Editor’s Pick – Page 2

Source Code

Director: Duncan Jones
Writer: Ben Ripley
Released: April 2011
Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright
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I love time travel films! This is a brilliantly simple story combined with the mind-bending possibilities of time travel.

‘Source Code’ is a top-secret military experimental operation where injured pilot Colter Stevens (Jake Gyllenhaal) is given the ability to repeatedly relive the final eight minutes of a man’s life. The man is Sean Fentress who dies in an explosion on a train.

Each time Stevens relives the final eight minutes of this man’s life, he is given the opportunity to seek out the person responsible for planting the bomb on the train in an attempt to stop it from ever happening.

But, time travel being the way it is, can he really stop it happening? Or will he only stop it happening in that alternate version of life.

(Watch Back to the Future if you need an explanation on this theory.)

The story line reminds me of the Tom Cruise film Edge of Tomorrow, where he is able to relive the same day over and over until he figures out the solution. Except, Source Code is a intelligently simple film (in other words, clearly had a far tighter budget). At it’s core, it’s basically three location and four characters. So smart! Maybe it could be developed into a stage play.

It’s intense and brilliantly written. I looked it up, apparently the guy who wrote it really struggled to get his script to see the light of day. The director hadn’t had much experience either, while the cast is star-studded.

Source Code is an easy-watch, and despite its action/sci-fi themes, is actually quite an emotional film where the main character contemplates death and family a lot.

Jodie’s rating: 7/10

Hot Fuzz

Director: Edgar Wright
Writer: Edgar Wright and Simon Pegg
Released: July 2007
Starring: Simon Pegg, Nick Frost, Jim Broadbent
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A brilliant action-comedy from writers Edgar Wright and Simon Pegg. It’s one of my favourite films, and I can’t believe I’d never gotten around to review it.

Hot Fuzz is the second instalment of what is referred to as the ‘Cornetto trilogy’ by Edgar Wright fans (due to the ice cream’s frequent appearances). Shaun of the Dead being the first, The World’s End being the third.

This is my favourite film of the three because it is so cleverly written and very funny. It follows the story of goody-two-shoes London policeman (rather “police officer. Being a man has nothing to do with it.”) named Nicholas Angel (Simon Pegg) who gets transferred to a small, rural village against his wishes.

Sergeant: …we’re making you sergeant.
Nicholas: I see.
Sergeant: [mumbles]
Nicholas: In where, sorry?
Sergeant: In Sandford, Gloucestershire.
Nicholas: But that’s in the country…
Sergeant: Yes! Lovely!

The straight-laced Sergeant Angel is frustrated by the Sandford police who prefer to turn the other cheek rather than causing a fuss when someone breaks the law. He soon discovers there is a reason for this.

So, with amateur officer Danny Butterman (Nick Frost) as his sidekick, Angel’s love for the law is put into full swing as they begin a full-on investigation into what is going on in the village.

Inspired by stereotypical action films, the writers have made fun of the genre by including all the sorts of characters you’d usually see in an action film. They even go as far as re-enacting popular action movie scenes, or quoting them. They’ve studied the genre very well!

Danny: Where’s the trolley boy?
Nicholas: In the freezer.
Danny: Did you say “cool off?”
Nicholas: No I didn’t say anything…
Danny: Shame.
Nicholas: Well, there was the bit that you missed where I distracted him with the cuddly monkey then I said “play time’s over” and I hit him in the head with the peace lily.
Danny: You’re off the fuckin’ chain!

This entertaining and fast-paced film is littered with hilarious one-liners and nods to action film tropes and quotes. The script for this movie is so clever – it must have taken ages to work out how it was all going to piece together.

The script has a lot of fore-shadowing all through it, weaved through an intriguing mystery of murders and outrageous characters. My favourite being two officers, both named Andrew – AKA ‘The Andes’ played by Paddy Considine and Rafe Spall.

The editing is incredible, which is classic Edgar Wright. We studied his work for an entire year at high school; I can see his influence a mile off now, even in his most recent film, Baby Driver.

If you love gun fights, car chases and a good belly laugh, then this is the perfect film! A classic date night movie too, I think. Just like Shaun of the Dead and The World’s End, it’s a great blend of genres to keep everyone happy.

For me, some of the action scenes were a bit long-winded, and just when you think the film is finished, it doesn’t. But maybe that’s because I don’t actually like action films all that much.

Danny: Have you ever fired two guns whilst jumping through the air?
Nicholas: No.
Danny: Have you ever fired one gun whilst jumping through the air?
Nicholas: No.
Danny: Ever been in a high-speed pursuit?
Nicholas: Yes, I have.
Danny: Have you ever fired a gun whilst in a high speed pursuit?
Nicholas: No!

I love films that make fun of themselves, and this is the king of them all. I can recite the whole film, I think – I’ve watched it so many times!

Jodie’s rating: 8/10

Split

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2017
Starring: James McAvoy and Betty Buckley
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Another brilliant film from M. Night Shyamalan. It’s the best kind of story – the kind that you’ll be thinking about for days.

For me, Split is a return to Shyamalan’s trademark of well-rounded characters and fantastic storylines. It’s a film that echoes the genius of The Village and The Sixth Sense.

Split is about a man called Kevin Wendell-Crumb (James McAvoy, whose talent will be gushed upon shortly) who has 23 personalities. He kidnaps three girls and keeps them hostage. All the while, one of the three girls cottons on to his multiple personalities, and tries to manipulate one of them – a nine-year-old boy – to help them escape. But, will they be able to escape before the mysterious 24^th personality reveals itself?

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I can’t explain how remarkable McAvoy is in this film. I know McAvoy as Mr Tumnus from the Narnia films, we named our goat Mr Tumnus after his portrayal of this character because we loved him so much.

Every one of McAvoy’s personalities in this film is so believable, especially Patricia. Oh my goodness, she’s scary. The crazy thing is, you feel relieved when you realise McAvoy’s character is the nine-year-old, and petrified when he’s Patricia, even though he’s physically the same person. That’s how talented he is. He can morph himself into different people seemlessly.

I didn’t think much of the hostages’ acting. They were mostly appearing dumb-founded with a lot of silent, wide-eyed staring. But I was fascinated by the psychiatrist in the film, Dr Karen Fletcher (Betty Buckley). Buckley’s acting was phenomenal. I was hooked on every word she said; she was so articulate and fascinating. So actually, perhaps I should say kudos to the screen writing. Nevertheless, along with McAvoy, she was great.

I was expecting a horror, but this is actually a thriller. More than that, it is a sequel to the thriller Unbreakable (featuring Bruce Willis), and a prequel to a thriller called Glass, which is set to be released next year! I’m on that like white on rice.

I thoroughly enjoyed this film. If you loved Shyamalan’s films from the early days, then you’ll love this too. Brilliant writing, fantastic casting, and horrifyingly complex characters and theories that will have you dwelling on the film for days.

Highly recommend seeing it.

Jodie’s rating: 8.5/10

Darkest Hour

Darkest Hour film review - churchill

Directed: Joe Wright
Written: Anothony McCarten
Released: January 2018
Starring: Gary Oldman Kristin Scott Thomas Lily James Stephen Dillane Ronald Pickup Ben Mendelsohn
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If you thought Dunkirk and The King’s Speech were epics, wait until you see Darkest Hour. It’s another perspective of the remarkable rescue of British soldiers from the shores of Dunkirk, this time the story is told from inside British parliament.

With the Germans closing in, the battle appears to be lost. But Britain’s new prime minister Winston Churchill is not ready to give up. While his cabinet threatens resignation unless he agrees to peace talks with Hitler, Churchill becomes desperate to find a way to save the men on the front lines, and prevent invasion.

With merely hours to go until the Germans get through Dunkirk, Churchill has the weight of the nation on his shoulders as he figures out a way stop them on his own. But time is ticking!

Winston Churchill is played by Gary Oldman, whom I had seen in a lot of films without even realising it (Harry Potter, Batman, A Christmas Carol…). What a guy. The prosthetics are flawless, and his impersonation of how we’ve come to know Churchill was brilliant. You would think they had brought him back from the dead for the film!

darkest hour film review - churchill

Churchill’s speeches and his word-wizardry is legendary, and this film certainly takes advantage of this. It is dialogue-heavy, but I think that’s where the magic is, so make sure you hold your attention. There are some hard-hitting one-liners in this movie, powered by the shear emotion and strength.

Will you stop interrupting me while I am interrupting you! – Churchill

It is almost unbelievable how Winston Churchill saved not only the UK, but Europe from Hitler’s reign. He did it without the support of his cabinet, although, the British public were behind him as shown in a fantastic scene depicting Churchill’s first ride on the underground.

He speaks frankly with the public in his carriage; not speaking down to them and not sugar-coating anything. I got chills from the unity of the people, as they all proclaimed that they would stand up to Hitler and not reason with him in peace talks. As Churchill said:

You can not reason with a Tiger when your head is in its mouth! – Churchill

I don’t know how it must have felt having such a decision to make, but this movie certainly projected the stress and weight of the situation well.

darkest hour film review - churchill

A brilliant film with fantastic cast members, lighting and suspense. Akin to a courtroom drama, I suppose, but ultimately a fantastic alternative to watching a documentary on the events.

Definitely worth a watch, but I think the second watch would be better because there’s so much information to absorb.

Jodie’s rating: 8.5/10

Dunkirk

dunkirk_1

Directed: Christopher Nolan
Written: Christopher Nolan
Released: July 2017
Starring: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance and Tom Hardy
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I don’t know where to start – I’m about to word-vomit on the page! There’s so much to say, so I’ve broken it up with little titles so that you don’t get too overwhelmed…

Well firstly, I’ll set the scene: I went to see this film with my significant-other in the town of Wareham, Dorset. We went to the REX Cinema, which is an independent cinema that was built in 1889. The small hall was packed when we went – I even had to book tickets two weeks in advance! The showing attracted many locals, likely due to the local film locations such as Swanage railway station and Weymouth.

Dunkirk is definitely the best war-based film I have seen since Saving Private Ryan.

Before I continue, I must mention that ‘yes’, this film is based during the war – as are plenty of films. But this one is different. It’s not full of blood and gore – it feels more like an emotional documentation of a snapshot in time. A remarkable story indeed.

This is an incredibly moving and haunting survival film about British soldiers desperately trying to escape the ever-approaching Nazi German forces. They’re attacking by air and land. The British soldiers attempt to evacuate France at Dunkirk to England via ship, despite all odds.

How the story is told:
The film is told by intertwining three stories, which transports you back in time by putting you in the shoes of various characters:

Land
“You can practically see it from here… Home.”
Soldiers evacuating the beach. This story is told within a time frame of one week through the eyes of Tommy* (Fionn Whitehead). The sky is dark and the sea is just as unwelcoming as the freezing cold beach they’re stranded on. With enemy planes flying over-head, the foot-soldiers must have felt insignificant and vulnerable as the British await for an overcrowded ship to take them home.
* Named after the slang term for a common British Army Solider.

Sea
“Men my age dictate this war. Why should we be allowed to send our children to fight it?”

Brave, unarmed civilians journeying from Dorset into the rough channel on their wooden boats. They try to save as many men as they can from overturned Navy ships that are bleeding oil into already blackened seas, with men fighting to escape the ruins in a blind panic. This story is told within the time frame of 24 hours from the point of view of Mr. Dawson (Sir Mark Rylance) and his son Peter (Tom Glynn-Carney).

Air
“Why [would the Germans] waste precious tanks when they can pick us off from the air like a fish in a barrel?”

Dunkirk film review

Royal Air Force pilots flying planes over the English channel, protecting the ships and boats carrying soldiers from Dunkirk as they aim for England’s shore. The Spitfires scream overhead, not immediately knowing if they’re British or German… The feeling of claustrophobia from being strapped inside a plane without fuel, or being stuck in the cockpit of a sinking plane… It creates an atmosphere thick with anxiety that can be felt all the way to the cinema chair. This section of the film is told in a time frame of one hour from the point-of-view of RAF pilot, Farrier (Tom Hardy).

These intertwining stories of various time windows was genius. Just enough time to understand each character and what they were risking, but not so dragged-out that it becomes a Peter Jackson marathon movie.

I really felt like I got a glimpse into how the soldiers, pilots and civilians felt in that moment in time.

Audio:
The first thing that struck me was the audio (this movie is a cinematic essential – don’t wait for the DVD! Buy a ticket! You need the surround-sound). The sound of ships creaking, the sound of the Spitfires over-head, the sound of distant gunfire. All of which clearly inspired the Hans Zimmer soundtrack. The audio of this film is an art within itself. Incredible.

Commander Bolton: “The tide’s turning now.”

Captain Winnant: “How can you tell?”

Commander Bolton: “The bodies are coming back.”

Casting:
I didn’t recognise many of the actors apart from half of the Inception and Batman cast, of course (Michael Cain’s voiceover, Tom Hardy and Cillian Murphy).

Dunkirk film review - Harry Styles

But the actors were all fascinating to look at – they have interesting faces (particularly Barry Keoghan’s character, George) that makes you want to study and stare at them.

Of course, there is Harry Styles – Nolan reckons he didn’t have the faintest Scooby-Doo about the level of Styles’ fame before casting him. Poppycock if you ask me. Nevertheless, he doesn’t exactly steal the show, and he doesn’t look too out of place either.

Conclusion:
This is a once in a lifetime film. It’ll make you jump, it’ll make you cry, it’ll send chills down your spine, but most importantly it makes you think about what could have been.

Blind Man: “Well done lads. Well done.”

Alex: “All we did is survive.”

Blind Man: “That’s enough.”

I got so choked up at that line. “That’s enough.” I was gone, and so was my mascara.

After the Dunkirk screening at REX cinema, the audience (predominately Baby Boomers) were vocal post-showing as they discussed their stories amongst themselves. One gentleman even slapped my fiancé on the back and said: “it would have been you should the war have happened today!” Chilling. Particularly because we walked out on to the old, narrow streets of Wareham, which made me feel like I was still being transported back to war-time Dorset.

The next day I took out a book called ‘World War II for beginners’ and a book called ‘Frontline Dorset’ to educate myself more on this unfathomable time.

Jodie’s rating: 9/10

The Girl on the Train

girltrain1

Directed: Tate Taylor
Written: Erin Cressida Wilson. Based on The Girl on the Train by Paula Hawkins
Released: October 2016
Starring: Emily Blunt, Rebecca Ferguson, Justin Theroux, Haley Bennett, Luke Evans, Allison Janney (Juno’s mum!), Édgar Ramírez and Lisa Kudrow.
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The Girl on the Train is up there with Gone Girl! A mind-twisting psychological thriller, through the eyes of Rachel (Emily Blunt) – a frail alcoholic who is the last person to see Megan Hipwell (Haley Bennett) alive.

However, as we see the events unfold from Rachel’s point of view, you never know what is real and what has been imagined, as she struggles to remember what she saw .

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Is she the murderer? Was it the ginger dude on the train? Was it Megan’s husband? You honestly wouldn’t know for sure – massive twists!

We experience the battle against herself as she grows stronger and more focussed on trying to remember what she saw that night when Megan went missing.

I have read the book, and if I had of seen the movie immediately after I think I would have agreed with the public’s negative reaction of it being too different to the novel. As instead of it being set in the dingy outer suburbs of London, it is set in glamourous waterside mansions of New York.

Apparently the movie was always going to be set somewhere in the USA, because alcoholism is ‘less accepted there‘, and the juxtaposition of the character’s sadness with the glorious mansions she passed on the train made it visually shocking… I still don’t think it was necessary to change the country’s setting, but whatever. At least Emily Blunt was allowed to remain English.

girltrain3 I enjoyed it very much, though. The characters are believable and relatable (my two big ticks for every movie). Emily Blunt makes an amazing drunk person – that must have taken a lot of practice to look that authentic. It’s actually scary and makes you think twice about drinking.

I’m pleased they didn’t make her look flawless while she was drunk. I was worried they would make her look too ‘pretty’, but her cheeks are puffy and red, her eye make-up is smudged and her hair is messy – you wouldn’t know she’s a celebrity.

But if I had to be nit-picky, the male characters all looked far too similar. I guess this was to encourage you to see through the hazy eyes of a drunkard who couldn’t identify anyone. But with the film being visually dark, everyone having short, dark hair could get confusing if you didn’t know the storyline.

Or maybe it’s just our crappy TV that makes the contrast too deep.

Nevertheless, if you haven’t read the book you’ll likely enjoy it more, because you wouldn’t be able to notice the differences from the novel. But you may find it a bit slow-paced and long-winded at times.

Would recommend!

Jodie’s rating: 8/10

PS. On more than one occasion, I have been told that if I didn’t have crooked teeth, chubby cheeks or many of my current facial features, that I would look JUST like Emily! 🤪🤪 *so proud*.

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Hunt for the Wilderpeople

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Director: Taika Waititi
Writer: Taika Waititi (screenplay), Barry Crump (author of “Wild Pork and Watercress”) and Te Arepa Kahi
Released: 2016
Starring: Sam Neill, Julian Dennison, Rachel House, Rima Te Wiata, Stan Walker, Oscar Knightly, Rhys Darby…
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I really needed this film in my life.

Another Kiwi classic from director Taika Waititi, Hunt for the Wilderpeople is about a national manhunt ordered for a rebellious Kiwi kid, Ricky (Julian Dennison), and his foster uncle, Hec (Sam Neill), who go missing in the wild New Zealand bush.

[Reading wanted poster]: “‘Faulkner (Sam Neill) is cauc-asian’… Well, they got that wrong because you’re obviously white.” – Ricky Baker

A fantastically hilarious and beautiful tribute to everything that is Kiwi.

Sam Neill and Julian Dennison in hunt for the wilderpeople

After moving back to the UK, I didn’t realise how much I missed New Zealand until I bought the DVD of Hunt for the Wilderpeople. I also didn’t realise how much I identify with the Kiwi ways of life before finishing this movie.

For I can relate to the Kiwiana culture that courses through this movie, the humour, the landscape, the accent – once a cause for embarrassment to me, is now a twang that makes me feel overwhelmingly nostalgic and patriotic. I have concluded that the only English thing about me left is my crooked teeth.

I finished watching this movie with mascara running down my face (mostly due to nostalgic tears of joy and laughter) and an empty packet of Whittaker’s chocolate in my hand, while my feet were cosy in my New Zealand sheepskin slippers (you wouldn’t know it’s currently summer in the UK).

The main character, 12-year-old Julian Dennison, was absolutely phenomenal. He needn’t say much at all – his facial expressions are enough.

But I must say, Paula (Rachel House) has to be my favourite character. She made me laugh so hard! She’s absolutely hilarious. It’s not always what she says, it’s how she says it. Golden!

Paula (Rachel House) in Hunt for the WIlderpeople

“Well, I see he has a rifle. Just keep it away from this little guy. God knows what he’s capable of. OK, he’s all yours. No returns.” – Paula, child welfare

Of course, it wouldn’t be a New Zealand film if it didn’t have Rhys Darby in it! He makes an appearance as “PSYCHO SAM”.

Rhys Darby - Psycho Sam in Hunt for the Wilderpeople

A perfect film for homesick Kiwis. Loved it. I’m about to watch it for a fourth time this week.

Jodie’s rating: 9/10

Hidden Figures

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Director: Theodore Melfi
Writers: Allison Schroeder & Theodore Melfi. Based on the book by Margot Lee Shetterly
Released: December 2016
Starring: Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst Jim Parsons, Mahershala Ali, Aldis Hodge and Glen Powell
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This was actually quite a funny film!

I was expecting a super dramatic biopic, but as compelling as the storyline absolutely is, it is intertwined with down-to-Earth humour. (Pun intended.)

A fantastically inspiring movie based on three real-life black women who worked at NASA in the sixties. It follows their triumphs and successes, despite being completely discriminated against for being black, and for being women.

A classic ‘human’ story, with particularly relatable and believable moments that are so easy to connect with emotionally.

Karl Zielinski: …Let me ask you, if you were a white male, would you wish to be an engineer?
Mary Jackson: I wouldn’t have to. I’d already be one.

Truly inspiring, shocking and sassy!

The three main characters are Katherine Goble Johnson (Taraji Penda Henson, The Curious Case of Benjamin Button), Dorothy Vaughan (Octavia Spencer, The Help) and Mary Jackson (Janelle Monáe).

Mary Jackson was my personal favourite because she had some of the best come-backs, and every dress she wore was absolutely beautiful. I want all of them please. (Look at everyone’s shoes too! I’m in love.)

The film is perhaps longer than needed… But having said that, there’s not a single scene I would be happy parting with!

Vivian Mitchell (Kirstin Dunst): Despite what you may think, I have nothing against y’all.
Dorothy Vaughan: I know, I know you probably believe that.

I thoroughly enjoyed it, and so did my fiancé. We laughed a lot, I cried a lot (the proposal seen oh my Loooooord!!) and we walked away at the end of a mighty fine evening feeling uplifted.

We went to see Hidden Figures at a cinema in Wareham, Dorset called The Rex Cinema. I would thoroughly recommend paying a visit. The cinema was built in the 1800s, and the same grand and intriguing interior remains today. It was the perfect atmosphere to watch such a historical and proud film.

Jodie’s rating: 8.5/10

La La Land

La La Land movie review poster

Director: Damien Chazelle
Writer: Damien Chazelle
Released: December 2016
Starring: Emma Stone, Ryan Gosling, John Legend and J.K Simmons
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IT’S SO MAGICAL!

Despite the trailer making me expect Glee meets Grease, I had heard so many rave reviews about La La Land, that I simply had to see it for myself.

I was not disappointed.

A story about a boy and a girl, with grand dreams (already a refreshing storyline in itself). Ryan Gosling’s character, Sebastian, wants to be a jazz musician playing in his own bar – he represents old-style Hollywood. Emma Stone’s character, Mia, wants to be a successful actress – she represents the Prius-driving new-age Hollywood. Two strong-minded people going in different directions, yet refusing to let go of each other.

With elements of Woody Allen’s Midnight in Paris, this absolute feel-good epic is layered and definitely deserves more than one viewing.

La La Land movie review is similar to Midnight in Paris — Damien Chazelle’s La La Land

It’s not only romantic, but Mia and Sebastian’s stories are incredibly relatable and real.

Many people were disappointed by the ending (don’t worry, I won’t give it away), as it’s not exactly what was expected, and tinged with sadness. But I thought the ending was absolutely spot-on and perfect, as it keeps the tone of life being a little messy and little disappointing.

La La Land movie review of the dance opening scene Thankfully I was pre-warned about the opening scene, so the overly theatrical and colourful intro did not startle me. But I think everyone must be warned – it only gets better from here.

Nevertheless, this highway traffic jam intertwines with the story throughout the film. A metaphor for being stuck and not sure which direction to go, perhaps. But also the poignant location of the main characters’ first meeting.

This is a refreshing journey, unlike anything I have seen before.

I love the songs, which are few and far between. So claiming you’re ‘not into musicals’ is no excuse to avoid this movie. They sing about meaningful things during meaningful moments, and not about eating cheese or pointless things.

Emma Stone and Ryan Gosling are incredible dancers, singers and musicians – who knew! Gosling actually learnt the piano for the role, with no use for a hand-double.
I love how Stone’s voice isn’t the breathy, stage-sounding voice that you would typically find in American musicals, too. If her voice was too clean or edited, it certainly would have spoilt the soundtrack.

La La Land movie review girls night out The jazz influence is AH-MAY-ZING. The writer and director is Damien Chazelle who wrote and directed Whiplash (love this movie too). So if you loved how jazz supported that story, you’ll adore the band performances in La La Land.

The trumpets! The pianos! The Sax! Brilliant.

The best part? (Apart from the costume design, music, story, dialogue, pianos and acting) It’s actually funny! I chuckled through my tears of sadness and joy throughout the whole film. La La Land movie review with Ryan Gosling and J.K Simmons

Especially any scene starring the amazing J.K Simmons, who plays Seb’s boss:

Sebastian: I want to let you know you’re looking at a new man. A man who’s happy to be here. [working a pianist at a dingy restaurant]
Boss: Right, and you’ll play the set list.
Sebastian: Gladly… Although, you know, I thought in this town it worked on a sort of “one for you, one for me” basis type system. How about two for you, one for me?
Sebastian: How about all for you and none for me?
Boss: That’s perfect, yes.
Sebastian: Great.
Boss: Okay.
Sebastian: Okay, a mutual decision then.
Boss: Made by me.
Sebastian: Right, and I sign off on it, so…
Boss: Whatever. Tell yourself what you want to know.

What a guy!

This movie is full of emotion, and you need to just go with it. Hence why you must lose yourself by watching it in the cinema. It’s a feelings kinda film.

Thank Christ Emma Watson and Miles Teller weren’t the lead actors. Rumour has it they were too demanding and wanted too much money. Youch! And now they are apparently gutted they didn’t snatch the roles.

God. That would have been a disaster… Think what the world would look like today if Hermione played the part of Mia… Think of the La La Land we have come to know, and how easily the movie could have changed… Disaster.

Stone and Gosling were perfect, it wouldn’t have been the same if anyone else had their roles. They’re grounded, humble and elegant. They’re relatable, but also aspirational. La La Land movie review

I will see this again. IT’S JUST SO REAL. And beautiful. And true. And honest. With incredibly moving jazz music, which created a movie that is layered, moving and deep.

“Here’s to the ones who dream, foolish as they may seem. Here’s to the hearts that ache, here’s to the mess we make.” – Mia’s audition song

Oh my God I think I might cry again, just thinking about how perfect this movie is. I want a yellow dress and take dance lessons now.

Jodie’s rating: 9/10

Finding Dory

Director: Andrew Stanton
Writer: Andrew Stanton
Released: June 2016
Featuring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy
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I was more keen to see BFG if I’m honest, but mostly because I thought Finding Nemo was so good that ‘Finding Dory‘ was just going to be a cash-in. But due to a particularly over-excited boyfriend, we ended up seeing Finding Dory.

Sharing a small cinema with about 50 people – some of them peculiar, some of them creepy, and only a couple of them under the age of 13 – we unabashedly cracked open a couple of ciders and the movie began. And I was pleasantly surprised.

With new characters and a heart-felt story line, Finding Dory was another genius creation of Pixar.

We follow Dory (Ellen DeGeneres) as she slowly gets flash-backs to her home and parents. It leads her, Nemo (Hayden Rolence) and Marlin (Albert Brooks) across the ocean once again, and finding themselves in a Marine Life Institute. (Featuring Sigourney Weaver as herself).

My favourite character was probably Becky, who is a dotty bird who is rather simple.She is as creepy as she is quirky.

Although I did think Hank (Ed O’Neill (granddad in Modern Family)) the octopus was the most heart-warming character.

But my boyfriend’s favourite character was Bailey (Ty Burrell (aka dad in Modern Family)) the beluga whale due to the humour of watching him figure out how to be a whale, as well as the sounds he made.

Unfortunately, my boyfriend pointed out that the goofy sea lion Gerald has an uncanny resemblance to my good self… I was offended.

In between the genuinely laugh-out-loud moments, the storyline was heavy in parts. The emphasis on family and unity and support and friendship and acceptance and patience… Man! Please calm down on the wholesome messages.

Dory’s short term memory loss became a little irritating, as the ‘wait, what are we talking about?’ jokes began to seem over-used, and wearing thin.

But it’s a movie I would happily see again. I haven’t laughed that loudly in a movie for a long time! It’s certainly aimed at us older kids (in our twenties) who grew up watching Finding Nemo.

Jodie’s rating: 7/10

Brooklyn

Brooklyn movie poster review

Director: John Crowley
Writer: Screenplay by Nick Hornby, based on novel by Colm Tóibín
Released: November 2015
Starring: Saoirse Ronan, Emory Cohen, Domhnall Gleeson Jim Broadbent, Julie Walters
—

I am ashamed how close I came to watching Tina Fey’s new movie, Sisters, rather than seeing this touching drama. (I still reckon Tina Fey is a genius, though.)

After seeing the Brooklyn trailer I was prepared to see a slow-paced, sullen and potentially grim film. But this was not the case!

I walked out of the cinema feeling uplifted, positive and encouraged. I felt as though I’d been wrapped up in a big, fat duvet, sung a lullaby while sipping on hot cocoa inside by the fire during a blizzard… It gave me the warm and fuzzies, and made me feel happy.

It’s about young Eilis Lacey (Saoirse Ronan) who is having a tough time growing up in Ireland, with not much in the way of a job, opportunities or a meaningful future.

Eilis’ sister sends her to Brooklyn to give her a chance at a better life, leaving her small family behind, devastated. However, she’s promptly set up with a job, warms to living in a loving boarding house, and meets a plucky Italian feller (Emory Cohen).

But tragedy strikes, and she must return to Ireland. Brooklyn film review in Ireland wearing yellow dress This is where she meets a charming Irishman (Domhnall Gleeson), and must choose between the life she has always hoped for in Ireland with her family, and the life she has made for herself back in Brooklyn.

Father Flood: Homesickness is like most sicknesses, it will pass. It will make you feel wretched, and then it will move on to someone else.

Based in the 1950s, Brooklyn is a bright, feel-good movie with beautiful dresses and make-up, as well as having an incredibly romantic storyline.

It’s another screenplay masterpiece by the amazing Nick Horny (About A Boy, Wild). It has fantastic lines from Julie Walters’ character, Mrs. Keogh – I adore her. I can’t express how perfect she was for this motherly role, keeping the film upbeat and comforting.

Mrs. Keogh: I’ll tell you this much: I am going to ask Father Flood to preach a sermon on the dangers of giddiness. I now see that giddiness is the eighth deadly sin. A giddy girl is every bit as evil as a slothful man, and the noise she makes is a lot worse. Now, enough.

Mrs. Keogh: [in response to someone saying ‘oh God’ to stockings at a store called Bartocci’s] I’ll thank you to keep His name out of a conversation about nylons, thank you very much. He might be everywhere, but He’s not in Bartocci’s on sale day.

Brooklyn film review coming back to Tony end scene A heart-wrenching, relatable and deeply emotional story. I loved it. I laughed, I sobbed (wait for the part where the homeless man sings – I got chills), I was totally engaged from beginning to end.

If I must be so picky, though… The second half of the movie – where she returns to Ireland – lacks the intensity of the first half. It didn’t so much sag, but it did slow in pace a tad, making it a little unclear how conflicted she really is about whether she should stay or leave.

Nevertheless, this is a movie I wish I could watch again and again, to fully immerse myself in the 1950s culture, beautiful lighting and cinematography… And drool every time Tony the Italian man spoke in a dreamy Brooklyn accent.

It tugs on the heart-strings, for sure.

Jodie’s rating: 8/10

The Time Traveler’s Wife

The Time Traveller's Wife film review poster

Director: Robert Schwentke
Writer: Bruce Joel Rubin. Based on the novel by Audrey Niffeneger
Released: August 2009
Starring: Rachel McAdams, Eric Bana, Ron Livingston
—

A heart-breaking story about, not the person who leaves, but the person who’s perpetually left behind.

I like this unusual perspective, particularly since time travel is such an attractive, but foreign concept. Yet, the story is focused on the more human and deeply relatable themes.

The Time Traveller's Wife review in library I’ve heard the book is fantastic – I’m going to read it this summer. But, the movie is exquisite. If you haven’t seen or read The Time Traveler’s Wife, the low-down is that a man is a time traveller and his wife is not. The time traveller, named Henry (Eric Bana) can’t control his travelling, so his impromptu disappearances and reappearances become a way of life for his wife Clare Abshire (Rachel McAdams).

Clare: I’ve been here for two weeks wanting to talk to you. What do you want to talk about? How bad it feels to sit here and wait for you?

My favourite song in the movie is Love Will Tear Us Apart by Broken Social Scene. It plays during the wedding, where Clare is to marry Henry – currently a nervous, attractive young man. But just before he is to be at the alter, he time travels. Within minutes, his grey-haired, older self appears to take his place – becoming the person Clare marries. The Time Traveller's Wife film review at wedding

I love time travel, so the intricacies and non-linear storyline is like cotton candy and lollipops and rainbows and unicorns for me.

Even if you’re not a time travel nut, most people will appreciate how well the movie portrays the sense of loss. As when a loved one goes away, it’s usually harder for the person left behind to pick up the pieces and carry on. The Time Traveller's Wife film review at restaurant
Every time Henry disappears, the camera stays on Clare; left to finish dinner by herself, left to spend Christmas on her own, left to unpack in their new house by herself – unsure whether to sit and wait, or to continue regardless.

On a shallow note, Rachel McAdams is so gorgeous in this film, I can’t even look at myself in the mirror after watching this movie without despairing.

A beautiful, tragic and magical tale, of two people who try to have a normal life, in the most abnormal of circumstances. Told in a straight-forward, beginning to end fashion, but with a non-linear character. A classic “big ball of wibbly wobbly, timey-wimey… Stuff.” (Dr. Who reference there…)

For people who love romance and drama, but who find chick-flicks boring.

Jodie’s rating: 8/10

Top 4: Favourite Festive Films

Four best christmas films You may have noticed I have done this post before.

You are correct.

Cats under the Christmas tree This time last year, I gifted you people with a splendid collection of my personal Christmas film favourites. However, I am here to refresh this post with one additional film.

Also, this time I’ve included quotes from my cat-loving, film-tolerating brother, who dresses his fur-babies up as Christmas-themed characters. (See right)

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A Christmas Carol
Director: Robert Zemeckis
Writer: Charles Dickens
Released: 2009
Featuring: Jim Carrey, Gary Oldman, Collin Firth and Bob Hoskins
—

“Bah! Humbug!”

An enchanting tale directed by one of my favourites: Robert Zemeckis (Forrest Gump and Back to the Future) using motion capture – like Time Burton’s Alice in Wonderland.

Charles Dicken’s novel, A Christmas Carol (published in 1843), was brought to life with every bit of wonder, magic and fantastical detail intact.

Scrooge was perfectly played by the comical Jim Carrey. Carrey played multiple characters including all three ghosts: Christmas Past, Present and Future. Some scenes were pretty scary, and other scenes were really comedic; Carrey plays both genres easily.

I remember seeing this at the movies when it came out. It was extraordinary in 3D.

The only kind of person I know who doesn’t like this traditional classic, is a modern, Aussie-dwelling cat-lover…
Who has said that, to enjoy A Christmas Carol as much as I do:

You must be blind, deaf and have no will to live.

Jodie’s rating: 8.5/10

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The Polar Express
Director: Robert Zemeckis (Again! Genius.)
Writer: Chris Van Allsburg
Released: 2004
Featuring: Tom Hanks and Josh Hutcherson (before he was cool)
—

“One thing about trains: it doesn’t matter where they’re going. What matters is deciding to get on.” – Conductor

Another motion capture film by Robert Zemeckis!

The Polar Express is about a child (Josh Hutcherson) who has serious doubts in the existence of Santa, and the magic of the holidays is slowly fading for him. One Christmas eve, the deafening sound of a train wakes him up. It’s the Polar Express, destined for the North Pole.

I think it is such a magical film. Along the way, the most bizarre things happen, with some beautiful shots. My favourites being the ‘hot chocolate’ scene where the children on the train are served hot cocoa in the most extravagant way!

My second favourite scene is when we follow the journey of a lost train ticket: out the window with the wind, settling on the snow before being kicked up by a pack of wolves, snatched by a swooping eagle… In 3D it was fantastic.

My favourite characters include the ‘hobo’ (Tom Hanks), and the two train drivers. But the conductor (also Tom Hanks) has some great lines. Hanks has the best voice for children’s stories.

In response to the question of, ‘what do you think about the Polar Express‘, cat-lover says:

It looks boring.

Jodie’s rating: 8.5/10

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Dr Seuss’ How the Grinch Stole Christmas
Director: Ron Howard
Writer: Dr. Seuss
Featuring: Jim Carrey
Released: 2000
—

“Max help me… I’m feeling!”

A comedy about the Grinch: a Christmas-hating recluse. The story explores the idea of commercialism and what Christmas is really about. Despite this heavy, typical ideology, it’s such a pick-me-up story.

It’s bright, absurd, funny and crazy! I love it.

[opens phone book] Alphabetically! Aadvarkian Abakeneezer Who, I… HATE YOU!
Aaron B. Benson Who, I hate you.
[looking into book]
Hate, hate, hate. Hate, hate, hate. Double hate…
LOATHE ENTIRELY!

Probably the best family Christmas comedy.

The person with fur-children reckons:

It’s funny.

Jodie’s rating: 8/10
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Arthur Christmas
Director: Sarah Smith
Writers: Peter Baynham and Sarah Smith
Starring: James McAvoy, Hugh Laurie, Bill Nighy, Jim Broadbent, Imelda Staunton, Ashley Jensen, Marc Wootton, Laura Linney, Eva Longoria, Ramona Marquez and Michael Palin
Released: November 2011
—

Grandsanta: Do you know Arthur? There IS a way!
Arthur: It’s impossible!
Grandsanta: They used to say that it was impossible to teach women to read! Follow me!

Arthur Christmas was as magical as the Polar Express, and as imaginative as The Grinch. I laughed out loud – almost choking on chocolate-covered scorched almonds. A fabulous feel-good festive film for sure. With super weird and diverse characters.

Arthur Christmas explores and explains every question we have about Santa Claus: How does he deliver billions of presents in one night? Do the reindeer get tired? How does he fit down the chimney? How old is Santa? Is he on a benefit for the rest of the year, seeing as he only works one day a year?

Wait, does he even get paid..?

After watching this exciting adventure, you too will feel secure in the existence of Santa, as many of these questions are thoroughly answered with imaginative and quirky explanations.

I got Arthur Christmas free of charge, but it gifted me with a sleigh-worth of amusement and fun.

Person who dresses up cats in his spare time says:

Never heard of it.

Jodie’s rating: 8.5/10

——————————————————-

Have a jolly time.
Jodie.

Arthur Christmas

Arthur Christmas film poster review

Director: Sarah Smith
Writers: Peter Baynham and Sarah Smith
Starring: James McAvoy, Hugh Laurie, Bill Nighy, Jim Broadbent, Imelda Staunton, Ashley Jensen, Marc Wootton, Laura Linney, Eva Longoria, Ramona Marquez and Michael Palin
Released: November 2011
—

Only just came across this animated festive feast. I had ignored it when seeing it in the bargain bin for sometime, but with a ‘buy two get one free’ deal on, I found myself struggling to pick the third and free DVD.

Stuck between Alvin and the Chipmunks and Barbie in A Christmas Carol, I reluctantly decided on Arthur Christmas as my free movie.

Expecting it to flow with the usual childish predictability typically associated with G rated festive films, my expectations were raised somewhat when I noticed the cast of some of my favourite UK stars.

Arthur Christmas slippers scene - film review James McAvoy (we named our pet goat ‘Mr. Tumnus’ after McAvoy’s performance as this character in Narnia),
Hugh Laurie (everyone knows him from House, but he will forever be the baddie from 101 Dalmatians to me),
Bill Nighy, Jim Broadbent, Imelda Staunton and Ashley Jensen.

So I stepped into my elf slippers, slipped into my Grinch onesie, and cradled my Santa mug (filled with hot cocoa, spiked with rum, with a disappointing amount of marshmallows).

I got my ticket. I was ready to be a passenger on this one-horse open sleigh ride of festive fun. I was ready to deck the halls with wonder and joy. I was ready to let it snow with good tidings, tinsel and turkey.

It was time to bring Santa back to town.

Arthur Christmas sleigh scene - film review Arthur Christmas was as magical as the Polar Express, and as imaginative as The Grinch. I laughed out loud – almost choking on chocolate-covered scorched almonds. A fabulous feel-good festive film for sure. With super weird and diverse characters.

Grandsanta: Do you know Arthur? There IS a way!
Arthur: It’s impossible!
Grandsanta: They used to say that it was impossible to teach women to read! Follow me!

Wait, does he even get paid..?

Arthur Christmas elf scene - film review After watching this exciting adventure, you too will feel secure in the existence of Santa, as many of these questions are thoroughly answered with imaginative and quirky explanations.

I got Arthur Christmas free of charge, but it gifted me with a sleigh-worth of amusement and fun.

Grandsanta: Dasher, Dancer, Prancer, Bambi, Dave, you with the white ear, you and you.

Justin Beiber as Santa Clause Oh! And you needn’t be put off by the presence of a Justin Bieber tune – despite the hype all over the DVD cover, I didn’t even notice the song.

Tell every Frosty, Noel, Saint Nick and Rudolf you meet. Unwrap the excitment and glee of the magical North Pole, tuck into the gravy-covered story, and present this snow-covered film to someone whom you can can tolerate for longer than the duration of December 25th.

With this film, it can be Christmas everyday.

Jodie’s rating: 8.5/10

A Few Good Men

A Few Good Men film poster Director: Rob Reiner (Misery)
Writer: Aaron Sorkin
Released: December 1992
Starring: Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kevin Pollak, Wolfgang Bodison, James Marshall, J. T. Walsh and Kiefer Sutherland
—

“You can’t handle the truth!”

Well. Now I know where this famous quote actually comes from. I’ve heard it being referenced in Seinfeld (and probably countless other shows), and hadn’t the slightest clue it was from a good movie – not some Terminator, mindless action film that for some reason I always assumed it would be from.

A Few Good Men, a courtroom drama from 1992. I know, I know, I’m only 23 years behind.

Man, this movie is my favourite at the moment. I’m assuming I was the only person on the planet who hadn’t seen this film, but if you need a refresher of the plot without any of the court or Marine jargon…

Tom Cruise in A Few Good Men film Kaffee, (Tom Cruise), Galloway (Demi Moore) and Weinberg (Kevin Pollak) are defending two Marines – Dawson and Downey – who are accused of killing another Marine named Santiago, via a “Code Red”. Which is a “violent extrajudicial punishment”, according to Wikipedia. But it’s fundamentally where people of higher ranks turn their heads while Marines beat the crap out of each other for being late, or running slowly, or just being a dick in general.

Jack Nicholson in the final court scene of A Few Good Men Cruise’s character is over-confident, and he asks super awesome questions to people ranked way above him. But he has to be careful when he begins questioning Jack Nicholson’s character, because if he can’t get him to admit that he knew about the Code Red, then Tom Cruise’s character will be down the pan for accusing a Colonel… Basically.

Kevin Bacon in A Few Good Men film close-up Oh! And, Captain Jack Ross (Kevin Bacon) – not to be confused with popular Disney pirate, Captain Jack Sparrow – is the lawyer person on the other side, trying to get Dawson and Downey out of the Marines for supposedly murdering Santiago.

Anyway! Explaining any court-based story sounds boring on paper, but super cool in the movies.

I love how Demi Moore’s character isn’t a typical downtrodden, infatuated female. She’s as strong, competent and as funny as the men, and does well in her job without being the damsel in distress, or totally boring.

Oh! And how she asks Tom Cruise’s character on a date, because she’s a strong, independent woman who don’t need no man to ask her! *Snaps fingers in a sassy fashion*. But it doesn’t get lovey-dovey at all – such a breath of fresh air.

Galloway: But my feeling is that if this case is handled in the same fast-food, slick-ass ‘ Persian Bazaar manner with which you seem to handle everything else, something’s gonna get missed. And I wouldn’t be doing my job if I allowed Dawson and Downey to spend any more time in prison than absolutely necessary, because their attorney had pre-determined the path of least resistance.

Kaffee: Wow… I’m sexually aroused, Commander.

Demi Moore in A Few Good Men film Although, through all three viewings of this film within a week, I could not figure out Demi Moore’s hair… Is it short? Is it long and tied back? Is it actually Travolta’s hair from Grease..? It broke my brain a little bit. Looks pretty cool, nevertheless.

I’m typically not a fan of Tom Cruise, but he is comical, intense, and plays the part of the spoiled, cocky, lawyer remarkably well. He’s so sassy, with smart-mouthed come-backs.

Kaffee: Oh, hah, I’m sorry, I keep forgetting. You were sick the day they taught law at law school.

The only thing that dates this film is the repeated music that is quite obviously from the late 80s/early 90s. Apart from that, I think it’s held its own very well indeed. It’s just as entertaining now, as I’m sure it was back in ’92.

Keifer Sutherland in A Few Good Men film I almost forgot – Kiefer Sutherland is in it! He’s so intense. Everyone is! I definitely could not survive in the Marines… But, doesn’t Sutherland just look SWELL. *Swoon* I still prefer him in The Lost Boys though…

I love courtroom dramas. Just when you think Cruise’s character is out, he finds a loophole. It’s like Sherlock Holmes meets Judge Judy!

“It doesn’t matter what I believe. It only matters what I can prove!”

So much sass, so much awesomeness. Loved it, loved it, loved it. Scary, nail-biting, funny, inspiring. So amazing.

Kaffee: I know what you’re going to say – You don’t have to. We’ve had our differences. I said some things I didn’t mean; you said some things you didn’t mean, but you’re happy I stuck with the case. And if you’ve gained a certain respect for me over the last three weeks… well, of course, I’m happy about that. But we don’t have to make a whole big deal outta that – you like me? I won’t make you say it.

Galloway: I was just going to tell you to wear matching socks tomorrow.

Jodie’s rating: 8.5/10

The Town

The Town film poster Director: Ben Affleck
Writers: Based on the novel Prince of Thieves by Chuck Hogan. Screenplay: Ben Affleck, Peter Craig and Aaron Stockard
Released: 2010
Starring: Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner, Blake Lively, Titus Welliver, Pete Postlethwaite and Chris Cooper
—

Not to be confused with The Village…

I think this movie has everything in it – a compelling love story, fantastic action scenes and Ben Affleck *swoon*. You also can’t go wrong with a rough Boston accent either!

A story about a town in Boston named Charlestown. Where, for some, bank robbery is a way of life and treated as an art handed down through the generations.

The Town film - robbery scene In the first robbery of the film, a masked Doug (Ben Affleck) is calming Claire (Rebecca Hall) who is franticly opening the safe, while the rest of the robbers intimidate the hostages.

A few days after the robbery, Doug ‘bumps into’ the woman to see how much she knows about the robbers and what she’s told the police. Which, I thought was a super cool part of the film. By getting close with one of the few witnesses Doug had the inside scoop of how far off the police were.

Anyway, she basically falls in love with Doug – who, little does she know, was responsible for one of the most traumatic experiences of her life.

The Town movie - nun costume scene I like movies where you’re on the side of the ‘badies’. Kind of like in Gone Girl where I found myself rooting for the mad killer. It was the same as in this film – I was backing the robbers the whole time. but what The Town did differently was that they went a step further and villainised the ‘goodies’ – the police.

It’s a thorough insight into a vastly different culture. The robbers are brutal, tough, but incredibly loyal toward each other.

Doug: I need you to do something with me. I can’t tell you why, you can’t ask me about it after and we’re gonna hurt people.”
Jem: Whose car we gonna take?

God, but bloody Affleck. Being the main character, director and one of the writers, OF COURSE he had to write himself a saucy love scene. Boys, eh!

Lovable, exciting – yet violent – characters, a believable love story with fantastic action sequences between uplifting scenes. A cool twist to the average cold, stale bank robbing film. I like how, although it is scary and violent and intense, it’s still personable and emotional.

Jodie’s rating: 8.5/10

Big Eyes

Director: Tim Burton
Writer: Larry Karaszewski and Scott Alexander
Released: December 2014
Featuring: Amy Adams and Christoph Waltz
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A Tim Burton film with Christoph Waltz and Amy Adams in it, and composed by Danny Elfman… I kind of knew how this was going to pan out before even pressing play.

It was going to be a bit creepy – because Burton. Quirky and fun – because Adams. Emotionally charged and dark – because Waltz. And choirs and strings – because Elfman.

Nevertheless! This was not a totally predictable Burton tale because it was based on real people and events.

Being set in an era I love, with mesmerising art and admirable, strong female characters, I enjoyed this film very much.

This is the story of Margaret (Adams) who is the artist responsible for the memorable paintings of the children with big eyes during the sixties and seventies.

She married a salesman Walter Keane (Waltz) after walking out on her previous husband. (Which was a big thing for women of that time.) Keane told her that people don’t buy ‘lady art’, so it would be in both of their best financial interests if Margaret’s art was passed off as his.

Over 10 years, that lie snowballed into something much larger, where Margaret was lying to her daughter, lying to herself and losing her identity in a dominated relationship.

Big Eyes follows Margaret’s struggle to pick herself up and stand up to her husband. She had his name, therefore he had her work and consequently, her identity. It wasn’t going to be an easy fight.

Tim Burton has won me back as a Burton fan, because it was different enough, while still keeping the Burton-esk feel. Not everyone had heavy eyeliner, striped fingerless gloves, and Helena Bonham Carter and Johnny Depp were not cast!

Yet the pastel colours, crazy eyes and gorgeous costumes still brought back fond memories of Edward Scissorhands and Dark Shadows.

There were some great scenes, like when everyone’s eyes were like dinner plates in the supermarket. I was mesmerised by how believable Amy Adams is! She is an incredible actress for sure. I could completely understand how blinded she was in her marriage, just by her nervous gestures and mannerisms.

Christoph Waltz is so talented. He is portrayed as the conman who is vindictive and dark, yet so trustworthy and confident – like a used-car salesman. I think he is the best villainous actor in Hollywood.

I love films where the underdog gets justice and revenge…

A true story portrayed like that of a fairytale. We get in the head of a suppressed artist and woman, who expresses her feelings through the sad eyes of the children she paints. Wonderful film, with great 60s and 70s music and décor. Beautiful!

Jodie’s rating: 8/10

Inside Out

WELCOME TO MY 300th POST!

Director: Pete Docter
Writer: Pete Docter and Ronnie del Carmen
Released: June 2015
Starring: Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, Mindy Kaling, Richard Kind, Kaitlyn Dias, Diane Lane, Kyle MacLachlan
—

What a fantastic premise!

I am fascinated by psychology and why people behave the way they do, and this film has simplified our complex behaviours into an entertaining and interesting animation.

It’s about a young girl… Well, more like the emotions that make up a young girl. We see inside her head and see who controls her moods, decisions and feelings:

Joy, Sadness, Disgust, Anger and Fear.

Each are relatable and lovable, each with pros and cons, strengths and weaknesses. No mood is less important than the other, or more favourable than the other. Which is a moral within itself.

My favourite character was Sadness. Because she seems so helpless and incorrigible, but she’s not self-loathing or deceitful.

Joy was my least favourite… She is positively irritating.

However! I was surprised to notice there are more female characters than male characters.

I love how much we find out about this world – the subconscious, personal values, suppressed memories, even her imaginary friend. But my favourite part is the explanation of dreams…

“Action!”

By turning the brain from a wibbly-wobbly system, a complex map – if you will – of intertwined motorways, power lines, unpredictable traffic jams and road rage. This movie physicalises many components of what makes you, you!

All that is natured and nurtured, all that is influential and permanent. This movie has assigned a character to represent it.

Thoroughly enjoyed it. I think perhaps, on a deeper level beyond the entertainment value, perhaps this film could shine a new light on why people are the way they are. Hopefully increasing understanding and acceptance among us… That’s wishful thinking…

But you should see it.

My only hope is that an R16 version comes out where it’s not an animation, but a real person. Who is a psychopathic murderer like Hannibal… IMAGINE THAT. Watching what Hannibal Lecter is THINKING…

Perhaps a sequel?

Jodie’s rating: 8/10

Why not a 10/10? Because it sagged a little at times, and at the end, you realise you spent $18.50 on a children’s movie…

Whiplash

Whiplash film poster Director: Damien Chazelle
Writer: Damien Chazelle
Released: October 2014
Featuring: Miles Teller, J.K. Simmons and Paul Reiser—

JK Simmons in Whiplash film review I’m sure you’ve heard of Whiplash, and referred to it as ‘that drumming film with Juno‘s dad in it.’

Or, perhaps you first heard of it when J.K. Simmons won best supporting actor at the Oscars for his role in Whiplash. (Which, OH MY GOD did he deserve. He was… Every teacher I’ve ever feared.)

Although, I reckon everyone should have known Whiplash as ‘that amazing film I went to see yesterday for the second time’. Yet, at least in Auckland’s case, it was barely shown – if at all – in the major cinemas.

“Not my tempo.” – Terence Fletcher (J.K. Simmons)

This film has the darkness of Black Swan, the mind-twisted characters of Nightcrawler, and the photography of… What’s a fantastically-lit and composed movie… The King’s Speech? Anyway. Very well shot indeed.

Miles Teller in Whiplash movie It was like a way more intense and less-uplifting version of Peaceful Warrior. (A movie about a gymnast mentally and physically pushed to the limit.)

The basic plot is about Andrew Neiman (Miles Teller), a first-year college/university jazz drummer at America’s best music school. J.K. Simmons is his teacher who has a few screws loose. Whiplash is the internal battle of a boy’s appetite for fame and success, while being drained by his teacher who plays mind games and throws chairs at him and what not.

You don’t have to be a drummer, a musician, or even like music to thoroughly enjoy this movie. However, I have heard from some of my drummer friends that if you do play drums, you will notice some inaccuracies. (Probably like how horseriders feel when watching horse movies.)

Miles Teller and JK Simmons in Whiplash film I think the only thing holding this move back was its simplicity… Or maybe that aided it… I’m not too sure, but I wonder if Whiplash could have become as disturbing as Black Swan with some more scenes expressing Neiman’s inner emotions..?

“WERE YOU RUSHING, OR WERE YOU DRAGGING!?” – Terence Fletcher (J.K. Simmons)

You must watch this scene!:

Despite that, I loved it… Loved it, loved it, loved it. I got so stuck into the story, completely immersed in Andrew Neiman’s struggle, obsession and frustration.

I’d be so happy to see more of this sort of film in the cinema. If you’ve got an appetite for dark and emotionally exhausting films, this is for you.

Jodie’s rating: 9/10

Wild

Wild film poster Director: Jean-Marc Vallee
Writer: Nick Hornby (screenplay), Cheryl Strayed (novel)
Released: December 2014 (USA), January 2015 (NZ)
Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
—

Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.

Reese Witherspoon in counselling scene in Wild film To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.

A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild, Thelma and Louise.

Find out more about the runaway genre here!

Wild film with Reese Witherspoon In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.

I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.

When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.

Wild Reese Witherspoon film I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!

Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.

Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.

I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.

Life, eh!

Jodie’s rating: 9/10

Gone Girl

Gone Girl film poster

Director: David Fincher
Writer: Gillian Flynn (based on her novel of the same name)
Released: October 2014
Starring: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry and Carrie Coon
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Let me just begin by saying, oh my Lord, Gillian Flynn wrote the screenplay to her own novel! That never happens!

When writing my last post, What are you like, Rosamund Pike? (about actors whose public perception changes based on the roles they choose), I wondered how I was going to write this review…

I was so shocked by Rosamund Pike’s performance – she was fantastic of course – but I wasn’t prepared for her to pick this role.

Let’s be clear, this isn’t the mystery/detective/Midsomer Murders deal I was expecting. This is a story of a manic, psychopathic panther disguised as a house cat.

Pike’s character, Amy, is the wife to Nick (Ben Affleck), when she goes missing. They were a seemingly perfect couple who live in the suburbs, but how happy were they really before this tragedy happened?

Their house is a gory crime scene on the day of her disappearance, so it’s assumed that a brutal murder has taken place and her body has been hidden, but who did it?

Gone Girl film - Ben Affleck's speech It gets dark very quickly by this point as they outline the characters’ backstories, and how it came to this.

Nick is thrust into the spotlight of the media, who struggles to be the likeable and concerned husband that the public expect. He is quickly labeled as number one suspect, and Nick gets lawyered-up!

It is certainly a tragic and unnerving film, with some scenes being particularly distressing so this thriller is not a sleepy Sunday afternoon kind of film.

Nevertheless, this is a psychological thriller, which is always one step ahead of you; it has you flip-flopping between characters as to who to root for.

Amy is portrayed as a trustworthy and humble suburban woman on the outside, but has a twisted mind. I was a bit terrified of her as we realise the full potential of her off-kilted psyche. But I still kind of liked her – she has a bit of Thelma & Louise in her storyline.

Nick is a good-looking, albeit, quietly egotistical, depressed and selfish man, so he’s not all that great either. But that doesn’t necessarily make him guilty… Does it?

As Pike said in an interview about this “social satire” film, we are all editing ourselves – on Facebook and in public – so who are we all really? What are we capable of?

Rosamund Pike in Gone Girl film

Gone Girl does challenge you to acknowledge the major social issues and kinks in human nature within society. As we’re rubbing shoulders with the best and the worst of humanity.

Jodie’s rating: 8/10

American Graffiti

Director: George Lucas
Writer: George Lucas, Gloria Katz and Willard Huyck
Released: 1973
Featuring: Richard Dreyfuss, Ronny Howard, Paul Le Mat, Charlie Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack
—

This movie nearly didn’t get made. Boy, am I glad it was. This is in my top five movies – at least!

American Graffiti is the colourful account of the final night of high school for a group of students who go out cruising, attend ‘the hop’ and hang at the drive-in dina.

It’s not only an incredibly entertaining film, it’s also the most accurate documentation of what the sixties were all about.

This movie makes me upset because it makes me mourn the spectacular sixties. As mentioned in Midnight in Paris, it’s “Golden Age Thinking” – the thought that I’d be happier in another time. And boy does American Graffiti do that; it hits me right in the feels.

“The erroneous notion that a different time period was better than the one, one’s living in.” – Midnight in Paris

The music frequently takes centre stage with classics from the rise of the The Beach Boys, Buddy Holly, Chuck Berry and a whole lot more. It’s the wall-to-wall rock ‘n’ roll hits that makes this movie so recognisable and exciting.

Of course with music comes radio, and its influence on the culture is seen. Wolfman Jack is the most popular radio host among the teenagers, who is looked up to and even sought out especially for personal advice. His charisma and unique material captures the infatuated listeners as his frequency hits almost every car in town.

If the music isn’t enough to paint the picture of the sixties, the cars and fashion are! I adore the cruising culture in this film. Unlike today’s cars of bland silver Toyotas with a monotonous tone, this film has the gorgeous cars of the 50s and 60s – all bright colours with personality.

In American Graffiti, it’s clear that everybody’s car is an extension of the driver’s personality, which seems a special trait of the sixties.

Based in one night – the final night of high school. Every kind of graduate is shown:

The cool guy John Milner (Paul Le Mat)
The nerd Terry Fields (Charles Martin Smith)
The scholar Curt Henderson (Richard Dreyfus)
The naive Carol (Mackenzie Phillips)
The Highschool Sweethearts Steve Bolander (Ron Howard) and Laurie Henderson (Cindy Williams).

Now, although it all seems like a typical stereotyped high school drama, believe me when I tell you that it isn’t. Perhaps it’s just the time

difference, but every character seems so real! Not stereotyped, but flawed, and all have their own problems and aspirations.

I can so relate to Curt – who wants to leave town and everyone in it, but I’m so drawn to Carol – the totally naive girl who can’t grow up fast enough.

The simplicity of the movie reflects the simplicity of the time. It is not boring; it’s relatable. As George Lucas said himself; “it’s filmed documentary style” which is why it’s a film that stands out.

I could drool over and talk about this film all day; I’m watching the behind the scenes doco for the third time right now!

Jodie’s rating: 9.5/10

Her

joaquin phoenix in Her film poster
Director: Spike Jonze
Writer: Spike Jonze
Released: October, 2013
Starring: Joaquin Phoenix, Amy Adams, Rooney Mara, Olivia Wilde and Scarlett Johansson
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(Prepare to see a lot of screen grabs with quotes from this film around. The script is so poetic.)

Her is a sci-fi romance, drama hybrid that premiered at the 2013 New York Film Festival.

It’s set in the near future where rather than keeping one’s head down – staring at a phone screen – people now have an ear piece that respond to voice commands.

joaquin phoenix in Her film The operational system – or OS – that performs the requests now have personalities, and for all intense and purposes, are a personal assistant with feelings and emotions equal in complexity to humans.

This new update is something that the main character, melancholy and lonely Theodore Twombly (Joaquin Phoenix), becomes immediately interested in.

By day, Theodore is a professional personal letter writer, which is an occupation where people who feel unable or unwilling to compose heart-felt and genuine letters to loved ones pay letter writers like Theodore to do so on their behalf.

joaquin phoenix in Her film (I’m really hoping this job gets invented soon. I’d be on that like white on RICE!)

I think his job is an example of how emotionally distant we are becoming as technology becomes the middle-man in human interactions.

It’s also the perfect job for this introverted character, who clearly expresses his emotions best when done so indirectly. I think this is a characteristic that allowed him to get so attached to his personalised OS, named Samantha (voiced by Scarlett Johansson).

Before long, Samantha and Theodore have bonded and their relationship grows.

Considering Samantha isn’t a physical character yet still a main character in the movie, Her is fantastically written and shot.

Amy Adams - Her movie OS/human relationships become a common phenomenon, and certainly makes the viewer question what makes a relationship, and what love is.

If you think about it, meeting people online was frowned upon not too long ago. I think the OS relationship story parallels the shift in society’s thinking about online relationships.

Or, a colder interpretation of this story is how we are avoiding personal relationships by hiding behind screens all the time. Where people are ‘being in love with their lap top or phone’. But I don’t think this is the writer’s ambition, according interviews I’ve seen.

I found Her a really thought-provoking film. I enjoy movies that focus on characters, human behaviour and social development, and I think this is quite an accurate depiction of what the future could look like.

Her is an interesting insight into the future of romantic relationships, an interesting reflection on what relationships fundamentally are, what the most important components are, and what the common obstacles are.

It’s a fascinating and compelling analysis of the human heart and its complexities.

Sorry, I know I’m babbling on – I could say a lot more – but my final point is about the clothes. I bet this is accurate of what we will wear in the future. No silver jump suits, but a mix of old fashioned pants and bold shirts.

Oh wait! This is my final point: the music by Arcade Fire is AMAZING.

Her may be a little too abstract or boring for some watchers. But I thoroughly enjoyed it.

Jodie’s rating: 8/10

Young Adult

Director: Jason Reitman
Writer: Diablo Cody
Released: December 2011
Starring: Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser and Collette Wolfe
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Another classic Diablo Cody script! I love the dialogue she writes for characters who are (for lack of a better word) ‘real’. Jason Reitman is the director of this comedy-drama, who is responsible for the likes of Juno and Up in the Air.

Young Adult is about a ghost writer, Mavis Gary (Charlize Theron), who returns to her home town to try and get back with an old flame, Buddy. Buddy, however, is married and has just had a baby and is in no way interested in what Mavis is so obviously implying.

Mavis’ mum: That new baby of his is just darling.
Mavis: Have you seen it? …up close?

Her pessimistic and delusional outlook is something that [unfortunately] I love about her. She is rude, aloof and doesn’t care what people think of her.

Her language is just great though. The way she talks about marriage and children is like she’s talking about a disease that needs to be avoided. Mavis tells Buddy that ‘we can beat this thing together’ referring to his family. I’m tickled by that. This really isn’t a typical comedy at all.

Thankfully, during her crisis, Mavis meets a guy who she also used to go to high school with, Matt (Patton Oswalt).

Matt was severely attacked during high school resulting in him being disabled. But they bond over hating the same things. Mavis projects her hatred outwardly, and Matt eventually realises he has nothing to lose by expressing his anger around her too.

Mavis is such a lost soul though. She tortures herself by forever reminiscing about her high school days, when she was popular. It doesn’t help that she writes a ‘young adult’ series about popularity in high school, which becomes her diary disguised as a fictional teenage novel.

I love this movie because it’s character-based. It’s not fast-paced, just like real life, and hangs on to every emotion of the unstable Mavis, which makes you squirm. She’s so immature… But entertaining because she’s so expressive.

It’s not a movie for everyone. But I enjoy analysing behaviour, and I find the subtleties in this film interesting. She’s entertainingly perpetually disgusted with everything.

Check out my favourite scene in the movie here. It’s when Mavis Gary loses the plot at Buddy and Beth’s (Elizabeth Reaser) baby shower. It’s oddly empowering. Although I feel like I’m doing the wrong thing by taking her side.

I suppose this is a movie where the protagonist is the ‘bad guy’, and you can’t help but support and relate to her.

Jodie’s rating: 7/10

Dawn of the Planet of the Apes

Director: Matt Reeves
Writers: Mark Bomback, Rick Jaffa and Amanda Silver
Released: July 2014
Featuring: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell and Kodi Smit-McPhee
—

koba_an-ape-never-forgets I wasn’t expecting much from this sequel, but I thoroughly enjoyed it!

A desolate planet with a small population living within the remains of an apocalypse. The humans are in search of a water supply to ensure electricity to their commune. However, the apes that were used in trials in the prequel have populated the forests where the water supply is.

I found the body language of the apes and the reactions of the humans fascinating.

The apes didn’t use English too much of the time so subtitles were uses, but even without them it was remarkably easy to understand them.It’s clear the makers did their homework regarding the body language of the apes!

la_ca_0403_dawn_of_planet_apes_028 Although, I did find the human storyline almost irrelevant. I was so captured by the story of the apes that the humans became uninteresting. Apes riding horses holding spears? Come on. Who needs people?

It was a great balance between emotion and action. The fight scenes showed off the motion capture incredibly! Particularly with apes riding the horses… I can’t get over how realistic it all was.

An exciting and captivating film about the clash of cultures and revenge. The storyline is more-or-less typical of the genre, but it is one of the best examples of modern film making; taking advantage of today’s technology… The motion capture will make you drool.

Jodie’s rating: 7.5/10

Category Archives: Editor’s Pick

Source Code

Hot Fuzz

Split

Darkest Hour

Dunkirk

The Girl on the Train

Hunt for the Wilderpeople

Hidden Figures

La La Land

Finding Dory

Brooklyn

The Time Traveler’s Wife

Top 4: Favourite Festive Films

Arthur Christmas

I got my ticket. I was ready to be a passenger on this one-horse open sleigh ride of festive fun. I was ready to deck the halls with wonder and joy. I was ready to let it snow with good tidings, tinsel and turkey.

It was time to bring Santa back to town.

A Few Good Men

The Town

Big Eyes

Inside Out

Whiplash

Wild

Gone Girl

American Graffiti

“The erroneous notion that a different time period was better than the one, one’s living in.” – Midnight in Paris

Her

Young Adult

Dawn of the Planet of the Apes