellner, Hilary Bevan Jones
Released: 2009
Starring: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Emma Thompson
—

If you love groovylicious music and cool fashion from the 1960s, then you are going to LOVE this film!

It’s a film about the pirate radio stars during the sixties who played rockin’ music, whilst trying to keep the government off their backs who didn’t like the kind of influence the radio stations had.

It’s the kind of film where its characters are used to target the typical main-stream movie audience who are in their twenties, but it’s ‘historical’ enough to capture the reminiscing kids of the sixties, yet, unique enough to entice the indie teens, and overall AWESOMENESS to be absolutely: Way. Cool.

It’s an exciting film about each radio host’s personal triumphs as well as the overall capturing story of essentially giving the middle finger to society. The contrast between the conservative government workers versus the wild rock and roll supporters from the boats in the North Sea was drawn which was great to see two sides.

You can also see the same sort of contrast being drawn between the children and their parents. The children being the rebellious worshippers of the DJs who hide radios in their bedrooms, and the parents being the BBC listeners who frown upon the culture of pop and rock and roll music.

The humour was a bit hit-and-miss for me occasionally, but that’s probably because I have a dry sense of humour… As in, I find Napoleon Dynamite hilarious. The majority of the audience would enjoy it very much, I’m sure.

Fantastic music OBVIOUSLY, which compelled me to buy the double-disc album which was incredible! Think of your favourite artist from the sixties, and it’ll be on there… Except for The Beatles… That was a bit of a disappointment, actually…

A loud, crazy, colourful and hilarious depiction of the sixties’ uprising which was almost successful. I felt quite upset at the end when I saw the ship sink and I went into a deep daydream of how the Government should have let the ships be, how it could have been, how they should never have made laws against them and how spectacular the sixties was… and the WAY COOL music… The ending was a bit of a downer, but accurate nevertheless. (Reinforcing my ‘Golden Age Thinking’ as explained in Midnight in Paris)

The Boat That Rocked is an entertaining film where anybody could pick out a favourite bit, moment or character, making it a movie that’s easy to talk about. It is a perfectly orchestrated story with fewer stereotypes than I expected.

The wardrobe was absolutely stupendous (I wish there was a “The Boat That Rocked Shop”) and the cut-aways to the everyday listeners was probably one of my favourite bits, because it gave you a huge scope of the world they lived in – since it could have been very isolated to the life on the boat.

This isn’t just a film worth watching, this is a film worth buying and then replaying. You will finish watching the film and feel an urge to carry a stereo around with you, liberating the boring and monotonous people of the 2000s with epic sounds of the sixties.

You will feel the need to stick it to the man and be rebellious… But you’ll probably just put the film on repeat instead, and that’s cool too.

If American Graffiti represents America in the 60s, The Boat that Rocked represents the UK in the 60s.

Jodie’s rating: 8/10

In Time

Director: Andrew Niccol
Writer: Andrew Niccol
Released: 2011
Starring: Justin Timberlake, Amanda Seyfried
—

I think this is going to be a short entry today. Because I’ve been mulling this film over and over in my head for a good few months since I watched it.

It’s a film about how in the future everybody would be paid in time. With a count-down timer on our arm (which would make a pretty cool tattoo) we have to use that time to pay for things we need such as bus rides and food.

This film does have some powerful points, such as the rich getting richer while the poor get poorer. It does make a stand how unfair it is that the few wealthy and powerful people in the world have total control over 99% of the planet’s population. It’s a film about greed which is parallel to real life.

Unfortunately, this become secondary to the romance, which dilutes the impact of the potentially strong and shocking political statement trying to be made.

Quite simply, this thought-provoking Matrix/Inception–like film could have been a decent action/thriller if it wasn’t for the following three things:

NUMBER 1: If the story line wasn’t so obviously and devoted to the old-age tale of Robin Hood. Stealing from the rich and giving to the poor. Justin Timberlake wasn’t a bad actor, but his character was too unrealistic. Will Salas (Justin Timberlake) was a worker with just enough income to survive, until a ‘rich’ man donates all of his time to him. Sales then gets into top security places and eventually steels most of the money to donate to the poor sections of the world which he continues to do until every body is equally rich.

Not very original, is it, if you replace the guns with bow and arrows and the city with a forrest.

NUMBER 2: This turned into a romance. Like, I would say that this film was not a “Mystery & Suspense, Science Fiction & Fantasy” (according to Rotten Tomatoes), but a Romance/Action. How the love interest (Amanda Seyfried) could run in those six-inch heels and still rob banks… I do not know.

NUMBER 3: It is quite simply too far-fetched. They should have stuck to developing the lifestyle and internal struggles of watching our life tick away from you. I think that would have been way more interesting…

Intime Arm Count down

I was pretty disappointed with this one, actually… But perhaps I was wanting to see a deep and meaningful movie when In Time was essentially a chick-flick disguised as a sci-fi/action in the trailer.

Jodie’s Rating: 5/10

Cloudy With a Chance of Meatballs

Directors: Phil Lord and Christopher Miller
Writers: Phil Lord and Christopher Miller (screenplay), Judi and Ron Barrett (story)
Released: 2009
Starring: Bill Hader, Anna Faris, James Caan, Andy Samberg, Bruce Campbell, Bobb’e J. Thompson, Mr. T, Benjamin Bratt, Neil Patrick Harris
—

Animated films have been growing in popularity because of the flexibility and ability to create elaborate sets. Fantastic films have been made thanks to the advanced technology now available from Toy Story 3 to Megamind to this film; Cloudy with a Chance of Meatballs.

Bill_Hader_in_Cloudy I was skeptical at first as it seemed like a silly and random storyline. However, after watching it from start to finish I found that the humour was similar to that of Megamind (one of my favourite animations) and the fantasy element like the 2009 animation Coraline.

It was the crazy gestures and facial expressions which I thought was the funniest element. Particularly the main character’s father who simply had a monobrow, a nose and a mustache. The creativity was pretty awesome in regards to the natural disasters formed by food, as well as the colour and realistic food which made me want to eat a hamburger so badly (despite being a vegetarian, so that shows how far graphics have come these days!). cloudywithachanceofmeatballs-sequel

Typically there are mostly stereotyped characters, but that wasn’t really a surprise for a film which is targeting a younger audience. Having said that, these animations (with Toy Story 3 in mind) aren’t boring for the older viewers – cartoons are not just for kids any more.

cloudy It was a simple storyline, however. Despite me trying to look deeper – perhaps it’s a stab at genetic modification or corporations wanting to rule the world or global warming – I found it lacked substance. Plus, the ‘absolute low’ in this film lasted as long as a blink. Not very much suspense at all. Perhaps it really was just a film with a tired moral of “not giving up on your dreams”… *sigh*

Cloudy-With-a-Chance It’s an easy-to watch film which is pretty funny (not as funny as Megamind) and fantastical (not as fantastical as Coraline) with a typical “they all lived happily ever after” ending.

Somewhat disappointing but perhaps my hopes were too high.

Jodie’s rating: 6.5/10

Back to the Future III

Back-to-the-Future-Part-III Director: Robert Zemeckis
Writers: Robert Zemeckis and Bob Gale
Released: 1990
Starring: Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Thomas F. Wilson, Lea Thompson
—

Awesome – as per usual.

In this epic finale, we are thrown back to the old west! 1885 to be exact, where Doc is now trapped but “happy”. However, since receiving this letter (which was handed down through the postal service for many years) Marty had found Doc’s (of 1885) grave – he was shot by Biff’s great grandfather only six days after writing the letter. So he goes back to save him.

tumblr_m8ql4bRZGJ1qgpa6xo1_1280 — Meeting the ancestors. Looking familiar..?

Wow! Another complex storyline, is it not? In a totally awesome way of course!! This is the crazy world of the 1800s – every man for himself – Marty turns up, meets his ancestors and hitches a ride to the local town where he finds Doc as a blacksmith and explains to him of his untimely death.

The sets are fantastic! With beautiful horses and incredible stunts, too. This is a romantic tale with a rough exterior where we try to get back to the future with Doc – with some help of a train. Although, of course, not everything quite goes to plan…

09_bttf-3

I really enjoyed the final of the series because it was back in the past which is always more accurate and a plot is much more easily structured upon real events creating the humour of certain minor changes in American history.

I never doubted Robert Zemeckis’ films, and I never thought he would make terrible sequels which is usually what happens or is expected. This is another exciting journey with a satisfying ending to the fantastical trilogy.

Jodie’s rating: 8/10
Check out my review of the sequels: Back to the Future I and Back to the Future II