Malibu Crush

Director: James Pratt
Writer: James Pratt
Released: 2021
Starring: James Pratt, Demitra Sealy, Hayley Gia Hughes, Jessica Ross and Aiden Mckenzie


Inspired by the writing style of the Farrelly Brothers’ (Dumb & Dumber), Malibu Crush is a labour of love by award-winning actor and director, James Pratt.

It’s a quirky Indie film about two best friends from Pasadena who pretend to be highly acclaimed film school students in order to declare their love for an ex-girlfriend living in Sydney, Australia.

With the physical comedy gags peppered throughout the movie, I can not only see the Dumb & Dumber-inspired sketches, but I’m also reminded of Seinfeld‘s Kramer. (Which, automatically makes me a big fan!)

I think the only thing it’s missing is a punchy soundtrack to set it apart a little more from other indies.

However, you wouldn’t know this movie was completed on a small but respectable budget (at least in comparison to mainstream Hollywood films) or during Sydney’s heavy Covid restrictions. Its high-quality camera work takes centre stage, and the bright colours steal the show.

James Pratt is the star of Malibu Crush, both on and off-screen. He was born in Sydney and attended the acting school there. In 2012 he made a $200 short film in the outback of Australia, which was a finalist at the 2012 NBC Universal Shorts Fest in San Francisco. Since then, he has since won more than 23 acting and directing awards in Hollywood.

Malibu Crush is a must-see Indie Comedy. It’s scheduled for release in Australia and NZ on 7 September 2022, and in October across America and Europe. Watch the trailer below!

Jodie

Follow James Pratt to stay up to date:
Instagram: james_pratt7
YouTube: Jamesprattpofficial

This was a paid review.

Tenet

Tenet movie poster 2020

Director: Christopher Nolan
Writer: Christopher Nolan
Released: September 2020
Starring: John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine and Kenneth Branagh

Well, right off the bat this movie screams IT’S THE SAME DIRECTOR AS INCEPTION. The familiar cast members, the editing, colour-scheme and the over-complicated storyline were just a few of the tell-tale Nolan signs.

However, as I am a massive Inception fan, I was not upset about this. In fact, I was hoping to see more of the same cast (where’s Leo at?).

This classically Nolan premiss is difficult for me to explain, so I’ve found the synopsis for you: Tenet is about a secret agent who embarks on a dangerous, time-bending mission to prevent the start of World War III. 

(The word ‘Tenet’ is a palindrome, meaning that it’s spelt the same way forwards as it is backwards; a nod to the time-travelling theme of the movie.)

If you think you recognise the protagonist (John David Washington), you don’t, because Tenet was pretty much his debut on the big screen. He is the son of Denzel Washington though.

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Also, if you recognise the super tall, elegant woman in the movie (Elizabeth Debicki), she’s from The Great Gatsby.

Elizabeth Debicki in Tenet

Robert Pattinson wasn’t as bad as I expected but he does pout his lips a lot, which is quite distracting. I’m pleased he was given the opportunity to do an action role and avoided being trapped as the heavy drama/romance actor. (I must point out that I think he was a very poor choice as our new Batman though.)

 

If I learnt anything about keeping up with complicated movies, it’s that you have to listen carefully to the dialogue as that’s where the storyline is explained, and Tenet is no different. The conversations between characters last across multiple locations within a scene, with lots of details being explained.

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The complexity of the film is not to be shied away from, however. Considering the cinemas have been shut for MONTHS, Tenet was a welcome debut! It’s full of action and drama, which was a perfect balance for my husband and I to enjoy.

If you’re a time travel nut like I am, you’ll thoroughly enjoy the car chase scene, as well as all the little bits and pieces where they talk about travelling through time and debunking any holes in the science to ensure your suspension of disbelief remains firmly intact.

You may walk away from the movie feeling a bit confused over the details of the plot, but it’ll only leave you wanting to see it again to fully enjoy it the second time around. So strap on that mask and head to the cinema to see Tenet – it’s well worth it!

Jodie’s rating: 7/10

PS. If you’re seeing this in the theatres while heavily pregnant like I did, bear in mind that your baby will probably not like the scenes with all the guns and explosions. (Get ready to be kicked in the ribs a lot.)

Knives Out

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Director: Rian Johnson
Writer: Rian Johnson
Released: November 2019
Starring: Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Michael Shannon, Don Johnson, Toni Collette, Lakeith Stanfield, Katherine Langford, Jaeden Martell, Christopher Plummer

I love whodunnits!

My friend and I have read multiple Agatha Christie novels, and while we always try to figure out the culprit before the end, we never seem to be able to get into Agatha Christie’s head.

After hearing that Knives Out was a sort of Agatha Christie mystery, I decided that I had to watch it.

While it has all the tropes of a murder-mystery, it is in fact far from being a classic or typical murder-mystery.

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As a result, I found it a tiny bit disappointing. Because Agatha Christie novels are perfect in every way, and Knives Out seems to try to one up her… Which is impossible to do without the story becoming over complicated or outlandish.

The thing is, the entire plot is given away too early – or at least that’s what I thought. As though we were told too much too soon. Of course, it all makes sense when the final twist at the end knocks you off your feet. But still, I was looking forward to be taken along for the Agatha Christie ride.

Nevertheless! The enormous amount of twists and turns are sure to keep you hooked, so long as your suspension of disbelief remains.

I loved the cast and characters – Toni Collette has always been a favourite of mine, and Daniel Craig did a surprisingly good job of being an investigator from the deep south! The mansion itself seems to be a character on its own too – the aesthetic is spectacular.

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Overall, it’s a good popcorn movie that you don’t have to think about too much. Every scene has been carefully choreographed, with a huge attention to detail.

Jodie’s rating: 6/10

Emma

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Director: Autumn de Wilde
Writer: Eleanor Catton (Based on Jane Austen’s novel, Emma)
Released: February 2020
Starring: Anya Taylor-Joy, Johnny Flynn, Josh O’Connor, Callum Turner, Mia Goth, Miranda Hart and Bill Nighy

I took a little too long to get around to writing this review! So I’ll try to remember my first impressions…

I am a Jane Austen fan – despite reading all of zero of her books. But I do own the complete book series, which I might get around to reading one day.

It was actually the 2005 movie Pride & Prejudice featuring Kiera Knightley that got me hooked, followed with the 2007 movie The Jane Austen Book Club. Both movies have stuck with me ever since.

That’s why the movie Emma appealed to me so much. Also, the hilarity of Miranda Hart in the trailer.

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Thanks to The Jane Austen Book Club, I knew the rough storyline already – that Emma was a match-maker who was too oblivious to notice her one true love was standing before her the whole time.

This version of the story certainly keeps the quirkiness and humour that I understand the book has, but the colour and dramatic stage play essence that director Autumn de Wilde brought to her debut film was brilliant.

I would have laid money on it that the director was Wes Anderson because of the similarity between Emma and The Grand Budapest Hotel. Identical in terms of pastel colours and swift camerawork.

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I thought this was the debut movie for Anya Taylor-Joy who played Emma as well. But then I realised that I had seen her before; she’s in Split/Glass!

The only downside of Emma was that the funniest moments were in the trailer. The pacing was also a lot slower than I expected.

Nevertheless, the costumes were spectacular and the characters were all bright and bold!

Jodie’s rating: 5/10

Jumanji: The Next Level

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Director: Jake Kasdan
Writers: Jake Kasdan, Jeff Pinkner and Scott Rosenberg
Released: December 2019
Starring: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Awkwafina, Alex Wolff, Morgan Turner, Ser’Darius Blain, Madison Iseman, Danny Glover, Danny DeVito

As I mentioned in the first remake – Jumanji: Welcome to the Jungle – you can in no way compare these modern day films to the 90’s Robin Williams Jumanji masterpiece. Nor are these parody movie intended to be.

With that said, let’s begin:

Jumanji: The Next Level was everything that I expected it to be. It was clearly capitalising on the success of the first one, with the story being an after thought. However, if you didn’t see the first movie then you’d still enjoy this second instalment.

In this movie, the characters from the first film are catapulted into Jumanji again. This time, Spencer’s (Alex Wolff) grandfather (Danny Devito) and his friend (Danny Glover) joined. This was the perfect opportunity to make fun of boomers, and they didn’t hold back!

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It played on the most popular aspects of the first film: Jack Black pretending to be a teenage girl, Kevin Hart’s sass, crazy ways of losing one of their three lives, and hilarious one-liners.

There were new avatars such as a horse (yay) and Ming Fleetfoot, whose strength is thievery and pick-pocketing.ca-times.brightspotcdn

This movie was far more about the characters than the storyline, which was a little weak. But despite its predictability, it was another awesome kids’ movie with lots of action and comedic moments. While there was a generous sprinkling of cheese, the movie didn’t try to be anything more or less than it was; entertaining.

Would definitely recommend watching if you loved the Jumanji: Welcome to the Jungle. If you didn’t see the first one, don’t worry, they explain the rules of the Jumanji game very well in this movie so you won’t get lost!

Jodie’s rating: 6/10

 

Downton Abbey

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Director: Michael Engler
Writer: Julian Fellowes
Released: September 2019
Starring: Hugh Bonneville, Jim Carter, Michelle Dockery, Elizabeth McGovern, Maggie Smith, Imelda Staunton and Penelope Wilton

From the day Downton Abbey came on Lightbox, we have been binge watching it. We aimed to watch all six series by the time the movie came out.

We succeeded. On the final week of Downton being in cinemas, we got our $10 ticket and went!

I must say, after about a month of watching back-to-back episodes, we were a bit over it by the time we watched the movie. It was basically just another episode that started right where the finale left off.

It followed the same upstairs/downstairs troubles and triumphs, but with the backdrop of the Royals coming to stay at Downton. All the while, tying up the loose ends of the final series.

The movie was ho-hum, and plodded on in the same fashion as series 5 and 6 had (not much scandal or suspense). I think the writers had been running out of steam for some time, and the movie didn’t seem to show much difference in their creativity.

I seriously believe that the best storyline for the Downton Abbey movie would have been episode 3 in the very first series – Mr Pamuk’s scandalous death. Now that was a great episode, and that would have been a fantastic movie!

But in this movie, all the characters were as they had been and so were their circumstances.

Although, I can’t deny that the TV series and the movie are all high-quality in every way – from the acting to the costumes to the historical intricacies. It is a fantastic way to understand the era – it’s like we’re following the lives of real people of the time.

It seemed that not a single second could be spared, with our favourite characteristics of every character given their own fair-share of screen time. Maggie Smith had her famous one-liners, Mary had her sharp tongue, and Mrs Hughes kept everyone in their place!

I would recommend seeing the movie. You won’t be shocked or excited. But whether you’ve seen the series or not, there is still the human interest factor that would resonate with many.

What I wouldn’t recommend, however, is to binge-watch every episode within a month and then see the movie. Because that might make you bored of the characters and overall arching storyline…

Jodie’s rating: 6/10

Stan & Ollie

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Director: Jon S. Baird
Writer: Jeff Pope
Released: December 2018
Starring: Steve Coogan, John C. Reilly, Nina Arianda, Shirley Henderson, Danny Huston and Rufus Jones

Stan & Ollie is a film based on comedy duo Laurel and Hardy.

It doesn’t follow the typical story line of a biopic of following the protagonist’s life from childhood through to death. Rather, it focuses more on Laurel and Hardy’s (Steve Coogan and John C. Reilly) friendship.

The relationship they had was not only heartwarming, but combined with the backdrop of the thirties and fifties, you’re left longing for simpler times where human interactions were not interrupted by technology.

The movie follows the ups and downs of the ageing duo, who are struggling for money as their careers on the stage and in front of the camera are winding down.

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It’s heartbreaking watching the two struggle, especially with their manager (Rufus Jones) taking advantage of their need to earn money.

While you don’t need to have watched any Laurel and Hardy skits, I would strongly recommend it as you’d then get the subtle references throughout the movie.

John C. Reilly and Steve Coogan were the only choices possible for the roles of Laurel and Hardy – they truely were brilliant! They even went as far as learning the mistakes that the real Laurel and Hardy made in the films. Such a cool touch!

Their wives Lucille Hardy (Shirley Henderson) and Ida Laurel (Nina Arianda) were a shadowing comedy duo themselves. They were so much more than background characters as they were almost as much a part of the story as their husbands. They really did make me laugh!

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I was going to include the quotes that made me laugh, but I’ve realised it’s actually how the lines were delivered that made me double over!

If you’re looking for a warm film that makes you laugh as much as it makes you cry, then you must watch Stan & Ollie.

You will choke up but still splutter out a giggle through your tears.

Jodie’s rating: 8/10

Yesterday

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Director: Danny Boyle
Writers: Jack Barth and Richard Curtis
Released: June 2019
Starring: Himesh Patel, Lily James, Ed Sheeran and Kate McKinnon

Yesterday is a movie exploring the world where The Beatles never existed. After a global black-out, the protagonist Jack (Himesh Patel) wakes to discover that he’s the only one who remembers The Beatles or their songs.

Thankfully, as he’s a struggling musician he’s able to bring The Beatles’s music back to life. But with the fame and fortune, guilt and doubt isn’t far behind.

Yesterday is an easy watch. It’s a great Sunday afternoon family film with a fantastic soundtrack.

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I loved the little intricacies such as the incorrect lyrics because Jack couldn’t remember all the words – and who would? Put under pressure, I doubt you could name every single Beatles track and all the lyrics that go with it.

I also liked how the film explored what The Beatles would have endured if they had of been as famous as they were in the sixties today. It was particularly interesting listening to the comments and feedback from the record company – the White Album being rejected due to the racist title, for example.

Ed Sheeran makes an appearance. In fact, he’s in the film a fair bit! Coldplay’s Chris Martin was supposed to take this role but due to schedule conflicts, he wasn’t able to do it in the end.

Lily James is a favourite of mine – she’s perfect!

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I loved the English comedy and the unexpected surprises in an otherwise cookie-cutter rom-com.

While it’s not a blockbuster it certainly is a sweet story, which is something we all need to watch sometimes.

Jodie’s rating: 6/10

The Lion King (2019)

The Lion King 2019 movie poster
Director
: Jon Favreau
Writer: Jeff Nathanson (Based on The Lion King (1994) by Irene Mecchi, Jonathan Roberts and Linda Woolverton
Released: July 2019
Starring: Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Beyoncé Knowles-Carter and James Earl Jones

We had such a wonderful night out to see the remake of The Lion King!

While the original 1994 Disney version wasn’t my absolute favourite movie as a child (Sleeping Beauty will always be number 1), it was certainly a movie that was ingrained in my childhood.

I used to sit close to the TV with my Simba, Narla and Scar plush toys in front of me, and act out all the scenes alongside the movie.

It was a real treat to watch The Lion King for the first time again. However, its realistic live-action animation didn’t always work in its favour because it meant that the animals couldn’t physically do what the cartoon characters could do.

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Such as Simba swinging from a branch and flipping into the lake, or Pumba’s big bottom getting wedged into a log when being chased by Narla, or Scar playing with a mouse that weaved through his fingers.

None of that is physically possible for animals, which this David Attenborough-esk remake showed.

The Lion King with Timon and Pumbaa

While I was disappointed because it lacked the visual humour of the 1994 cartoon, I think younger children would be disappointed because of the visual complexity of the realistic animals. It’s not just colours and shapes with this remake; it’s a nearly a documentary style  movie that I’m sure young children would get bored with.

Nevertheless, I’m forced to realise two things:
1. Just like Toy Story 4, this movie is first and foremost for my generation. The generation who remember the original so fondly and who grew up with Disney animation.

2. Kids these days are not impressed by cartoons because everything is so realistic now. So while I would have liked to see an animation that took advantage of what lions couldn’t really do, today’s children would want nothing less than an accurate representation of what lions are physically capable of.

I was also a little disappointed by the casting; it seemed like they’d spent all their money on Beyonce – who actually had a relatively small speaking role and only two songs! Although, looking back at the 1994 version, there weren’t tonnes of A-listers in that either. I just wish Rowan Atkinson remained as Zazu’s voice.

Despite how critical I’ve been, I really enjoyed it. There were some laugh-out-loud moments with the comedy duo of  Timon and Pumbaa of course. (Although, there definitely could have been more funny scenes.)

The opening scene gave me chills and I loved seeing all the ‘real-life’ animals interacting. It was a lot of fun to hear the soundtrack again, which was spectacular.

I’m also pleased that The Lion King can be experienced by children for the first time again.

Jodie’s rating: 7/10

Green Book

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Director: Peter Farrelly
Writers: Nick Vallelonga, Brian Hayes Currie and Peter Farrelly
Released: November 2018
Starring: Viggo Mortensen, Mahershala Ali and Linda Cardellini

I was looking forward to watching a movie full of triumphs and heart-wrenching moments. I guess I was expecting Little Miss Sunshine meets Hidden Figures meets The Help.

Sadly, Green Book was a somewhat shallow story that did not reach the emotional depths that I expected it would.

It’s about Frank “Tony Lip” Vallelonga (Viggo Mortensen) who works as a bouncer before being asked to drive a successful (and rather pompous) African American musician (Doctor Don Shirley) around the deep south.

Shirley specifically asked Vallelonga to drive him from concert to concert, in part because of how dangerous it would be for him in the deep south, where racist views of the 1960s were at its most hostile.

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To be perfectly blunt, I didn’t like either character.

Our introduction to Vallelonga was of him throwing drinking glasses away that two African American men drank from. Despite this prejudice, he was in no way racist or intolerant throughout the rest of the film. It was rather jarring, and also reduced the character conflict within the movie to next to none.

Shirley appears to be an extremely sheltered man who rides in the back seat of the car with a blanket over his legs, putting his nose up at deep-fried chicken, and looking down on any one who acts anything less than ‘upper class’.

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I couldn’t identify with either character at all.

The movie speeds through concert after concert, city after city, lingering on a few well-thought-out racist clashes between Shirley and police or thugs in pubs. Making the film feel rather undeveloped.

The story is punctuated by the classical music that Shirley is performing, but I found this to be rather dull. I would have preferred jazz or honky tonk blues (a genre that raises its head in one of the final scenes!).

  • Just realised why I was disappointed with the music – the trailer features zero classical music! Only jazz and a pop song by Sam Smith… The whitest man on the planet.

It’s just not what I expected, I guess.

Jodie’s rating: 4/10

Bohemian Rhapsody

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Director: Bryan Singer
Writer: Anthony McCarten and Peter Morgan
Released: November 2018
Starring: Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joe Mazzello, Aidan Gillen, Allen Leech, Tom Hollander and Mike Myers

Bohemian Rhapsody is a biopic of Freddie Mercury’s life within the iconic band, Queen.

It’s an emotional journey with an epic soundtrack, mirroring the trauma and heartbreak of Mercury’s rise and fall in fame.

Rami Maleck plays the part of Freddie Mercury, and I think he was absolutely the perfect choice.

I didn’t realise until I was doing some research on him just now that I had in fact seen him in movies before: the pharaoh in Night at the Museum, and Twilight: Breaking Dawn Part 2 as an Egyptian vampire.

He’s a remarkable actor.

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What I like about this movie is that unlike Elton John’s biopic, Rocketman, Bohemian Rhapsody retains the original Queen soundtrack. So it feels like a more accurate representation of Freddie Mercury and his music.

As I mentioned in my last review, Bohemian Rhapsody is quite dissimilar to Rocketman, in that it isn’t as theatrical or exaggerated. It’s down-to-Earth, which humanises the iconic Freddie Mercury in an almost documentary-style – especially since they recreated the Live Aid concert scene for scene (which I loved!).

I like how Freddie Mercury was represented. Whether it was accurate or not, it was fascinating to ‘get to know’ him in such a flattering light. He seemed kind, generous, and humble with flaws and all, which made it feel all the worse to see him being taken advantage of.

Whereas in Rocketman, Elton John was [perhaps unintentionally] portrayed in quite the opposite manner: as an egotistical, flaunting and intangible character.

I prefer more ‘human’, coming-of-age stories, which is why I think I resonated with Bohemian Rhapsody more.

If you love Queen’s music, and strong, heroic characters who rose to fame from such a familiar and common life, then you’ll love Bohemian Rhapsody.

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Despite his incredible talent as a musician, Freddie Mercury was portrayed as someone like you and I. He was fantastically ordinary – and look what he achieved.

Loved it.

I’ve been playing Queen’s music non-stop since, and I’ve been singing the operatic section on the song Bohemian Rhapsody on the way home from work everyday.

Highly recommend!

Jodie’s review: 8/10

Rocketman

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Director: Dexter Fletcher
Writer: Lee Hall
Released: May 2019
Starring: Taron Egerton, Jamie Bell, Richard Madden and Bryce Dallas Howard

Firstly, I had a wonderful night out on my birthday! We went to see Rocketman at the movies, and it was very enjoyable indeed – thank you Sascha for organising it!

Rocketman was two hours of musical classics, sung by Taron Egerton who portrayed Elton John.

It documented Elton John’s childhood, which I found very interesting! His parents appeared to be very cold, with his nan being the only person to support him as an aspiring musician.

Then it followed him through the rise and fall of his fame and addictions.

Elton John: So how does a fat boy from nowhere get to be a soul man?
Wilson: You got to kill the person you were born to be in order to become the person you want to be.

Bernie Taupin (Jamie Bell), the writer of Elton’s songs, is a forever friend of his. I think their relationship was the warmest and most authentic relationship in the movie.

The casting was spot on! I couldn’t believe how authentic Bryce Dallas Howard’s English accent was.

The child actors who played Elton when he was a child were absolutely one in a million finds. They were incredible!

However, Rocketman is the perfect example of why a biopic should not be made while the main character is still alive, let alone be made by the main character – Elton John – himself.

It was Elton’s self-indulgent, ego-swamped, boastful story of his own life.

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Perhaps I wouldn’t have felt this way if I had not seen Bohemian Rhapsody recently, which was a humble reflection of the seemingly kind, gentle and generous Freddie Mercury.

In comparison, Rocketman was the total opposite.

So if you loved Bohemian Rhapsody, you would not necessarily love Rocketman, which is a theatrical, over-the-top stage show. Sort of like Mary Poppins: Returns meets La La Land meets… Well, the sparkling razzle-dazzle of Elton John.

However, if you haven’t seen Bohemian Rhapsody yet, or if you didn’t enjoy Bohemian Rhapsody, then I would encourage you to watch Rocketman. Because you’ll have a better chance of loving it.

Nevertheless, it certainly takes you on an out-of-this-world journey, which I loved.

Ultimately, it’s worth a watch if you are a fan of Elton John’s hits – which is everyone! The script includes inspirational quotes, and the costumes are outrageous.

Just be prepared for the theatrics and grotesque flaunt of wealth. An audience who has an interest in stage shows is advised.

Jodie’s rating: 6/10

Mary Poppins Returns

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Director: Rob Marshall
Writer: David Magee, Rob Marshall and John DeLuca (based on story by P.L Travers)
Released: December 2018
Starring: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke ,Angela Lansbury, Colin Firth, Meryl Streep

Well, I thought this was a scene-by-scene remake. That’s what the rumours said anyway.

However, as the title does actually suggest, this is a sequel. It follows the lives of Michael (Ben Whishaw) and Jane (Emily Mortimer) as adults – the brother and sister in the first film.

After the death of his wife, Michael’s repayments on the house lapsed. The bank demanded that he now pay up in full – which he can’t possibly afford.

Thankfully, Mary Poppins (Emily Blunt) arrives just in time!

It’s a good thing you’ve come along when you did, Mary Poppins.

I have been looking forward to see this movie for ever! So as part of my hen do, we all went to watch it. It was such a magical day.

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It is a beautiful film; a real feel-good movie! I would absolutely recommend it to anyone needing cheering up.

I had to hold back the tears throughout most of the scenes because everything is just so beautiful!

Everything is possible, even the impossible.

Emily Blunt is 100% the only option to play Mary Poppins. Mary is a tough and tender character; maternal but fierce. And I think that’s Emily Blunt in a nutshell. Plus, who else is a triple threat – a singer, dancer and actress?

(Remaining ‘practically perfect’ on set was said to be difficult though!)

You’ll probably find that you adopt a frightfully posh English accent after the movie, and make promises to yourself that you will start dressing up and paying more attention to your hair style after watching Mary Poppins Returns.

Nothing. Such a useful word, isn’t it? It can mean anything and everything.

Apart from Mary, I’m sure the favourite character of many would be Jack (Lin-Manuel Miranda) the cockney street lamp lighter. He’s happy and smiley and fun and wonderful!

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I adored Julie Walters too, but sadly Meryl Streep’s character was a tad too eccentric for my liking.

I’m not generally a musical fan, but I enjoyed this one. Every song is catchy and uplifting. Particularly ‘A Cover is not the Book‘ and ‘Trip a Little Light Fantastic‘, but the latter is 99% because of the choreography with the streetlights.

 

This is history in the making – you must go to see Mary Poppins Returns in the cinema. It’s simply the only way because it’s like a stage play.

Before you go to see it though, I’d recommend watching the original Mary Poppins as well as Saving Mr. Banks to fully appreciate the history of the Mary Poppins character.

I enjoyed the echoes in the first film, including the penguins, which were drawn in the traditional way – frame by frame – by the original Disney artists. Such a lovely touch!

100% must-see if you’re feeling blue.

Jodie’s rating: 8/10

 

Jumanji: Welcome to the Jungle

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Director: Jake Kasdan
Writer: Chris McKenna
Released: December 2017
Starring: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Bobby Cannavale

I was on the back foot about this film because I loved the ‘first’ Jumanji film so much.

I say ‘first’ film, but these movies are totally unrelated. Jumanji: Welcome to the Jungle is very loosely based on the board game featured in the 1995 film, but updated to a play station game to target the newer generation.

The main characters are high schoolers who find themselves in detention together – not unlike The Breakfast Club. They are cleaning out the basement of the school when they come across this Jumanji game.

Each student picks an avatar based on the names provided. But they soon find themselves being sucked into the game and becoming the characters they chose.

Ironically, the school bully finds himself as Franklin ‘Mouse’ Finbar (Kevin Hart) – the nerdy avatar with no strength and only a giant backpack as a ‘special ability’ – and the nerdy little kid finds himself as the hulking Dr. Smolder Bravestone (Dwayne Johnson).

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The character-switch is brilliant, particularly in the case of the girly-girl who finds out that her avatar is not a cute professor – Professor Sheldon Oberon – but a character represented by Jack Black.

Jack Black plays a teenage girl so well! Very funny. Especially when he teaches a fellow teenage girl how to be attractive.

“That was so intense. I like can’t even with this place.” – Bethany/Professor Sheldon Oberon (Jack Black)

Within the game they overcome lots of obstacles and dangerous hurdles. All the while being guided by an NPC (non-player character) called Nigel Billingsley (Rhys Darby). He’s pretty glitchy and repetitive, which was funny.

I thought this was going to be a cheap and nasty knock-off of Robin Williams’ Jumanji. I was ready to be offended on his behalf.

But actually, I laughed a lot! I loved it. I watched it on the plane from the UK to New Zealand – which is a long flight – and I didn’t fall asleep or lose concentration at all!

Cool concept, funny characters and a definite re-watcher!

Jodie’s rating: 8/10

Contagion

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Director: Steven Soderbergh
Writer: Scott Z. Burns
Released: September 2011
Starring: Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Jennifer Ehle, Elliot Gould and Kate Winslet

I’m 100% sure I have reviewed Contagion before… But I can’t find it anywhere so I must have only thought about writing about it. Anyway.

Contagion is almost like an apocalyptic film that explores what may happen in the event of a major epidemic that threatens to wipe out much of the population, similar to that of the Spanish flu that killed about 1% of the word’s population at the time (50-100 million people during 1918).

It plays on our fears of being vulnerable and desperate to protect ourselves and our family.

It follows the lives of multiple people such as an ordinary citizen (Matt Damon) whose [cheating] wife (Gweneth Paltrow) is affected by the epidemic (funny how the first person to die is someone who is guilty of having an affair), a doctor (Marion Cotillard) who attempts to trace the origin of the flu, and another doctor (Kate Winslet) who investigates the nature/behaviour of the virus. In the background is Jennifer Ehle’s character who is working hard to find the vaccine to this unknown flu strain.

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Meanwhile, we see the ‘faces’ of the epidemic: Laurence Fishburne’s character’s professional opinion is sought after by the Centre of Disease Control, and he is asked to do interviews on the news.

“No one can know until everyone knows”

In the other corner is Jude Law’s character who is a popular conspiracy theorist who attempts to prove that the disease is a bio terrorism weapon used by the government to financially profit from the vaccines. He believes he has found a homeopathic cure for the fatal disease.

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It’s so interesting – every opinion is represented by a character, including the medical industry, government and citizens. The conspiracy theorist – although shown in a negative light with little integrity or authenticity (even given a gammy tooth for good measure) – raises a lot of good questions that should be asked. Challenging authority in such situations isn’t necessarily dangerous, but spreading propaganda may well be.

A thrilling ride with lots of interesting ‘what if’ scenarios.

My only criticism is the music. It’s such bizarre music. It’s sort of indie-sci-fi and reminds me of the Blade Runner soundtrack. The noises certainly put you on edge, but I’m not sure it always works with the more emotional scenes.

Jodie’s rating: 7/10

Glass

glass.jpg

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2019
Starring: James McAvoy, Bruce Willis, Anya Taylor-Joy, Sarah Paulson and Samuel L. Jackson

Okay. So. In order to enjoy this movie to the max, I strongly recommend you view the two prequels before heading to the cinema.

The very first movie in this trilogy (look at me assuming there’s only going to be three…) is UnbreakableThis came out 2000 and actually has a stronger connection to Glass than Split.

The second movie was Split, and this is important to understand the backstory of the ‘villain’ (James McAvoy) and the ‘brain box’ (Samuel L. Jackson).

I’m so excited about this film, I don’t know where to begin!

Okay, so if you loved seeing all the characters that James McAvoy played in the previous film, then you will feel like you’ve died and gone to heaven in this film. You will learn more about each of his personalities and understand Patricia a little more. But you must watch Split before seeing Glass if you want to understand and appreciate the relationship between the different personalities.

I know that everyone knows, but James McAvoy is just a remarkable actor! He portrays each personality so accurately that you swear you were looking at a different actor. Absolutely obsessed with this character! So amazing to watch. You’ll giggle with nervousness, and chuckle at the absurdity, but ultimately he’s the scariest villain I’ve come across.

Where Unbreakable was about the ‘reluctant hero’ (Bruce Willis), Glass is about the baddies. A psychiatrist (Sarah Paulson) has captured all three characters (Kevin Crumb/The Horde, Elijah Price/Mr. Glass and David Dunn/The Overseer) and locked them in a secure unit. They are unable to escape as each of their weaknesses guards their cell. What kryptonite is to Superman: water is to Dunn, flashes of light is to Crumb and a room void of mental stimulation is to Price.

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How will they escape? Who’s really in charge?

There are tonnes of references to comic book tropes and character stereotypes, which I loved! Also, because much of the film is shot via security cameras within the secure unit, you feel like it’s a movie within a movie. Especially because Elijah Price almost narrates the film in third person, referring to each main character as the ‘villain’ and the ‘reluctant hero’.

“That sounds like the bad guys teaming up.” – Mr. Glass

A couple of presenters on either Coast or Radio Hauraki (I can’t remember which) only gave Glass 2/5. But one of the presenters hadn’t watched Split, and the other presenter hadn’t watched Unbreakable. So I think this was likely the reason for their low rating. They probably found it boring because they would have missed the interesting details and references.

You must watch this film if you love movies in general, comics or M. Night Shyamalan.

Jodie’s rating: 7/10

 

 

Storm Boy

stormboy

Director: Shawn Seet
Writer: Justin Monjo. (Based on novel by Colin Thiele)
Released: January 2019
Starring: Geoffrey Rush, Jai Courtney, Finn Little, Trevor Jamieson, Morgana Davies and Erik Thomson

Storm Boy is a story about a boy who rescues three pelicans in an isolated coastal area of Southern Australia called 90 Mile Beach.

Once nursed back to health and released into the wild, one pelican stays behind with the boy and never left his side.

Why is it called Storm Boy? Because according to Aboriginal beliefs, pelicans are the reincarnation of men who died at sea so every time a pelican is killed, a storm is bound to follow.

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This is a largely unknown and only briefly advertised film, which is a shame. However, I think anybody who has read the novel or seen the 1976 Storm Boy film will adore it.

It’s essentially a slow-paced, emotional drama. Sadly, it lacks the grunt I was expecting of it. As the undercurrent of the story is habitat destruction, I was hoping for an Erin Brockovich sort of film with heated arguments about environmental law and protests in the name of the pelicans!

But none of that really happens, it’s just a quiet film about looking after birds.

My favourite character is the ‘oracle’ character in Storm Boy is an Aboriginal man named Fingerbone Bill (Trevor Jamieson) is a good anchor to the film. He’s the character who keeps the main character grounded and focussed. He also represents indigenous Australia, echoing the friction between Europeans and Aborigines as well as between man and nature.

My favourite actor though, was of course Geoffrey Rush. I became a fan of his after The King’s Speech. I loved the scenes where they showed his character remembering being a child on the beach, and they showed him sat next to his younger self. Such a tear-jerker!

I enjoyed it, but am not inclined to watch it again due to the lack of drama.

Jodie’s rating: 6/10

Bird Box

A review of Bird Box.

Director: Susanne Bier
Writer: Eric Heisserer (screenplay). Based on book by Josh Malerman
Released: December 2018
Starring: Sandra Bullock, Trevante Rhodes, John Malkovich, Vivien Lyra Blair, Julian Edwards, Danielle Macdonald, Lil Rel Howery, Jacki Weaver, Rosa Salazar, BD Wong, Tom Hollander, Sarah Paulson and Colson Baker

Firstly, if you’ve seen A Quiet Place, then you’ve seen Bird Box. It’s quite comical how similar they both are.

Nevertheless, that is not an excuse not to watch Bird Box – especially if you enjoy an apocalyptic film.

It’s about a mysterious force that if seen, will cause people to kill themselves or harm others. This results in mass suicides, turning the world into a survival of the fittest. No one can go outside without being blindfolded for fear of seeing the nearly invisible killer.

Bird Box river scene

The movie follows a pretty predictable storyline, but that doesn’t stop it from being shocking and unnerving. Especially when the force tempts people to take down their blindfolds by echoing the voice of a loved one.

I’m actually surprised that the storyline didn’t cause mass outrage or offence, considering it’s about suicides. I thought there would be fears of copycat behaviour. From the point of view of mental illness, I also thought offence would be taken by the fact that clinically insane people can see the killer but not kill themselves. Instead, they turn into murderers.

At the very least, I thought offence would be caused by the main character Mallorie (Sandra Bullock) naming the two children she’s looking after Boy and Girl (which are very gender-specific names in this gender diverse world).

 

Review of the Bird Box movie

However, I despair at what has got people talking: The Bird Box Challenges.

People are posting videos of themselves doing everyday activities – such as driving – blindfolded to see if they would survive in the apocalyptic world that was depicted. This reaction to the movie has resulted in warnings being posted by Netflix.

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Nevertheless, I thought the movie was well cast – I love Sandra Bullock anyway – but she did so well portraying a desperate mother. I think Reese Witherspoon would have done a good job too.

The storyline moved quickly with lots of twists and turns, which kept you on your feet.

So take your blindfold off – Bird Box is definitely worth watching!

Jodie’s rating: 7/10

A Star is Born

a star is born 2018

Director: Bradley Cooper
Writers: Based on story by William A. Wellman, Robert Carson, Dorothy Parker, Alan Campbell. Screenplay: Eric Roth, Bradley Cooper, Will Fetters
Released: October 2015
Starring: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle and Sam Elliott

Believe it or not, this is the fourth version of A Star is Born.

1937 (Janet Gaynor and Fredric March)
1954 (Judy Garland and James Mason)
1976 (Barbara Streisand and Kris Kristofferson)
2018 (Lady Gaga and Bradley Cooper)

It’s about a rock star called Jackson Maine (Bradley Cooper) who is an alcoholic with failing hearing and a career that is winding down. He bumps into a waitress called Ally (Lady Gaga) who has some decent pipes and takes her under his wing. Before he knows it, she’s an even bigger pop star than him and fame changes her from a humble, ordinary girl into an unrecognisable star.

While she rakes in the money and wins all the awards, Maine’s alcoholism gets worse.

The two main characters’ relationship reminds me of Johnny Cash and June Carter as portrayed by Joaquin Phoenix and Reese Witherspoon in the movie Walk the Line. I liked how in love they seem – no wonder why it sparked rumours that Lady Gaga and Bradley Cooper had a fling! They’re a very convincing couple.

Actually, in so few words: Walk the Line + Burlesque + two and a half hours = A Star is Born.

The movie itself has brilliant music in it, especially everybody’s favourite song ‘Shallow‘. Despite a few plot holes and weird twists and turns, I can certainly appreciate that this movie stands out from the bunch this year.

But while the first quarter of the film was giving me chills and teary eyes, that quickly faded as the pacing of the film was getting slower and slower, and the story was getting longer and longer.

I looked over at my friend (Sascha) who appeared to be thinking the same thing: ‘where is this story going, and when will it end?’

Thankfully, Lady Gaga’s stunning performance almost made up for the dragged-out shots and painfully slow story line – she was a brilliant actress. Bradley Cooper looked the part too, with his rough exterior, long hair and diesel-engine voice.

After the movie finished, I thought I’d check out Lady Gaga’s Instagram as I was excited to follow her and be a fan of her acting career. But then quickly changed my mind as her Instagram isn’t a platform to showcase her talent or personality, it’s an album of her near-naked photos.

Then I remembered there were at least four scenes where Lady Gaga was naked for no reason in the movie. I realised that she’s just a woman who likes to get naked at the drop of a hat and talk total nonsense in interviews. Which was disappointing.

I guess I really only liked the character she was playing, which I suppose is credit to her acting talent.

My verdict is that the acting and the music is top notch, and this remake will probably win all the awards and be known as a Hollywood sensation. But the pacing is so slow and drawn out that even the heavy emotion of the story simply isn’t enough to keep you focused.

Therefore, if you’re looking for an emotional film about musicians falling in and out of love, I’d recommend watching Walk the Line instead. It’s got all the perks of A Star is Born –  hit songs, flawless acting and it still covers the same distressing issues (such as substance abuse). The difference being that the pacing is faster in Walk the Line and keeps you hooked.

The music, the performances and the cinematic beauty of this movie is wonderful. But the rest of it lets it down.

Jodie’s rating: 5/10

Mission: Impossible – Fallout

mission_impossible_fallout

Director: Christopher McQuarrie
Writer: Christopher McQuarrie
Released: July 2018
Starring: Tom Cruise, Henry Cavill, Ving Rhames, Simon Pegg, Rebecca Ferguson, Sean Harris, Angela Bassett, Michelle Monaghan, Alec Baldwin

Not being a massive action film fan myself, I was more in favour of waiting to see Christopher Robin instead. But in the back of my mind I figured Winnie the Pooh may not live up to my expectations as I was convincing myself it would be as magical as the Beatrix Potter biopic, Miss Potter. Whereas the new Mission: Impossible film is a little less risky, as you know exactly what to expect.

We were right – this film is everything you’d hope for in a Mission: Impossible movie.

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It follows Ethan Hunt (Tom Cruise) and his team, which includes geeky Simon Pegg as Benji, as they embark on another seemingly impossible mission to save the world. This time, Ethan is trying to get his hands on some plutonium that is in the wrong hand as it’s intended for nuclear bombs. Meanwhile, he is being flanked by an unwelcome CIA agent (Henry Cavill), hindered by a former flame (Rebecca Ferguson) and shadowed by his former wife.

Ethan’s unwavering loyalty to his friends and team are frequently mentioned, making him the wholesome, invincible, all-American hero (not unlike Superman) that we’ve come to know and love.

Just like the franchise promises, Mission: Impossible – Fallout is outlandish, comedic at times and action-packed. Getting electrocuted by lightening and surviving major helicopter crashes are just a couple of the ‘impossible’ twists and turns in this movie.

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The film tip-toes the precipice of making fun of itself, almost becoming what Deadpool is for the superhero genre. But despite teasing the stereotypes of the action genre (making me expect Tom Cruise to turn and wink at the camera at every gun fight) it never quite holds a mirror up to itself, which keeps the integrity of the film.

I am a big fan of Tom Cruise – despite his quirks – he does all of his own stunts including the helicopter flying where he spent two years acquiring the qualifications, and he seems like a really nice guy. But I did feel a little bad for him during some parts of this film:

I’m sure everyone is aware of his accident on set where he practically snapped his ankle when jumping from one building to another, which caused production to shut down for six weeks until he healed. But if you’ve got a keen eye, you’ll notice that he is limping at random points throughout the movie. He also looks quite stiff in many of the physically-arduous scenes.

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Now, I’m not talking him down. But I’m just saying you can’t disguise the fact that you’re ageing if you’re running about in an action film – Botox can only do so much!

I was convinced that crew members from Inception had worked on this film as the music was very Hans Zimmer and the locations paralleled Inception as they both begin in Paris and end in snowy mountains – which are filmed in New Zealand! (After a quick Google search I have discovered that the composer for this film is Lorne Balfe who has a studio at Hans Zimmer’s company.)

As a general action film avoider, I was entertained by this movie. It was fun, and the gun fights and car chases were not dragged out too long. So despite the length of the film, it holds your attention.

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It didn’t make fun of itself so much that you lost respect for the franchise. (Although I wouldn’t have been surprised if Jason Bourne, James Bond and Bryan Mills casually walked into a scene to team-up with Ethan Hunt during a fight.) But it also didn’t take itself too seriously.

It was snappy, easy to follow and entertaining, which is exactly what you hope for in a Mission: Impossible film.

Jodie’s rating: 7/10

 

 

 

Incredibles 2

incredibles

Director: Brad Bird
Writer: Brad Bird
Released: June 2018
Starring: Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner, Samuel L. Jackson, Bob Odenkirk

I recently wrote that I was excited to see this film, but I do wonder if I was perhaps influenced by other people’s enthusiasm because I was never really a massive fan of the first film. I liked it of course, but it ain’t no Toy Story.

Nevertheless, I do love a Pixar animation, and I am very interested in the voice acting scene, so I was more then happy to see Incredibles 2.

This second instalment picks up exactly where the first one left off where the Incredibles are attempting to save the city from a giant mole super-villain. Unfortunately despite their best efforts, they do not catch the culprit and superheroes are condemned and remain illegal.

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The movie predominately follows the story of Helen Parr/Elastagirl (Holly Hunter) who is hired by a man named Winston Deavor (Bob Odenkirk) who hopes to make superheroes legal again by showing conflicts from her perspective. Meanwhile, Bob Parr/Mr. Incredible (Craig T. Nelson) has to stay at home with the children – including baby Jack-Jack who is proving difficult.

Just like most other animations that have been released over the last couple of years (including Brave and Maleficent), the feminist movement is a major theme in this film. It features a gender role swap where Bob reluctantly takes over family life at home while Helen enjoys the action-heavy job of being a paid superhero.

Helen thrives at work, which shows how well-rounded she is at being a mum as well as an employee. But Bob is said to be ‘too messy’ to accept the superhero position and struggles to cope at home with the children, painting him as incompetent.

While it was refreshing to have a female hero, I did think this movie swung a little too far away from ‘gender equality’ into the sticky territory of ‘man-hating’, as it showed the male characters failing (including but not limited to Bob) and female characters excelling (including but not limited to Helen). In addition to this, the script was peppered with plenty of derogatory language from female characters toward male characters. (I will include the exact quotes I’m referring to once they become available online.)

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I’m going to say it – if Bob spoke Helen’s script, there would be protests in the street. I believe this highlights that this isn’t a movie promoting gender equality, it’s displaying bitterness toward men by putting them down. Feminism isn’t about revenge, please.

Eesh… Enough of the heavy.

Thankfully, everyone’s favourite characters are in the sequel including Edna Mode (Brad Bird) and Lucious Best/Frozone (Samuel L. Jackson). They are sure to make you giggle!

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The supervillain in this film, Screenslaver, has some pretty philosophical lines if you listen out for them. The character talks about staring at a screen all day instead of actually getting up and doing something, quite insightful considering the audience.

Screenslaver: Superheroes are part of a brainless desire to replace true experience with simulation. You don’t talk, you watch talk shows. You don’t play games, you watch game shows. Travel, relationships, risk; every meaningful experience must be packaged and delivered to you to watch at a distance so that you can remain ever-sheltered, ever-passive, ever-ravenous consumers who can’t free themselves to rise from their couches to break a sweat, never anticipate new life. You want superheroes to protect you, and make yourselves ever more powerless in the process.

Overall, you can look as much or as little as you want into this film. It’s certainly fun, but not hilarious. It’s a solid family film and easy to watch, but nothing ‘incredible’.

Jodie’s rating: 6/10

Top 12: Best Movies About Journalism

Some of these films were a larger influence on me choosing to study journalism at university than I care to admit. Morning Glory was the main reason for me deciding to take a television journalism paper, and The Pelican Brief was responsible for introducing me to the world of investigative journalism.

Here are some of the best journalistic films:

spotlight.jpgSpotlight (2015)
“If it takes a village to raise a child, it takes a village to abuse one.”
Based on the Pulitzer Prize-winning Boston Globe investigation, Spotlight follows the journey of a group of investigative journalists unearthing the child abuse within the Catholic Church. Despite the heavy and disturbing subject matter, it is such a moving film. Just watching the trailer gives me chills; it is so well made.

 

the paper.jpgThe Paper (1994)
“A clipboard and a confident wave will get you into any building in the world!”
A comedy/drama directed by the brilliant Ron Howard shows Michael Keaton’s journalist character who is considering a job offer with better pay when a big scoop lands in his lap. It’s a race against the clock to meet the deadline to get the true story printed. It’s a very exciting movie and a great snapshot of how a 90s newsroom looked.

 

The Pelican Brief.jpgThe Pelican Brief (1993)
“If this thing reaches this deep and goes as high as we think it does, these men will do anything not to be exposed.”
Darby Shaw (Julia Roberts), a law student, writes about the assassination of two Supreme Court justices and her theory behind it. Her work turns out to be totally correct, but soon gets into the hands of the wrong people who are determined to keep the truth under wraps. Darby soon finds herself running for her life until an investigative journalist (Denzel Washington) helps her get the truth out. I love this film, we studied the editing and use of sound at high school, but it was John Grisham’s captivating storyline that really captured me.

 

nightcrawler.jpgNightcrawler (2014)
“Do you know what fear stands for? False Evidence Appearing Real.”
Lou Bloom (Jake Gyllenhaal), is searching for a job he’s really good at. He soon discovers the media industry where freelance camera operators use police scanners to find newsworthy content such as car crashes and shootings to film and sell to local news outlets. Bloom dives into this career and quickly makes a sweet sum. This film is by far one of the creepiest films I’ve seen. It’s not so much scary, but it does put you on edge and makes your skin crawl.

 

morning glory.jpgMorning Glory (2010)
“Okay. Is Daybreak a shitty show? Yes! But it’s on a network, and not just any network. This is one of the most legendary news divisions in the entire history of television.”
A bit of a twist to my list, Morning Glory is a comedy. Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show. It is a brilliantly funny story, particularly Harrison Ford’s character who was an investigative journalist before being ployed on to the morning show as an anchor.

 

the help.jpgThe Help (2011)
“Careful, Hilly. That’s chapter 12. Don’t give yourself away now.”
Based on true events, this is about a strong-willed and moral young woman named Skeeter (Emma Stone) who interviewed African-American maids in Jackson, Mississippi despite it being very dangerous and very much against the law. With many struggles and an immense amount of courage from all involved, she wrote a book anonymously based upon the accounts of the Help who serve white families for little money and humiliating conditions. A brilliant movie.

 

capote.jpgCapote (2005)
“Sometimes when I think of how good my book is going to be, I can’t breathe.”
If I’m including The Help, then it’s only fair to include Capote. Also a Southern-based true story, this is about Truman Capote who interviews a murderer in 1959 to write a book about him. Along the way, he develops a relationship with the criminal who is now on death row. While a slow film, it does follow the journey of a writer who conducts interviews for publishing, which is journalism at its core.

 

state of play.jpgState of Play (2009)
Cal: “I heard a young woman was murdered.”
Police officer: “Who told you that?”
Cal: “…you just did.”
Two seemingly unrelated deaths occur, but reporter Cal McAffrey (Russell Crowe) can join the dots. He discovers a mass conspiracy to be uncovered, but he soon has to decide if it’s worth risking his life for the story. Admittedly, I don’t think I’ve managed to watch this film from beginning to end, but the parts I’ve seen are certainly enjoyable.

 

goodnight and goodluck.jpgGood Night, and Good Luck (2005)
“Funny thing, Freddie, every time you light a cigarette for me, I know you’re lying.”
This story is set against the backdrop of television journalism during its infancy of the 1950s. It chronicles the real-life story of television newsman Edward R. Murrow and his team of researchers who aim to scrutinise every political story with good quality journalism, while resisting corporate and sponsorship pressures for fear-mongering. I’ve only seen bits and pieces of this film, but I’m looking forward to watching it in full.

 

network.jpgNetwork (1976)
“I’m mad as Hell, and I’m not going to take it anymore!”
Set to the backdrop of journalism more than it being about journalism I suppose. It follows a frustrated news anchor who goes on a massive rant and threatens to kill himself live on air after being fired. A producer notices how the television rating spike because of his outlandish reaction and takes advantage of it by deciding to keep the anchor on air. It explores how television is ratings-driven and profit-driven, with little consideration for moral or authentic work. Quite interesting. I’d imagine this film was inspiration to Morning Glory.

 

All the President's Men.jpgAll the President’s Men (1976)
“This whole thing is a cover-up and it’s right under our nose.”
Based on the true story of the two Washington Post reporters Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) who uncovered details of the Watergate scandal. I’ve only seen bits and pieces, but the bits I’ve seen I’ve enjoyed.

 

the post.jpgThe Post (2017)
“Do you know what my husband said about the news? He called it the first rough draft of history.”
Katharine Graham (Meryl Streep) is the publisher The Washington Post. With help from editor Ben Bradlee (Tom Hanks), they expose a massive cover-up of government secrets. The unlikely duo overcome their differences to bring the truth to light, while risking their jobs and freedom. While I thought this film was dry and dragged out with a ton of unnecessary dialogue and lack of emotional tension, this must be included in the list because I’m sure journalism-lovers will enjoy it regardless.

 

I appreciate that I should probably include Citizen Kane. I have seen it and studied it at school and I am aware that it’s a classic. I feel this movie is the equivalent to Michael Jackson’s music – you can quietly dislike it, but you can’t deny the genius behind it. So, while I appreciate it, I honestly wouldn’t purposely watch it again. But if you haven’t seen it, you probably should.

Top 18: Best Coming-of-Age Movies

I love coming-of-age films. It’s the perfect mix of dark drama and bright comedy, against the backdrop of real-life circumstances and down-to-earth characters. Here are a few of my favourites:

american_graffiti.jpgAmerican Graffiti
“I’m getting out of this turkey town! You can’t stay 17 forever.”
My number one favourite film forever. The night in the life of 1960s teenagers who have just graduated high school. They have one last night before they all go their separate ways. Some are moving away for university, some are hoping to settle down and others are wanting their high school career to continue by day along with the iconic culture of ‘cruising’ in their candy-coloured scream machines on the roads by night. To tie everyone in is radio personality Wolfman Jack. Legend.

 

brooklyn film.jpgBrooklyn
“I wish that I could stop feeling that I want to be an Irish girl in Ireland.”

“Homesickness is like most sicknesses. It will pass.”
Another one of my absolute favourite films – it’s so humbling. Saoirse Ronan is a brilliant actor whose character, Eilis, moves from Ireland to Brooklyn during the fifties. She grows from an innocent and naive girl into an independent young woman out of necessity who creates a life for herself. The lady Eilis lives with in Brooklyn is played by Julie Walters, who is essential to keeping this deep movie very funny.

 

good_will_hunting.jpgGood Will Hunting
“How do you like them apples!”
This is a beautifully touching film about a genius who refuses to reach his potential. Coming from a rough neighbourhood, Matt Damon’s character is quick to get into fights and back into handcuffs. But Robin Williams’ character is soon able to crack his mask to reveal a scared and unhappy boy.

 

dead_poets_society.jpgDead Poets Society
“…medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.”

It follows the internal struggles of boys at a private boarding school who are wrestling between being themselves while pursuing their dreams and pleasing their prestigious fathers. Again, Robin Williams’ character acts as a mentor to these students, but he’s not able to save them all.

 

skeleton-twins.jpgThe Skeleton Twins
“I can’t wait to be the creepy gay uncle.”
“You’re hired!”
This film is about Bill Hader and Kristen Wiig as suicidal siblings Milo and Maggie. Yeah, it’s a bit of a downer but weaving through the tragedy are sarcastic come-backs that will make you belly-laugh. While coming-of-age films are typically about teenagers growing up, I think this movie can be included because they’re twins who are rediscovering themselves and each other, delving into their childhoods and overcoming their troubles.

 

about a boy.jpgAbout a Boy
“Oh, no… it’s just I thought you had hidden depths.”
“No, no, you’ve always had that wrong about me. I really am this shallow.”
This is my favourite Hugh Grant film because while he still plays the self-obsessed a-hole, he does so in a comedic way with a three-dimensional character. It’s a traditional coming-of-age story for the young boy Marcus, but it’s also about Hugh Grant’s character growing up and realising that being part of a family isn’t a bad thing. They both grow together and learn from each other.

 

driving lessons.jpgDriving Lessons
“To wit, I leave you with this quote penned by my dear friend, William Shakespeare: ‘When the shit hits the fan, get a tent’.”
Such an underrated coming-of-age film – I doubt many people have ever heard of it. It features Rupert Grint and Julie Walters and follows a storyline similar to that of About A Boy and Scent of a Woman (as explained in my blog post One Story, Six Movies) where an older person and a younger person bond and learn from each other. But I love Driving Lessons in particular because it’s so funny – classic English humour. Julie Walters is brilliant.

scent of a woman.jpgScent of a Woman
“Oh, where do I go from here, Charlie?”
“If you’re tangled up, just tango on.”
Forever a favourite of mine. It’s quite dark in places as it follows Al Pacino’s blind character, Colonel Slade, who is struggling with depression. He is an experienced soldier and a wise man, who has a story to tell. Chris O’Donnell’s character is young Charlie who is hired as Colonel Slade’s aid for a thanksgiving weekend, he is kind but very naive. He is reluctantly dragged to New York with The Colonel, but learns a lot along the way. They both help each other out profoundly.

 

the_commitments.jpgThe Commitments
“The success of the band was irrelevant… Sure we could have been famous and made albums and stuff, but that would have been predictable. This way it’s poetry.” 
The Commitments is about a group of teenagers who all have troubles at home, but come together to make incredible music. While they don’t ‘make it’, their trumpet-player is quick to remind them that they may not have created history, but they’ve created poetry.

 

sing_street.jpgSing Street
“This is life, Conor. Drive it like you stole it.”
Sing Street is similar to The Commitments as they’re both Ireland-based movies about a group of teenagers forming a band. This film is about a new boy at school who starts a band to impress a girl. Meanwhile, he tries to deal with his parents’ divorce with his brother being his only emotional support.

 

little_miss_sinshine.jpgLittle Miss Sunshine
“A real loser is someone who’s so afraid of not winning he doesn’t even try.”
A family are trapped in an old yellow Volkswagen van as they drive across the country. The family consists of a dad who is a failed motivational speaker, a mother at the end of her tether, a grandad drug-addict, an suicidal uncle, a son who refuses to speak and a little girl who is just wanting to enter a beauty contest. It is a light-hearted storyline about a family overcoming their obstacles and coming together for the sake of family.

 

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About Time

“…worrying about the future is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life will always be things that never crossed your worried mind.”
Such a beautiful film. About Time is one of the best feel-good comedy/dramas out there. It’s about an innocent and quiet boy called Tim Lake (Domhnall Gleeson) who at the humble age of 21 is told by his father (Bill Nighy) that, like every man in his family, he can travel back in time. It follows his life and the decisions he makes along the way, which touches on love, death and birth. It truly is a lovely almost auto-biographical film.

 

breakfast_club.jpgThe Breakfast Club
“We’re all pretty bizarre. Some of us are just better at hiding it, that’s all.”

A day in the life of 1980s teenagers who have ended up in detention for various reasons. Starting the day out as enemies they end the day with an acceptance of each other. The bully, the jock, the nerd, the popular girl and the goth grow over the course of the day through various funny and serious scenes as they begin to work together to gang up on the teacher.

 

way_way_back.jpgThe Way, Way Back
“There’s a whole world out there for you, Duncan. Don’t settle. Not yet.”

Duncan is a 14-year-old boy who is forced to go on a summer holiday with his mum and her boyfriend. But her boyfriend is an utter dick, and just an overall bully to him so Duncan gets a job at the local water park where his boss becomes a bit of a mentor. The water park because his escape while he figures out what to do with his life.

 

The Perks of Being a Wallflower.jpgThe Perks of Being a Wallflower
“C minus, ladies and gentlemen! I am below average!”

The trailer portrays this film as a fun-loving and laid-back, but it’s actually got very dark undertones. The three main characters (Sam, Charlie and Patrick) are all hiding dark secrets – bulimia, child molestation and being gay. Their friends around them are all struggling with certain issues too – stealing, struggling with academia and popularity. The three main characters all help each other through their difficult stages in their lives as they grow up and mature.

 

whip it.jpgWhip It
“So, what are you, like, alternative now?”
“Alternative to what?”
A teenage girl called Bliss is trying to break away from her mother’s 1950’s-style parenting. She straps on roller skates and joins a roller derby team, where she finds security and support in her teammates. She slowly matures as she embraces the culture of the roller derby scene – surrounded by misfits and the unwanted.

 

juno.jpgJuno
“No, this is not a food baby all right? I’ve taken like three pregnancy tests, and I’m for shizz up the spout.”

A carefree 16-year-old tomboy gets pregnant with her best guy friend, they decide to adopt the baby out to a couple who can’t have children. It sounds kinda icky and lame, but Juno is so funny with her immature comments and how she gives a reality check to adults. While Juno has found herself in a very adult situation, the potential adoptive father is rediscovering his youth and becomes reluctant to adopt. I guess it’s about never wanting to grow up.

 

13 going on 30.jpg13 Going on 30
“I like your dress.”
“That’s because I have these incredible BOOBS to fill it out!”
While this is a coming-of-age film in the most literal sense, it’s far more light-hearted than my other selections. There’s no themes of suicide or drug-use, the tragedy isn’t as dark and the characters aren’t as relatable. Nevertheless, Jennifer Garner does a brilliant job of playing a 13-year-old in a 30-year-old’s body.

 

Just realised how many of the same actors are in coming-of-age movies. Kristen Wiig, Ellen Page, Julie Walters, Robin Williams and Toni Collette are regulars of the genre, maybe because they’re so ‘real’ and relatable.

I guess the common themes of the coming-of-age genre include characters who are in the process of growing – typically growing from a teenager into an adult, but it also includes characters who experience profound change or growth well into their adult years.

Coming-of-age storylines carry dark tragedy as well as light-hearted comedy, which is why they’re so relatable and enjoyable. They reflect real life with flawed characters and unsatisfactory circumstances, with a lot of inner-turmoil to be sorted out.

They also include a young naive character and an older mentor. Both have flaws and both help each other to grow.

Spotlight

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Director: Tom McCarthy
Writer: Tom McCarthy, Josh Singer
Starring: Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci
Released: November 2015

Based on the Pulitzer Prize-winning Boston Globe investigation, Spotlight follows the journey of a group of investigative journalists unearthing the child abuse within the Catholic Church.

Despite the heavy and disturbing subject matter, it is such a moving film. Just watching the trailer gives me chills; it is so well made.

I think the writers did a remarkable job of giving a lot of detail about the case without slowing the pace of the movie down. It moves at a steady pace where you are deep enough into the emotion without it being too overbearing.

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The cast is brilliant, featuring one of my favourite actors Rachel McAdams who has been in journalistic-based films before (Morning Glory and State of Play). Stanley Tucci, Mark Ruffalo and Michael Keaton are absolutely brilliant too.

Sacha Pfeiffer (Rachel McAdams): I’m here because I care. We’re going to tell this story, we’re going to tell it right.

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The year-long investigation takes the team through many difficulties, including the realisation that this is not a Boston-bound issue but a global one. That the church pay lawyers off to settle the child abuse cases unofficially and out of the public eye. Their uphill struggle through a thick web of lies and secrets leads them to the victims who have all been emotionally scarred by the abuse.

Walter ‘Robby’ Robinson (Michael Keaton): We’ve got two stories here: a story about degenerate clergy, and a story about a bunch of lawyers turning child abuse into a cottage industry. Which story do you want us to write? Because we’re writing one of them.

This film is very moving and is a brilliant documentation on what really went on in the Catholic Churches. Every character is brilliant, the script is remarkable and the subject matter is important.

Mitchell Garabedian (Stanley Tucci): If it takes a village to raise a child, it takes a village to abuse one.

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I am so inspired by the characters – these are all based on real-life journalists who persisted at digging deeper and deeper into finding the truth. It puts the ‘click bait’ online media of today to shame. This is real journalism.

Michael Rezendes (Mark Ruffalo): They knew and they let it happen! It could have been you! It could have been me! It could have been any of us!

Spotlight is a meaningful, important and inspiring story and I’m so pleased they made a film about it because I never would have known this happened otherwise. That’s what I love about films; they educate and inform people using a medium of entertainment that is easily consumed. And the makers of Spotlight have certainly used film to portray this story impeccably well.

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Mike Rezendes: Mitch, are you telling me that the Catholic Church removed legal documents from that courthouse?
Mitchell Garabedian: Look, I’m not crazy, I’m not paranoid. I’m experienced. Check the docket. You’ll see. They control everything.

The script is brilliant – I keep finding more and more quotes I want to include in this review but I’ll end up with the entire script on here if I don’t stop now.

You must watch this.

Jodie’s rating: 8/10

The Post

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Director: Steven Spielberg
Writer: Liz Hannah, Josh Singer
Released: December 2017
Starring: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys

The Post comes across as a film with similar emotional impact to the likes of Spotlight (a highly recommended investigative journalism movie), but it sorely missed the mark.

It follows the real-life story of the Washington Post in the 1960s, a paper passed down to  Katharine Graham (Meryl Streep) who is struggling to keep the company financially afloat. Then, a big story breaks as government secrets relating to the Vietnam war are leaked – this massive story could make or break the paper.

But with the New York Times already being threatened with legal action for publishing only part of the information now available, Katherine is reluctant to allow editor-in-chief  Ben Bradlee (Tom Hanks) to publish the story for fear of bankrupting the paper. Meanwhile, she is fighting the emotional turmoil of being a woman in a man’s world.

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The movie opens with a scene of the Vietnam war, which was definitely not required and I believe it was only included to pay homage to Stephen Spielberg’s Saving Private Ryan success. So that kicked this film off poorly.

Then it was about an hour of long, dry dialogue, which I struggled to pay attention to. So I’m not entirely sure if they explained what the government secrets were specifically, but I’m pretty sure the gist was that the government knew the US would lose the war but continued to send troops for fear of being embarrassed. But I don’t see how that could have taken an hour to explain… Maybe I missed something.

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The second half of the film focussed on gender inequality and women’s rights as it follows Katherine, who slowly becomes more self-confident as she learned the ropes of running the paper after her husband’s death. She is spoken down to by colleagues, which makes the decision of publishing the leaked information or not even more difficult to make.

The cast was great of course. Meryl Streep is amazing and Tom Hanks is his usual great self, but did come across as more ‘family man’ than ‘tough editor’. I do wonder if Bryan Cranston was considered for this role due to the amount of Breaking Bad actors featured (Bob Odenkirk and Jesse Plemons). I think his darker domineer would have come across well.

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Overall, the exciting, fast-paced and emotionally-charged storyline that I was expecting was not there. Just a ton of unnecessary dialogue and a story that didn’t portray the risk and stress of the situation very well.

Oh well. Perhaps it needs a second viewing.

Jodie’s rating: 5/10