comedy – Page 2 – NZ Film Freak

The Breakfast Club

Director: John Hughes
Writer: John Hughes
Released: February 1985
Featuring:Emilio Estevez, Molly Ringwald, Judd Nelson, Anthony Michael Hall, Ally Sheedy, Paul Gleason
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Probably the best high school based film. Openly addressing and mocking their stereotypes and the pressures each one of them are under by their associated peers.

It is a very well made film because it is entirely based in one place during one day, with a tiny cast. We are sitting in on a Saturday detention with five completely contrasting students who soon find out what they hate and what they love about each other and themselves. Very human, very emotionally rooted.

The Characters:
The cheerleader type referred to as ‘the princess’ named Claire (Molly Ringwald).

The jock referred to as ‘sporto’ named Andrew (Emilio Estevez).

‘The brain’ named Brian (Anthony Michael Hall).

The kook or ‘the basket case’ named Allison (Ally Sheedy).

The messed up ‘criminal’ called John (Judd Nelson).

The Kook and the Princess — The Kook and The Princess

What is great about these characters, is that we can see qualities in ourselves in all of them. They are a mirror image of the teenage audience. We all know somebody with qualities like them, we all find some of them in ourselves and we all find characteristics in them that we want to possess.
Despite being about five typical stereotypes, by the end of the movie, you realise that they are a group of misfits who don’t want to belong to a group who tells them who to be.

I think if there was an extended version of this movie, it would be how each one of them over came the pressure of their groups and openly hung out with other cliques, because they’re all strong characters who would become role models. Well, that’s what I would like to think would happen anyway.

Made in the eighties and it certainly looks like the eighties! I swear I am transported to that era every time I watch it. Great eighties music too, including one of my favourite songs Don’t You (Forget About Me) by Simple Minds. If you want to listen to some eighties music on the go, this site has some great eighties music.

It’s true, high school really does suck. But this movie will make you feel better about it.

Jodie’s rating: 8/10
I would just like to say that they have excluded all of the funny bits in this trailer, so if you like the look of this, you’re going to love the film.

Super

Director: James Gunn
Writer: James Gunn
Released: September 2010
Starring: Rainn Wilson, Ellen Page, Liv Tyler and Kevin Bacon
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Wow. Okay. Where do I start? I stumbled across this film when I was searching for all the movies that Ellen Page has starred in (she’s one of my favourites actresses). Loving superhero movies anyway I thought that this was going to be a genius concoction of fantastic actors and an epic storyline…

I can’t, unfortunately, say that this was the case. The trailer is a bit misleading, portraying it solely as a comedy. However, the genre of this film is most certainly a BLACK comedy. Very sadistic, violent and rather gruesome. It would be a superhero version of the black comedy A Film With Me In It (featuring Dylan Moran) which I found equally disturbing.

It’s not that I don’t enjoy sadistic and gruesomely bloody movies. I love Quentin Tarentino’s Inglorious Basterds and horrors such as Scream and House of Wax. However, black comedies I find to have a different reaction to. Maybe because it tends to be average Joes committing crimes that are beyond their moral capabilities. Or because there tends to be little remorse or reflection by the characters involved.

Of course, Hot Fuzz and Shaun of the Dead are two movies that are extremely impressive black comedies that have got the balance perfect between the two opposing genres.

So, getting over the sudden shock when I realised that there will be less comedic value than I expected. I love the idea of an bog-standard guy deciding to take crime into his own hands. Known as The Crimson Bolt (Wilson) and his 22-year-old manic, obsessive and highly inappropriate (and dodgy) “kid” side-kick Boltie (Page), armed with a wrench and Wolverine-inspired claws, they take care of the city’s drug dealers and robbers.

“SHUT UP CRIME!”

“DON’T STEAL!”
“DON’T DO DRUGS!”
“DON’T MOLEST KIDS!”

I do like the quirkiness and the comic-related characteristics that remind me of Scott Pilgrim vs the World. Very cool indeed.

There were a few too many scenes that I thought were just crude. Not funny, nor necessary to the storyline. I also thought that the main character Frank/The Crimson Bolt was a bit… Blank. I know that he’s not supposed to be the brightest bulb in the tanning bed, perhaps a modern day cross between Forrest Gump and Harold Crick (Stranger Than Fiction), but I don’t think he had enough emotion for the audience to really feel for him or understand where he was coming from, making me feel distant from the protagonist.

It has been a common comment by critics that this story has been told before via Kick-Ass released before Super. I can most certainly relate to this. Not only was it a very similar concept, I also found that they shared the same sort of audience. It was a superhero film targeting a much more mature audience rather that the light-hearted feel-good moral superhero movies.

Over all, a disappointment. Yet, I still feel attached to the universally popular idea of being a superhero and what would happen.

Jodie’s rating: 5/10

I love Ellen Page. She’s hilarious.

The Hangover

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Directed: Todd Phillips
Written: Jon Lucas and Scott Moore
Released: 2009
Starring: Bradley Cooper, Zach Galifianakis and Ken Jeong
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I haven’t kept up with The Hangover movies at all – in fact last night was the first time I had watched the first of the two (soon to be three) of The Hangover films (with the aid of peer pressure). I suppose I always assumed that I wouldn’t like the humour.

However, it wasn’t that bad! I wouldn’t say that I’m a huge fan of The Hangover, or that I am compelled to see the sequels. But I did find it pretty entertaining! There were some pretty hilarious moments, all involving the incredible comedy actor Zach Galifianakis. He was rather humourous in The Hangover playing Alan – the “not all there, but secret gambling genius” sort of character. Galifianakis is equally hilarious in the movie Due Date.

There were some really crazy, random, unbelievable occurrences that were all a part of the weird circumstances that these four guys found themselves in during their stag party in Las Vegas. The night that was happily forgotten by morning, became a night that they were fighting to remember as the conclusions of the night’s events became shocking in the harsh light of day.

It is certainly a very entertaining movie, even if it wasn’t really my cup of tea humour-wise, I still enjoyed it.

Jodie’s rating: 6/10

Whip It

Director: Drew Barrymore
Writer: Shauna Cross
Released: 2009
Starring: Drew Barrymore and Ellen Page
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First of all, don’t be put off by Drew Barrymore as the director… Your preconceptions are invalid.

Whip It is certainly a fun and enjoyable film based around the exciting sport of Roller Derby. Since watching this movie, I really wanted to go to a Roller Derby bout which I was lucky enough to do this year. Boy, the violence portrayed in the movie is clearly through the eyes of Hollywood – it is so much more brutal in real life. Or maybe our Kiwi players are just more violent…? It was awesome nonetheless.

So, Whip It is about a seventeen year old girl called Bliss (Ellen Page <3) who discovers the world of Roller Derby and sees it as a way of setting herself free from her mother’s “50s womanhood” household.

EllenPageAliaShawkat — Pash (Alia Shawkat) and Bliss (Ellen Page) at their day job in the “bustling metropolis know as Bodeen, Texas”.

It explores friendship, change and rebellion. It is truly a cool film which makes you want to become a Roller Derby player after every watch; the energy is contagious! By the end of the film you will be picking our your derby name!

Ellen Page has always been one of my favourite actors (Inception, Juno…) and every female character has such a strength about them – almost androgynous – similar to the

LandonPigg — Bliss (Elen Page) and Oliver (Landon Pigg) make a fantastic pair, with Landon Pigg being a musician in real life, his band’s songs were included which were fantastic.

likes of Trinity from The Matrix. It’s very empowering.

I guess because Bliss (who becomes Babe Ruthless) is an “alternative” girl from a misfit town who beats all odds and becomes her own hero. A powerful message that is portrayed is that you should do what makes you happy at that moment – it doesn’t matter if it is not your career path or that you do it forever; just that you experience it and live in the moment is what matters.

Musically it transforms the potential chick-flick feel into a deeper and more emotional journey. My favourite score being “The Road To Austin” by the Section Quartet. As well as Jens Lekman’s “Your Arms Around Me” which is best heard with the scene that it is used with. They go together perfectly.

Drew Barrymore has really made a reputable name for herself behind the camera as well as in front, for sure. A fun and easy-watch but also an inspirational story that captures a vivid snapshot of Bliss’ life in a way that includes the realistic ‘ups and downs’ of life.

A feel-good comedy-drama. Worth a watch!

Jodie’s rating: 7.5/10

Pitch Perfect

Director: Jason Moore
Writer: Kay Cannon. Based on Pitch Perfect by Mickey Rapkin
Released: September 2012
———-

Okay, this movie was actually pretty funny! I felt like I needed to suppress my laughing fits so that nobody thought I had such a weird sense of humour – which this movie kind of does.

I really enjoyed it – perhaps more than I would care to let on since it is just a chick flick… But it’s not your typical “boy gets girl”, “random dudes stripping off”, “getting drunk and hooking up”… Okay, well that’s a lie, there was all of the above, but the movie tended to make fun of these stereotypical characteristics of the genre, which set it apart.

Beca – the protagonist – is played by the awesome Anna Kendrick… I reckon Ellen Page would have suited this character too…

Also, the fact that it certainly focussed on the music more than anything – you should see the list of songs in the credits! Plus, I liked how Pitch Perfect had a ‘point’ despite being just a fun, entertaining film. It emphasised diversity and non-conformity while either avoiding stereotypes, or blatantly stating them.

I guess I’m missing out on the main point of the movie, which is that it was all about the competitive world of acapella. I thought “Glee + Bring It On”, but it was actually a thousand times better than either of those. Competitions between numerous groups of dudes and girls who battle for the best performance of any song using nothing but their vocal chords. They all sounded fantastic… Even though their voices were obviously perfected in post. Almost too flawless actually…

Fat Amy has to be everybody’s favourite character, just because she is so freakin’ hilarious. I was so disappointed that they didn’t include the “pirate dancing” scene though… They replaced it with the “mermaid dancing” scene. So, here is the pirate dancing clip since you won’t see it in the movie (25 seconds in):

But the character who made me laugh the most was actually Lilly aka “The Quiet One”… I shan’t give away too many details – but look out for her!

My favourite thing about the movie? Probably that it was set in a university and not a High School! I’m so fed up of 20-something year old actors playing 16 year olds… Also, the love story took a major back seat! So refreshing!! There were also a lot of rather funny one-liners. Most of them being puns… Which were really quite “punny”… Ha.

The worst part? The pointless and really weird idea of having a character that has a tendency to vomit… A lot. Not only does it take you by surprise, but it makes one ponder the reasoning behind why this addition was actually required.

Over all, a very funny film that is worth seeing!

Jodie’s rating: 7.5/10
(Omg, higher than Looper!)

Two Little Boys

Director: Robert Sarkies
Writers: Duncan and Robert Sarkies
Released: September 2012
Starring: Bret McKenzie, Hamish Blake, Maaka Pohatu, Filip Berg
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I am so disturbed! Okay, I know it was a black comedy, but where was the comedy?

It was about Deano (Hamish Blake) who showed his ability to dispose of the man that his friend, Nige (Bret McKenzie) accidentally killed. They both go on a wild adventure to dispose of the body, eventually Deano decides to cut the body up. He comments on the consistency of the spinal chord of the corpse in gruesome detail with sound effects to match.

The story continues as he plans to murder Nige’s new best friend, a large security guard who I thought was the funniest of all three.

This movie was nothing like I expected it to be. After watching Hamish and Andy’s Australian television series, I was expecting it to be more of that kind of slap-stick, silly comedy. But it really wasn’t… It was just… Freaky.

Hamish and Bret — “Just doing some washing…”

I actually couldn’t tell you any specific jokes I liked to be honest… The story was easy to follow and straight forward, but nothing really stood out. (Except for the parts that made me cringe…) If you have seen the film with Dylan Moran in it named “A Film With Me In It”, you’ll know what I mean when I say that it was a dark film that almost made you feel guilty by laughing either out of nervousness, or at the few funny parts.

Don’t think that it’s a kiwiana film with deep and meaningful themes, nor is it a movie that expresses the kiwi humour. It does, however, present the 1980s New Zealand in a way that seems pretty legit’. It is certainly aimed at the New Zealand audience.

It’s probably not a film you would be buzzing about and talking about after… Probably not something you would watch more than once either. If you want to have a laugh, watch the trailer.

Jodie’s rating: 4/10

Hit & Run

Directors: David Palmer and Dax Shepard
Writers: Dax Shepard with David Palmer
Released: August 2012
Starring: Dax Shepard, Kristen Bell, Kristin Chenoweth, Tom Arnold, Bradley Cooper
—

Well. It wasn’t bad. I mean, I wasn’t exactly expecting a lot after seeing the trailer, but it wasn’t as terrible as it made it out to be.

There were are few funny parts, but they were few and far between. The actors were good though, and the car chase scenes were pretty good. But, I swear the producers had a check list:

Good-looking people: check!

HitandRun-shepard&bell — Dax Shepard and Kristen Bell. (I thought these two had great chemistry – turns out they’re dating in real life)

Fast cars: check!

Guns: check!

Storyline: n/a

At the end of the film, we wondered where the conflict actually was, since it seemed like the ‘absolute low’ was not that much below the climax. It was just a series of unfortunate events that led to a pleasant resolution.

But the parts that were funny made up for some of the lame scenes/humour as well as the unbelievable gun fights… But this was a comedy so realism isn’t exactly on the top of the list anyway, I guess.

An easy-to-watch and entertaining movie. Probably not worth seeing twice or buying the dvd since it would take me 10 seconds to recite the storyline after one viewing (including the five minutes I missed when I fell asleep).

But, you know. It was okay.

Jodie’s rating: 5/10

The Dictator

Director: Larry Charles
Writers: Sacha Baron Cohen, Alec Berg, David Mandel and Jeff Schaffer
Released: May 2012
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I love Sacha Baron Cohen’s work (for the most part), Ali-G and Borat as well as his amazing performance in the musical Sweeney Todd, where we discovered that he is a half decent singer!

I went into the cinema with admittedly low expectations, since I quietly thought that perhaps Sacha had sold out after Bruno was released… Which although I did not see, I was sort of put off by all the grossed-out people I knew who did see it…

So The Dictator is basically about… A dictator… who fights against Democracy being introduced into his country. He picks on America, describing how great their country would be if their Government ditched democracy and adopted dictatorship, “the leader could help out his friends financially, forget about the poor, give 1% of the population 99% of the money…”

The Dictator was different in the fact that it was not a mockumentary… It became a Hollywood version of Borat, with Anna Faris as the love interest and a recycled character of Ali-G + Borat as the protagonist; Admiral General Hafez Aladeen with the accent slipping in some places.

But! It was certainly an enjoyable film! There were some pretty hilarious parts – despite them all being extremely racist… But why would that be a surprise?? I would mention some of the funniest lines but… I won’t.

Anna Faris played Zoe who owns the vegan/fair trade/organic/non-racist/feminist/sustainable… store that the Dictator works at whilst in America. Those scenes are pretty funny, I’m not going to lie…

Just like every Sacha Baron Cohen film, this isn’t for everybody. But if you go in with low expectations and an open mind it is a good laugh for sure – especially if you watch it with friends.
However, I think Baron Cohen should probably think of a totally new character and stick to mockumentary style.

Not bad, not bad.
Jodie’s rating: 5/10

This isn’t the trailer, but it’s an extended clip which is more funny to watch than the official trailer to be honest… 4:07 is where the most hilarious facials are at…

The Wedding Singer

Director: Frank Coraci
Writer: Tim Herlihy
Released: February 1998
Starring: Adam Sandler, Drew Barrymore and Christine Taylor
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This film is the eighties equivalent of the sixties-based The Boat That Rocked, so it is very funny and has an awesome soundtrack!

Adam Sandler plays Robbie Hart the wedding singer who is very talented and loves his job until he loses faith in love. ‘Love Stinks’ is probably the most memorable song in the entire movie, which is covered by Sandler who has a surprisingly good voice!

The Love Stinks scene is my favourite scene, not because he is at the depths of heartbreak, but because his anger becomes pretty hilarious…

I think if Sandler had carried on doing the more tasteful films like The Wedding Singer, I would be a fan of more of his movies… It’s a shame that this is the only film I own with him in it.

Julia is the sweet girl-next-door type played by Drew Barrymore. Julia is such a cool character who is marrying the wrong guy; Glenn Gulia who is arrogant and rude.

That is until she starts “spending more time with this other man… Robbie Hart” who is, to her mother’s disappointment just “the wedding singer”.

Drew Barrymore has never looked more innocent with short blonde hair, this character shows her versatility as an actress since I always imagine her to be a bolshy and over-confident person in real life.

This film is probably my favourite rom-com of all time because it has a dry sense of humour, but above all it has a soundtrack that I absolutely love! Literally the best of the eighties.

Like all classic rom-coms, stereotypes and inevitable story lines fall into place, but the incredibly accurate fashion trends and set designs – at the very least – will keep you entertained and/or reminiscing!

I am now on the hunt for blue mascara…
Jodie’s rating: 8/10

21 Jump Street

Directors: Phil Lord and Chris Miller
Writers: Jonah Hill and Michael Bacall
Released: 2012
Starring: Jonah Hill, Channing Tatum, Brie Larson, Dave Franco, Ice Cube
—

So it’s not the typical genre that I would watch at the cinema, so my expectations were somewhat low. However, I am happy to say that this film was certainly a good laugh! I did enjoy it.

I guess it was specifically marketed at the Gen-Y population – I couldn’t see my parents enjoying it.

It surprised me that it was the same directors as Cloudy With A Chance of Meatballs – what a change in genre! Yet, very well done nonetheless. It reminded me of Hot Fuzz because it mocked the action genre, pointing out typical occurances that would happen in an action film such as when a car would blow up and what would happen etcetera…

My favourite part was when the failed policemen (Channing Tatum and Jonah Hill) were sent to high school undercover thinking that they would have it all under control since they were experienced high schoolers, until they realise that the classical sterotyped groups were all different this time around. So true – something only a recent graduate would truely get.

The scene about The Miranda Rights made me wet my pants it was so funny!
“Uh… You have the right to be an attorney…”
“Did you just say.. You have the right to be an attorney??”
“Well, you do have the right to be an attorney.. If you want to..”

Although some pretty crude humour and a whole load of swearing, which was definately to be expected, I enjoyed this film. And the only reason why I wouldn’t buy it on DVD would be because I don’t like this genre in general. But this is the best comedy I’ve seen in a while.

Jodie’s rating: 6/10

Little Miss Sunshine

Directors: Jonothan Dayton and Valerie Faris
Writer: Michael Arndt
Released: January 2006
Starring: Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin and Alan Arkin
—

If you adored the humour of Juno, you will fall madly in love with this film! It was full of that dry, black humour where you don’t know if you should laugh or cry.

It has that ‘typical family’ quality where you can relate to every character because we all know somebody like them. Sort of.

26suns.2.600

Olive (Abigail Breslin) wants to compete in a beauty pageant, which is a good one-and-a-half day’s drive away. With an unpredictably suicidal uncle (Steve Carell) who can not be left by himself, the whole family decides to go.

You automatically adore Olive, who brings an innocence to the family who are full of ‘failures’. Her brother refuses to talk, her grandfather is a heroin addict, her uncle is suicidal, and her father is a failed life coach. Meanwhile, her mother is struggling to keep the family together.

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Despite me making it sound like a total downer, it’s actually a beautifully triumphant film where everyone slowly makes peace with themselves and each other. I thoroughly enjoyed the adventures and internal conflict with a lot of deep and meaningful messages throughout the film.

A film that will make you laugh, cry, and reconsider your priorities in life.

Jodie’s rating: 8.5/10

Shaun of the Dead

Shaun of the Dead Poster

Director: Edgar Wright
Writers: Edgar Wright and Simon Pegg
Released: April 2004
Starring: Simon Pegg, Kate Ashfield, Lucy Davis, Nick Frost, Dylan Moran, Bill Nighy, Penelope Wilton
—

The best black comedy of all time.

I have a weakness for zombie apocalypse movies anyway. However, this film has taken every zombie cliche` in the book and ends up pointing fun at themselves, which is hilarious!

The creators called it a “Rom Zom Com” aka a “Romantic Zombie Comedy” and the “perfect date film” because it has a heart line of a romantic comedy that happens to be set in a time where zombies are attacking the world.

It starts out with Shaun (Simon Pegg) and Shaun’s girlfriend Lizz (Kate Ashfield) at a bar on yet another date at the Winchester Pub, as Lizz bickers about how they never do anything different. The shot slowly widens to show, Lizz’s friends David and Di (Dylan Moran and Lucy Davis) and Shaun’s foul-mouthed best friend, Ed (Nick Frost). Of course, what better to change the monotonous situation than have their lives bombarded with the living dead!?

That’s what I like about the Wright-Pegg-Frost trio. Their ideas are crazy!
Yet they always work.

These zombies are the classic, lazy walker-types where unless you got trapped or are a really slow walker, you would probably not get caught, unlike the kind that is on the TV series The Walking Dead where they run when they are desperate. But these zombies imitate the world we live in – we wake up, go to work, come home again, miserable. So it does have a bit of a wake-up call feeling to it.

Edgar Wright’s signature fast pans, quick cuts and cut always were present which definitely suited the shocking humour and gruesome occurrences.

Another of my favourite things about this film is the parallels between the start and the ending. Such as the trolley boy collecting stray trolleys in the car park of a shopping centre with little enthusiasm. By the end, the remaining zombies are trained and take over the chore in an equally unenthusiastic way… I don’t know. I just find it amusing…

This is the best black comedy because, unlike some others I’ve seen of the same genre *cough* Zombieland *cough*, the comedy element runs through the entire film, not just random crucial parts. Shaun of the Dead make fun of the terrifying situation at every turn.

This is a must-have item in every film-watcher’s collection.

Jodie’s rating: 8/10

The Actors

Director: Conor McPherson
Writer: Neil Jordan
Released: 2003
Starring: Michael Caine, Dylan Moran, Lena Headey, Michael Gambon, Miranda Richardson, Michael McElhatton, Abigail Iversen, Aisling O’Sullivan, Ben Miller, Simon Delaney, Alvaro Lucchesi
—

The funniest movie I have seen in a very long time.

It’s intelligent-funny… Not happy-clappy, seen it before, recycled Hollywood shizz. With Dylan Moran playing the protagonist and the supporting act being Michael Caine, this concoction of pure awesome is sure to be a pleaser.

Surprisingly, this film is not well-known. But it is a film everybody would enjoy with its ironic plot line and an under-lying love story, which I am happy to say doesn’t take centre-stage regularly. Dylan Moran’s character, Thomas Quirk, is indeed a quirky guy who loosely calls himself an actor working in play with a fellow actor, Anthony O’Malley (Caine).

Dylan Moran undercover

O’Malley soon hears about a scheme going down in the local bar where
“a certain somebody owes money to another certain somebody, but they have never met”. He decides that Quirk does need to practice his acting skills and convinces Thomas to be the collecter whom the debtor has never met. Of course, how could something like that ever be as straight forward as it sounds!?

Dylan Moran’s disguises throughout this scheme are hilarious and you will be sure to be repeating and imitating the characters after! This script is so funny and its catch-phrases remind me of the film Juno.

The Actors Caine

Despite being an up-beat comedy, the camera work (particularly lighting) in many scenes are spot-on and very well done, so is the music. Now I really want to buy the soundtrack! The songs and compositions by Michael Nyman are spectacularly emotional and support the visuals very well.

It’s a film that merges the stage actors and improvisation actors which I thought was really clever and it gave the film a really unique twist.

I can’t believe the negative reviews I have found on this film… How? o.O I thought it was HILARIOUS and I watch it regularly.

Jodie’s rating: 8/10

I can’t find a trailer, so here’s a pretty funny scene where Dylan Moran is playing Thomas Quirk who is undercover as “Barreller”. Barreller accidentally gave the money to Quirk earlier on. Now, Quirk is pretending to be Barreller, confronting “Jock” who the money was supposed to go to… Ugh, don’t worry, it makes more sense in the film.

The Boat that Rocked

Director: Richard Curtis
Writers: Tim Bevan, Eric Fellner, Hilary Bevan Jones
Released: 2009
Starring: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Emma Thompson
—

If you love groovylicious music and cool fashion from the 1960s, then you are going to LOVE this film!

It’s a film about the pirate radio stars during the sixties who played rockin’ music, whilst trying to keep the government off their backs who didn’t like the kind of influence the radio stations had.

It’s the kind of film where its characters are used to target the typical main-stream movie audience who are in their twenties, but it’s ‘historical’ enough to capture the reminiscing kids of the sixties, yet, unique enough to entice the indie teens, and overall AWESOMENESS to be absolutely: Way. Cool.

It’s an exciting film about each radio host’s personal triumphs as well as the overall capturing story of essentially giving the middle finger to society. The contrast between the conservative government workers versus the wild rock and roll supporters from the boats in the North Sea was drawn which was great to see two sides.

You can also see the same sort of contrast being drawn between the children and their parents. The children being the rebellious worshippers of the DJs who hide radios in their bedrooms, and the parents being the BBC listeners who frown upon the culture of pop and rock and roll music.

The humour was a bit hit-and-miss for me occasionally, but that’s probably because I have a dry sense of humour… As in, I find Napoleon Dynamite hilarious. The majority of the audience would enjoy it very much, I’m sure.

Fantastic music OBVIOUSLY, which compelled me to buy the double-disc album which was incredible! Think of your favourite artist from the sixties, and it’ll be on there… Except for The Beatles… That was a bit of a disappointment, actually…

A loud, crazy, colourful and hilarious depiction of the sixties’ uprising which was almost successful. I felt quite upset at the end when I saw the ship sink and I went into a deep daydream of how the Government should have let the ships be, how it could have been, how they should never have made laws against them and how spectacular the sixties was… and the WAY COOL music… The ending was a bit of a downer, but accurate nevertheless. (Reinforcing my ‘Golden Age Thinking’ as explained in Midnight in Paris)

The Boat That Rocked is an entertaining film where anybody could pick out a favourite bit, moment or character, making it a movie that’s easy to talk about. It is a perfectly orchestrated story with fewer stereotypes than I expected.

The wardrobe was absolutely stupendous (I wish there was a “The Boat That Rocked Shop”) and the cut-aways to the everyday listeners was probably one of my favourite bits, because it gave you a huge scope of the world they lived in – since it could have been very isolated to the life on the boat.

This isn’t just a film worth watching, this is a film worth buying and then replaying. You will finish watching the film and feel an urge to carry a stereo around with you, liberating the boring and monotonous people of the 2000s with epic sounds of the sixties.

You will feel the need to stick it to the man and be rebellious… But you’ll probably just put the film on repeat instead, and that’s cool too.

If American Graffiti represents America in the 60s, The Boat that Rocked represents the UK in the 60s.

Jodie’s rating: 8/10

Juno

Director: Jason Reitman
Writer: Diablo Cody
Released: December 2007
Starring: Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney, J. K. Simmons
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Holy crap, if you haven’t seen this, you are seriously deprived of life. Likewise, if you saw it and didn’t like it, you have been shunned.

juno-bleeker-juno-2098226-1024-576 However, I saw it. Then I saw it again. Then I purchased the DVD with my hard-earned pennies and enjoyed it a whole lot more. Juno is more than just a “comedy drama” as Wikipedia so conservatively stated. It is the hilarious and refreshing story of a typical teenager, Juno McGuff (Ellen Page), and her slight mishap of falling pregnant by the introverted and slightly cheesy Paulie Bleaker (Michael Cera).

It is a movie like no other… It may be distantly related humour-wise to the likes of Little Miss Sunshine (another film dear to me), but its use of language and musty image wreaks of painfully ordinary and very relatable environments.

juno bren mac Juno is a fantastic movie because it has a serious undertone blended with the raw and in-your-face snarky remarks of the teen characters. It’s a story of family, essentially. The relationship between parents and children, divorce and innocence, as well as the relationship – or lack of – between generations. Juno’s love of rock n roll and horrors from the 70s, and the longing for youth that some of the adult characters experience.

The humour is split down the middle; the adults of the audience will laugh at the parent’s reactions and the teens of the audience will be quoting McGuff for the next few months. It’s not a vile rom-com or on par with “Knocked Up”, it’s emotionally deeper than those one-hit-wonders.

The writer, Diablo Cody, was a blogger, that’s how she was approached by a film producer and asked to write a script. She came up with Juno. The shocking dialogue sometimes provokes nervous laughter, or may be tear jerking or blatant Laugh-Out-Loud material! It’s quite an intricate script which essentially follows the awkward storyline of Juno McGuff as well as the adoptive parents that “June-Bug” picks out (who’s marriage is subsequently on the rocks).

The first thing I had to do after seeing this film was to buy the DVD. The second thing I had to do was buy the soundtrack. The tracks are just as quirky as the film, particularly Kimya Dawson’s many songs and instrumentals that made the final cut. They go very well with the feel of Juno, particularly the bluntness of the protagonist.

Reitman’s dedication and patience is obvious when you see the clearly painstakingly long time it would have taken to create the intro – it was worked on from the beginning of the shoot to the very first viewing, nevertheless, worthwhile. The shots are mostly static.

ellen-page-j-k-simmons-fox-searchlights-juno-970464168 It’s all in the lighting and seventies colour scheme of clashing reds, oranges and browns with knitted-looking clothing and dated throws on furniture. Reitman’s work reminds me of Edgar Wright’s (Shaun of the Dead, Hot Fuzz…) approach to filming. You can tell it’s an off-beat approach somehow, yet refreshingly upbeat and incredibly honest.

It’s not a fast-paced movie anyway, but I think the montage scene I found on the DVD extras was something that would have kept up the pace… Although it may have detracted from the overall emotion of the film, so in the end the scene’s absence was a blessing in disguise, even if it did tie a ball and chain to the overall pace.

Still one of my favourite films even after all these years.

Jodie’s rating: 8.5/10