Girls’ Night Movies – Page 2

Water For Elephants

Director: Francis Lawrence
Writer: Richard LaGravenese. Based on Sara Guen’s novel of the same name
Released: April 2011
Starring: Reese Witherspoon, Robert Pattinson, Christoph Waltz
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I bought this DVD as a bit of a whim. After stumbling across the trailer on YouTube I thought that the look of the whole film resembled the circus scenes in Big Fish.

It is the story of the dark side of the circus during the early 1930s, with a forbidden love story between Jacob (Robert Pattinson) and Marlena (Reese Witherspoon) intertwined. Jacob runs away with the circus and poses as a certified vet to continue travelling with them, but discovers that there’s much more to performing that the magic the audience sees.

On the way, he experiences the control and under handed acts that go on in order to keep the circus from failing during the depression. Staff would go missing in the night if the boss and husband of Marlena, August (Christoph Waltz), was unable to pay.

horses_water_for_elephants — Beautiful animals and amazing stunts

The climax did have me holding my breath, but the over all story seemed somewhat watered down, with the lack of suspense throughout most of the heavier scenes.

Of course, my terrible habit is that I hype movies up before I’ve even seen them. I did think that Water For Elephants was going to be more dramatic and horrific, perhaps I would have been right if it was an R17 rating or something like that. But, it wasn’t a bad story by any stretch and it was an enjoyable romance drama – despite there being more romance that drama for my taste.

However, it was very well shot! The director, Francis Lawrence shows his talent for lighting in previous films including I Am Legend and has carried it through to Water For Elephants. I am excited to see how he portrays The Hunger Games sequels!

The acting was great for the most part! Christoph Waltz… Need I say more? He was amazing as usual, and one of the most compelling reasons to buy this movie, he was convincingly intense. Robert Pattinson was pretty decent too, possibly a little monotone..? Reese Witherspoon was AV-ER-AGE to say the least. Shallow acting.

A cool tale that explores the fantasy of running away with the circus.

Jodie’s Rating: 6.5/10

Burlesque

Director: Steven Antin
Writers: Susannah Grant. Screenplay by Steven Antin and Diablo Cody
Released: November 2010
Starring: Christina Aguilera, Cher, Eric Dane, Cam Gigandet, Kristen Bell, Julianne Hough, Alan Cumming, Peter Gallagher, Stanley Tucci, Dianna Agron
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So, Burlesque is pretty much a lighter, chick flick version of Moulin Rouge. It is an upbeat, modern story with back to back songs that make you want to get up and dance.

Christina Aguilera is a singer who I admire for her talent, yet if I am honest, I do not enjoy her music.

Amazing costumes, with themes ranging from the classic 1940s to the 1960s. She does an amazing job during the scenes where she is performing on stage. However, for the most part her acting is much to be desired. Her squeaky voice gets a little on nerves considering she has such a deep, powerful singing voice.

The same goes for Cher, her acting was average… But so was her auto-tuned voice. I’m not convinced that she should really be classed as “a legend”…

I swear Life After Love is the only successful song of hers that I can think of.

But Stanley Tucci is one of my favourite actors – he is great in this movie as usual!

Burlesque-tucci

I don’t love the songs enough to buy the soundtrack. But there are a couple that are pretty catchy! Unfortunately, Christina Aguilera’s voice is so distinct that sometimes her improvisation during the songs can become irritating. Hence why I have never bought an album of hers.

burlesqueCA

Following a typical chick-flick structure, the ending is no surprise. Over used morals of “do what you love”, “just do it” and “don’t give up” drowns this movie. But it is a film that is not supposed to be much more than enjoyable.

Looking for a pick me up? I think this high-energy, fun film will do the trick!

(Moulin Rouge + Glee = Burlesque)
Jodie’s rating: 6/10

Midnight In Paris

Director: Woody Allen
Writer: Woody Allen
Released: June 2011
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody
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When I first watched this film I was disappointed because I had hyped up the plot of Gil (Owen Wilson) travelling through different time eras of Paris. The artistic, fashionable, sophisticated and elaborate times of the 1920s, as well as the ceremonious, coming of age times of the 1890s. But after letting my great expectations subside, I really enjoyed the watch.

The plot is about the Golden Age. That is, longing to live in a time before your own. For example, mine is the early 1960s. Rock and roll music and amazing fashion, with the huge liberal movement against war and for free will.

Paul: Nostalgia is denial – denial of the painful present… the name for this denial is golden age thinking – the erroneous notion that a different time period is better than the one one’s living in – it’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.

However, Midnight In Paris attempts to shroud my Golden Age in contempt, trying to convince me that few are content with the current times and to get over it. It dampened my comfort of believing I would be happier in a different time, because the reality is – as Gil discovers – that you would simply find another time that you would believe to be better.

There is a lot of magic in this film, which I love. Gil goes through a wormhole of sorts, where at the strike of midnight every night a 1920s car picks him up and takes him to parties with his literary heroes. It’s a beautiful “what if” storyline that lives out everybody’s dream to travel through time to experience a life not meant for them.

I think that the decision for Gil to be transported to different era via transport appropriate for that time was perfect. It seems like a small, obvious detail, but I’m just glad that there was no CGI, special effects or sound effects to make the transition obvious.

midnight-in-paris-carload-of-literary-types

This magic does not last throughout the film, however. “The grass is always greener on the other side” is a phrase that has been converted into the moral of this story – the cold, harsh light of day is not welcoming.

Gil sees that the beauty of every era can still be inspiring without having the ability to experience it first hand. Which is disappointing since it seems that he is throwing away his idyllic time era of 1920s Paris for an average life in 2010 Paris. He could have continued to live his dream, but chose not to for no convincing reason.

MIDNIGHT IN PARIS marion

On the other hand, I loved how his heroes gave him advice and support, which ultimately builds his confidence to improve his life in the present.

Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.

Instead of taking the easy option of staying in his dream, he takes the tough road of building his life into what he really wants. I guess he shook of the security blanket of living in the past – an easier place to live because you know what’s coming for you.

Gil: Adriana, if you stay here though, and this becomes your present then pretty soon you’ll start imagining another time was really your… You know, was really the golden time. Yeah, that’s what the present is. It’s a little unsatisfying because life’s a little unsatisfying.

Gertrude Stein: We all fear death and question our place in the universe. The artist’s job is not to succumb to despair, but to find an antidote for the emptiness of existence.

The beautiful French music was glorious! Seriously considering buying the soundtrack.

The acting was very well done. I really hated Rachel McAdam’s character. Like, it got to the point where I was starting to think that she must be a total bi-atch in real life because she played evil Inez so convincingly. So, kudos to her acting ability.

Owen Wilson was pretty much the same character he is in everything. I’m not totally sure why he was cast. Perhaps to keep the film upbeat.

midnight-in-paris-rachel

It is an uplifting tale of something that many of us dream of doing. The ending was rather disappointing, at first. But I have come to terms with it, and I think it works well for Gil.

Worth a watch, but don’t expect it to be a deep and meaningful movie – you will be disappointed! Look at it as a quirky drama/rom-com. Although, I do think that it would have been a very moving film if it was heavier with more drama and emotion.

Jodie’s rating: 8/10

Easy A

Director: Will Gluck
Writer: Bert V. Royal
Released: September 2010
Starring: Emma Stone, Amanda Bynes, Lisa Kudrow, Stanley Tucci
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This is quite a different version to the typical high school chick flick that drowns the market. Easy A is about how rumours can make or break your reputation. But also how you can take insults and use them to your advantage.

It has a funny script with some catchy insults from the witty and very sarcastic Olive (Emma Stone) – similar dialogue to Juno.

Her best come backs are usually toward the “Jesus Freak”, Marianne (Amanda Bynes), who was responsible for spreading the false rumour of Olive losing her virginity.

Marianne: There’s a higher power that will judge you for your indecency.
Olive: Tom Cruise?

This movie covers everything that one would come across in high school; self expression, religious beliefs, hypocritical people, assumptions and rumour-spreaders. Of course, Olive uses all of this to her advantage.

She sassed up her wardrobe “just like they asked” and becomes her alter ego of the ‘whore’, despite being a very respectable 17-year-old. Just goes to show that what you may see on the outside is not always what is on the inside. And vice versa.

Emma StoneEASY A.

Nina: Perhaps you should embroider a red A on your wardrobe, you abominable tramp.
Olive: Perhaps you should get a wardrobe, you abominable twat.

I really enjoyed this movie because it is a huge, gigantic middle finger to society. You can’t change what people think of you, but you can choose not to be a victim to it.

People rumoured that Olive was a bit of a “skank”, so she began to dress like one! They didn’t whisper about it behind her back after she started wearing corsets and high heels to school, making the scandal-filled rumour less shocking.

It is a fun movie with references to eighties high school movies such as The Breakfast Club which I thought was really smart and made it a story that seemed more human because everybody wants to be in an eighties high school film.

The music is pretty awesome, too. Jessie J’s Sexy Silk is a fun song, with a modernised version of We Go Together (from Grease) by I Heart Homework. But with my personal favourite being from The Breakfast Club called Don’t You (Forget About Me) originally by Simple Minds, but covered by AM.

Oh, and since watching Easy A, Natasha Bedingfield’s Pocket Full of Sunshine has not left my mind for the past few days. You should expect the same thing after watching the film.

Mr. Griffith: I don’t know what your generation’s fascination is with documenting your every thought… “Roman is having an OK day, and bought a Coke Zero at the gas station. Raise the roof.”
Olive: He got a Coke Zero AGAIN. Ah, that Roman. Incorrigible.

Easy A is a fun and easy watch. The script enables viewers to look into it as far as they wish with layered themes and slightly more complex characters than usual. Obviously not a film for everyone, but it’s definitely my favourite movie at the moment – up there with The Breakfast Club! A 2010 version of a 1985 chick flick. tumblr_mhbirb1bNm1s1wtnqo1_500

Actually, I would say that it is on par with Pitch Perfect.

Jodie’s rating: 7.5/10

Made In Dagenham

Directed: Nigel Cole
Written: William Ivory
Released: October 2010
Featuring: Sally Hawkins, Rosamund Pike, Miranda Richardson, Bob Hoskins, Geraldine James
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This movie is based in the late sixties during a time when women were treated unequally in the work place. They were degraded and given less pay than the men, simply because they are women.

The leader of the movement Rita O’Grady, played by Sally Hawkins, a worker in a Ford factory in Dagenham, organises the rallies. Based on a true story, these women made history in their success in getting equality in the workplace – even meeting Barbara Castle (Miranda Richardson)!

Rita carries the guilt of others’ personal issues such as dealing with the after effects of war on her friends as well as keeping everybody united in the struggle against the workplace. This adds another very human dimension to the film.

Rights not privileges, it’s really that simple.

My favourite character is by far Lisa, played by Rosamund Pike. She is beautifully elegant, and posesses a fantastically strong sense of right and wrong. Her opinion is generally unwelcome, but I just adore everybody’s faces when she speaks out A look of utter shock. She is strong, intelligent and an amazing woman.

I’m Lisa Burnett, I’m 31 years old and I have a first class honours degree from one of the finest universities in the world, and my husband treats me like I’m a fool…

It’s based in the sixties, so naturally the music and fashion is absolutely to die for! The dresses, the hair, the dancing *gasp* …so amazing.

This is a movie that will inspire and move you. It is entertaining and funny with an amazing cast! This is not a preachy feminist film either. This is based on true circumstances adding so much integrity to the script.

The front cover of the DVD and poster is very inaccurate. It looks like it is a happy-go-lucky rom-com. It is far from it. It is a drama based on humanity and personal triumphs.

An incredible journey by heroines based in a time of total change.

Jodie’s rating: 8/10

Chocolat

Chocolat-Movie

Director: Lasse Hallström
Writer: Screenplay by Robert Nelson Jacobs. Based on the novel by Joanne Harris.
Released: December 2000
Starring: Judi Dench, Johnny Depp and Carrie-Anne Mos
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A mysterious and magical fable-like tale about an eccentric, colourful and embracing chocolatier named Vianne Rocher (Juliette Binoche) and how she brightened up a deeply rooted traditional French village. Her provocative clothing, illegitimate child and outspoken values made her unwanted in the village, being outcast as an evil influence. Despite this, her Chocolaterie brings hope and perspective to the guilty customers. Amongst this, there is a compelling love interest between Vianne and a free-spirited Irish traveller, Roux (Johnny Depp).

I love the lead actress, Juliette Binoche, but I do wonder if they chose her because Marion Cotillard was unavailable. In any case, they are two gorgeously elegant and talented French women.

Despite looking like a model village, Flavigny-sur-Ozerain is in fact a real village located in Burgundy, France.

This film is about depriving ourselves of things purely for the discipline, particularly pressured by religion or the expectations of society. With everybody being up tight about keeping a perfect front for others, it seems easy for the important things in their lives to crumble in the background. Perhaps marriage, not pursuing new love, staying in dangerous situations from fear of persecution, or not allowing themselves to try new things.

The incredible Judi Dench playing a foul mouthed, strong willed landlord

The Chocolaterie represents freedom and indulgence. It is a moral that allows people to make mistakes, to not feel guilty about taking pleasure in something or feeling damned or frowned upon. They begin to give into desires, discover new feelings and acting on them.

The soundtrack is authentically French! Minor Swing by Django Reinhardt/Stéphane Grappelli makes you want to get up and dance, with other classical songs that bring out the essence of the town. Lots of guitars and drums that gets your feet tapping. Fantastic songs.

This is a movie set in the year of 1959. The women wear dresses and hats and the men in suits. Everything seems black and white until the woman with pink shoes and bright coloured dresses arrives. The costumes are absolutely to die for. The shoes, the belts the make up… So beautiful!

I have to say, the first few times I watched this, I was expecting it to be a bit more mystical with a Chocolatier who is very wise and knowledgeable, helping people in every place that she moves to. But she is only human who makes mistakes and questions life like the people in the village opened themselves up to do. Now that I’m older, I can see that this was purposeful. Vianne is flawed too which just makes this fable a much more down to earth film.

For all the chocolate lovers, Johnny Depp lovers, romantics, dreamers and free thinkers. This is a personable film that is easy to watch and brings hope to people, particularly to anyone who feels a little different or who questions society’s morals, or the things that we are influenced by.

An uplifting, soulful journey of how a little sweetness in life can bring people together.

Jodie’s rating: 8/10

The Help

Director: Tate Taylor
Writer: Tate Taylor (screenplay), Kathryn Stockett (novel)
Released: August 2011
Starring: Emma Stone, Octavia Spencer, Viola Davis, Bryce Dallas Howard
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The first thing that attracted me to this DVD was, quite shallowly, the dresses that the characters were wearing on the cover. This was a story based in the sixties, also, it has Emma Stone in it.

So I decided to [wait until the price came down and] buy it.

In the back of my mind I was expecting it to be either over-emotional and depressing such as the film Precious (which I still haven’t brought myself to watch). Or, I was expecting it to be a little too cheesy… But I was gladly wrong.

This is a story about a strong-willed and moral young woman named Skeeter (Emma Stone) who interviewed African-American maids in Jackson, Mississippi despite it being very dangerous and very much against the law.

With many struggles and an immense amount of courage from all involved, she wrote a book anonymously based upon the accounts of the Help who serve white families for little money and humiliating conditions.

Although I am not overly well-versed in American Civil Rights history, it is not hard to feel sympathetic and emotionally moved by the stories of the Help, or incredible remorse for the way that many of the white population viewed African-American people.

Hilly Holbrook (Bryce Dallas Howard) plays the ‘villain’. It’s easier to pity her more than despise her, and she is still accessible enough to guess why she acts the way she does.

bryce-dallas-howard-as-hilly-holbrook-in

Skeeter was the most inspirational character of course. Maybe because she is about my age. But I also find her an inspirational character because she refuses to fit into society.

She doesn’t just want to get married, live in a house in the suburbs or pay a maid to raise her children. Instead, she wanted to change the world around her for the better. Skeeter graduated as a journalist and bravely took on a huge project for the greater good, giving the ignored maids a voice.

Minny and Celia

Minny (right) and her new employer, Celia (Jessica Chastain) is a happy go-lucky woman who is impossible to dislike. She is excluded from the white community, probably because of her acceptance of everybody – no matter the colour – and finds friendship in her new maid, Minny Jackson.

I am reluctant to give too much credit to the author that this film was based on, Kathryn Stockett, because I’m not incredibly sure she was completely honest and pure in her intentions (my theory based upon a few interviews I have seen her in).

There was a lawsuit filed against her by Aibileen, the author’s brother’s maid, saying that Stockett had stolen her life story without her knowledge. Although Stockett was found innocent, it did take the honour out of the story a bit.

The novel is in fact fiction, with bits and pieces drawn from Stockett’s life experiences as a white child growing up in the South with a family maid. But, it is essentially a story that is worth being told to remind us of how it was, with themes of friendship, adversity, desperation and success.

This film is a people film. It follows characters who have flaws and struggles, triumphs and strength. It follows the lives of various people and from their points of view which reminds me of The Curious Case of Benjamin Button, Big Fish and other stories that accurately follow the path of interesting, yet believable, people.

Triumphant and inspirational.
…Also, their accents and way of talking is so awesome. I’ve watched this movie so many times, my thoughts are now in a Southern accent.

Jodie’s rating: 8/10

Can’t say that the movie is quite as upbeat as this trailer makes it out to be, but it gives you chills nevertheless.

The Notebook

The-Notebook-movie-poster-McAdams-Gosling

Writers: Jeremy Leven and Jan Sardi. Based on The Notebook by Nicholas Sparks
Director: Nick Cassavetes
Released: 2004
Starring: Ryan Gosling and Rachel McAdams
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If you haven’t watched this movie, it is basically about a wealthy girl, Allison (Rachel McAdams), who fell in love with a poor country boy, Noah (Ryan Gosling), whom her parents did not approve of. She was taken away and after a few years was engaged to marry a more ‘appropriate’ man of wealth and status.

That is until Noah comes back into the picture which forces Allison to choose between a respectable, kind young wealthy man or a free spirited, kind young poor man.

Notebook_lon the_notebook_boat

As I have mentioned many times in previous posts, romance is not my cup of tea. I don’t enjoy the predictability of them, the smooching, the overly-perfect and much-too-good-looking characters, as well as the either typically happily ever after or tragic endings.

NoahTheNotebook OR the mamsy-pamsy emotional blubbering characters who through the fog of their infatuation are unable to reach logical decisions.

For example, when Noah writes to Allie every day for 365 days after she leaves (he could have just said ‘one year’, but he kept having to make a point of saying “365 days” – for effect I suppose).

Surely, after two weeks maximum, he would have rung her, visited her or at least double checked the address. I. Mean. Seriously! You silly love drunk people…

TheNotebookallie

The Notebook is no exception to my lack of support for the romance genre.

Although I do think that Rachel McAdams is what many women want to look like, and Ryan Gosling is the pin-up boy for Hollywood’s ideal.

He’s not me though; apparently he waxes his whole body on a regular basis because he doesn’t like body hair. Also, he’s too muscley, like, to the point where he looks uncomfortable to hug. Like a rock would be.

I know what you’re thinking; “but Jodie, you gave Moulin Rouge! – the most romantic film – 9.5/10. Isn’t that hypocritical?”

Well, no, because Moulin Rouge! has integrity making it more believable with various other themes other than love. Plus, its whole basis of ‘the denial of true love’ is ironic since the Bohemian era that it was based in promoted that very thing!

The Notebook and Moulin Rouge! are two very different story lines that are portrayed completely differently with various depths and convincing content. Although their genres overlap, they are apples and oranges.

The Notebook is a Nicholas Sparks story, who has written romance novels including Dear John and The Lucky One. I am lead to believe they all strive to follow very similar story lines with similar characters.

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Admittedly, for a romance genre it is a tasteful portrayal of the characters falling in love – it’s no 50 Shade of Grey! It’s more intimate than a chick flick but still tame enough for most people to enjoy.

notebook-green-dress

I can definitely agree that the era that The Notebook was set in was pretty awesome. It was based in the 1940s so the dresses, shoes and hair-dos were rather spectacular! I love all of Allie’s wardrobe for sure.

The sets are beautiful, from the house referred to as the “Labour of Love”, to the incredible dream-like lake. The town looks like it is straight out of the forties too.

However, the ridiculously short war scene let the authenticity down. The director obviously forgot to take down notes from the shocking war film Saving Private Ryan. But I guess romance films don’t like having accurate fighting scenes as it may loose their audience who want to be taken away to a land of perfection.

I like having to think about story lines and The Notebook is two dimensional and too simple/predictable – almost cringe-worthy at times.

But, if you love romance, I’m sure you’ll love The Notebook too. It plays out very idealistic love interests with people who are certainly easy on the eye.

Jodie’s rating: 5/10

Moulin Rouge!

moulin-rouge-original

Director: Baz Luhrmann
Writer: Baz Luhrmann and Craig Pearce
Released: 2001
Starring: Jim Broadbent, Nicole Kidman and Ewen McGregor
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Truth, beauty, freedom and love.

I have never been a fan of sappy romance, and I still am not. Because Moulin Rouge! is not at all sappy or unbelievable, nor does the music break the suspension of disbelief. I think that it is because the acting is not over the top or overly theatrical at all.

Ewan McGregor plays the protagonist, Christian, a writer who wants to write about love, but the problem being that he has never been in love. That is until he meets Nicole Kidman’s character, Satine, a courtesan at the Moulin Rouge. Satine is forbidden to fall in love, so they must keep their relationship secret.

Christian_Satine Unfortunately, the fairytale romance unravels due to the Duke (Richard Roxburgh) – an investor in Satine and the Moulin Rouge – attempts to put an end to their love affair. Christian and Satine’s love turns into a concoction of “desire, suspicion, jealously, anger and betrayal”.

Yet, “the show must go on!”, as a beautiful parallel between the new production that the Moulin Rouge is performing called Spectacular, Spectacular and the couple’s forbidden love is intertwined with the on-stage play, which results in disastrous consequences.

Moulin-Rouge-moulin It is full of colour and energy! It feels like you’re right there in the Moulin Rouge with them. The lighting is incredible along with Baz Lurhmann’s trademark choppy edits and steadicam footage. This all adds to the excitement on the dance floor with the colourful dresses and cabaret dancers.

Throughout this is the serious and unfortunate events for each character, which is again reflected in lighting and music with very fantastical scenes. Some are metaphors such as the feeling of being on top of the world being acted quite literally.

Plus, the over all performance by the people who run the Moulin Rouge show such as Jim Broadbent’s character Harold Zidler who, although a father figure to Satine, has the priority of keeping the facade of the shows convincing to the paying customers, which is at the expense of Satine’s love for Christian.

ewan_moulinrouge The music is fantastic! They’re not songs that describe mundane things, it’s music that supports the emotion of it all. They’re modern songs by incredible artists such as Bowie, Rufus Wainwright and Elton John, as well as bands such as T.Rex, Queen and Nirvana, in an orchestral fashion, and/or medley mash-up of multiple songs, sometimes in aMoulin Rouge party style.

I have many favourite songs in this film including Your Song originally written and performed by Elton John and The Show Must Go On originally by Queen. But I have to say, I prefer the Moulin Rouge! version of every song. Elephant Love Medley is very cleverly put together with lyrics from various songs including All You Need Is Love by The Beatles, Silly Love Songs by Wings and Heroes by Bowie – the collage of twelve infamous songs is seamless!

See if you can pick out various lines from the different songs. It really picks up 2 minutes in, which is my favourite part of the song:

An example of the more serious scenes is the El Tango de Roxanne scene where some of the best dancing shown. Absolutely amazing lighting too.

Moulin Rouge! is a tragedy that reminds me of a Shakepeare play, – ironic since the director Baz Lurhmann also directed Romeo + Juliet – but the sincere romance is based within the “underworld” of cheap, make-believe love. It is layered with so much detail to notice in every scene.

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Forget that it’s a musical, it’s more of a movie with a ton of music in it. Each song sung very well by Nicole Kidman and Ewan McGregor, and with convincing sincerity to keep the audience hooked.

Moulin Rouge! is a pretty heavy and emotional story – so certainly not a movie you would unwind to, despite there being some comedic scenes that almost mock the life of theatre. However, I think there is something in this film for every person to appreciate whether it’s the incredible costumes, the music, the romance or Ewan McGregor’s face.

McGregor

This has always been in my top five favourite movies, its an uplifting wonderland with a deeply moving story acted out by authentic and convincing actors.

Clearly, romance is not everybody’s cup of tea – it certainly isn’t mine – but this is not just another silly Hollywood love story.

Jodie’s rating: 9/10

This is the WORST trailer of all time.

Grease

grease_

Director: Randal Kleiser
Writers: (Screenplay) Bronte Woodard and Allan Carr based on Grease by Jim Jacobs Warren Casey
Released: 1978
Starring: Olivia Newton-John and John Travolta
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I have never really been a fan of musicals, but Grease is certainly an exception and an all time favourite of mine.

grease8 Musical or not, its fifties costumes and authentic hair-dos are enough to make me love this optimistic film. I love this era and it’s portrayed in the most idyllic light. Obviously Grease is essentially a stage play which isn’t lost in the movie form with the occasional fourth wall barriers lost.

Based in a high school environment, the seventeen and eighteen year old characters were almost unconvincingly played by actors in their late twenties and early thirties. But the whole shebang is so up-beat, colourful and exciting that you forget that the ages are totally wrong.

It’s a great musical because it is full of colour and lovable characters, who although are stereotyped, are easily relatable. Especially the Pink Ladies, but perhaps the T Birds were not explored individually quite as much.

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Unfortunately each of the Pink Ladies has quite a negative moral to them.

Sandy (Olivia Newton-John): You need to change and fit in to be noticed and respected.
Rizzo (Stockard Channing): Sleeping around gets you attention. Getting pregnant is a risk, but hopefully that won’t occur, and celebrations are in order whenever she realises she isn’t pregnant. Don’t bother learning your lesson.
Frenchy (Didi Conn): A little bit ditzy and attempted to break away from the crowd and do something different. However, this was too hard and frowned upon by others, it is best to stick with the crowd.
Marty (Dinah Manoff): A little arrogant and an attention seeker who is very much into her looks. Her cold dispostion is attractive to men.
Jan (Jamie Donnelly): The unattractive ‘fat’ one. Except, she’s tiny and clearly on the lower end of the average weight scale. Staying super skinny is attractive and eating in general is clearly frowned upon.

pink ladies final scene

Looking deeper into Grease, it is clear that the morals are not to be desired. Not moving forward or being different is certainly a bad thing. But, Grease is supposed to be quite a two dimensional film that is simple and entertaining. Stereotypes and happy endings make feel-good movies, which this certainly is.

John Travolta and Olivia Newton-John are two great actors and singers for sure! But have you heard their reunion song!? It is so sad! They should be so proud of their accomplishments in Grease, but let’s leave it in the seventies, guys.

If you want to cringe and ruin your ideals of the two protagonists of the famous musical, feel free to watch their 2012 song:

I don’t like Travolta at the best of times – his hair looks like it’s painted on and his eyes are too blue. But this is just toe-curlingly bad!

The soundtrack has many lovely sing-a-long songs with my favourites being the comedic Look At Me, I’m Sandra Dee sung by Stockard Channing (Rizzo) and We Are Together. But my above-all favourite song is Blue Moon, I’m not sure who did this version, but it is certainly my favourite (*gasp!* even better than Elvis Presley’s!).

grease

It is a very fun, very uplifting movie that isn’t supposed to be read into too much. It was popular when it was first released in the seventies and it will continue to be extremely popular throughout future generations, I’m sure.

Jodie’s rating: 7/10

Twilight

Director: Catherine Hardwicke
Writer: Stephanie Meyer (novel) and Melissa Rosenberg (screenplay)
Released: 2008
Starring: Robert Pattinson and Kristen Stewart
—

This is a rather delayed review of the first film of the Twilight Saga. But it has won the poll with an impressive 221 votes! It’s a much longer review than usual, so to keep you interested, I have put in a lot of pretty pictures. So here is my take on it:

First of all, I think we need to ignore our prejudices – whether it’s from the Twihards or the Twilight haters, and watch the film as if we have never heard about it before.

The first thing that I can comment truthfully on is the music. If anything, I do enjoy the music very much, so much so that I have bought the soundtrack. Researching into it further, the music supervisor was Alexandra Patsavas who also worked on the famous soundtracks of Grey’s Anatomy. She picks unknown and indie songs along with well-known musicians and their more unheard music. If anything, the emotion comes from the music in this film.

Emotion, however, is not something that would be seen throughout the protagonists. Bella (Kristen Stewart) and her vampire boyfriend, Edward, (Robert Pattinson) are predominately absent of extreme feelings or overall facial movement. This makes me feel awkward throughout the whole film because I can’t relate to Bella’s lack of action or opinion in anything she does

kristen_stewart_1173804060 — Kristen Stewart and Jodie Foster in the amazing thriller Panic Room. An awesome film – with surprisingly great acting on Stewart’s behalf… Where did it all go wrong?

(who would have thought that this is the same actress who played the girl in Panic Room alongside Jodie Foster!?).

Bearing in mind that she is in a house full of vampires… I’m just saying, if I were in a situation where I was hanging out with vampires for the first time, I would not have a blank appearance… I would either be totally fascinated and asking them a ton of questions, or I would locate the nearest emergency exit.

However, lets be honest, these vampires are not the traditional sort.

zurial-30-days-of-night — The type of vampire from 30 Days of Night directed by David Slade (who also directed Twilight: Eclipse)

Although it could be applauded to go outside the box and stay away from the tall, pale, black-haired, cloaked, haunting figure who has fangs and sleeps in a coffin. But I don’t think that Twilight’s Hollywood-moulded type of vampire really works for me.

Vampires are/were my favourite super-natural fantasy creature, with the likes of The Lost Boys and 30 Days of Night being just a couple of my favourite interpretations of the blood-sucking killers.

edward_sparkling-1 — “Vampire” of a different kind…

But now, every time a vampire is mentioned in casual conversation, the first thing that pollutes our mind is Meyer’s lustful image of a certain Mr. Edward Cullen, and not the fearless, sadistic killers that would once come to mind.

But the 25 year old-looking high schoolers who glittered in daylight and are transformed into sexualised and attractive killers… Well. It just doesn’t go down well for me. I think that vampire + sparkles = evil fairy… Not a pin-up highschool boy, like Hollywood has portrayed Edward Cullen to be. It makes nobody scared or nervous, but practically asks the internet to make numerous memes about him.

I would also like to note that the vampire Cullen family drive a Volvo. A Volvo. Not a dangerous motorcycle. But the immortal beings who can not be harmed drive a safe family vehicle… I… I can not fathom this peculiar choice of automobile. If I could not be hurt or killed, I would not only drive a dangerous and rebellious-looking motorbike, but I would drive it at great speeds… Without a helmet on too! What kind of vampire drives a Volvo? Aren’t they one of the safest cars on the road? Made for safety-conscious families who can in fact be injured..? But, I guess fantastical one-hundred year-old creatures with skin as cold and clammy as a rock on a chilly winters day, who would not sustain a mere scratch in a severe car crash, would also be attracted to the top safety ratings and efficient air bags… Makes sense. -_-

I also have a huge problem with how Bella is portrayed. It just seems like she is happy to throw away her entire life for a boy. She’s seventeen and runs away with some guy she just met – a guy who she knows to be a predatory killer. It just seems crazy. She was going to go to university and everything.

Plus, we are frequently reminded that she is totally vulnerable and in danger of being hurt all the time – she has to be looked after and looked out for. It just feels like she’s a pathetic and battered down “pet” – which is in fact how she is referred to in Twilight: New Moon. I always prefer a female lead to be strong, like Trinity in The Matrix and Katniss in The Hunger Games. Why would I want to be put in the shoes of a weakling?

Having had a rage at the characters and the actors, I can say that I do like the filters that were used. The ice blue filter that makes you feel cold whenever there is a vampire in the room. The accented green in the woods to show the intimidation yet fascination around Edward Cullen.
I only wish that this filtration was continued throughout the sequels because it does not show the collection of films as a uniform, but jars the relation between each addition. I can only contrast this to the Harry Potter movies where the feel of each film is similar or only enhanced with each sequel, not necessarily changed.

I would also like to comment on the use of special effects and stunts, despite some of the directorial decisions being questionable, I do think that the stunts are simple, yet effective (although perhaps not always particularly believable). Especially with the fight between Edward and James in the mirrored dance hall where the camera work was done quite well, despite the use of wires being obvious.

To end this positively negative review on a high note, here is a funny video:
Bad lip reading of Twilight...

keifer-sutherland-vampires — Keifer Sutherland is the best [looking] ‘teenage’ vampire. And at least The Lost Boys didn’t take themselves too seriously; it was a black comedy after all.

I think that there is a lot of hype over nothing, but also a bit of shame among those who secretly enjoy the film. I don’t think it’s “bad”. It’s just… poor. It could have been done better if the cast was re-thought. But, even so, the characters were pretty pathetic too… It should have become a film that faded into the background; a one-hit wonder.

I don’t think it really deserves the hype – or the hate – that it has attracted. The appreciation would have been more appropriate if the movie came and went. It would have done much better as a fantasy horror – not a fantasy highschool chick-flick.

Jodie’s rating: 4/10

Whip It

Director: Drew Barrymore
Writer: Shauna Cross
Released: 2009
Starring: Drew Barrymore and Ellen Page
—

First of all, don’t be put off by Drew Barrymore as the director… Your preconceptions are invalid.

Whip It is certainly a fun and enjoyable film based around the exciting sport of Roller Derby. Since watching this movie, I really wanted to go to a Roller Derby bout which I was lucky enough to do this year. Boy, the violence portrayed in the movie is clearly through the eyes of Hollywood – it is so much more brutal in real life. Or maybe our Kiwi players are just more violent…? It was awesome nonetheless.

So, Whip It is about a seventeen year old girl called Bliss (Ellen Page <3) who discovers the world of Roller Derby and sees it as a way of setting herself free from her mother’s “50s womanhood” household.

EllenPageAliaShawkat — Pash (Alia Shawkat) and Bliss (Ellen Page) at their day job in the “bustling metropolis know as Bodeen, Texas”.

It explores friendship, change and rebellion. It is truly a cool film which makes you want to become a Roller Derby player after every watch; the energy is contagious! By the end of the film you will be picking our your derby name!

Ellen Page has always been one of my favourite actors (Inception, Juno…) and every female character has such a strength about them – almost androgynous – similar to the

LandonPigg — Bliss (Elen Page) and Oliver (Landon Pigg) make a fantastic pair, with Landon Pigg being a musician in real life, his band’s songs were included which were fantastic.

likes of Trinity from The Matrix. It’s very empowering.

I guess because Bliss (who becomes Babe Ruthless) is an “alternative” girl from a misfit town who beats all odds and becomes her own hero. A powerful message that is portrayed is that you should do what makes you happy at that moment – it doesn’t matter if it is not your career path or that you do it forever; just that you experience it and live in the moment is what matters.

Musically it transforms the potential chick-flick feel into a deeper and more emotional journey. My favourite score being “The Road To Austin” by the Section Quartet. As well as Jens Lekman’s “Your Arms Around Me” which is best heard with the scene that it is used with. They go together perfectly.

Drew Barrymore has really made a reputable name for herself behind the camera as well as in front, for sure. A fun and easy-watch but also an inspirational story that captures a vivid snapshot of Bliss’ life in a way that includes the realistic ‘ups and downs’ of life.

A feel-good comedy-drama. Worth a watch!

Jodie’s rating: 7.5/10

Pitch Perfect

Director: Jason Moore
Writer: Kay Cannon. Based on Pitch Perfect by Mickey Rapkin
Released: September 2012
———-

Okay, this movie was actually pretty funny! I felt like I needed to suppress my laughing fits so that nobody thought I had such a weird sense of humour – which this movie kind of does.

I really enjoyed it – perhaps more than I would care to let on since it is just a chick flick… But it’s not your typical “boy gets girl”, “random dudes stripping off”, “getting drunk and hooking up”… Okay, well that’s a lie, there was all of the above, but the movie tended to make fun of these stereotypical characteristics of the genre, which set it apart.

Beca – the protagonist – is played by the awesome Anna Kendrick… I reckon Ellen Page would have suited this character too…

Also, the fact that it certainly focussed on the music more than anything – you should see the list of songs in the credits! Plus, I liked how Pitch Perfect had a ‘point’ despite being just a fun, entertaining film. It emphasised diversity and non-conformity while either avoiding stereotypes, or blatantly stating them.

I guess I’m missing out on the main point of the movie, which is that it was all about the competitive world of acapella. I thought “Glee + Bring It On”, but it was actually a thousand times better than either of those. Competitions between numerous groups of dudes and girls who battle for the best performance of any song using nothing but their vocal chords. They all sounded fantastic… Even though their voices were obviously perfected in post. Almost too flawless actually…

Fat Amy has to be everybody’s favourite character, just because she is so freakin’ hilarious. I was so disappointed that they didn’t include the “pirate dancing” scene though… They replaced it with the “mermaid dancing” scene. So, here is the pirate dancing clip since you won’t see it in the movie (25 seconds in):

But the character who made me laugh the most was actually Lilly aka “The Quiet One”… I shan’t give away too many details – but look out for her!

My favourite thing about the movie? Probably that it was set in a university and not a High School! I’m so fed up of 20-something year old actors playing 16 year olds… Also, the love story took a major back seat! So refreshing!! There were also a lot of rather funny one-liners. Most of them being puns… Which were really quite “punny”… Ha.

The worst part? The pointless and really weird idea of having a character that has a tendency to vomit… A lot. Not only does it take you by surprise, but it makes one ponder the reasoning behind why this addition was actually required.

Over all, a very funny film that is worth seeing!

Jodie’s rating: 7.5/10
(Omg, higher than Looper!)

Snow White and the Huntsman

Director: Rupert Sanders
Writers: Based upon Snow White by Brothers Grimm
Released: June 2012
Starring: Kristen Stewart, Charlize Theron, Chris Hemsworth and Sam Claflin
—

I don’t think you can really read too much into this film. At the end of the day it is based on a simple fairytale, but it is an action-packed and exciting take on it. Quite a bit of violence, which was more realistic than I thought it would be, with battle scenes that were very captivating.

I know everyone, including myself, went to see it secretly to criticise Kristen Stewart’s performance. It wasn’t bad, but it was obvious that she was not the ideal Snow White. She had very little dialogue, and when she did speak, her typically emotionless facials were replaced by concentration, probably focussing on her English accent.

I have to say, I thought Snow White would have been more feminine and smiley… I don’t know if she wasn’t because of Stewart’s portrayal of her, or because the makers wanted to portray a more dark and gothic version of Snow White.

This kind of Snow White reminded me of Katniss from The Hunger Games – a strong, feminine warrior. But every production company has got to make their money somehow, right? And what better way than to use the Twilight star.

I thought they would choose a more unknown actress for Snow White (like Tim Burton did for the protagonist in Alice In Wonderland). Turned out I was right, this was considered at the beginning. I hadn’t heard of Felicity Jones before the likes of Cemetery Junction, but after seeing this photo of her… wouldn’t it have been an no-brainer to cast her!?

Queen

The evil stepmother/Queen played by Charlize Theron was another casting decision I don’t think was a bad choice exactly… But she was a tad theatrical at the beginning, which don’t get me wrong, is probably appropriate. But it was almost too much.

It reminded me of Anne Hathaway’s sickly sweet performance as the White Queen in Burton’s Alice In Wonderland.

The seven dwarves were great. Although I do wish their names were like the well-known Disney version (Sneezy, Sleepy, Dopey, Doc, Happy, Bashful and Grumpy, which became Beith, Coll, Duir, Gort, Muir, Nion, and Quert).

The-Dwarves-in-Snow-White-and-the-Huntsman

However, it did dawn on me during the film that the genre of this interpretation is totally different, therefore the less comedic angle was adopted.

Having been so critical so far, I have to say that I did enjoy this film. The visual effects were incredible. The Mirror Man leaked out of the mirror like metallic silk… It was solid yet liquid, which was super cool.

The dark forest was pretty awesome too which was convincingly contrasted with the sanctuary where the dwarves lived.

This is a film worth seeing. The stunts (and stunt horses) were fantastic, the animation was insane and yet, the original Snow White story was still there.

My expectations of a flailing and weak Snow White with a strong love story was totally not what the film was. It is The Hunger Games meets Alice In Wonderland (2010) with strong characters, violence and action. A fairytale for the modern tween.

Jodie’s rating: 6.5/10

PS: I can’t help but say that if you look closely at the close ups of Kristen riding the grey horse bareback, you can tell she is sitting in a saddle with her dress draped over it.
PP.SS: As my friend mentioned to me during the movie, I was also disappointed that the dwarves were not riding miniature horses.

The Wedding Singer

Director: Frank Coraci
Writer: Tim Herlihy
Released: February 1998
Starring: Adam Sandler, Drew Barrymore and Christine Taylor
—

This film is the eighties equivalent of the sixties-based The Boat That Rocked, so it is very funny and has an awesome soundtrack!

Adam Sandler plays Robbie Hart the wedding singer who is very talented and loves his job until he loses faith in love. ‘Love Stinks’ is probably the most memorable song in the entire movie, which is covered by Sandler who has a surprisingly good voice!

The Love Stinks scene is my favourite scene, not because he is at the depths of heartbreak, but because his anger becomes pretty hilarious…

I think if Sandler had carried on doing the more tasteful films like The Wedding Singer, I would be a fan of more of his movies… It’s a shame that this is the only film I own with him in it.

Julia is the sweet girl-next-door type played by Drew Barrymore. Julia is such a cool character who is marrying the wrong guy; Glenn Gulia who is arrogant and rude.

That is until she starts “spending more time with this other man… Robbie Hart” who is, to her mother’s disappointment just “the wedding singer”.

Drew Barrymore has never looked more innocent with short blonde hair, this character shows her versatility as an actress since I always imagine her to be a bolshy and over-confident person in real life.

This film is probably my favourite rom-com of all time because it has a dry sense of humour, but above all it has a soundtrack that I absolutely love! Literally the best of the eighties.

Like all classic rom-coms, stereotypes and inevitable story lines fall into place, but the incredibly accurate fashion trends and set designs – at the very least – will keep you entertained and/or reminiscing!

I am now on the hunt for blue mascara…
Jodie’s rating: 8/10

Little Miss Sunshine

Directors: Jonothan Dayton and Valerie Faris
Writer: Michael Arndt
Released: January 2006
Starring: Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin and Alan Arkin
—

If you adored the humour of Juno, you will fall madly in love with this film! It was full of that dry, black humour where you don’t know if you should laugh or cry.

It has that ‘typical family’ quality where you can relate to every character because we all know somebody like them. Sort of.

26suns.2.600

Olive (Abigail Breslin) wants to compete in a beauty pageant, which is a good one-and-a-half day’s drive away. With an unpredictably suicidal uncle (Steve Carell) who can not be left by himself, the whole family decides to go.

You automatically adore Olive, who brings an innocence to the family who are full of ‘failures’. Her brother refuses to talk, her grandfather is a heroin addict, her uncle is suicidal, and her father is a failed life coach. Meanwhile, her mother is struggling to keep the family together.

arts-graphics-2007_1175871a

Despite me making it sound like a total downer, it’s actually a beautifully triumphant film where everyone slowly makes peace with themselves and each other. I thoroughly enjoyed the adventures and internal conflict with a lot of deep and meaningful messages throughout the film.

A film that will make you laugh, cry, and reconsider your priorities in life.

Jodie’s rating: 8.5/10

Up in the Air

Director: Jason Reitman
Writer: Jason Reitman and Sheldon Turner (based on novel by Walter Kirn)
Released: December 2009
Starring: George Clooney, Vera Farmiga, Anna Kendrick
—

At face value, this may seem like just another shallow idea with a typical love story. But this is far from it.

It’s an incredible story that has a very serious undertone, indeed. It is actually documenting the effects of the start of the financial downfall that we are now experiencing globally.

The movie is not told from the perspective of an employee being let go and the inevitable family and financial problems that would accompany it, but from the point of view of the man that is hired by the boss to tell their employers they no longer have a job.

This is a song that a man named Kevin Renick wrote after losing his job. He sent it to Jason Reitman after hearing about the film and the song is played on the credits. Shows how real this film is, I think.

It’s a fantastic – yet heartbreaking – perspective, because we also see how technology is ruining human connection. For example, it is proposed that instead of Ryan Bingham (George Clooney) flying from city to city letting these people go face to face, that he could actually tell them online via a camera which would be more ‘efficient’, but obviously much less personal. This proposition doesn’t work for Bingham whatsoever. Let alone the people getting told they’re losing a job.

It’s a sad story of how people’s worlds collapse, how in many respects the odds are against us and that people can no longer rely on each other since it is predominately all about profit. It addresses how we have stopped being personal, only professional, and how a job can become somebody’s life. How it can be their only reliable thing.

Of course, being the director of Juno, Jason Reitman has created another fantastic comedy with very quirky lines. I love this kind of humour, particularly in the scene showed in the photo above.

Ryan: I’m not a shrink, Bob. I’m a wake-up call. You know why kids love athletes?
Bob (JK Simmons): I don’t know. Cause they screw lingerie models?
Ryan: No, that’s why we love athletes. Kids love athletes because they follow their dreams… Your resume` says that you minored in French culinary arts. Most students, they work on the fryer at KFC, but you bussed tables at Il Picador to support yourself. Then you get out of college and then you come and you work here. How much did they first pay you to give up on your dreams?
Bob: 27 grand a year.
Ryan: And when were you going to stop and come back and do what makes you happy?
Bob: Good point.

My favourite part is when George Clooney’s character is deliberating which line to join for security screening in an airport:

This fantastic film is pretty much about all the different ways somebody can feel ‘up in the air’ with little substance and solidarity in their life.

It is a sad film if you look beyond its face value, with not much of a happy ending which I think is very appropriate since we are not quite out of the dark yet. However, it’s strong, underlying current of humour keeps us afloat and captured throughout the whole film.

Jodie’s rating: 9/10

Alice In Wonderland (2010)

johnny_depp

Director: Tim Burton
Writer: Linda Woolverton (Based on Alice in Wonderland by Lewis Carrol)
Released: March 2010
Starring: Johnny Depp, Anne Hathaway, Helena Bonham Carter, Crispin Glover, Matt Lucas, Mia Wasikowska
—

What a trip!

Despite numerous films portraying Lewis Carroll’s tale of Alice in Wonderland, Tim Burton’s gothic varnished tale of being lost in Wonderland hit the nail on the head. Burton’s magical story turned Disney’s musical cartoon into a 3D adventure of mystery and excitement for the whole family.

After Alice (Mia Wasikowska) abandons a surprise engagement party thrown for her, she accidently re-discovers Wonderland or ‘Underland’ as the residents call it. Burton made sure that Alice was down-to-earth and neutral enough for the audience to relate to in the unfamiliar land and out-of-this-world characters throughout the film.

Alice encounters our favourite characters from the Tweedles (Matt Lucas) to the classic Mad Hatter (Johnny Depp) who were included in our unforgettable journey through Wonderland.

alice-in-wonderland-cat

Every character was brilliantly portrayed with the most memorable being Johnny Depp’s witty character, The Mad Hatter, whose maddening personality seemed to be the heart of Wonderland.

Depp’s performance was undoubtedly convincing with the audience’s emotions changing as the Hatter’s did. From being sympathetic toward Hatter’s loneliness and despair over the Red Queen’s (Helena Bonham Carter) destruction of the land, to the aggressive and spooky Scottish man he frequently became throughout the film.

The Red Queen’s head was enlarged which was very well done; it portrayed her big-headedness physically, which matched her selfish acts.

The fantastically convincing post-production effects and the use of green screens created a trippy and fantastical trip to and through the land. (Although one may wonder if it would have been a load easier and cheaper to do the entire thing animated).

Helena Bonham Carter as The Red Queen

The music composed by the incredible Danny Elfman was the cherry on top for this captivating movie. Elfman, who has composed for most of Burton’s films including Edward Scissorhands and Big Fish, stuck to his very traditional/stereotypical mix of choir, horror based music and melodic stringed instruments, which matched the visuals perfectly. Elfman has never failed intertwining contrasting ideas, such as the innocence of Alice and the strange jungle of Wonderland, into nothing less than a masterpiece.

Tim-Burtons-Alice-In-Wonderland

The overall storyline of Tim Burton’s Alice in Wonderland was the perfect addition of Lewis Carroll’s story and Tim Burton’s signature techniques of story-telling. However, the secret world of Narnia and the evil Queen came to mind throughout the film, which didn’t give Alice in Wonderland a very unique or alternative storyline like Burton’s films usually have.

The White Queen, portrayed by Anne Hathaway, was obviously instructed to be the fairytale, almost stereotypical princess which unfortunately did not quite translate as it appeared fake and cringe-worthy. I felt like I was thrown out of the fantastical world with reality hitting like a slap to the face.

Anne Hathaway as The White Queen

The director, Tim Burton, can always be relied upon for the best dark, fantasy-themed movies, and he has lived up to his reputation once again. Burton mentioned that he had not been satisfied with a version of Alice In Wonderland since the book. I agree, and I think this film will most likely be the final version we will see.

Tim-Burtons-Alice-In-Wonderland-alice-in-wonderland-2010-13698617-1360-768 The cast were fantastic and the post production techniques are impressive and live up to today’s high film expectations, especially since the release of Avatar. Burton’s film, Alice in Wonderland, is a recommended view.

Jodie’s rating: 7/10