Director: Nora Ephron Writer: Nora Ephron and Delia Ephron Released: December 1998 Starring: Tom Hanks, Meg Ryan, Parker Posey, Jean Stapleton, Dave Chappelle, Steve Zahn, Greg Kinnear
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A classic 1990s rom-com! Featuring the mum and dad of 90s rom-coms – Tom Hanks and Meg Ryan.
It’s from the writer/director Nora Ephron – the brain behind When Harry Met Sally, the similar 90s story of Sleepless in Seattle, and Julie & Julia. (She must have really loved Meg Ryan – I wonder if Nora considered her for Julie & Julia because she has a striking resemblance to Amy Adams.)
You’ve Got Mail is the ultimate feel-good film. It’s everyone’s daydream; realising the love of your life has been in front of you the entire time. In this movie, Kathleen Kelly (Meg Ryan) owns a quaint book shop, until a giant book-selling conglomerate – owned by Joe Fox (Tom Hanks) – moves right up the road from her.
Kathleen: [writing to “NY152”] People are always telling you that change is a good thing. But all they’re really saying is that something you didn’t want to happen at all… has happened.
This threatens her family business, so Kathleen takes comfort in a stranger online – known as NY152 – whom she confides in. Developing feelings for the stranger, and vice versa, they decide to meet and you’ll never guess who NY152 turns out to be.
(Meanwhile, Kathleen is dating a complete arse (Greg Kinnear) who I absolutely adore hating.)
Kathleen: [in an email to “NY152”] The odd thing about this form of communication is that you’re more likely to talk about nothing than something. But I just want to say that all this nothing has meant more to me than so many somethings.
It’s got just the right amount of cheese for this outlandish twist of fate to be believable and enjoyable. It reminds me of Serendipity in that way.
I love the nonsense that Kathleen talks about. She really does have her head in a book even when she’s not reading:
Kathleen: [writing to “NY152”] Once I read a story about a butterfly in the subway, and today, I saw one! It got on at 42nd and off at 59th, where, I assume, it was going to Bloomingdales to buy a hat that will turn out to be a mistake, as almost all hats are.
It’s the perfect rainy Sunday watch. Its happiness and joy will make the sun come out in your life!
Jodie’s rating: 6/10
Kathleen: I love daisies. Joe: You told me. Kathleen: They’re so friendly. Don’t you think daisies are the friendliest flower?
Director: Michael Patrick King Writer: Michael Patrick King (screenplay), Candace Bushnell (story/characters) Released: May 2008, May 2010 Starring: Sarah Jessica Parker, Kim Cattrall, Kristin Davis, Cynthia Nixon
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Sex and the City has recently celebrated its 20th anniversary since the TV series of the same name was aired. Coincidently, I watched the Sex and the City movies for the first time ever merely a week ago (and have only just learnt it was based on a book and a TV series!).
Basically, I had to see what all the fuss was about. I always hear references to it, but was never entirely sure what it was about so I watched both movies in one sitting. (While drinking wine and eating vegan fish fingers.)
The reason why I’m combining the reviews of Sex and the City and Sex and the City 2 is because I found them to be very similar stories, with neither one more enjoyable than the other.
These films are all about the characters: Carrie Bradshaw (Sarah Jessica Parker), Samantha Jones (Kim Cattrall), Charlotte York Goldenblatt (Kristin Davis) and Miranda Hobbes (Cynthia Nixon). Therefore, your first task is to pick your favourite.
Mine is Charlotte because she’s happy in her relationship, has a solid family around her, she tends to worry a lot, and I love how elegantly she dresses. So I found her the most relatable and aspirational. She is also a very sensible person who ‘mothers’ the rest.
Carrie is a lot of people’s favourite as she has an on-again, off-again relationship and is stumbling through her love life not knowing which way is up. While many would find this scandalous and entertaining, I found her storyline with her long-term partner, Big (Chris Noth) (I don’t want to know why everyone calls him Big), irritating. I feel like she requires a good, hard slap to snap her out of her dizzy, juvenile daydream.
Samantha is the eldest and is pretty much a sex addict, so even though her storyline is hot and happening with lots of young, fit men, she was a tad too brash and screechy when she spoke for my liking.
Miranda has an unfortunate haircut. She’s also very pale and sinewy. I don’t like it. I think Nicole Kidman or Marcia Cross would have been better casting choices. (In fact, was Nicole Kidman’s character in Big Little Lies based on Miranda?)
The first film is about the girls going to Mexico after Carrie’s fiance, Big, ditches her at the alter. The honeymoon to Mexico was already booked, so they all jump a plane to enjoy it and to recover from heartbreak.
The second film is about the girls’ trip to Dubai. Samantha gets a free-of-charge, all-inclusive luxurious getaway for them all, but things start turning sour when Carrie bumps into an ex-boyfriend in the markets of Dubai – then kisses him! Even though she has a man back home. Bitch.
Sex and the City is the film that excuses you from your sad, poor-person life and gives you a doorway to the life of luxury. It’s an escape into a world that is filled with money, men, scandals and branded bags.
I was personally expecting more scandal and more bitchiness; I think the movies could have done better to live up to their reputation. But it was okay. They’re movies are about extravagance and glamour, so I enjoyed them for what they were.
While there are rumours for a third instalment, I’m not convinced this will happen. Partially due to the apparent ‘feud’ between Sarah Jessica Parker and Kim Cattrall.
Director: Ryan Murphy Writer: Ryan Murphy Jennifer Salt (screenplay), Elizabeth Gilbert (novel) Released: August 2010 Starring: Julia Roberts, James Franco, Richard Jenkins, Viola Davis, Billy Crudup, Javier Bardem
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I have avoided writing this review for years because the thought of it exhausts me, as did the film.
Eat Pray Love is about Elizabeth Gilbert (Julia Roberts) who has a large home, a husband and a great job, but she feels empty and without an ‘appetite’ for life. She soon instigates a divorce from her husband (Billy Crudup) whom she feels no connection to, before having a rebound relationship with David (James Franco).
Elizabeth: Hadn’t I wanted this? I had actively participated in every moment of the creation of this life. So why didn’t I see myself in any of it? The only thing more impossible than staying… was leaving. I didn’t want to hurt anybody, I wanted to slip quietly out the back door and not stop running until I reached Greenland.
A comment in the early part of the film that sticks in my head is by Elizabeth’s best friend Delia (Viola Davis). She says that Elizabeth used to look like Steven (her ex-husband), and now she looked like David (her rebound boyfriend).
As in, she was trying to find herself in others and consequently copying the way they dressed. I thought that was insightful and very relatable because when you don’t know who you are, you pretend to be someone else.
So Elizabeth decides to go travelling for a year to Italy to find her appetite again (eat), then India to experience peace (pray), and then Bali for balance, which turns into love.
Elizabeth: I used to have this appetite for my life, and now it’s gone! …I want to go somewhere where I can marvel at something.
Julia Roberts was the perfect choice because she plays a down-to-earth, complicated and romantic character. Her character is also quite inspirational as she does exactly what she tells everyone she’s going to do; travel!
She’s especially inspirational in comparison to her rebound actor boyfriend David who talks a lot about what he’s going to do but never actually does it.
Elizabeth: If you’re brave enough to leave behind everything familiar and comforting, which can be anything from your house to bitter, old resentments, and set out on a truth-seeking journey… then the truth will not be withheld from you.
Eat Love Pray does have a particularly ‘privileged, rich, skinny, white woman is feeling sad’ kind of vibe. So I can imagine this detracts from the message significantly. Especially when the slim characters supposedly get ‘muffin tops’ from eating too much pizza and pasta. Like, girl, there’s nothing to you!
Nevertheless, there are a lot of philosophical lessons that are learnt by Elizabeth along the way, which I enjoy. It truly is a very personal discovery that she goes through, with her self-reflection and life lessons being relatable and aspirational.
In Italy, she learns to enjoy herself and not worry about her waistline. She learns to taste, enjoy, not feel guilty and to not deny herself of feeling good.
Luca Spaghetti: Americans! You work too hard. …you don’t know pleasure. You have to be told you’ve earned it. You see a commercial that says, “It’s Miller time”… and you say, “That’s right. Now I will go to buy a six-pack”. And drink the whole thing and wake up the next morning and you feel terrible.
But an Italian doesn’t need to be told. He walks by a sign that says, “You deserve a break today”… and he says, “Yeah, I know. That’s why I’m planning on taking a break at noon… to go over to your house and sleep with your wife”.
In India, she learns to block out the noise and to live in the moment. She learns to make peace with her past and let resentment go.
Richard from Texas: Big deal. So you fell in love with someone Elizabeth: But I miss him. Richard from Texas: So Miss him! Send him light and love when you think of him and then drop it!
Finally, in Bali, she discovers true love.
Filipe: You don’t need a man, Liz. You need a champion.
While in theory this should be a film I absolutely adore, unfortunately it is simply far too long (two and a half hours) with too many complicated internal conflicts to digest.
But I do appreciate that a lot of people can relate to running away from a ‘perfect’ life to search for themselves across the world.
Overall, it’s got strong messages but by the end I felt like I had travelled the world myself. I was exhausted.
Directors: Glenn Ficarraa, John Requa Writer: Dan Fogelman Released: July 2011 Starring: Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone, Marisa Tomei, Kevin Bacon
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Initially reminding me of other star-studded, multi-storyline films like Valentine’s Day, New Year’s Day and Love Actually, I didn’t have high-hopes for this ‘dramedy’. However, I was pleasantly surprised – it’s very funny indeed.
It follows several storylines that all end up being intertwined. But it begins with Emily (Julianne Moore) who cheats on her husband Cal (Steve Carrel). Jacob (Ryan Gosling) takes pity on a moping Cal and gives him a fashion and ego make-over.
Steve Carrel – who is also a producer of this movie – wanted the film to be called ‘The Wingman’ as it accurately described the main storyline. But it was eventually decided that it was a boring title and Crazy, Stupid, Love was chosen instead. (Even though it’s a girlie title, and inaccurate as there’s not a lot of ‘crazy’ in the film.)
Jacob: Are you the billionaire owner of Apple Computers? Cal: No. Jacob: Oh, ok. In that case, you’ve got no right to wear New Balance sneakers, ever.
Meanwhile, Jacob starts dating Hannah (Emma Stone), who I find to be very relatable and down-to-earth. Ryan Gosling and Emma Stone have brilliant chemistry and have been a couple in two more films since Crazy, Stupid, Love – Gangster Squadand La La Land.
I feel like they should be together in real life too.
Hannah: Will you take off your shirt… Seriously? It’s like you’re Photoshopped!
Crazy, Stupid, Love delves into the unabashed journey of falling in love, including all the embarrassments and relatable moments. All the while, the jokes come thick and fast to keep the drama light.
It is a fun, quirky and hilarious film – it’s certainly an easy watch. This film is not as shallow as the promotions make it appear either, and the talented cast keep you laughing all the way through.
Director: Kenneth Branagh Writer: Chris Weitz. Based on Disney’s Cinderella. Released: March 2015 Starring: Cate Blanchett, Lily James, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, Helena Bonham Carter
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Speaking of Disney live-action remakes and royal weddings, I remembered that I never wrote a review about Cinderella. There are so many Disney princess films and wedding movies on the tellie at the moment, so I thought I’d join in.
As with every Disney princess movie, one must take it with a pinch of salt. It will be a little cringe, over-dramatic, a little too perfect and very girly. But isn’t that what princess films are all about?
This live-action remake features Lily James as Cinderella, whose career seems to have been majorly boosted after this film came out. I remember at the time I was a bit disappointed in the casting because I didn’t know who this random was, but now I’d say it’s a perfect choice.
Not only was she the perfect ‘look’ for Cinderella, but she brought a little bit of personality to the character too (unlike Mia Wasikowska in Alice in Wonderland.). Lily James stays honest to the Cinderella we’ve come to know, while still being down to earth.
Ella’s mother: Have courage and be kind.
If you thought her waist was digitally made smaller, I can confirm this was not the case. Lily James has a naturally small 24 inch waist, and as she was wearing a corset in a billowy dress the appearance was an unnaturally tiny waist.
What about the glass slippers? While the close up of the glass slipper is real, it doesn’t actually fit Lily James’s foot. The rest of the time they’re CGI glass slippers.
Apparently Emma Watson was originally asked to play Cinders but she turned it down. She later went on to be cast as Belle in Beauty and the Beast.
Watson claimed she had more of an affinity with Belle than Cinderella. She also said Belle is a better role model, but I call BS on that statement. Disney princesses are all as shallow as each other. Just because Belle reads a lot doesn’t make her morally better than Cinderella.
I digress.
Helena Bonham Carter was a brilliant fairy godmother. Being in the Harry Potter movies perhaps made her well-practiced with a wand. She isn’t a sickly-sweet fairy godmother, in fact she’s rather brash, but it works!
(It is of course rather scandalous that she was cast because the director Kenneth Branagh cheated on Emma Thompson with Helena Bonham Carter back in the nineties.)
Fairy Godmother: Now off you go. For you shall go to the ball!
Cate Blanchett was the evil stepmother, and you truly came to hate her and her daughters. Cate and her bone structure are brilliant.
My favourite part is of course when the mice get turned into horses, the lizard into the coachman and the goose into a driver. It’s so magical!
Cinderella stays loyal to the original tale, and doesn’t try to be too different. It is a truly magical film, albeit cheesey. But isn’t that what Disney princess films are all about?
Director: Nathan Greno, Byron Howard Writer: Dan Fogelman. Based on Rapunzel by Brothers Grimm Starring: Mandy Moore, Zachary Levi, Donna Murphy Released: November 2010
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Based on the Brothers Grimm classic, Rapunzel, this modern tale Tangled brings the comedy back.
While it’s sad that Harry and Meghan’s Royal Wedding is now over, we can at least enjoy all the other Royal Weddings on the big screen – including Rapunzel’s. Tangled may be eight years old, and the original story released in 1812, but Rapunzel is still a classic!
A notorious thief called Eugene Fitzherbert AKA ‘Flynn Rider’ (Zachary Levi), finds a tall tower to climb and hide in while being chased. But he soon realises he’s not alone. Rapunzel (Mandy Moore) is energetic and naive, but well-trained in self-defence. Skills that come in handy when Flynn intrudes.
Quick note: Zachary Levi sounds an awful lot like Will Ferrell in Megamind…
She has been locked in this tall tower by the witch, Mother Gothel (Donna Murphy), who unbeknown to Rapunzel, raised her after being kidnapped from the king and queen at birth.
As per traditional fairytales, our heroine has an animal best friend by her side. In this case it’s a chameleon called Pascal who mocks Flynn frequently. However, my favourite animal is by far the horse (of course) named Maximus. He is incredibly sassy and reminds me a lot of my pony’s personality. Worryingly.
This is a fun fairytale that has some much needed updating. While our heroine has retained her innocence, she is far from helpless and uses her hair as a weapon rather than solely a lure for handsome men to climb.
Despite it not being Disney’s best princess film, and despite the frequent songs (which is to be expected I know) this is a quirky, funny and thoroughly enjoyable Sunday afternoon watch with the family.
Director: Ben Falcone Writers: Ben Falcone, Melissa McCarthy and Chris Henchy Released: May 2018 Starring: Melissa McCarthy, Gillian Jacobs, Maya Rudolph, Julie Bowen, Matt Walsh, Molly Gordon, Stephen Root, Jacki Weaver
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I love Melissa McCarthy, but I lowered my expectations after reading a fair few below-average reviews about her new film Life of the Party.
This didn’t deter me though, so my brother-in-law and I went to the cinema. Within ten minutes we were choking on our popcorn during fits of laughter, and getting stitches as we tried to stifle our chortles! Almost every scene was hilarious. By the end of the film, I had mascara streaked down my cheeks and a mild headache from trying not to laugh too loud.
It is by far the funniest film I’ve seen so far this year. (Although, as the only film I’ve seen so far this year is A Quiet Place, Darkest Hour and Split I guess that’s not saying much.)
It’s about a kind and sweet mother called Deanna (Melissa McCarthy), whose husband suddenly tells her he wants a divorce. Within a week, she picked herself up and decided to finish her archeology degree at the same college/university as her daughter, Maddie (Molly Gordon).
Deanna: I’m down to clown.
Life of the Party is co-written and directed by McCarthy’s real-life husband Ben Falcone (AKA Air Marshall John), who tends to have a cameo in her films. (This movie was no exception, so keep an eye out for him.)
It must have been so hard for him to write and direct his wife doing kissing scenes… I watched an interview about it and he said the love scene was shot on their tenth anniversary. But it was okay, he said. They seem so down to earth as a couple! I love them.
Quick fact: McCarthy and Falcone’s fathers feature in the film as the racquetball guys.
What makes this movie great is how wholesome and lovable Deanna is, and how the majority of characters love her too! There’s always a couple of mean girls at uni of course – Jennifer (Debby Ryan) and her side-kick – but Deanna takes them in her stride and has some very cheesy come-backs.
But the real ‘bad-guy’ is her husband’s new wife, Marcie (Julie Bowen, AKA the mum from Modern Family). She does an incredible job of being evil, and the story becomes rather revengeful. Which, is extremely entertaining.
There are a couple of scenes in particular that made me lose control in thick fits of giggles. One of them is the infamous presentation scene where poor Deanna gets so nervous that she sweats profusely. After reaching for tissues to dab her face with, she turns around to reveal her cheeks covered with white fluff where the tissue stuck to her. I lost it.
The other scene to look forward to is the dance-off where Deanna goes to a 1980s themed party and has a dance fight with horrid Jennifer. I died.
And in between these scenes is Maya Rudolph’s character, Christine! Holy Jesus, she was so so funny. She was brilliant! I want a best friend like Christine.
Christine: THAT’S MAH GIRL! THAT’S MAH LADY RIGHT THERE!
With limited swearing and rudeness, Life of the Party is a feel-good film. There are a couple of characters I’d change up, but for the most part you will be grinning in between fits of laugh-out-loud hysterics. You’ll leave the cinema with a page out of Deanna’s book of being super friendly, motherly and kind to everyone.
In fact, I went to Sainsbury’s after this film and I was still channeling Deanna’s positivity. I must have traded my ‘resting bitch face’ for a grin because a lot of people were smiling back at me. Not sure if this was to do with my panda eyes though.
My advice is to ignore the below average reviews, take this sweet film at face value and have a laugh. It’ll make you feel better.
Director: Charles Shyer Writer: Charles Shyer, Nancy Meyers, Frances Goodrich, Albert Hackett Released: December 1991 Starring: Steve Martin, Diane Keaton, Kimberly Williams, Martin Short, Kieran Culkin
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As part of an upcoming post about the ‘top 10 wedding movies’, I realised I had a lot of research to conduct.
I had originally disregarded Father of the Bride, but a few people told me it’s actually worth a watch. It’s based on a film of the same name, which was made in 1950. All in all it’s an enjoyable enough film, but unfortunately it’s also my worst wedding nightmare come to life.
It’s about a father, George Banks (Steve Martin), and his comedic journey of organising a wedding for his daughter Annie (Kimberly Williams). A lot of unfortunate yet funny things happen, particularly when the in-laws meet for the first time and when George has a break down in a supermarket.
[at a supermarket] George: I’ll tell you what I’m doing. I want to buy eight hot dogs and eight hot dog buns to go with them. But no one sells eight hot dog buns. They only sell twelve hot dog buns. So I end up paying for four buns I don’t need. So I am removing the superfluous buns. Yeah. And you want to know why? Because some big-shot over at the wiener company got together with some big-shot over at the bun company and decided to rip off the American public. Because they think the American public is a bunch of trusting nit-wits who will pay for everything they don’t need rather than make a stink. Well they’re not ripping of this nitwit anymore because I’m not paying for one more thing I don’t need. George Banks is saying NO! Stock Boy: Who’s George Banks? George: ME!
But from the perspective of a soon-to-be bride, Father of the Bride becomes a terrifying movie.
As parents of the bride, George and his wife Nina (Dianne Keaton) pay for the entire wedding, but the cost of 500+ guests threatens debt and money troubles for the modest Banks family.
To George’s relief, his beloved daughter chooses to have the reception at home, which he hopes will save money. But the money saved is promptly spent on an elaborate wedding cake and a flamboyant wedding planner named Franck Eggelhoffer (Martin Short).
(At this point, I wish George would put his foot down but Nina encourages him to keep paying out for everything.)
I’ve heard the wedding planner is many people’s favourite character because his accent is funny. But I think it’s so over-done, to the point that I could understand even less than the other characters could.
By the time the wedding day comes, the father doesn’t even get to try the food, see the cutting of the cake or the first dance because he is running around like a headless chook keeping everything in order.
Annie took advantage of her dad, and didn’t even say anything on the wedding day when he went missing.
While the ranting of George and his emotional turmoil is comedic and light-hearted, I found it a bit upsetting. Putting my parents through that much stress is my worst nightmare, and I’m sure many parents and brides would feel the same.
Not only did George lose his daughter, but the final scene shows him and his wife in a large empty home with rubbish and broken glasses littering the carpet.
Maybe I shouldn’t look so deeply into this family film.
The sequel came out in 1995, but I’m not in a hurry to see it.
Director: Peter Chelsom Writer: Marc Klein Released: October 2001 Starring: John Cusack, Kate Beckinsale
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Sara: [Serendipity is] such a nice sounding word for what it means: a fortunate accident.
This is our Christmas film because it’s set at Christmas time in snowy New York – so magical!
It’s a fantasy romance film about fate, and whether you should act on impulse or allow life to take the wheel. When Sara (Kate Beckinsale) and Jonathan (John Cusack) meet on Christmas Eve by chance, Jonathan falls in love with her straight away, but Sara believes they must leave it to fate.
If they are meant to be together, then fate will bring them back together. So, Sara leaves after a beautiful night together in hopes of seeing him again.
Ten years on, fate couldn’t have directed them further apart. But, they can’t stop thinking about each other despite not having been in touch since that one magical night. They go about trying to find each other again, and a comedic adventure ensues!
It’s an easy-to-watch romance with a ‘too good to be true’ magical storyline. Which, I am in no way complaining about. I love magical romances.
John Cusack has a brilliant comedic energy about him, and Kate Beckinsale has a wonderful elegance to her without being too ‘perfect’.
I love how both characters have philosophical sidekicks (Jonathan’s friend Dean (Jeremy Piven) and Sara’s friend Eve (Molly Shannon)) to put their ridiculous missions into perspective.
Eve: And if you’re smart enough, you learn from your mistakes. You figure it out. You… you think. You realize that life isn’t some elaborate stage play with directions for the actors. Life’s a mess, Sara. It’s… it’s chaos personified.
I love the deep and meaningful nature of this film. The underlying tone is one of strength and empowerment to do what you want, and to get what you want.
Eve: You see, that is what happens when people get hooked on the new-age life. They end up sitting at home burning candles for mister right, when mister good-enough-for-right-now is waiting at the corner bar!
You’ll walk away feeling nothing but happiness with a new-found faith in love, and a new-found sense of power over your life.
Dean: You know the Greeks didn’t write obituaries. They only asked one question after a man died: “Did he have passion?”.
It’s one of my favourite rom-coms, even though you need a decent amount of suspension of disbelief! The only thing missing was an inspirational soundtrack, I think.
From the brain behind The Boat that Rocked,Notting Hill, Love Actually and Bridget Jonescomes a warm and fuzzy, all-nice, all-good, hot chocolate and cuddles on a rainy day kind of story. It’s called About Time. (If you loved Driving Lessons, I think you’d enjoy this film.)
I love coming-of-age films, there’s nothing better than seeing bog-standard, everyday man-on-the-street kind of characters on the tellie accomplishing the extraordinary and telling you that everything will be alright in the end.
About Time is one of the best feel-good comedy/dramas out there, partly because it’s to do with time travel. It’s about an innocent and quiet boy called Tim Lake (Domhnall Gleeson) who at the humble age of 21 is told by his father (Bill Nighy) that, like every man in his family, he can travel back in time.
While his grandfathers before him used time travel to make more money, and his father went back to read as many books as he could, Tim decides to use time travel to improve his love life. He soon begins to learn some harsh lessons.
Tim: Lesson Number One: All the time traveling in the world can’t make someone love you.
After a few of life’s trip-ups, a twist of fate and a lot of laughs, Tim finds Mary (Rachel McAdams) and goes about to win her heart. But that’s not the end of the adventure, as life intervenes and reminds Tim that he may be able to time travel, but he’s still going to experience hard times.
Tim: There’s a song by Baz Luhrmann called Sunscreen. He says worrying about the future is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life will always be things that never crossed your worried mind.
To match the emotion and tone of this film is a fantastic soundtrack, including Nick Cave’s Into My Arms and At the River by Groove Armada. It’s a great soundtrack, which supports Tim’s emotional journey throughout the backdrops of London and Cornwall.
I would watch anything Bill Nighy is in, and Domhnall Gleeson is pretty cool too. But I adore Rachel McAdams, I’m so pleased she was cast. Although she is so annoyingly beautiful, which they didn’t do a good job of hiding! I don’t think the bookworm character of Mary was supposed to be quite so attractive…
Mum: Mary! Good Lord, you’re pretty. Mary: Oh, no. It’s just… I’ve got a lot of mascara and lipstick on. Mum: Let’s have a look… Oh, yes. Good. It’s very bad for a girl to be too pretty. It stops her developing a sense of humor. Or a personality.
I love how, despite Tim’s efforts, things still don’t work out perfectly every time. Because life always interferes – just like with everyone else. It rains on the wedding, family members get hurt, people die, and things don’t always happen in an ideal order. In fact, life or fate is a character of its own in this film.
About Time is full of solid advice, the ‘what-ifs’ explained, and the strength of family. You will laugh, you will cry, and you’ll want to hug your favourite people a little harder.
Tim: And in the end I think I’ve learned the final lesson from my travels in time… I now don’t travel back at all, not even for the day. I just try to live every day as if I’ve deliberately come back to this one day, to enjoy it, as if it was the full final day of my extraordinary, ordinary life.
It’s a beautiful script and despite its slow pace, was executed into a film brilliantly. It’s one of my favourite films and perfect for a family movie night. But you will cry. So, you’ve be warned.
Directed: Tate Taylor Written: Erin Cressida Wilson. Based on The Girl on the Train by Paula Hawkins Released: October 2016 Starring: Emily Blunt, Rebecca Ferguson, Justin Theroux, Haley Bennett, Luke Evans, Allison Janney (Juno’s mum!), Édgar Ramírez and Lisa Kudrow.
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The Girl on the Train is up there with Gone Girl! A mind-twisting psychological thriller, through the eyes of Rachel (Emily Blunt) – a frail alcoholic who is the last person to see Megan Hipwell (Haley Bennett) alive.
However, as we see the events unfold from Rachel’s point of view, you never know what is real and what has been imagined, as she struggles to remember what she saw .
Is she the murderer? Was it the ginger dude on the train? Was it Megan’s husband? You honestly wouldn’t know for sure – massive twists!
We experience the battle against herself as she grows stronger and more focussed on trying to remember what she saw that night when Megan went missing.
I have read the book, and if I had of seen the movie immediately after I think I would have agreed with the public’s negative reaction of it being too different to the novel. As instead of it being set in the dingy outer suburbs of London, it is set in glamourous waterside mansions of New York.
Apparently the movie was always going to be set somewhere in the USA, because alcoholism is ‘less accepted there‘, and the juxtaposition of the character’s sadness with the glorious mansions she passed on the train made it visually shocking… I still don’t think it was necessary to change the country’s setting, but whatever. At least Emily Blunt was allowed to remain English.
I enjoyed it very much, though. The characters are believable and relatable (my two big ticks for every movie). Emily Blunt makes an amazing drunk person – that must have taken a lot of practice to look that authentic. It’s actually scary and makes you think twice about drinking.
I’m pleased they didn’t make her look flawless while she was drunk. I was worried they would make her look too ‘pretty’, but her cheeks are puffy and red, her eye make-up is smudged and her hair is messy – you wouldn’t know she’s a celebrity.
But if I had to be nit-picky, the male characters all looked far too similar. I guess this was to encourage you to see through the hazy eyes of a drunkard who couldn’t identify anyone. But with the film being visually dark, everyone having short, dark hair could get confusing if you didn’t know the storyline.
Or maybe it’s just our crappy TV that makes the contrast too deep.
Nevertheless, if you haven’t read the book you’ll likely enjoy it more, because you wouldn’t be able to notice the differences from the novel. But you may find it a bit slow-paced and long-winded at times.
Would recommend!
Jodie’s rating: 8/10
PS. On more than one occasion, I have been told that if I didn’t have crooked teeth, chubby cheeks or many of my current facial features, that I would look JUST like Emily! 🤪🤪 *so proud*.
Director: Theodore Melfi Writers: Allison Schroeder & Theodore Melfi. Based on the bookby Margot Lee Shetterly Released: December 2016 Starring: Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kevin Costner, Kirsten Dunst Jim Parsons, Mahershala Ali, Aldis Hodge and Glen Powell
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This was actually quite a funny film!
I was expecting a super dramatic biopic, but as compelling as the storyline absolutely is, it is intertwined with down-to-Earth humour. (Pun intended.)
A fantastically inspiring movie based on three real-life black women who worked at NASA in the sixties. It follows their triumphs and successes, despite being completely discriminated against for being black, and for being women.
A classic ‘human’ story, with particularly relatable and believable moments that are so easy to connect with emotionally.
Karl Zielinski: …Let me ask you, if you were a white male, would you wish to be an engineer? Mary Jackson: I wouldn’t have to. I’d already be one.
Truly inspiring, shocking and sassy!
The three main characters are Katherine Goble Johnson (Taraji Penda Henson, The Curious Case of Benjamin Button), Dorothy Vaughan (Octavia Spencer, The Help) and Mary Jackson (Janelle Monáe).
Mary Jackson was my personal favourite because she had some of the best come-backs, and every dress she wore was absolutely beautiful. I want all of them please. (Look at everyone’s shoes too! I’m in love.)
The film is perhaps longer than needed… But having said that, there’s not a single scene I would be happy parting with!
Vivian Mitchell (Kirstin Dunst): Despite what you may think, I have nothing against y’all. Dorothy Vaughan: I know, I know you probably believe that.
I thoroughly enjoyed it, and so did my fiancé. We laughed a lot, I cried a lot (the proposal seen oh my Loooooord!!) and we walked away at the end of a mighty fine evening feeling uplifted.
We went to see Hidden Figures at a cinema in Wareham, Dorset called The Rex Cinema. I would thoroughly recommend paying a visit. The cinema was built in the 1800s, and the same grand and intriguing interior remains today. It was the perfect atmosphere to watch such a historical and proud film.
Director: Damien Chazelle Writer: Damien Chazelle Released: December 2016 Starring: Emma Stone, Ryan Gosling, John Legend and J.K Simmons
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IT’S SO MAGICAL!
Despite the trailer making me expect Glee meets Grease, I had heard so many rave reviews about La La Land, that I simply had to see it for myself.
I was not disappointed.
A story about a boy and a girl, with grand dreams (already a refreshing storyline in itself). Ryan Gosling’s character, Sebastian, wants to be a jazz musician playing in his own bar – he represents old-style Hollywood. Emma Stone’s character, Mia, wants to be a successful actress – she represents the Prius-driving new-age Hollywood. Two strong-minded people going in different directions, yet refusing to let go of each other.
With elements of Woody Allen’s Midnight in Paris, this absolute feel-good epic is layered and definitely deserves more than one viewing.
Damien Chazelle’s La La LandWoody Allen’s Midnight in Paris
It’s not only romantic, but Mia and Sebastian’s stories are incredibly relatable and real.
Many people were disappointed by the ending (don’t worry, I won’t give it away), as it’s not exactly what was expected, and tinged with sadness. But I thought the ending was absolutely spot-on and perfect, as it keeps the tone of life being a little messy and little disappointing.
Thankfully I was pre-warned about the opening scene, so the overly theatrical and colourful intro did not startle me. But I think everyone must be warned – it only gets better from here.
Nevertheless, this highway traffic jam intertwines with the story throughout the film. A metaphor for being stuck and not sure which direction to go, perhaps. But also the poignant location of the main characters’ first meeting.
This is a refreshing journey, unlike anything I have seen before.
I love the songs, which are few and far between. So claiming you’re ‘not into musicals’ is no excuse to avoid this movie. They sing about meaningful things during meaningful moments, and not about eating cheese or pointless things.
Emma Stone and Ryan Gosling are incredible dancers, singers and musicians – who knew! Gosling actually learnt the piano for the role, with no use for a hand-double.
I love how Stone’s voice isn’t the breathy, stage-sounding voice that you would typically find in American musicals, too. If her voice was too clean or edited, it certainly would have spoilt the soundtrack.
The jazz influence is AH-MAY-ZING. The writer and director is Damien Chazelle who wrote and directed Whiplash (love this movie too). So if you loved how jazz supported that story, you’ll adore the band performances in La La Land.
The trumpets! The pianos! The Sax! Brilliant.
The best part? (Apart from the costume design, music, story, dialogue, pianos and acting) It’s actually funny! I chuckled through my tears of sadness and joy throughout the whole film.
Especially any scene starring the amazing J.K Simmons, who plays Seb’s boss:
Sebastian: I want to let you know you’re looking at a new man. A man who’s happy to be here. [working a pianist at a dingy restaurant] Boss: Right, and you’ll play the set list. Sebastian: Gladly… Although, you know, I thought in this town it worked on a sort of “one for you, one for me” basis type system. How about two for you, one for me? Sebastian: How about all for you and none for me? Boss: That’s perfect, yes. Sebastian: Great. Boss: Okay. Sebastian: Okay, a mutual decision then. Boss: Made by me. Sebastian: Right, and I sign off on it, so… Boss: Whatever. Tell yourself what you want to know.
What a guy!
This movie is full of emotion, and you need to just go with it. Hence why you must lose yourself by watching it in the cinema. It’s a feelings kinda film.
Thank Christ Emma Watson and Miles Teller weren’t the lead actors. Rumour has it they were too demanding and wanted too much money. Youch! And now they are apparently gutted they didn’t snatch the roles.
God. That would have been a disaster… Think what the world would look like today if Hermione played the part of Mia… Think of the La La Land we have come to know, and how easily the movie could have changed… Disaster.
Stone and Gosling were perfect, it wouldn’t have been the same if anyone else had their roles. They’re grounded, humble and elegant. They’re relatable, but also aspirational.
I will see this again. IT’S JUST SO REAL. And beautiful. And true. And honest. With incredibly moving jazz music, which created a movie that is layered, moving and deep.
“Here’s to the ones who dream, foolish as they may seem. Here’s to the hearts that ache, here’s to the mess we make.” – Mia’s audition song
Oh my God I think I might cry again, just thinking about how perfect this movie is. I want a yellow dress and take dance lessons now.
Director: John Crowley Writer: Screenplay by Nick Hornby, based on novel by Colm Tóibín Released: November 2015 Starring: Saoirse Ronan, Emory Cohen, Domhnall Gleeson Jim Broadbent, Julie Walters
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I am ashamed how close I came to watching Tina Fey’s new movie, Sisters, rather than seeing this touching drama. (I still reckon Tina Fey is a genius, though.)
After seeing the Brooklyn trailer I was prepared to see a slow-paced, sullen and potentially grim film. But this was not the case!
I walked out of the cinema feeling uplifted, positive and encouraged. I felt as though I’d been wrapped up in a big, fat duvet, sung a lullaby while sipping on hot cocoa inside by the fire during a blizzard… It gave me the warm and fuzzies, and made me feel happy.
It’s about young Eilis Lacey (Saoirse Ronan) who is having a tough time growing up in Ireland, with not much in the way of a job, opportunities or a meaningful future.
Eilis’ sister sends her to Brooklyn to give her a chance at a better life, leaving her small family behind, devastated. However, she’s promptly set up with a job, warms to living in a loving boarding house, and meets a plucky Italian feller (Emory Cohen).
But tragedy strikes, and she must return to Ireland. This is where she meets a charming Irishman (Domhnall Gleeson), and must choose between the life she has always hoped for in Ireland with her family, and the life she has made for herself back in Brooklyn.
Father Flood: Homesickness is like most sicknesses, it will pass. It will make you feel wretched, and then it will move on to someone else.
Based in the 1950s, Brooklyn is a bright, feel-good movie with beautiful dresses and make-up, as well as having an incredibly romantic storyline.
It’s another screenplay masterpiece by the amazing Nick Horny (About A Boy, Wild). It has fantastic lines from Julie Walters’ character, Mrs. Keogh – I adore her. I can’t express how perfect she was for this motherly role, keeping the film upbeat and comforting.
Mrs. Keogh: I’ll tell you this much: I am going to ask Father Flood to preach a sermon on the dangers of giddiness. I now see that giddiness is the eighth deadly sin. A giddy girl is every bit as evil as a slothful man, and the noise she makes is a lot worse. Now, enough.
Mrs. Keogh: [in response to someone saying ‘oh God’ to stockings at a store called Bartocci’s] I’ll thank you to keep His name out of a conversation about nylons, thank you very much. He might be everywhere, but He’s not in Bartocci’s on sale day.
A heart-wrenching, relatable and deeply emotional story. I loved it. I laughed, I sobbed (wait for the part where the homeless man sings – I got chills), I was totally engaged from beginning to end.
If I must be so picky, though… The second half of the movie – where she returns to Ireland – lacks the intensity of the first half. It didn’t so much sag, but it did slow in pace a tad, making it a little unclear how conflicted she really is about whether she should stay or leave.
Nevertheless, this is a movie I wish I could watch again and again, to fully immerse myself in the 1950s culture, beautiful lighting and cinematography… And drool every time Tony the Italian man spoke in a dreamy Brooklyn accent.
Director: Robert Schwentke Writer: Bruce Joel Rubin. Based on the novel by Audrey Niffeneger Released: August 2009 Starring: Rachel McAdams, Eric Bana, Ron Livingston
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A heart-breaking story about, not the person who leaves, but the person who’s perpetually left behind.
I like this unusual perspective, particularly since time travel is such an attractive, but foreign concept. Yet, the story is focused on the more human and deeply relatable themes.
I’ve heard the book is fantastic – I’m going to read it this summer. But, the movie is exquisite. If you haven’t seen or read The Time Traveler’s Wife, the low-down is that a man is a time traveller and his wife is not. The time traveller, named Henry (Eric Bana) can’t control his travelling, so his impromptu disappearances and reappearances become a way of life for his wife Clare Abshire (Rachel McAdams).
Clare: I’ve been here for two weeks wanting to talk to you. What do you want to talk about? How bad it feels to sit here and wait for you?
My favourite song in the movie is Love Will Tear Us Apart by Broken Social Scene. It plays during the wedding, where Clare is to marry Henry – currently a nervous, attractive young man. But just before he is to be at the alter, he time travels. Within minutes, his grey-haired, older self appears to take his place – becoming the person Clare marries.
I love time travel, so the intricacies and non-linear storyline is like cotton candy and lollipops and rainbows and unicorns for me.
Even if you’re not a time travel nut, most people will appreciate how well the movie portrays the sense of loss. As when a loved one goes away, it’s usually harder for the person left behind to pick up the pieces and carry on.
Every time Henry disappears, the camera stays on Clare; left to finish dinner by herself, left to spend Christmas on her own, left to unpack in their new house by herself – unsure whether to sit and wait, or to continue regardless.
On a shallow note, Rachel McAdams is so gorgeous in this film, I can’t even look at myself in the mirror after watching this movie without despairing.
A beautiful, tragic and magical tale, of two people who try to have a normal life, in the most abnormal of circumstances. Told in a straight-forward, beginning to end fashion, but with a non-linear character. A classic “big ball of wibbly wobbly, timey-wimey… Stuff.” (Dr. Who reference there…)
For people who love romance and drama, but who find chick-flicks boring.
Director: Sarah Gavron Writer: Abi Morgan Released: October 2015 (Boxing Day in NZ though…) Starring: Carey Mulligan, Helena Bonham Carter, Brendan Gleeson, Anne-Marie Duff, Ben Whishaw and Meryl Streep
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As you may know by reading my “Looking forward to: Suffragette” post, I have been obsessed with this film for months. I’ve watched every movie clip, interview and behind-the-scenes glimpse.
Unfortunately, it appears the film company have actually released the entire movie throughout their promotion of Suffragette… I felt like I had already seen it by the time I watched it in the cinema.
If you too have watched the trailers that have been released, you have actually seen the beginning, the most scandalous and shocking scenes, as well as the final scene.
Not even joking.
Watching it in the cinema, I was clutching my handbag and holding my breath… Any second now, the mild-tempered Maud Watts (Carey Mulligan) is going to flip her sh*t. But she didn’t. She remains meek throughout the entire film. She just cries more and more as the story goes on.
So that was disappointing.
Nevertheless, this is an important movie that accurately (I’m assuming) documents the life of women in the early 1900s. It is beautifully lit and shot, the acting is spectacular, and costume design is great.
And, no make-up! Like, usually there’s the ‘no make-up, make-up’ look. But it actually looks like the Hollywood actresses are bare-faced. Kudos.
Suffragette is important for more than its content, though. It’s the first film ever to be shot in the Houses of Parliament. And, with a female director, writer, and predominately female cast, it’s significant for Hollywood.
Some may say Suffragette is a film made by women for women. But I think the moral of the story is fairness and equality – a universal idea that should be applied to men and women in any situation.
It’s an important film, and something to be proud of, anyway.
Director: Nora Ephron Writer: Julie Powell, Julia Child and Alex Prud’homme. Screenplay by Nora Ephron Released: August 2009 Starring: Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina, Linda Emond and Jane Lynch
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I can NOT believe I haven’t reviewed this! I was so certain I had because this movie was the inspiration behind me starting this very blog!
So! Julie & Julia, it is a typical rom-com drama, with a twist! The twist being the gorgeous, wonderful, classic Meryl Streep.
It follows two story lines – both of them based on true stories:
One is about Julia Child (Meryl Streep), an American living in France during the 40s. (That means trilling accents and beautiful dresses). She is struggling to adapt to French culture, so we follow how her love of food provided a comfort, and her plans to write a cookbook.
The second story is of Julie Powell (Amy Adams) in the modern day, a government worker by day who starts a cooking blog as an outlet. She uses Child’s cookbook as a guide: 524 recipes in 365 days.
(But if you look hard enough, you’ll find edits of Julie & Julia online without Julie Powell’s storyline at all!)
The intertwining stories mirror each other. Despite being worlds apart, Julie and Julia have much in common. Their love of food, and their journeys to become ‘unlost’ is the main point. However, their strong, supportive husbands is the other. (Julia’s husband Paul is played by the wonderful Stanley Tucci. I love him.)
My favourite person is Meryl Streep’s character. I’d love to have her as a best friend. She is so forgiving, embracing, loud, positive and reminds me of Beatrix Potter’s Jemima Puddle-Duck.
And what a gorgeously charasmatic person Julia Child really was! Meryl Streep impersonated her perfectly!
Julia makes me titter to the point of chortling in this movie. The way she speaks is like she’s stretching and kneading her words on her tongue. Goodness! I’m a poet.
Julia’s sister: From the beginning, you just don’t fit in. Literally. So then you don’t!
Now, I am not a foodie. I don’t enjoy food. I don’t look forward to meals. I don’t like cooking… I eat toasted sandwiches. And microwavable things. So, the fact that this is a story about cooking is not attractive to me.
I hate how noisy this film is. Every smack of their lips, every slurp and slap. It makes me cringe. Nevertheless, after every viewing I become starving, and crave things my eight-year-strong vegetarian diet strongly forbids.
Paul: What is it that you really like to do? Julia: Eat. It’s what I like to do! Paul: I know, I know, I know. And you’re so good at it! Look at you! Julia: I am good at it… I’m growing right in front of you!
But ultimately, I love this movie. I love the relationship of Julia and Paul Child, and Julie’s courage to not only begin a blog, but to stick with it.
I think it’s the lovable characters and inspirational passion that I love about this film.
Director: Jason Reitman Writer: Diablo Cody Released: December 2011 Starring: Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser and Collette Wolfe
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Another classic Diablo Cody script! I love the dialogue she writes for characters who are (for lack of a better word) ‘real’. Jason Reitman is the director of this comedy-drama, who is responsible for the likes of Juno and Up in the Air.
Young Adult is about a ghost writer, Mavis Gary (Charlize Theron), who returns to her home town to try and get back with an old flame, Buddy. Buddy, however, is married and has just had a baby and is in no way interested in what Mavis is so obviously implying.
Mavis’ mum: That new baby of his is just darling. Mavis: Have you seen it? …up close?
Her pessimistic and delusional outlook is something that [unfortunately] I love about her. She is rude, aloof and doesn’t care what people think of her.
Her language is just great though. The way she talks about marriage and children is like she’s talking about a disease that needs to be avoided. Mavis tells Buddy that ‘we can beat this thing together’ referring to his family. I’m tickled by that. This really isn’t a typical comedy at all.
Thankfully, during her crisis, Mavis meets a guy who she also used to go to high school with, Matt (Patton Oswalt).
Matt was severely attacked during high school resulting in him being disabled. But they bond over hating the same things. Mavis projects her hatred outwardly, and Matt eventually realises he has nothing to lose by expressing his anger around her too.
Mavis is such a lost soul though. She tortures herself by forever reminiscing about her high school days, when she was popular. It doesn’t help that she writes a ‘young adult’ series about popularity in high school, which becomes her diary disguised as a fictional teenage novel.
I love this movie because it’s character-based. It’s not fast-paced, just like real life, and hangs on to every emotion of the unstable Mavis, which makes you squirm. She’s so immature… But entertaining because she’s so expressive.
It’s not a movie for everyone. But I enjoy analysing behaviour, and I find the subtleties in this film interesting. She’s entertainingly perpetually disgusted with everything.
Check out my favourite scene in the movie here. It’s when Mavis Gary loses the plot at Buddy and Beth’s (Elizabeth Reaser) baby shower. It’s oddly empowering. Although I feel like I’m doing the wrong thing by taking her side.
I suppose this is a movie where the protagonist is the ‘bad guy’, and you can’t help but support and relate to her.
Director: Ridley Scott
Writer: Callie Khouri
Released: May 1991
Starring: Susan Sarandon, Geena Davis, Harvey Keitel, Michael Madsen and Brad Pitt
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I can’t believe I haven’t written about Thelma & Louise. This is my favourite movie of all time.
In 1991, Ridley Scott made the genius decision to direct a cinematic breakthrough with two strong female characters, essentially playing traditionally male roles.
Geena Davis and Susan Sarandon were stupendous. Absolutely the perfect actresses to portray Thelma, the naive housewife, and Louise, the hardened but streetwise woman.
If you haven’t seen this movie, it’s about two women who needed a break from their respective husband and boyfriend, and took a weekend away. Except, after getting caught up in a major kerfuffle, the women find themselves on the run from the law. They have never experienced such freedom, and use the lack of rules to their advantage by going on a crime spree. But, they do take moral responsibility for everything they do. They are able to fully explore who they are without the moulding of a man in their lives.
I love films about the characters. Like The Jane Austen Book Club, where you can see a piece of yourself in every character, and the clear development of them.
I’m drawn to this honest movie because Thelma and Louise break through their fears. They learn hard lessons, but ultimately become exactly who they want to be. Reminding me of the The Secret Life of Walter Mittywhere he takes off to Iceland and discovers how freedom can shape you. Perhaps part of the same runaway genre.
It’s a road trip film with gorgeous scenery and music that perfectly fits. It’s based in the South as the pair are heading for Mexico. However, the film was actually shot in rural California and Utah – even the Grand Canyon scenes.
On the road in their blue/green T-Bird convertible, the women evolve physically too. Thelma Dickinson, the housewife, starts out with flowing dresses and long hair. By the end, her hair is tied back, she’s wearing a trucker’s black shirt with sleeves rolled up and jeans. Louise Sawyer, the surly, controlling character, starts out wearing an outfit that is ‘just so’. By the end, she’s wearing a loose tank top and jeans.
They strip off their make up and steal men’s hats and clothing. The denim jacket from Brad Pitt’s character is altered by the women by making it sleeveless and using parts of it for neck ties and such. Almost as a way to tear the layers of control and weakness away, and rebuild their characters in the ways they want.
I also see this as their way of dismembering authority. In the same way that a hunter kills fierce animals for its fur, and taking it as a trophy.
The men in this movie play important parts but take a back seat to the development of Thelma and Louise. Sometimes literally. I read that some found the movie to be ‘man-hating’. But I think it’s just unusual to see two strong women convincingly portrayed in films.
Thieving men (Brad Pitt), rude truck drivers, controlling husbands and flaky boyfriends, Thelma and Louise find ways to rebel, and use the men to their advantage. They stop relying on men for protection, and start standing on their own two feet.
I’m so inspired by these characters. They are so independent and fearless, yet they are so carefree and fun despite their situation.
I think everyone can see the naive, open and scared ‘Thelma’ in themselves, and the logical, unwavering and powerful ‘Louise’. Which is why these characters are so relatable and ‘real’.
Thelma & Louise is a profound, freeing and exciting journey. I love this film so much because the women are doing what every woman wants to feel capable of doing. Being in control of their future, going wherever they want, and nobody is getting in their way! Everything is on their terms right to the end.
I’m going to steal what Susan Sarandon said in an interview; it is a comedy and a tragedy with a surprise ending, and political significance.
This is a pretty long review so I’ll stop here. Believe me, I could make it longer!
This is a timeless film that makes my imagination run wild. It’s adventurous and always makes me feel happy and inspired at the end of every watch. However, I don’t want to give it full marks because it is for quite a narrow audience.
Written: Robin Swicord. Based on the book of the same name written by Karen Joy Fowler
Released: September 2007
Starring: Maria Bello, Emily Blunt, Kathy Baker, Amy Brenneman, Maggie Grace, Hugh Dancy, Kevin Zegers, Marc Blucas, Jimmy Smits and Lynn Redgrave
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This film is up there with Bridget Jones’ Diary, I reckon.
I got this DVD because there was a ‘buy two, get one free’ deal on. Since the choice was limited, I thought I’d give this a whirl.
I was concerned because I had no interest in any of Jane Austen’s romance novels and had little knowledge of the stories and characters. So I wondered if a film about people discussing these books would be confusing…
Not the case, surprisingly!
The first time I watched it, I was just like ‘meh’, better than a chick flick… But kind of average. So it gathered dust on my shelf until one day, boredom and exhaustion from watching my DVD collection five times over resulted in me indulging in The Jane Austen Book Club once again.
I have to say, I really love this film now. The six main characters are empowering and strong, they all relate to at least some part of your own personality or life experiences. I could literally write an entire in depth essay of each character if necessary, they are that ‘real’!
I’m loathed to say they are ‘very human’, but you get where I’m coming from… They are likeable and relatable.
This is a character-based film where each character has some sort of hurdle to overcome, or growth.
Maria Bello as Jocelyn
Jocelyn is my favourite! She’s never fallen in love, which she says is “all like fiction to me anyway”. She’s a dog-breeder, and if you catch onto her mannerisms early enough, you’ll notice she treats men like dogs – she’s strict, short-tempered and dominant with them. Jocelyn is known as the ‘match-maker’, always on the look-out on who she can pair people up with. She’s drawn to ‘Grigg’ because he’s “eager to please” and “tries hard”… Sort of like a dog.
“Alone’s not the end of the world. For as many years as you’ve been married I’ve been quite happily unmarried.”
Emily Blunt as Prudie
Prudie gets on my nerves SO much! But I can’t help but admire her. She is so elegant, controlled and feminine. Her mother was a hippy, so she has a systematic and professional lifestyle to distance herself from her past. However, she is falling for a rebellious student…
Prudie: Trey, you really shouldn’t come on to me.
Trey: Why? Because you’re a teacher? We’ll go back to my place…
Prudie: Let’s not and just wish we did.
Kathy Baker as Bernadette
I would love to have a best friend like Bernadette. She is optimistic and loves people. Bernadette is a free spirit and probably doesn’t think things through very much, she has been married and divorced six times. But she is totally in love with the idea of love and brags about her previous husbands like they are trophies – not regretting any of them.
“My first husband was a politician. He was embarrassed by every move I made. He said I was rude and loud. “Stop pointing your breasts everywhere,” he’d say to me. I was 17… I married the first man who looked at me… But I’d like to get married again, maybe just once more.”
Hugh Dancy as Grigg
Aww, Grigg! You almost feel sorry for him because he is so excitable and happy all the time. You just want to take him under your wing and look after him. He stumbled into the Jane Austen Club because Jocelyn was trying to set Sylvia up with him.
“Hi! Well, I’m excited. Never read anything by Jane Austen before. What is it? I went to the bookstore to buy a copy of each one of the novels, and I saw this. And I thought, ‘Well, maybe they’re sequels’. So, I figured it might be a good idea to keep them all together in one book, in case I needed to refer back…”
Amy Brenneman as Sylvia
Sylvia is a woman who is an amazing mother and best friend. Her husband who she has been with since highschool recently asked her for a divorce and she is devastated. However, toward the end of the film, she realises how much she has grown and changed – perhaps something she was never able to explore in her younger years.
“I don’t want to meet someone [else]. I wanna pull the covers over my head and read novels. And eat. I’m starving. Allegra, go get me a dozen eggs. I’m gonna make a flan.”
Maggie Grace as Allegra
Allegra is the daughter of Sylvia. She is a fresh-faced, alternative, out-doorsy young lady who immediately clashes with the tightly-laced Prudie. Allegra falls in love and trusts “too quickly” causing her strife. She is close to her mother and quickly becomes a strong component to the book club.
Bernadette: How’s Sylvia doing without Daniel?
Allegra: She’s still stuck in the wounded stage. When she’s ready for anger, I’m so there.
Each Austen novel has a curious relevance to each character’s life. The details are subtly interwoven into the story, so even if you haven’t read any Austen, you can guess pretty easily. If you are an Austen fan, you’ll relish the tibits they reference all through the script!
This ‘review’ is more of a character bio, so please excuse that! However, I have to say, the film relies on these characters so heavily, they really ARE the story.
I am so buying the soundtrack! Amazing songs! Particularly “Save Me” by Aimee Mann.
As a side note – I am such a fan of Robin Swicord now. She’s worked on Matilda, and even collaborated with the writers of The Curious Case of Benjamin Button!
Director: Baz Luhrmann Writers: Baz Luhrmann and Craig Pearce. Based on F. Scott Fitzgerald’s The Great Gatsby Released: May 2013 Starring: Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher and Jason Clarke
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Visually, this film was MIND BLOWING! This is Moulin Rouge! on steroids.
The party scenes are phenomenal! The lights, the atmosphere, colours, fashion, music… It is ground breaking. Just beautiful sets, like we’re being sent to another world.
The overall feel of the movie is very similar to the likes of The Curious Case of Benjamin Button, Edward Scissorhands (the garden scenes) and of course, Luhrmann’s Moulin Rouge!and Romeo + Juliet. I think it’s because all of these movies are fantastical and out of this world.
The actors were very convincing, Leonardo DiCaprio gave another ground-breaking performance. Although his accent was a little confusing on occasion, his dialogue was incredible! I feel like speaking formally, like an upper class person from the 1920s now.
Gatsby: Come on, old sport!
I wasn’t expecting much from Toby Maguire, and for a while believed that Ewan McGregor could have done a better job, until it was mentioned to me that his “pluckiness” was what made his character convincing. Which, I thought was a good point.
I’ve never been a huge fan of Carey Mulligan, but I have to say she did a pretty decent job in this film – her eyes are incredible! Like, she plays such a depressed character, and her eyes tell you that from the first scene. Carey Mulligan has since become one of my favourite actors.
The music was perfectly selected. Florence + the Machine’s Over Your Love is my new favourite song at the moment. But, the coolest track was Lana Del Rey’s 1920s Jazz version of the popular Young and Beautiful.
However, there were some major disappointments.
This is a film that is based strongly on characters. They fuel the story almost conclusively. Therefore, it was so disappointing that I did not become attached to any of the characters. I was not rooting for or against any of them – I didn’t feel like I had gotten to know them properly.
People are complicated, these characters were not, considering it was such a ‘people story’. Too many of their thoughts and emotions were not portrayed clearly. Most of the time there was a lot of emotion without obvious reasoning behind them.
I was forever looking too deep into the plot, expecting complicated and unforeseen twists. When in fact, the plot is too easy to figure out. I think it is supposed to be very mysterious, which was not portrayed in this film.
They should have kept the audience one step behind – like in the Sherlock Holmes films – until the end for a huge “I did not see that coming!” moment.
I wish the character development was more insightful, and the plot line more curious and unexpected.
Nevertheless, as I said at the beginning, the aesthetics were simply candy for the eyeballs. It enforces the idea that Baz Luhrmann was the ideal director for the film; the parties, grand interior shots and wonderland-esk exterior shots, simply gorgeous.
Oh, I bet Baz Luhrmann could have done an amazing version of Alice In Wonderland…
Director: Stephen Chbosky Writer: Stephen Chbosky Released (in NZ about a million years after every other country): March 2013 Starring: Emma Watson, Ezra Miller and Logan Lerman
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Okay, it was NOTHING like I thought it would be like.
This is not a happy-go-lucky, up beat and freeing movie like the trailer makes it out to be. In fact, it has a lot of very serious themes, making this high school drama rather dark, and not at all light hearted.
Despite the totally unexpected storyline, I still thoroughly enjoyed it. It is a very emotional journey – you laugh just as hard as you cry in some parts. So it evens out into a humbling story.
We accept the love we think we deserve.
C minus, ladies and gentlemen! I am below average!
The main character, Charlie (Logan Lerman) and both of his friends Sam (Emma Watson) and Patrick (Ezra Miller), each go through massive emotional roller coasters. Huge changes to their lives that are developed incredibly well. Feelings and emotions are messy, unexplainable and complicated. We battle between how we feel and who we really are, with what society says we should be, and The Perks of Being a Wallflower accurately represents this.
The acting by everyone was quite simply ground breaking. I don’t think I am over-exaggerating either.
Emma Watson has lovers and haters. The haters say her accent sucked, the fans say she was faultless. I say that her American accent was well done, but perhaps her articulate way of speaking let her down. I didn’t see Hermione at all in her performance of the outgoing Sam, which I think is something that Emma Watson should be applauded for.
Amazing.
Ezra Miller plays Patrick, a fun, loving, loyal guy who is the stepbrother of Sam. What I adore about this character is how well written he is – he’s not a stereotype by any stretch! This is such a breath of fresh air because he is homosexual, yet this does not define him. He stands up for himself and does not accept being victimised. Patrick is my favourite character because he doesn’t take life too seriously… I want him to be my best friend.
Shop teacher: …Are you proud to be a senior having to take freshman shop, Patty-Cakes? Patrick: Look, my name is Patrick. Either you call me Patrick or you call me nothing. Shop teacher: Nothing, why don’t you read first? Patrick: Alright, Chapter 1: Surviving your fascist shop teacher who needs to put kids down to feel big. Oh wow! This is useful guys, we should read on!
The tunnel song – Heroes by Bowie
The music is very well picked. Some of my favourite songs are included: David Bowie’s song Heroes, which is affectively used. I discovered Come On Eileen by Dexys Midnight Runners via this film – it is such a happy song with a great scene to go with it. Oh! And oh my God the Cocteau Twins’ incredible song Pearly-Dewdrops’ Drop! I hadn’t heard of them before this film either. These contrasting sounds and genres mirror the emotional tones of the movie.
This is not a typical high school drama at all! I think its genre would be similar to the likes of Seven Pounds.
Not what I was expecting, but not a disappointment by any stretch. It is thought provoking and intense. Just like life, there are huge ups and downs.
This movie is a realistic account of three teenagers and their relatable high school/college experiences .
Jodie’s rating: 8/10
The trailer of a very alternate idea of the movie… It is literally nothing like this.
Director: Rodger Mitchell Writer: Aline Brosh McKenna Released: November 2010 Starring: Rachel McAdams, Harrison Ford and Diane Keaton
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I love this movie. This is my happy movie.
Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show.
There are some fantastic lines! Harrison Ford is so dry with his delivery. It’s so perfect!
Mike: Why do we have to mention that first cup of coffee? Why not just say, “Watch Mike Pomeroy before your morning dump?”
I love Becky because she has arms flailing all over the place, her hair is messy and she’s so intensely dedicated to her job. Rachel McAdams was reluctant to take this part because she said she’s not funny enough to be in a comedy. But I disagree! McAdams is so natural in this, she makes it funny in a Bridget Jones sort of way.
Morning Glory‘s morals are sort of similar to The Devil Wears Prada… Well, it’s written by the same person, so I guess that’s why. But they’re basically about how important a career can be to someone, treating it like a relationship. In fact, when Becky discusses her job, it sounds like she’s talking about a person.
I guess although I understand why the reviews of this movie are average, I personally love it because I can relate to the industry having studied television and journalism. Becky is a character who I would love to be! I want her hair, wardrobe, confidence and success.
Becky: Why haven’t they bumped you up [to executive producer]? Lenny: It’s not for me. I did it for a couple of weeks once, but they put me back at Number Two. Apparently, the crying was distracting.
Keep an eye out for how Becky’s hair and clothes change as she grows and becomes more secure. It’s the attention to detail that makes this movie fun.
A very funny film, particularly if you’re familiar with the news industry!
Director: Paul Feig Writer: Annie Mumolo and Kristen Wiig Released: May 2011 Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey, Ellie Kemper, Chris O’Dowd and Jill Clayburgh
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I was put off of seeing this movie when it first came out because it just looked like The Hangover – but the female version. However, after seeing a few scenes of it over the last couple of years, I decided to buy it in the sales.
And boy am I glad! I haven’t laughed this hard in ages! It is a truly hilarious journey that these wacky characters go on – any one of them could have been the leading lady.
Nothing is going well for Annie (Kristen Wigg). Her bakery closed down due to the recession, she’s in her mid-30s and a hopeless spinster. Thankfully she still has her best friend, Lillian (Maya Rudolph).
Annie gets her heartbroken, however, when Lillian gets engaged and in the process of planning her wedding, finds a new best friend named Helen (Rose Byrne). Helen appears superior to Annie in every way. Their rivalry eventually gets Annie kicked out of the wedding planning.
Their friendship is so well portrayed – I swear they must be best friends in real life, with the quirks and inside jokes that anyone who has had a super close friend will recognise. Anybody who has had a close friend move away or move on will totally get the pain and loss that Annie experiences in this.
Unlike many comedies, the characters in Bridesmaids are more than two-dimensional. They are all relatable or recognisable. The characters – including the loyal yet totally bizarre Megan (Melissa McCarthy) who is absolutely hilarious, straight up and blunt – are amazing.
Megan: I fell off a cruise ship… I’m not gonna say I survived, I’m gonna say I thrived. I met a dolphin down there. I swear to god that dolphin looked not at me, but into my soul, into my goddamn soul Annie, and said ‘I’m saving you, Megan.’ Not with his mouth, but he said it… I’m assuming telepathically.
Kristen Wigg is an incredible actor. After seeing her in Whip It I thought she was pretty cool, but her performance is so convincing in Bridesmaids that she is definitely one of my new favourite actors.
Passenger on plane: I had a dream last night that we went down. It was terrible… You were in it.
A ton of crazy hilarious events happen along the way. Including food poisoning (which was actually super gross…), as well as very interesting encounters with Annie’s room mates, siblings Brynn (Rebel Wilson – I love her in Pitch Perfect) and Gil (Matt Lucas).
Brynn: At first I did not know that it was your diary. I thought it was a very sad, hand-written book. But then because of the personal details and the bits that mentioned Gil and Brynn…
The soundtrack is pretty awesome, with a song that I first heard on Bridesmaids (that has now put on repeat) called Paper Bag by Fiona Apple. Check it out!
This film is clearly not for everyone though. It has a decent amount of swearing and a lot of sexual references so be careful who you watch it with.
It is a hilarious story that is written and performed extremely well.
Loved it!
Jodie’s rating: 8/10
Can I just say that half of the dialogue in this trailer is not actually in the film… Nevertheless, the facials in this films are so funny!