drama – Page 4 – NZ Film Freak

Whip It

Director: Drew Barrymore
Writer: Shauna Cross
Released: 2009
Starring: Drew Barrymore and Ellen Page
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First of all, don’t be put off by Drew Barrymore as the director… Your preconceptions are invalid.

Whip It is certainly a fun and enjoyable film based around the exciting sport of Roller Derby. Since watching this movie, I really wanted to go to a Roller Derby bout which I was lucky enough to do this year. Boy, the violence portrayed in the movie is clearly through the eyes of Hollywood – it is so much more brutal in real life. Or maybe our Kiwi players are just more violent…? It was awesome nonetheless.

So, Whip It is about a seventeen year old girl called Bliss (Ellen Page <3) who discovers the world of Roller Derby and sees it as a way of setting herself free from her mother’s “50s womanhood” household.

EllenPageAliaShawkat — Pash (Alia Shawkat) and Bliss (Ellen Page) at their day job in the “bustling metropolis know as Bodeen, Texas”.

It explores friendship, change and rebellion. It is truly a cool film which makes you want to become a Roller Derby player after every watch; the energy is contagious! By the end of the film you will be picking our your derby name!

Ellen Page has always been one of my favourite actors (Inception, Juno…) and every female character has such a strength about them – almost androgynous – similar to the

LandonPigg — Bliss (Elen Page) and Oliver (Landon Pigg) make a fantastic pair, with Landon Pigg being a musician in real life, his band’s songs were included which were fantastic.

likes of Trinity from The Matrix. It’s very empowering.

I guess because Bliss (who becomes Babe Ruthless) is an “alternative” girl from a misfit town who beats all odds and becomes her own hero. A powerful message that is portrayed is that you should do what makes you happy at that moment – it doesn’t matter if it is not your career path or that you do it forever; just that you experience it and live in the moment is what matters.

Musically it transforms the potential chick-flick feel into a deeper and more emotional journey. My favourite score being “The Road To Austin” by the Section Quartet. As well as Jens Lekman’s “Your Arms Around Me” which is best heard with the scene that it is used with. They go together perfectly.

Drew Barrymore has really made a reputable name for herself behind the camera as well as in front, for sure. A fun and easy-watch but also an inspirational story that captures a vivid snapshot of Bliss’ life in a way that includes the realistic ‘ups and downs’ of life.

A feel-good comedy-drama. Worth a watch!

Jodie’s rating: 7.5/10

The Curious Case of Benjamin Button

Written: Screenplay: Eric Roth, Short story: F. Scott Fitzgerald
Directed: David Fincher (Fight Club, Panic Room, The Social Network…)
Released: 2008/2009
Starring: Cate Blanchett and Brad Pitt
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So, I have owned this DVD for a while now and I really love it. Although I do remember the hesitation I had toward it because it was a deep and meaningful movie with… Brad Pitt in it.

Unfortunately I had not seen Fight Club and 12 Monkeys before I saw Benjamin Button, so I had no idea of his acting capabilities. I only had the handful of average movies he had starred in and gossip columns about the latest child he had adopted to judge him by.

Brad Pitt was certainly impressive, though. I’ll be the first to admit that he is in no way on my list of favourite actors. However, it did make me realise that if you ignore the publicity, the personal information that is blown out of proportion by the media, and his ridiculous long hair that screams “I DON’T WANT TO GROW UP!!”, he definitely has some talent in there!

But ultimately, this film is thought-provoking and fantastic! It is in no way a light-hearted or an easy watch, but certainly one that you should see when you have a night to yourself.

If you love Forrest Gump (screenplay also written by Eric Roth) and Big Fish, you’ll enjoy this. Just like those films, The Curious Case of Benjamin Button is an insightful biographical recollection of a fascinating character, whose life stories and moral outlook is inspirational to say the least.

big-fish-Sandra-Edward — Sandra and Edward

Benjamin Button is about a man who physically ages backwards but still ultimately grows up like any ‘normal’ man. Which does remind me of Forrest Gump; “What is normal anyway?” and Big Fish; “My muscles and my bones couldn’t keep up with my body’s ambition…”. It explores the life skills and influences that mould one’s character into who they fundamentally are.

ForrestJennyForrest — Forrest Gump and Jenny

The saying “an old soul” comes to mind what talking about Benjamin Button.

Of course, who one turns out to be ultimately depends on the sort of experiences that they encounter, and Benjamin Button turns out to be a very average kind of guy – just like Forrest Gump and Edward Bloom – it’s just that their amazing life stories make them admirable and interesting.

benjamin-button-Daisy — Benjamin Button and Daisy

Just like listening to a grandparent’s war stories; ordinary people in unordinary situations.

I think although parallels can be drawn from the likes of Forrest Gump and Big Fish, the innocence has been extracted from Benjamin Button’s story. Perhaps this make it more realistic. Although it is certainly a darker tale.

The special effects are certainly something to marvel at. Because it is about a man who ages backwards, the physical look of each stage from an elderly baby to a youthful man is remarkable and realistic.

This movie explores personal identity, beliefs, motivations and pressures that makes people who they are. There are constant references to fate which I find intriguing; “you never know what’s comin’ for you”.

A great and inspirational story to say the least.

Jodie’s rating: 9/10

Little Miss Sunshine

Directors: Jonothan Dayton and Valerie Faris
Writer: Michael Arndt
Released: January 2006
Starring: Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin and Alan Arkin
—

If you adored the humour of Juno, you will fall madly in love with this film! It was full of that dry, black humour where you don’t know if you should laugh or cry.

It has that ‘typical family’ quality where you can relate to every character because we all know somebody like them. Sort of.

26suns.2.600

Olive (Abigail Breslin) wants to compete in a beauty pageant, which is a good one-and-a-half day’s drive away. With an unpredictably suicidal uncle (Steve Carell) who can not be left by himself, the whole family decides to go.

You automatically adore Olive, who brings an innocence to the family who are full of ‘failures’. Her brother refuses to talk, her grandfather is a heroin addict, her uncle is suicidal, and her father is a failed life coach. Meanwhile, her mother is struggling to keep the family together.

arts-graphics-2007_1175871a

Despite me making it sound like a total downer, it’s actually a beautifully triumphant film where everyone slowly makes peace with themselves and each other. I thoroughly enjoyed the adventures and internal conflict with a lot of deep and meaningful messages throughout the film.

A film that will make you laugh, cry, and reconsider your priorities in life.

Jodie’s rating: 8.5/10

The Horse Whisperer

Director: Robert Redford
Writer: Nicholas Evans (Novel)
Released: 1998
Starring: Robert Redford, Kristin Scott Thomas, Sam Neill, Dianne Wiest, Scarlett Johansson, Chris Cooper
—

I am a sucker for any great horse film – such as Black Beauty, but unlike War Horse.
And The Horse Whisperer is certainly way up there in terms of lack of soppiness, being accurate in the training and horse terms as well as having a strong sense of realism.

So it begins in the most idyllic farm blanketed in thick snow. Grace (the young Scarlett Johansson) puts her riding boots on and tip toes out of the house. She sees he friend over in the next field and yells “HELLO!!” with steam coming from her mouth and her voice echoing. “HELLOOO!!” her friend replies and they run toward each other, then make their way to the stables.

This is my idea of paradise which is why this film starts out on an instant high.

Unfortunately during their ride, Grace’s friend and her horse get hit by a truck and die. The accident was filmed so well! And when I say that it was filmed well, I mean insatiablely exquisitely well! I can’t even put my finger on how they did it… Perhaps they really did get a horse to do all of the stunts or perhaps they got away with realistic dummies due to the many quick-edited shots. Anyway. I almost don’t want to know because it was so convincing.

The accident leaves Grace and her horse Pilgrim physically and mentally injured so Grace’s mum (Kristin Scott Thomas) takes them to a ‘horse whisperer’ called Tom Booker (Robert Redford) in order to help them both recover.

The thing that stood out for me was the acuracy in the training techniques. The Horse Whisperer is based on a training system called Natural Horsemanship where the rider asks the horse for submission, acceptance and softness.

Obviously the reactions of the horse are not always particularly realistic, nor would the lack of time spent on Pilgrim result in the horse becoming totally cured. However, I think we are all grown up to accept that this is a film that has certainly taken the horse’s reactions into consideration, without it becoming an instructional video of how to train your horse.

The epic music is as incredible as Titanic and Black Beauty. I blame the music for my constant blubbering throughout the entire film…

I remember when I last watched this and I felt like there wasn’t enough of the horse’s story in it. However, this was about ten or so years ago and I am rather thankful that a parallel storyline of how humans interact and accept each other was weaved throughout. The love story is strong and does not take from the overall story of the horse’s journey through recovery.

You kind of get to know how cruelly we treat each other, how trauma affects people differently and how we listen and communicate with each other through the recovery of the horse. It’s really quite deep.

The end of the story is unexpected… But I can’t decide if it was in a good way or not. Everything is concluded except for the love story which I was eager to know more about.

After watching this I wanted to buy a ranch in Southern America so badly! Get a horse and go out riding for days. It made horseriding look incredibly natural – which I suppose it isn’t really – with big western saddles, loose reins and calm canters over the endless hills. A fantastically jolting contrast between the uncontained farm land and the claustrophobic New York City show within the film.

A fantastic watch for any horse lover or lover of deep emotion-driven films. I enjoyed the culture of the farm in the south.

Robert Redford has style! So keep an eye out for the use of shadows and colour.
A film that is very well done.

Jodie’s rating: 8.5/10

Hereafter

Director: Clint Eastwood
Writer: Peter Morgan
Released: 2010
Starring: Matt Damon Cécile de France, Bryce Dallas Howard
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Released in 2010?? Are you kidding me? I thought we would have mastered the art of writing and making films by then… Jeez!

And Matt Damon. Matt Damon. Where is your head?? You are on my top 10 actors… And you sign yourself up for this??

So anyway, having bought this DVD on a bit of a whim I felt obliged to like it. But I found it difficult since the story line was virtually non-existent.

Don’t get me wrong, the first ten or so minutes were SO intense! A tsunami comes out of nowhere and you feel the panic under water – similar to the movie 2012. But after that, you pretty much get whip lash from the sudden decrease in pace of the movie.

You can see the Tsunami here:

George (Damon) is a psychic who denies his gift and tries to live a normal life. He eventually meets Melanie (Bryce Dallas Howard) who pushes him to give her a reading which abruptly ends the date… We never see Melanie for the rest of the film. Which was actually a blessing in disguise because Howard did a terrible job of acting – all hands and awkward pauses… rather jarring actually.

There are three story lines that intertwine which could have been effective if it wasn’t so damn slow and predictable. It really was obvious because after you find out George is a psychic and how he got his powers, you can fit the puzzle very quickly. Because you know that whoever dies in the film and comes back to life will have these powers, and the people who witness death will somehow find George.

I called it a ‘puzzle’ but it was literally a three-piece puzzle. Where you could figure out the picture before you had even put the pieces together…

Clint Eastwood is a master of light. But the lack of light in every scene made me squint and it ended up not making the film mysterious because it ignored the audience. Like, the lack of light shut the audience out of the scene.

The scenes of the natural disaster and the car crash scenes were very realistic though. I have to give him that.

I am selling this DVD online – I am confident that I will ever waste two hours of my life on this movie again. It was sssoooo boring!!

Unfortunately Matt Damon is in that We Bought A Zoo film so it looks as though his awesome days of Good Will Hunting, Saving Private Ryan and The Bourne Identity are sadly over…

hereafter — Matt Damon – Please pick your films more carefully next time!

Matt Damon – I have not lost faith in you yet!

Jodie’s rating: 2/10

The Hunger Games

Director: Gary Ross
Writer: Suzanne Collins (novel)
Released: March 2012
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Stanley Tucci, Donald Sutherland, Willow Shields
—

Imagine the over-powering control as seen in The Truman Show, the effect on the audiences’ instincts as felt in the 2010 film 127 Hours, but with the overwhelming popularity of Twilight.

Wow, chills went down my spine!

Although I haven’t read the novels, I found I got totally immersed in the storyline of the first of the series about a world of twisted priorities with little respect for life, with a brewing love story beneath the conflict.

It’s an exciting plot about Katniss Everdeen (Jennifer Lawrence) who volunteers in place of her younger sister to be the tribute in a murderous game that is televised for public entertainment. A blood-thirsty game of physical strength and instinctive survival skills, out of 24 tributes, the final survivor will win.

The game is played in a controlled arena where the makers play God with the harsh environment – similar to that in The Truman Show.

I love the idea of the cruel business-like approach of life and death. In order to have the best chance of surviving, the tributes have to make themselves liked by the audience watching the game from home, which encourages sponsors to support the players in their plight for survival.

Gary Ross used a lot of point-of-view shots and shaky camera work which occasionally separated me from what was actually going on, but certainly added to the intensity of the importance of Katniss’ survival.

I assumed Katniss was 18 years-old, but it turns out she is supposed to be 16 which I don’t think was very convincing. However, Katniss was a strong protagonist who split from the group from the get go. She escaped the “blood bath” at the starting line and we follow her survival from there.

Jennifer Lawrence is a very talented actress who kept the character believable yet admirable and relatable. She kept Katniss neutral enough to be adored by everyone, but personable enough not to let the character become emotionless.

I was hoping the film would be a bit more realistic in regards to the fighting as it appeared a tad tame. However, I suppose the rating needed to stay low for the novel’s younger readership to be able to watch it.

With a mixture of old and future technologies it reminded me of Harry Potter (lack of guns and ammunition, yet futuristic medical potions, computers and genetically modified animals). But I think this made the land even more mystical and unknown.

This may well become the new “in” film series, except with a much wider audience who will be inspired by the strong characters rather than the submissive love-struck protagonists of Twilight.

The Hunger Games is much deeper than just another romantic fantasy story.

“May the odds be ever in your favour”

Jodie’s rating: 8/10
Check out the sequel: The Hunger Games: Catching Fire review

April 2013: Since reading the books, I can see that the adaptation was pretty decent! Of course novels and movies are different mediums so there are obviously some amazing scenes that were left out. But the way I see it, the novel is the behind the scenes of the movie, with cool details and extras to discover.

The trailer is average compared to the emotion you get from watching the whole film.

About a Boy

ABout A Boy Poster

Directors: Chris and Paul Weitz
Writer: Nick Hornby
Released: 2002
Starring: Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult
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I am in no way a fan of Hugh Grant. He seems to only play one character and that character appears to be exactly what he is like in real life. Having said that…

He is in some pretty wicked films like Bridget Jones, Notting Hill, but the most impressive being this one: About A Boy.

about-a-boy It’s about Will Freeman (Hugh Grant) who has never needed to work and is a professional womanizer. The parallel story is about poor Marcus (Nicholas Hoult) and how he deals with his mother (Toni Collette) who is suffering from depression, all the while having a tough time at school.

Will thinks that having no family and friends is liberating until he meets the friendless Marcus who is looking for family.

It’s such a breath of fresh air because Hugh Grant keeps his typecast role of the ‘handsome’ Englishman yet it is intermingled with Toni Collette’s role as an incredibly sad and hopeless character.

This film is another melancholy coming-of-age film with sparks of comedy through it. If you enjoyed Juno, Little Miss Sunshine, The Way Way Back or Scent of a Woman, you will adore this movie for sure.

This is my new favourite!

Jodie’s rating: 8.5/10

Scent of a Woman

Director: Martin Brest
Writer: Based on Ibuio e il miele by Giovanni Arpino
Released: 1992
Featuring: Al Pacino and Chris O’Donnell
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Getting this film in a “two for $20” sale I was cautious, particularly because the front cover showed a rather dated looking image and the title sounded a tad creepy. However, the name ‘Al Pacino’ gave me hope.

Scent of a Woman is an incredibly fascinating film to watch repeatedly because of the script, which is deep and meaningful to say the least.

Al Pacino’s character – referred frequently to as The Colonel – is a blind man who appears to be as mad as a dog at his first screen appearance. But he is such an interesting character I almost wish he were real. He is an experienced soldier and a wise man, who has a story or two to tell.

Chris O’Donnell’s character is Charlie who is hired as Colonel Slade’s aid for a thanksgiving weekend. He is dragged to New York with him, but learns a lot along the way.

There are a couple of incredibly memorable scenes. One is where Colonel does a very moving speech at Charlie’s school. I wrote all about it here. There are some brilliant quotes, and by the end you have total respect for this flawed character.

Scent of a Woman

Colonel: There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There’s no prosthetic for that.

The other memorable scene is the tango scene. Colonel and Charlie are sitting in a restaurant when Colonel senses a woman sat by herself behind them and he asks her to dance the tango with him. It sounds creepy, but it’s actually beautiful.

Colonel: There are no mistakes in the tango. If you get all tangled up, you just tango on!

Scent of a Woman reminds me a lot of Driving Lessons (and many other films including The Intouchables and You’re Not You): Where an old person drags a young person somewhere. The young person doesn’t know jack about life, and learns a lot from the old, wise person. Then, the young person finds out that the old person has big secrets. So they help each other out. I’ve written about this in my post One Story, Six Movies.

scentofawoman15

I love these kind of films though, even if the story isn’t original anymore. I guess they’re coming-of-age films. Films such as Driving Lessons, The Way Way Back, Little Miss Sunshine, Juno and Up In Air. They’re funny but thought-provoking too.

Colonel: “Are you blind?!”
Charlie: “No of course not”
Colonel: “Then why do you keep grabbing my arm? I take YOUR arm.”

Jodie’s rating: 8.5/10

In case you’re interested – the speech.

Driving Lessons

Director: Jeremy Brock
Writer: Jeremy Brock
Released: 2006
Featuring: Julie Walters, Rupert Grint, Laura Linney
—

Okay, so this film has been HUGELY underrated. Despite being aware that everybody has their right to their own opinion, I, as New Zealand’s official Freak of Film, would like to say:

YOU ARE ALL INCORRECT.

Driving Lessons is a slower-than-usual paced film with a script as philosophical as Forrest Gump, but with humour as dry as Napoleon Dynamite (in some parts).

It’s about a boy named Ben (the gorgeous Rupert Grint… He’s so cool… *sigh*) who is born into a devoted Christian family, which becomes an oppressive and controlled lifestyle that batters Ben down into an emotionally-absent teenager.

Until he meets Evie.

This film has my favourite actress, Julie Walters playing an eccentric elderly woman named Evie who has been “…married and divorced three times. Once to an actor, once to an English Lord and once to a Californian” and is far from the ‘saved’ friends Ben usually acquaints himself with.

She shows him the ropes of life – with the moral being more-or-less that you can learn about how the world should be and the theory of how life works, but you don’t know a thing until you LIVE it.

She has had such a colourful life and is so liberal, which influences Ben to shake the strong reliance his controlling mother (Laura Linney) has over him.

I LOVE Walter’s interpretation of Evie who is a filthy-mouthed but very warm woman who anybody would wish was their nan in real life!

Ben’s mother, Laura Marshall, was played incredibly well by Linney who showed the character to be an insecure and controlling woman who appears almost like a puppeteer behind the mask of a wholesome church-goer. Laura Linney does such a great job, you begin to dislike the character very quickly!

The religious undertone isn’t something that should put non-religious watchers off, as it is an approach that is refreshing and open-minded. The story does very well keeping a non-bias view of beliefs, that do not suffocate the plot with pre-set ideas.

I have got the soundtrack which I absolutely enjoy! However, a few more like Ben Fold’s song “Jesusland” would have been cool.

I can’t help wondering what a TOTALLY different film this would have been if the old woman was an old man and the young boy was a young girl. Even if the plot remained the same… Just found that peculiar…

This is a film that is deep enough to watch repeatedly, yet, light enough for a social viewing. The humour is fantastic and Rupert Grint shows his versatility. A must see!

Jodie’s rating: 8/10

Fave line:

“Evie, you’re in the middle of nowhere.”
“Then I shall cling to the edge of somewhere!”

Up in the Air

Director: Jason Reitman
Writer: Jason Reitman and Sheldon Turner (based on novel by Walter Kirn)
Released: December 2009
Starring: George Clooney, Vera Farmiga, Anna Kendrick
—

At face value, this may seem like just another shallow idea with a typical love story. But this is far from it.

It’s an incredible story that has a very serious undertone, indeed. It is actually documenting the effects of the start of the financial downfall that we are now experiencing globally.

The movie is not told from the perspective of an employee being let go and the inevitable family and financial problems that would accompany it, but from the point of view of the man that is hired by the boss to tell their employers they no longer have a job.

This is a song that a man named Kevin Renick wrote after losing his job. He sent it to Jason Reitman after hearing about the film and the song is played on the credits. Shows how real this film is, I think.

It’s a fantastic – yet heartbreaking – perspective, because we also see how technology is ruining human connection. For example, it is proposed that instead of Ryan Bingham (George Clooney) flying from city to city letting these people go face to face, that he could actually tell them online via a camera which would be more ‘efficient’, but obviously much less personal. This proposition doesn’t work for Bingham whatsoever. Let alone the people getting told they’re losing a job.

It’s a sad story of how people’s worlds collapse, how in many respects the odds are against us and that people can no longer rely on each other since it is predominately all about profit. It addresses how we have stopped being personal, only professional, and how a job can become somebody’s life. How it can be their only reliable thing.

Of course, being the director of Juno, Jason Reitman has created another fantastic comedy with very quirky lines. I love this kind of humour, particularly in the scene showed in the photo above.

Ryan: I’m not a shrink, Bob. I’m a wake-up call. You know why kids love athletes?
Bob (JK Simmons): I don’t know. Cause they screw lingerie models?
Ryan: No, that’s why we love athletes. Kids love athletes because they follow their dreams… Your resume` says that you minored in French culinary arts. Most students, they work on the fryer at KFC, but you bussed tables at Il Picador to support yourself. Then you get out of college and then you come and you work here. How much did they first pay you to give up on your dreams?
Bob: 27 grand a year.
Ryan: And when were you going to stop and come back and do what makes you happy?
Bob: Good point.

My favourite part is when George Clooney’s character is deliberating which line to join for security screening in an airport:

This fantastic film is pretty much about all the different ways somebody can feel ‘up in the air’ with little substance and solidarity in their life.

It is a sad film if you look beyond its face value, with not much of a happy ending which I think is very appropriate since we are not quite out of the dark yet. However, it’s strong, underlying current of humour keeps us afloat and captured throughout the whole film.

Jodie’s rating: 9/10

Good Will Hunting

Director: Gus Van Sant
Writers: Ben Affleck and Matt Damon
Released: December 1997
Starring: Matt Damon, Robin Williams, Ben Affleck and Minnie Driver
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This film is fantastic because it achieves thought provoking material without loosing the audience in a deep, meaningful and philosophical black hole. The film is able to do this by keeping the humour, which seems loyal to the culture that the story is based around.

Mathematical Genius

Chuckie (Ben Affleck): You’re sitting on a winning lottery ticket, but too much of a pussy to cash it in

I love these kinds of films. The protagonist, Will (Matt Damon), at face value is a screwed up kid worthy of little sympathy. Yet, his mathematical intelligence is beyond compare, even though he refuses to acknowledge it. Through countless councillors, he finally finds somebody Sean (Robin Williams) who can do more than scratch the surface of his dark past.

Sean: [during a therapy session] You’re not perfect, sport, and let me save you the suspense: this girl you’ve met, she’s not perfect either. But the question is whether or not you’re perfect for each other.

The only way you could tell this film was made on a tighter budget was the repeated songs and the slightly over and under-exposed shots. However, depending on the experience and reputation of the director, this will either be classed as a ‘mistake’ or as ‘art’.

The movie is perfectly cast. Their performances are so totally real and credible that you become immune to the repetitive swearing, which stutters the overall flow of the film until you get to know the characters. I also have a new found respect for Affleck and Damon who wrote the script. Incredible.

Skylar (Driver) Good Will Hunting

This film will either leave you contented with life and excited about your prospects for the future, or, leave you feeling hopeless that you don’t have an obvious talent that could give you a secure future.

But for the most part, you will realise that the script is about how, despite society’s expectations and despite everybody having baggage and fears, everyone has a choice to start again, if only they have the courage to do so. Also, despite all of this we all have the same shot of achieving happiness.

A tremendous film that you can really read into. I thoroughly enjoyed the characters telling their stories too.

Jodie’s rating: 8/10

Eternal Sunshine of the Spotless Mind

Director: Michel Gondry
Writers: Michel Gondry, Charlie Kaufman and Pierre Bismuth
Released: March 2004
Starring: Jim Carrey, Kate Winslet, Kirsten Dunst, Mark Ruffalo, Elijah Wood, Tom Wilkinson
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My Valentine’s Day post. Why? Because of this line that Joel delivers in the film about Valentine’s Day:

Joel: Today is a holiday invented by greeting card companies to make people feel like crap.

Which I found amusing.

It’s still one of my favourite movies after multiple viewings. I discovered this film in English class at high school and (admittedly not actually getting it the first time I watched it) I have loved it ever since!

Believe you me, the people who said they got it after the first viewing were either lying or they read the plot on Wikipedia.

It explores the idea of erasing painful memories and the implications of this. Imagine being able to erase the memory of an embarrassing moment. More seriously, imagine being so distraught with losing a loved one that you choose to erase the memory of them ever existing.

Mary (Kirsten Dunst): Blessed are the forgetful, for they get the better even of their blunders.

But is erasing difficult memories enabling one to make the same mistakes again? Is never meeting a true love better than enduring the loss?

It follows two main characters Joel (Jim Carrey) and Clementine (Kate Winslet) whose difficult relationship leads them down the road of removing the memory of each other. They are polar opposite. It shows how two people can complete each other, but also how much they can clash.

Clementine: This is it, Joel. It’s going to be gone soon.
Joel: I know.
Clementine: What do we do?
Joel: Enjoy it.

I love how the story explores relationships. How sometimes the things you love about someone becomes the very reason you fall out of love with them.

Joel: [on tape recording] And the whole thing with the hair – it’s all bullshit.
Joel: I really like your hair.
Clementine: Thank you.

Clementine

(Cleverly, Clementine has ever-changing hair, which helps viewers keep track of the order of the plot, which jumps between past and present.)

The actors appear to be playing the opposite of the sort of characters they’ve been typecast to play. Winslet and Carrey both nail it though.

Joel Barish

This film is thought provoking to say the least. Mind boggling too. But it’s ultimately about accepting that pain is part of growing, and loss is a part of life.

Joel: I can’t see anything that I don’t like about you.
Clementine: But you will! But you will. You know, you will think of things. And I’ll get bored with you and feel trapped because that’s what happens with me.
Joel: Okay.
Clementine: [pauses] Okay.

It’s sort of like Inception meets The Matrix, but that’s just because it’s the exploration of a different perspective of life.
At the end of The Matrix we all asked ourselves ‘is this world virtual?’.
At the end of Inception we all asked ourselves ‘am I in a dream?’.
At the end of Eternal Sunshine, you’ll ask yourselves ‘have I done this before?’.

You’ll be sure to pick up a few funny sayings and dwell over the small touches that you would never notice the first three times of watching this layered film.

Clementine: You’re not a stalker, or anything, right?
Joel: I’m not a stalker. YOU’RE the one that talked to me, remember?
Clementine: That is the oldest trick in the stalker book.
Joel: Really? There’s a stalker book? Great, I gotta read that one.

This is an absolutely awesome film that will have you thinking for hours. I thoroughly enjoyed it as it is a fantastic break from the monotonous love stories out there. The technology used and tricks done on set by the camera and the actors is old school, but very cool.

Eternal Sunshine

Eternal Sunshine is a film that not everybody could relate to or fully appreciate. I think it is because this is not a spoon-fed love story Fedexed from Hollywood to a cinema near you!

Jodie’s rating: 8.5/10

This trailer really makes this film very light and fluffy… Which isn’t accurate.

War Horse

Director: Steven Spielberg
Writer: Michael Morpurgo
Released: 2011
Starring: Emily Watson, David Thewlis, Peter Mullan, Niels Arestrup, Jeremy Irvine
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Wow. What a spectacular disappointment.

So I went into the cinema with my tissues already to go, as I was expecting another epic Spielberg film that would be as shocking and as accurate as Saving Private Ryan and even more tragic and as touching as Black Beauty.

Sobbing — How I felt before War Horse – ready for a sad and heroic film

I was forgiving at first:

“Okay, the colt is played by a filly… I can get over that…”

“Okay, the foal has different markings to the previous scene…”

But then we got to Albert training the horse, Joey. My suspension of disbelief was non-existent when it was implied that the horse was trained by being spoken to – in English no less.

I mean the farmer dude was saying “hey Joey. Stay… Stay… Stay…. Now come here!” and the horse would come trotting over when he said so… I mean with NO previous training – that’s not possible.

Believe you me, horses don’t learn things by being spoken at. (Although I couldn’t help but try it out on my horse Apache when I got home… He looked at me weird then turned and walked away.

Nor do horses learn by copying a human, such as when Albert wanted to put a harness on Joey. They obviously had two stunt horses; the first one threw his head around at the sight of the harness, but then Albert was all like; ‘come on Joey we need you to plough the field… See you just put your nose through like this’. Then the boy put his head through the harness to show the horse what he meant (smart guy).

Then, HEY PRESTO! The horse had learned, and the other stunt horse – who was trained to have a harness on – seamlessly took the previous horse’s place and they were ready to go to plough the field! Warm and fuzzies… But, I. Mean. Seriously.

I was almost sick in my mouth when Joey ‘taught’ his horse friend how to put a harness on… Because that’s what horses would really do.

Moving on from the horse, the human actors – to put it plainly – sucked ass. Some of the actors couldn’t quite hold their accents very well, such as Emilie (Celine Buckens) who was supposed to be a French girl yet she sounded English. (Hey I was right! I just checked Wikipedia and she is English.)

Some of the actors were very unbelievable, particularly on the battle fields, like when a soldier got shot in the leg, Albert helped him up and they both ran to safety… Ran to safety… Running.

I didn’t shed a tear or feel upset AT ALL during this movie, except, perhaps, when it finished because I felt so disappointed.

I was expecting epic music like Danny Elfman’s in Black Beauty which makes you cry just listening to it. I was expecting fewer stereotypical scenes and more realistic reactions from horses. But they gave the animals human emotions… and the ability to understand English…

I think that’s what made this film go completely topsy-turvey. It was a horrific and graphic story that was seriously sugar-coated. I believe it was aimed at the younger audiences who have recently been weened off Disney films.

Steven, it could have been A-MA-ZING if it was historically accurate!

There were two scenes, however, that had the potential to be memorable scenes if they didn’t try to shelter the audience so much. One was when two German soldiers were shot because they tried to escape the fight on horseback. But the windmill blocked your vision and the extreme wide shot added zero emotion to it.

The other scene was when the English soldier surrendered to walk onto the battlefield to rescue ‘Joey’ from barbed wire and the German enemy came to help. Now this scene would have been so meaningful if it wasn’t for them being too casual with each other. It was pretty much the sort of conversation two old highschool bullies would have had if they met each other forty years later in a department store.

Really?? This is war! Not something to be made light heartedly. Spielberg should know that – he made the most accurate WW2 movie in Hollywood’s history.

I expected Saving Private Ryan/Schindler’s List mixed with Black Beauty... Not Babe mixed with a film that should have gone straight to DVD…

Jodie’s regretful and disappointing rating of: 3/10

Awwwww but the trailer looks so goooooood!! :( Especially the part where the horses are in the girl’s room. (But when you watch the film you see that to get to Emilie’s room, the horses would have had to climb up a staircase that looked like a ladder…)

Harry Potter and the Deathly Hallows Part 1

Director: David Yates
Writer: J.K Rowling
Released: 2010
Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Maggie Smith, Robbie Coltrane, Warwick Davis, Ralph Fiennes, Michael Gambon, Brendan Gleeson, Richard Griffiths, John Hurt, Jason Isaacs, Alan Rickman, Fiona Shaw, Timothy Spall, Imelda Staunton, David Thewlis, Julie Walters
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What a fantastic film! But of course I would say that; it’s based around time travel. So if you enjoyed the Prisoner of Azkaban, you’ll enjoy this.

Every Potter film before this has been increasingly dark – this is no exception – it is evil and horrific as we continue our ten year journey with Harry potter in order to defeat Lord Voldemort and we are almost at the final fight.

Harry-Potter-and-the-Deathly-Hallows-a

This film is getting closer and closer to the muggle world as the famous three have more dealings with people outside of Hogworts. Despite it’s scary themes and shocking circumstances, it certainly doesn’t lack its tension-diffusing humour.

Particularly within the first chapter where everybody who’s helping to protect Harry takes Polyjuice potion enabling everyone in the room to look identical to Harry – a very clever and interesting behind-the-scenes piece regarding how they did this scene on the double disc version.

There are sudden deaths which may be disappointing for some fans, but the challenges and interdependence you discover between the main characters makes the story deeper and less about Harry. It’s a journey of discovery in more ways than geographically. As we flit from place to place we meet more and more people, unable of who to trust.

Ron-and-Hermione-Deathly-Hallows-Part1-romione-15280646-1350-939 I’m still not convinced about the unorthodox chemistry between Harry and Ron’s sister, Ginny. No matter how many movies, it just doesn’t work for me… However, Ron and Hermione have a more realistic relationship including somewhat hilarious disagreements.

Not long ago I reminisced and watched the first Potter film. It was then that I realised how far we had come technology-wise and this series has documented it.

HarryPotter_DH_Animated_Scene Deathly Hallows has spectacular audio and music as well as flawlessly creepy flashbacks. My favourite scene is when Hermione tells the story of the Deathly Hallows and the relevance of the Elder Wand, Resurrection Stone and Invisibility Cloak. It is so cool – like you’re in the room listening to harry-potter-and-the-deathly-hallows-part-1-373-8756 it, it’s the atmosphere of the film that makes it so real.

This is my favourite film of the series. By far. It is the mystery and the huge journey we go on emotionally and geographically, yet somehow it doesn’t seem so far fetched. A very exciting, yet occasionally humourous watch!

Jodie’s rating: 9/10

The King’s Speech

Director: Tom Hooper
Writer: David Seidler
Released: January 2011
Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall, Derek Jacobi, Jennifer Ehle, Michael Gambon
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Nominated for 14 BAFTAs and the winner of 12 Academy Awards, this incredibly triumphing story of King George VI (Colin Firth) has earned every award it has been given hands down.

the-kings-speech The King’s Speech is the account of King George VI, who is forced to overcome his debilitating speech impediment to reach his full potential as a strong ruler which he becomes by default due to his Father’s death, King George V (Sir Michael John Gambon) and the resignation of his brother, King Edward VIII (Guy Pearce). Despite the premise of this film sounding as if it may become a repetitive and stationary story of pure frustration and despair, The King’s Speech was actually an incredible journey of expectation, victory and unity.

The-Kings-Speech After countless ‘royalty approved’ doctors, they were about to give up when Queen Elizabeth (Helena Bonham Carter) found Lionel Logue (Geoffrey Rush). This begins the strong friendship created between the King and his unlikely acquaintance as well as the trust that has to be built between patient and doctor. The humourous, innovative methods and remarkable outcomes of the pair are inspirational and uplifting.

thekingsspeechhigh-res1 The cast for this movie was not short of perfect. Colin Firth is the protagonist who became the stuttering King George VI convincingly. He shows that he is a versatile actor who is capable of mastering any genre – from Bridget Jones’ Diary to The King’s Speech.
Queen Elizabeth is played by the eccentric and off-beat actress Helena Bonham-Carter who pulls off the composed and stately Queen (very unsurprisingly) faultlessly.

The award-winning Timothy Spall portrays Winston Churchill exactly how I would expect him to play any of his characters; with skill and completely believably.
The hero of the film is Lionel Logue, an “average Joe” in comparison to his patient of Royalty. Logue is played by Geoffrey Rush who surprises the King by his informal approach to speech exercises. Yet, after much deliberation from the King, he creates the casual and relaxed environment for the stuttering King to learn in without feeling superior.

kings-speech-trailer Tom Hooper shows himself to be quite a genius director. The composition of each shot supports the feelings of the King. With the claustrophobic feel of the environment when he is unable to communicate what he needs to say as well as the unsupportive feel of large and empty rooms. Warm and quality lighting creates the atmosphere of being in the presence of Royalty, contrasting the cold, dim, dark glow of the London streets.

kings-speech-movie This is wonderfully layered film which allows viewers to look into it as deep as they like. Therefore, the second and third viewing is as enjoyable as the first. The King’s Speech is a fantastically made film with every shot perfectly composed and every scene well constructed – this really is a motion picture suitable for anybody old enough to appreciate it.

There is no action or speed chases, but the inclination of tension and nerves kept me in the moment. This narrows the audience that this film may appeal to. However, I think that anybody who has the capability to appreciate triumph and success from shear hard work and determination will value this historical journey. I can guarantee that anyone who sees The King’s Speech will be able to take something away from it.

Jodie’s rating: 9/10

Inception

Director: Christopher Nolan
Writer: Christopher Nolan
Released: 2010
Starring: Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Tom Berenger, Michael Caine
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Wow! If you liked the Matrix you’ll like this!

A mind-twisting film which demands the full attention of viewers as it’s not an ‘easy watch’. By that, I mean that a passive audience is not going to be handed the complex idea of dream inception and deep characters on a platter.

Dom Cobb (Leonardo DiCaprio) is the primary dreamer or extractor hired by a corporation-owner, Mr Saito (Ken Watanabe) to plant a lucrative idea into Robert Michael Fischer’s (Cillian Murphey) mind via a dream. This is to encourage him to decide to break up the energy conglomerate which he recently inherited to make way for Saito’s company.

inception_luciddreaming

Despite this not being an easy task. But to add to the challenge, Cobb’s late wife invades the dreams, potentially sabotaging the entire job and putting the dreamers (including Joseph Gordan-Levitt and Ellen Page) in fatal danger. This is because dying in a “dream within a dream” will not wake them up, but send them into limbo which is basically no-man’s land for what seems like an eternity.

That was a mouthful!

This epic film is a James Bond action meets Matrix science fiction meets a totally unique twist of a psychological thriller, which incorporates the modern fear of privacy invasion and increasing reality that companies have the most power.

With so much going on and so much to think about during the movie, the two and a half hours whizz by.

My favourite scene would have to be the parallel storyline of the van that is driving the unconscious dreamers, with the storyline of the conscious dreamers within somebody else’s dream. (Yes, it’s difficult to explain).

It’s the fast-paced dream versus the slow motion van that explains the time difference between dreaming and real life.

The count-down begins as the slow motion van is driven off of the bridge and the dreamers need to accomplish the mission and wake up before their physical selves drown in the van. It’s so intense!

The cliff-hanger ending leaves much debate between viewers – so after much philosophical thinking, logical analysis and heated debates with friends, you would be back in the cinema for a second viewing or buying the special edition DVD from the nearest store.

The devoted and flabbergasted viewers will find themselves questioning how they come to certain decisions (are we in a dream?) in the same way the Matrix promoted questions of fiction and reality (is this world physically real?). In the same way as Sims players question if somebody is playing our lives out.

Of course, different people take away very different things from this movie. The most popular comment being “I don’t get it.”

INCEPTION. With a stream of shallow chick flicks and rom-coms, Inception was a breath of fresh air for those who enjoy a bit of an “epic”.

Of course, the film and talented cast is not all that creates such a movie – Hans Zimmer’s haunting scores were essentially what gives you chills!

Not forgetting the song that was the cue for the dreamers to wake up in the film (and is everybody’s alarm clock sound now) – Non, Je Ne Regrette Rein sung by Edith Piaf. It stirs emotions of apprehension and nostalgia in the audience which is parallel with the characters’.

I’m sure you can tell that I am an Inception fan, but I have to say that such a long and complicated film has less entertainment value by the third or fourth viewing.

However, it’s a “must have” for all dedicated DVD collectors or movie-making enthusiasts.

Even if it is a DVD that is not watched frequently, it’s a film that will always spark conversation and is kept handy for casual social viewing for a wide audience.

Jodie’s rating: 8.5/10