horror – NZ Film Freak

Contagion

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Director: Steven Soderbergh
Writer: Scott Z. Burns
Released: September 2011
Starring: Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Jennifer Ehle, Elliot Gould and Kate Winslet
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I’m 100% sure I have reviewed Contagion before… But I can’t find it anywhere so I must have only thought about writing about it. Anyway.

Contagion is almost like an apocalyptic film that explores what may happen in the event of a major epidemic that threatens to wipe out much of the population, similar to that of the Spanish flu that killed about 1% of the word’s population at the time (50-100 million people during 1918).

It plays on our fears of being vulnerable and desperate to protect ourselves and our family.

It follows the lives of multiple people such as an ordinary citizen (Matt Damon) whose [cheating] wife (Gweneth Paltrow) is affected by the epidemic (funny how the first person to die is someone who is guilty of having an affair), a doctor (Marion Cotillard) who attempts to trace the origin of the flu, and another doctor (Kate Winslet) who investigates the nature/behaviour of the virus. In the background is Jennifer Ehle’s character who is working hard to find the vaccine to this unknown flu strain.

Meanwhile, we see the ‘faces’ of the epidemic: Laurence Fishburne’s character’s professional opinion is sought after by the Centre of Disease Control, and he is asked to do interviews on the news.

“No one can know until everyone knows”

In the other corner is Jude Law’s character who is a popular conspiracy theorist who attempts to prove that the disease is a bio terrorism weapon used by the government to financially profit from the vaccines. He believes he has found a homeopathic cure for the fatal disease.

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It’s so interesting – every opinion is represented by a character, including the medical industry, government and citizens. The conspiracy theorist – although shown in a negative light with little integrity or authenticity (even given a gammy tooth for good measure) – raises a lot of good questions that should be asked. Challenging authority in such situations isn’t necessarily dangerous, but spreading propaganda may well be.

A thrilling ride with lots of interesting ‘what if’ scenarios.

My only criticism is the music. It’s such bizarre music. It’s sort of indie-sci-fi and reminds me of the Blade Runner soundtrack. The noises certainly put you on edge, but I’m not sure it always works with the more emotional scenes.

Jodie’s rating: 7/10

Glass

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2019
Starring: James McAvoy, Bruce Willis, Anya Taylor-Joy, Sarah Paulson and Samuel L. Jackson
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Okay. So. In order to enjoy this movie to the max, I strongly recommend you view the two prequels before heading to the cinema.

The very first movie in this trilogy (look at me assuming there’s only going to be three…) is Unbreakable. This came out 2000 and actually has a stronger connection to Glass than Split.

The second movie was Split, and this is important to understand the backstory of the ‘villain’ (James McAvoy) and the ‘brain box’ (Samuel L. Jackson).

I’m so excited about this film, I don’t know where to begin!

Okay, so if you loved seeing all the characters that James McAvoy played in the previous film, then you will feel like you’ve died and gone to heaven in this film. You will learn more about each of his personalities and understand Patricia a little more. But you must watch Split before seeing Glass if you want to understand and appreciate the relationship between the different personalities.

I know that everyone knows, but James McAvoy is just a remarkable actor! He portrays each personality so accurately that you swear you were looking at a different actor. Absolutely obsessed with this character! So amazing to watch. You’ll giggle with nervousness, and chuckle at the absurdity, but ultimately he’s the scariest villain I’ve come across.

Where Unbreakable was about the ‘reluctant hero’ (Bruce Willis), Glass is about the baddies. A psychiatrist (Sarah Paulson) has captured all three characters (Kevin Crumb/The Horde, Elijah Price/Mr. Glass and David Dunn/The Overseer) and locked them in a secure unit. They are unable to escape as each of their weaknesses guards their cell. What kryptonite is to Superman: water is to Dunn, flashes of light is to Crumb and a room void of mental stimulation is to Price.

How will they escape? Who’s really in charge?

There are tonnes of references to comic book tropes and character stereotypes, which I loved! Also, because much of the film is shot via security cameras within the secure unit, you feel like it’s a movie within a movie. Especially because Elijah Price almost narrates the film in third person, referring to each main character as the ‘villain’ and the ‘reluctant hero’.

“That sounds like the bad guys teaming up.” – Mr. Glass

A couple of presenters on either Coast or Radio Hauraki (I can’t remember which) only gave Glass 2/5. But one of the presenters hadn’t watched Split, and the other presenter hadn’t watched Unbreakable. So I think this was likely the reason for their low rating. They probably found it boring because they would have missed the interesting details and references.

You must watch this film if you love movies in general, comics or M. Night Shyamalan.

Jodie’s rating: 7/10

Bird Box

A review of Bird Box.

Director: Susanne Bier
Writer: Eric Heisserer (screenplay). Based on book by Josh Malerman
Released: December 2018
Starring: Sandra Bullock, Trevante Rhodes, John Malkovich, Vivien Lyra Blair, Julian Edwards, Danielle Macdonald, Lil Rel Howery, Jacki Weaver, Rosa Salazar, BD Wong, Tom Hollander, Sarah Paulson and Colson Baker
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Firstly, if you’ve seen A Quiet Place, then you’ve seen Bird Box. It’s quite comical how similar they both are.

Nevertheless, that is not an excuse not to watch Bird Box – especially if you enjoy an apocalyptic film.

It’s about a mysterious force that if seen, will cause people to kill themselves or harm others. This results in mass suicides, turning the world into a survival of the fittest. No one can go outside without being blindfolded for fear of seeing the nearly invisible killer.

Bird Box river scene

The movie follows a pretty predictable storyline, but that doesn’t stop it from being shocking and unnerving. Especially when the force tempts people to take down their blindfolds by echoing the voice of a loved one.

I’m actually surprised that the storyline didn’t cause mass outrage or offence, considering it’s about suicides. I thought there would be fears of copycat behaviour. From the point of view of mental illness, I also thought offence would be taken by the fact that clinically insane people can see the killer but not kill themselves. Instead, they turn into murderers.

At the very least, I thought offence would be caused by the main character Mallorie (Sandra Bullock) naming the two children she’s looking after Boy and Girl (which are very gender-specific names in this gender diverse world).

Review of the Bird Box movie

However, I despair at what has got people talking: The Bird Box Challenges.

People are posting videos of themselves doing everyday activities – such as driving – blindfolded to see if they would survive in the apocalyptic world that was depicted. This reaction to the movie has resulted in warnings being posted by Netflix.

Can’t believe I have to say this, but: PLEASE DO NOT HURT YOURSELVES WITH THIS BIRD BOX CHALLENGE. We don’t know how this started, and we appreciate the love, but Boy and Girl have just one wish for 2019 and it is that you not end up in the hospital due to memes.

— Netflix US (@netflix) January 2, 2019

https://platform.twitter.com/widgets.js
Nevertheless, I thought the movie was well cast – I love Sandra Bullock anyway – but she did so well portraying a desperate mother. I think Reese Witherspoon would have done a good job too.

The storyline moved quickly with lots of twists and turns, which kept you on your feet.

So take your blindfold off – Bird Box is definitely worth watching!

Jodie’s rating: 7/10

Cloverfield

Director: Matt Reeves
Writer: Drew Goddard
Released: January 2008
Starring: Lizzy Caplan, Jessica Lucas, T.J. Miller, Michael Stahl-David, Mike Vogel, Odette Yustman
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Cloverfield is basically The Blair Witch Project but set during an apocalypse in a city, rather than a witch hunt in the woods. I thought it would be an easy watch, and perhaps even a good film as I’ve always heard it being referenced to.

(Not to be confused with 10 Cloverfield Lane, which is the second instalment.)

But it was not entertaining, exciting or scary. I was hanging on by a shoestring the whole time I was watching it, holding on to the possibility that it might get better. But then it ended.

I felt incredibly deflated. But kudos for keeping me hooked just enough for me not to turn the film off.

Basically, a guy called Rob (Michael Stahl-David) is leaving America and going to Japan and all his friends and work colleagues throw him a surprise party. Rob’s camera is given to a friend called Hudson (T.J. Miller) who is in charge of filming the party and testimonials. One woman, Beth (Odette Yustman) , speaks to camera and it’s revealed that she is the ex-girlfriend who is clearly still in love with Rob. Rob feels the same way, shown by the regret he expresses when she leaves the party – just before the lights go out in the city.

Suddenly, buildings are falling and everyone scatters into the city streets. Hudson is still filming everything and he sticks close to Rob who is hell-bent on finding Beth, who he decides is the love of his life. In the distance a large shadow can be seen – a monster who is smashing up the street.

It reminded me of Godzilla meets War of the Worlds in that respect. But a far more simplified and cheesy version.

I appreciate there are many qualities in this film that would make it ideal to study at school: A small group of characters on a quest despite the uphill struggle and imminent danger posed by a monster. Simple film techniques and good use of sound effects in the place of music. It’s a relatable environment, and the storyline plays on our fears.

But quite frankly, it was boring. Without giving away too much, the open-ending was incredibly unsatisfying and way too many of the core characters get killed off, which is a let-down because most films need a hero in order for the audience to feel content at the end.

I would say it was a brilliant, if not predictable, film if you told me it was made by a group of self-funded film school students. But surprisingly, Paramount Pictures is behind this.

All in all, you’ll find yourself scoffing and eye-rolling rather than watching through sweaty fingers at the end of your seat.

Jodie’s rating: 4/10

The Sixth Sense

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: August 1999
Starring: Bruce Willis, Toni Collette, Olivia Williams, Haley Joel Osment
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The Sixth Sense is another Shyamalan creation that everyone must see. It’s about a psychiatrist called Malcolm (Bruce Willis) who tries to help a traumatised and anxious child named Cole (Haley Joel Osment).

Cole reminds Malcolm of a patient he failed to save back in the day, the patient killed himself and Malcolm became adamant that he will never fail another patient again. Therefore, he persists in helping Cole despite his reluctance, and eventually Cole confides in him: “I see dead people.”

In conjunction with The Village and The Others, The Sixth Sense has a massive twist. While I’m sure many of you know the twist whether you’ve watched it or not, I’m hoping the younger generation are yet to experience the brilliance of this film. I wish I could watch it for the first time again!

Malcolm: Do you ever talk to your mom about how things are with Tommy?
Cole: I don’t tell her things.
Malcolm: Why not?
Cole: Because she doesn’t look at me like everybody else, and I don’t want her to. I don’t want her to know.
Malcolm: Know what?
Cole: That I’m a freak.

I remember my dad said that when it first came out in the cinema someone said ‘I saw that twist a mile off, it was so obvious.’ But I’m quite certain that this pompous movie-goer was lying. The script is genius and makes for a brilliant watch.

Cole: Grandma says hi.
[His mother (Toni Collette) looks up sharply]
Cole: She says she’s sorry for taking the bumblebee pendant. She just likes it a lot.

I think everyone in this film is an outstanding actor. But Toni Collette, who plays Cole’s mother, is absolutely incredible. I adore her so much – she’s so realistic. You can see the desperation in her eyes, trying to figure out what is wrong with her child. When she cries, I cry.

Lynn: Look at my face; I was not thinking anything bad about you.

The Sixth Sense is a particularly scary thriller, there are certainly several horror-heavy scenes that scared me when I was younger. However, I would encourage you to be brave and watch it anyway because it’s a touching and thought-provoking film. Definitely a must-watch!

As usual, Shyamalan has a guest appearance so keep an eye out for him!

Jodie’s rating: 7/10

I’d advise avoiding the below trailer. It’s an old-fashioned trailer, so it’s not that great and I think it over-shares the plot.

The Village

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: July 2004
Starring: Joaquin Phoenix, Adrien Brody, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Brendan Gleeson
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The Village is my favourite M. Night Shyamalan film ever. I must have watched it at an impressionable time, because I still catch myself daydreaming about it.

It’s about a 19th century village surrounded by woods. It is said that there are dangerous creatures – The Ones We Do Not Speak Of – in the woods who will attack if anyone goes into their territory. The elders of the village are in charge of keeping the rest of the community safe, ensuring nobody wanders into the woods.

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However, when Lucius (Joaquin Phoenix) becomes ill, Ivy (Bryce Dallas Howard) volunteers to brave the woods in order to retrieve medicine from the towns beyond. Plot twist: Ivy is blind (that is definitely not the only plot twist).

Mrs. Clack: How could you have sent her. She is blind.
Ivy’s Father: She is more capable than most in this village. And she is led by love. The world moves for love. It kneels before it in awe.

Despite being a thriller, The Village is such an honest, romantic and innocent film that delves into the fundamental human connection between lovers Ivy and Lucius. It strips life right back and reveals what is important to people, and how far we would go to save the ones we love.

The script writing is divine. I’d like to have my house covered in quotes from these characters. I think Shyamalan’s writing overshadows his talent for directing.

Ivy: Sometimes we don’t do things we want to do so that others won’t know we want to do them.

What makes this film spectacular is the music. It really sets it apart from other thrillers. Hilary Hahn is a fantastic violinist and without her solos The Village wouldn’t have that tender and hopeful feel to it. It’s so emotive that it gives me shivers just listening to it on its own:

I would recommend this film to everyone. You don’t have to like thrillers to appreciate the beauty of this movie because the storyline is so pure and touching.

The most beautiful scene is the one below. Ivy proves Lucius’s loyalty and love during a raid on the village by Those Who We Do Not Speak Of. She stands with an out-stretched arm on the porch, knowing Lucius will not let her fall to the monsters who are on the hunt through their village. He saves her, and the use of slow motion and the frantic violins brings tears to my eyes!

At first I didn’t think Bryce Dallas Howard was a convincing blind person. However, after multiple watches, I realised that she can see faint colour and shadows. Which makes more sense.

Ivy: I do long to do boy things. Like that game the boys play at the stump. They put their backs to the woods and see how long they can wait before getting scared. It’s so exciting. I understand you hold the record? It will never be broken they say.
Lucius: It’s just childish games.

It’s a must-watch. If you get bored through the first half, which I hear some people do, please do persist because it’s well worth it.

Jodie’s rating: 8/10

A Quiet Place

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Director: John Krasinski
Writer: Bryan Woods, Scott Beck
Released: April 2018
Starring: Emily Blunt, John Krasinski
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I was expecting a lot from this movie because I had heard and read incredible reviews.

Without reading up about what the film was about – as I correctly thought this may giveaway too much about this thriller – I went in with optimism and excitement. I was about to be thrilled by my favourite actress, Emily Blunt.

It’s about a family who is living in the year 2020 among blind alien beings who hunt using only sound. Therefore, everyone must be silent if they are to survive. This dystopian future was brilliantly thought-out as the way of life changes significantly, from not eating with noisy knives and forks, to walking barefooted on sand rather than stones.

A Quiet Place sets the story up quickly, explains the world and what is at stake within the first 15 minutes or so. Despite the silence of the beginning, your attention is held fast. The story grows in suspense quickly, accelerated by the fact that you don’t actually see the monsters in the flesh until a lot later. They only show extreme close-ups and flashes of them in the distance. Classic The Blair Witch Project technique, whereby your imagination makes it a lot scarier than it is.

I’m struggling to say much more without giving the game away because the trailer gives away next to nothing – and rightly so! Because the less you know about this movie, the better it is.

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What I loved about this film is that it is unlike anything I have ever seen before. If I had to choose a likeness, I’d probably say War of the Worlds is the closest because of the alien invasion story line with a family in the centre of it.

However, A Quite Place focused heavily on the unspoken – for obvious reasons. This meant that the emotional tension was very high because the rocky relationships between some of the family members was amplified by the silence.

It is a genius concept that was so well thought-through and executed.

The actors did particularly well with not over-acting, which would have been easy to do as they had very little dialogue to rely on, compounded by them using sign language in the film. They were essentially in a silent movie and would have had to go back to basics.

I was thinking who else could have played Emily Blunt’s role and I couldn’t think of anyone who could have done better. The character was strong, warm, modest, maternal and brave. So I understand why Blunt’s action and romance background would have been appealing.

Of course, the real reason she was chosen is because her husband in real life, John Krasinski (from US series The Office), played her character’s husband in the movie (he looks an awful lot like Shia LeBeouff with that beard). He also directed and co-wrote the film. Nevertheless, I don’t think there was anyone who could have played the role better.

Their children in the movie were brilliant. The daughter is deaf, and the actor who played her is deaf in real life. She didn’t look much like either of the parents in the movie, but I can see why they cast her anyway. She was faultless.

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While this movie is certainly a horror/thriller, its dramatic story line is extremely emotional indeed. I was sobbing all the way through it. There is so much at stake and this family love each other so much – they won’t let anything happen to each other. But in this dangerous environment not everything is within their control.

From a ponsy scholarly point-of-view this movie will be dissected and studied in film school for years to come. They used sound, or more appropriately the lack-of sound, really well. Particularly the shots from the point-of-view of their deaf daughter where the sound is muted completely.

However, from an average audience member’s point-of-view, this film is Blu-Ray-worthy and a brilliant watch… Until the final scene.

Up until the final scene, this movie was a strong 9/10. Only losing marks due to a couple of disagreements I personally had with the story line, and a couple of pointless scary moments that were included just to make you jump. While I expected that from cheap and dirty Hollywood horrors, I didn’t expect it from A Quiet Place. Having said that, it only happened once or twice.

So yes, the ending. The ending didn’t conclude as I expected, nor did it wrap up the family’s problems satisfactorily. This 90-minute film needed an extra 10 minutes to show what we all assume happened. (I’m struggling not to give too much away here.) Therefore, A Quiet Place is a strong 8/10.

I highly recommend watching it, even if you’re not a horror fan. Yes, it is certainly scary, but more than anything, it is full of hope and strength and an emotional family bond. You will cry more through admiration and sadness than you will from being terrified.

Jodie’s rating: 8/10

Split

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2017
Starring: James McAvoy and Betty Buckley
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Another brilliant film from M. Night Shyamalan. It’s the best kind of story – the kind that you’ll be thinking about for days.

For me, Split is a return to Shyamalan’s trademark of well-rounded characters and fantastic storylines. It’s a film that echoes the genius of The Village and The Sixth Sense.

Split is about a man called Kevin Wendell-Crumb (James McAvoy, whose talent will be gushed upon shortly) who has 23 personalities. He kidnaps three girls and keeps them hostage. All the while, one of the three girls cottons on to his multiple personalities, and tries to manipulate one of them – a nine-year-old boy – to help them escape. But, will they be able to escape before the mysterious 24^th personality reveals itself?

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I can’t explain how remarkable McAvoy is in this film. I know McAvoy as Mr Tumnus from the Narnia films, we named our goat Mr Tumnus after his portrayal of this character because we loved him so much.

Every one of McAvoy’s personalities in this film is so believable, especially Patricia. Oh my goodness, she’s scary. The crazy thing is, you feel relieved when you realise McAvoy’s character is the nine-year-old, and petrified when he’s Patricia, even though he’s physically the same person. That’s how talented he is. He can morph himself into different people seemlessly.

I didn’t think much of the hostages’ acting. They were mostly appearing dumb-founded with a lot of silent, wide-eyed staring. But I was fascinated by the psychiatrist in the film, Dr Karen Fletcher (Betty Buckley). Buckley’s acting was phenomenal. I was hooked on every word she said; she was so articulate and fascinating. So actually, perhaps I should say kudos to the screen writing. Nevertheless, along with McAvoy, she was great.

I was expecting a horror, but this is actually a thriller. More than that, it is a sequel to the thriller Unbreakable (featuring Bruce Willis), and a prequel to a thriller called Glass, which is set to be released next year! I’m on that like white on rice.

I thoroughly enjoyed this film. If you loved Shyamalan’s films from the early days, then you’ll love this too. Brilliant writing, fantastic casting, and horrifyingly complex characters and theories that will have you dwelling on the film for days.

Highly recommend seeing it.

Jodie’s rating: 8.5/10

The Girl on the Train

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Directed: Tate Taylor
Written: Erin Cressida Wilson. Based on The Girl on the Train by Paula Hawkins
Released: October 2016
Starring: Emily Blunt, Rebecca Ferguson, Justin Theroux, Haley Bennett, Luke Evans, Allison Janney (Juno’s mum!), Édgar Ramírez and Lisa Kudrow.
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The Girl on the Train is up there with Gone Girl! A mind-twisting psychological thriller, through the eyes of Rachel (Emily Blunt) – a frail alcoholic who is the last person to see Megan Hipwell (Haley Bennett) alive.

However, as we see the events unfold from Rachel’s point of view, you never know what is real and what has been imagined, as she struggles to remember what she saw .

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Is she the murderer? Was it the ginger dude on the train? Was it Megan’s husband? You honestly wouldn’t know for sure – massive twists!

We experience the battle against herself as she grows stronger and more focussed on trying to remember what she saw that night when Megan went missing.

I have read the book, and if I had of seen the movie immediately after I think I would have agreed with the public’s negative reaction of it being too different to the novel. As instead of it being set in the dingy outer suburbs of London, it is set in glamourous waterside mansions of New York.

Apparently the movie was always going to be set somewhere in the USA, because alcoholism is ‘less accepted there‘, and the juxtaposition of the character’s sadness with the glorious mansions she passed on the train made it visually shocking… I still don’t think it was necessary to change the country’s setting, but whatever. At least Emily Blunt was allowed to remain English.

girltrain3 I enjoyed it very much, though. The characters are believable and relatable (my two big ticks for every movie). Emily Blunt makes an amazing drunk person – that must have taken a lot of practice to look that authentic. It’s actually scary and makes you think twice about drinking.

I’m pleased they didn’t make her look flawless while she was drunk. I was worried they would make her look too ‘pretty’, but her cheeks are puffy and red, her eye make-up is smudged and her hair is messy – you wouldn’t know she’s a celebrity.

But if I had to be nit-picky, the male characters all looked far too similar. I guess this was to encourage you to see through the hazy eyes of a drunkard who couldn’t identify anyone. But with the film being visually dark, everyone having short, dark hair could get confusing if you didn’t know the storyline.

Or maybe it’s just our crappy TV that makes the contrast too deep.

Nevertheless, if you haven’t read the book you’ll likely enjoy it more, because you wouldn’t be able to notice the differences from the novel. But you may find it a bit slow-paced and long-winded at times.

Would recommend!

Jodie’s rating: 8/10

PS. On more than one occasion, I have been told that if I didn’t have crooked teeth, chubby cheeks or many of my current facial features, that I would look JUST like Emily! 🤪🤪 *so proud*.

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The Town

The Town film poster Director: Ben Affleck
Writers: Based on the novel Prince of Thieves by Chuck Hogan. Screenplay: Ben Affleck, Peter Craig and Aaron Stockard
Released: 2010
Starring: Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner, Blake Lively, Titus Welliver, Pete Postlethwaite and Chris Cooper
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Not to be confused with The Village…

I think this movie has everything in it – a compelling love story, fantastic action scenes and Ben Affleck *swoon*. You also can’t go wrong with a rough Boston accent either!

A story about a town in Boston named Charlestown. Where, for some, bank robbery is a way of life and treated as an art handed down through the generations.

The Town film - robbery scene In the first robbery of the film, a masked Doug (Ben Affleck) is calming Claire (Rebecca Hall) who is franticly opening the safe, while the rest of the robbers intimidate the hostages.

A few days after the robbery, Doug ‘bumps into’ the woman to see how much she knows about the robbers and what she’s told the police. Which, I thought was a super cool part of the film. By getting close with one of the few witnesses Doug had the inside scoop of how far off the police were.

Anyway, she basically falls in love with Doug – who, little does she know, was responsible for one of the most traumatic experiences of her life.

The Town movie - nun costume scene I like movies where you’re on the side of the ‘badies’. Kind of like in Gone Girl where I found myself rooting for the mad killer. It was the same as in this film – I was backing the robbers the whole time. but what The Town did differently was that they went a step further and villainised the ‘goodies’ – the police.

It’s a thorough insight into a vastly different culture. The robbers are brutal, tough, but incredibly loyal toward each other.

Doug: I need you to do something with me. I can’t tell you why, you can’t ask me about it after and we’re gonna hurt people.”
Jem: Whose car we gonna take?

God, but bloody Affleck. Being the main character, director and one of the writers, OF COURSE he had to write himself a saucy love scene. Boys, eh!

Lovable, exciting – yet violent – characters, a believable love story with fantastic action sequences between uplifting scenes. A cool twist to the average cold, stale bank robbing film. I like how, although it is scary and violent and intense, it’s still personable and emotional.

Jodie’s rating: 8.5/10

Gone Girl

Gone Girl film poster

Director: David Fincher
Writer: Gillian Flynn (based on her novel of the same name)
Released: October 2014
Starring: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry and Carrie Coon
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Let me just begin by saying, oh my Lord, Gillian Flynn wrote the screenplay to her own novel! That never happens!

When writing my last post, What are you like, Rosamund Pike? (about actors whose public perception changes based on the roles they choose), I wondered how I was going to write this review…

I was so shocked by Rosamund Pike’s performance – she was fantastic of course – but I wasn’t prepared for her to pick this role.

Let’s be clear, this isn’t the mystery/detective/Midsomer Murders deal I was expecting. This is a story of a manic, psychopathic panther disguised as a house cat.

Pike’s character, Amy, is the wife to Nick (Ben Affleck), when she goes missing. They were a seemingly perfect couple who live in the suburbs, but how happy were they really before this tragedy happened?

Their house is a gory crime scene on the day of her disappearance, so it’s assumed that a brutal murder has taken place and her body has been hidden, but who did it?

Gone Girl film - Ben Affleck's speech It gets dark very quickly by this point as they outline the characters’ backstories, and how it came to this.

Nick is thrust into the spotlight of the media, who struggles to be the likeable and concerned husband that the public expect. He is quickly labeled as number one suspect, and Nick gets lawyered-up!

It is certainly a tragic and unnerving film, with some scenes being particularly distressing so this thriller is not a sleepy Sunday afternoon kind of film.

Nevertheless, this is a psychological thriller, which is always one step ahead of you; it has you flip-flopping between characters as to who to root for.

Amy is portrayed as a trustworthy and humble suburban woman on the outside, but has a twisted mind. I was a bit terrified of her as we realise the full potential of her off-kilted psyche. But I still kind of liked her – she has a bit of Thelma & Louise in her storyline.

Nick is a good-looking, albeit, quietly egotistical, depressed and selfish man, so he’s not all that great either. But that doesn’t necessarily make him guilty… Does it?

As Pike said in an interview about this “social satire” film, we are all editing ourselves – on Facebook and in public – so who are we all really? What are we capable of?

Rosamund Pike in Gone Girl film

Gone Girl does challenge you to acknowledge the major social issues and kinks in human nature within society. As we’re rubbing shoulders with the best and the worst of humanity.

Jodie’s rating: 8/10

Nightcrawler

Director: Dan Gilroy
Writer: Dan Gilroy
Starring: Jake Gyllenhaal, Rene Russo, Riz Ahmed and Bill Paxton (the dude from Titanic)
Released: November 2014

This film is by far one of the creepiest films I’ve seen. It’s not so much scary, but it does put you on edge and makes your skin crawl. I guess, hence the film title.

Jake Gyllenhaal with his goggly, baby-bird eyes and sharp cheek bones, is enough to make you squirm. Let alone the control he has over everyone. It is so captivating.

He lost more than 13kg (30 pounds) to play the ‘literally and figuratively hungry’ character, Lou Bloom. Gyllenhaal did so by running a lot and eating only kale and chewing gum. He said the diet was completely safe and healthy.

Lou Bloom, is searching for a job he’s really good at. He soon discovers the media industry where freelance camera operators use police scanners to find car crashes, shootings and what-not, to film and sell to local news outlets.

Bloom dives into this career and quickly makes a sweet sum.

He basically represents the media industry and the control they have over broadcasts and the law. He steps on and manipulates every relationship, smudging the lines of ethical coverage along the way.

Having recently gained a degree in journalism, I found the subject relatable. I don’t think I’ve seen a movie like Nightcrawler before where the story is from the media industry’s point of view.

It’s a fascinating film that is quite difficult to explain. But it certainly gets you thinking. But if you just want to be entertained, you’ll certainly find yourself laughing at Bloom quite often! His intense delivery of lines is sure to give you fits of nervous giggles.

Actually, come to think of it, his character sometimes reminds me of Jim Carrey’s Andy Kaufman character in Man on the Moon.

The only thing I was disappointed about was how there were no consequences for Bloom – which I know is the point because he represents the gigantic conglomerate of the untouchable media. But just when there was a major conflict, the movie ended.

Despite that, I loved it, and I am definitely going to watch it again.

Jodie’s rating: 8/10

Deliver Us from Evil

Director: Scott Derrickson
Writers: Scott Derrickson and Paul Harris Boardman (screenplay), Ralph Sarchie and Lisa Collier Cool (story)
Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris and Joel McHale
Released: July 2014
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Was this supposed to be a black comedy?

I had been told Deliver Us from Evil was on par with The Conjuring. But I honestly can’t say this was the case. It was a suspenseful, supernatural thriller, but not something that would keep you up at night.

Apparently based on ‘true events’ of a New York cop Ralph Sarchie (Eric Bana) who encounters demonic forces. The mysterious cases quickly become bizarre and laughable.

Reading up about the true events of this cop, I think the only ‘true’ parts that were used in the film was his name and characteristics. There’s an interview on Youtube where he says most of the “possessed” people he encountered turned out to have mental issues.

In the film we follow Sarchie as he slowly unravels the peculiar happenings of what turns out to be people with demons in their houses. Throwing children into lion dens at the zoo, cat worshiping, scratching at walls, and croaky voices was just some of the fun that ensues.

A tad too typical of a horror, with the characteristics of a scary movie thrown in even if it doesn’t fit. Like when the daughter suddenly has the urge to wind the musical jack-in-the-box before she goes to bed. Because we all know how creepy the combination of children, musical boxes and darkness is.

I couldn’t take it seriously because of the weird choice of music that face-plants you back into reality. Imagine getting into a super tense part in the movie and then have the theme song ‘People Are Strange’ by The Doors blasting. What a way to snap you out of it!

The acting was a bit average, particularly the 6-year-old daughter, whose toys come to life at night. I felt like I was in a mash-up of The Ring and Toy Story.

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Quite frankly, I couldn’t keep a straight face when the demonised people were talking, I wasn’t scared of the dude who ate his own leg either… I was just grossed out. And the final exorcism went on for way too long. I fell asleep toward the end of that scene.

Finally, the religious messages of how non-believers are screwed and your only hope for protection is by converting to a life of God in some form, was a tad over-kill!

A few things will make you jump, but overall it wasn’t scary or creepy… Just weird.

Jodie’s rating: 4/10

The Conjuring

Director: James Wan
Writers: Chad Hayes and Carey Hayes
Released: July 2013
Starring: Vera Farmiga, Patrick Wilson, Ron Livingston and Mackenzie Foy
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That was the coolest horror movie I have experienced in a long while.

It was top of its game in the horror genre! It had all the things you love about horrors in one movie.
Creepy ‘chuckie’ dolls
Freaky children
Supernatural hauntings
Demonic exorcism
Based on true events

It’s got the lot! If you like sudden jumps, suspense AND interesting story lines, then you will love The Conjuring.

The story is surprising to say the least! The trailer makes it out to be a good old fashioned house haunting. In fact, the film is much more complex with various characters being directly linked to the hauntings. The hauntings are not necessarily by ghosts, but by demonic forces.

I read about the back story, and the film is pretty loosely based on it. A negative force or spirit, believed to be a previous owner named Bathsheba Sherman, allegedly tormented the mother, Carolyn Perron. However, that’s the main event that was included into the script, the rest were mostly embellishments. (Read more here).

Some of my favourite parts about the true events were left out of the movie. Like how ghosts were apparently whispering “there are seven dead soldiers hidden in the walls”, when in the movie, they changed it to “we want to kill your family”…

One of best things about this movie is that it isn’t too predictable. The Conjuring does not have a typical structure, it has many false climatic and low points which keeps you on edge. Also, there’s no mucking around with sceptical main characters in the beginning, you’re just thrown straight into the story!

My FAVOURITE thing about this movie is how the camera would linger on whatever was scary. It wouldn’t be like: ‘*Scream* oh my God… Did you see that?‘. It’s more like:
‘*Scream* oh my God! Get it off the screen! Pan the camera! I can’t watch! Is it still there!? Jeez!‘
Which was an awesomely affective technique…

Of course, expect some cringe-worthy and weird masks. This is a James Wan movie after all with some clear similarities with Insidious and Dead Silence.

Some of the acting was a little over the top, with a few cheesy lines. But pretty good for the most part.

If you’re going to watch The Conjuring, spend out to have the cinematic experience. The surround-sound is essential for many of the frights, which are very well timed! None of the jumps happen when you think they will, and when the frights do occur, they don’t hold back!!

Absolutely fantastically made! I don’t think we’ll see another horror this scary for a while.

Jodie’s rating: 9/10

World War Z

Director: Marc Forster
Writers: Matthew M. Carnahan and J. Michael Straczynski. Based on World War Z by Max Brooks
Released: June, 2013
Starring: Brad Pitt and Matthew Fox
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I love zombie films! They are probably my favourite kind of horror.

World War Z was an awesome, classic zombie film with big frights. It was not nearly as gruesome or cringe-worthy as many other zombie films like Dawn of the Dead or its sequel, which I think, although mildly disappointing, was an interesting change for the genre.

I won’t give away the unique trait of these zombies, but it is certainly a cool adjustment to the classic zombies you’ve seen in other films.

I can assure you, you will be intrigued with the altered storyline in this film. It’s not quite a cookie cutter zombie movie.

There was no mucking around at the beginning! There was like a five minute intro, then BANG! You’re in a world-wide zombie apocalypse.

There were heaps of moments where you were holding your breath, particularly the climatic parts which were the quietest and most suspenseful parts.

There was a scene, however, that could have been hugely suspenseful, but it was brushed over. It was the part where Brad Pitt’s character, Gerry, was out doing his thing, and his family were in a very compromising situation where their safe-haven may not be able to accommodate them anymore.

Gerry knew this and instead of making a fast-cut, intense race against the clock sort of sequence, it was just… Glazed over like the safety of the main characters were unimportant.

I loved the visual effects! The zombies manically climbing on top of each other like ants to get over the wall, the EPIC plane crash, the behaviour of the zombie mobs… Very well done.

Brad Pitt was a pretty good actor as usual, but nothing outstanding. He also produced it.

Oh! But there was a strong female character in this zombie film! Like, she was taking charge and not being all helpless and “damsel-in-distress” which was such a breath of fresh air. She was known as “Segen”, played by Daniella Kertesz. She’s my fave.

It was a decent zombie movie that wasn’t too far removed from the classic zombie, yet not a stale re-tell.

I don’t know if it’s my sick mind, but there wasn’t enough gore for it to be completely realistic…

I’m looking forward to the sequel!

Jodie’s rating: 7.5/10

The trailer makes this movie way suckier than it actually is.

The Butterfly Effect

Directors: Eric Bress and J. Mackye Gruber
Writer: Eric Bress and J. Mackye Gruber
Released: January 2004
Featuring: Ashton Kutcher and Amy Smart
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Soooo creepy! But in an awesome way. I have never seen anything like this film before.

Of course I was weary about Ashton Kutcher being in a serious thriller, but he was fantastic! Like, seriously convincing.

The Butterfly Effect is where a seemingly innocuous act can have a domino effect and create chaos.

It has been said that something as small as the flutter of a butterfly‘s wing can ultimately cause a typhoon halfway around the world.

This film plays on this theory where Ashton’s character, Evan, has the ability or curse to travel back to predetermined points in his life. But every time he tries to make one thing better, something else goes terribly wrong. There are five main characters and if he saves one, one of the others experience a huge trauma in their life. He never wins.

Evan's father had the same abilities. — Evan’s father had the same abilities.

It is an amazing film, truly. I get so creeped out by it though. I think it is 60% because of the music used, it is perfect for the story. I love time travel and this is a very dark story of the possibilities behind the ability to do so.

A very intense, scary, worrying, cringe-worthy and incredibly delusional story of how something bad, no matter how small, can grow and shape somebody’s life. The powerlessness that Evan feels and the consequences that he has to live with is impacted on the viewer, for sure.

It is written so well! The twists and turns, the gaps and surprises. The ending is not easy to guess either.

Jodie’s rating: 8.5/10
It’s a pretty complicated storyline to explain in a 2min trailer, so, just know that it’s way cooler than this:

The Blair Witch Project

Directors: Daniel Myrick and Eduardo Sánchez
Writers: Daniel Myrick and Eduardo Sánchez
Released: January 1999
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I literally did not sleep last night.

I remember seeing snippets of this film when I was about 11, but I had not remembered how effective the horror aspect of it was! It is the best horror/psychological thriller I have seen in a very long time.

Three film makers go missing in the woods while covering the legend of the Blair Witch that supposedly haunted the area. The film makers were never found again, but their footage was, which makes up this film.

Pretty simple plot line with amateur filming which is very convincing! The idea of this horror is that the less you see the more your imagination runs a riot. You never actually see any witch or any sort of witch craft or supernatural beings, but the sounds and supposed actions of the Blair Witch is more than enough to keep you on edge.

Reading a bit about the making of this film is quite interesting. 2000 actors auditioned and the three actors with the best improvisational skills got the parts. The actors got a very loose script to work with, and to get into to character the cast were taken hiking and camping in the woods, depriving them of food and harassing them at night by the crew.

The acting is well done, with Heather being the main character as she uses the camera (and talks) the most. She is certainly an annoying character who is a total know it all, but apparently that was intentional – perhaps to keep the audience in a false sense of security as she seems convinced that at no point are they ever lost. The other two actors are fantastically convincing and natural too.

A scary story to say the least. The further toward the end it gets, the more terrifying it becomes. The final shot is still freaking me out. Considering this was all done with handy cams and mostly improvised, makes this film a more effective horror.

So awesome!!

Jodie’s rating: 8/10

Misery

Director: Rob Reiner
Writer: Stephen King (novel)
Released: 1990 (It seemed like late 90s though)
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It has been a long time since I felt uneasy going to bed after watching a horror film.

Actually, this psychological thriller isn’t that horrific (for the most part..), it’s just when it finishes that you realise how disturbed you feel…

I haven’t read the book, but it’s pretty common knowledge that Stephen King’s work translates to film very successfully (The Shining, The Green Mile, Secret Window…) so I knew that I was in for a spectacular treat.

In a remote town, the popular author Paul Sheldon (James Caan) checks out of the hotel where he stays every time he writes a novel. On the completion of his new book, he begins his drive home until he gets caught in a blizzard. His car flips out of control and lands out of sight buried in snow.

But somebody is there to save him – his biggest fan, Annie Wilkes.

She treats him at her isolated house, which is fine until Paul realisees that he is actually being held captive.

Annie Wilke’s mood swings on a dime, yet she is not easily fooled! Her use of language is so freaky… Yet sort of funny… Which makes you feel very uneasy when laughing while watching this film.

“…he didn’t get out of the COCKADOODIE CAR!”.
“You’re just another lying ol’ dirty birdy.”
“…you just better start showing me a little appreciation around here, Mr. MAN!”

misery-1 — Kathy Bates plays Annie Wilkes. This scene being the most memorable… For all of the wrong reasons…

With the famous novelist being bed-ridden in Wilke’s home, he has to find ways to reach the outside world. Still reliant on his capturer for medicine, he needs to play along to ensure she doesn’t get suspicious whilst thinking up plans to alert the outside world.

Kathy Bates will always be the Unsinkable Molly Brown (Titanic) to me. (As well as being an uncanny resemblance to my year 13 English teacher…). So to see her as a controlling, deceiving and deeply unsettling person was quite a shock. Bates really was incredible in this role!

The cool thing is that James Caan’s character is one step ahead of you, but Annie is two steps ahead of him.

The music imitates the mood very well. In fact I honestly didn’t notice the music because it added to the scenes so perfectly. In the credits “I’ll Be Seeing You” was played… I can’t listen to that song in the same way any more. So creepy.

This film is full of anticipation and anxiety – but not with the usual frustration you get when the victim is just not getting away fast enough, it’s much smarter than those gags.

“Book’s almost finished, your legs are getting better. Soon you’ll be wanting to leave… I have this gun. Sometimes I think about using it. I’d better go now. I might put bullets in it.”
– Annie Wilkes.

The shots and lighting have to be kept interesting as the film is more-or-less based in one room (King’s novel was made into a stage play first). So check out the extras on the DVD if you’re interested.

The low angles make Annie’s innocent exterior look distorted which reflects how she is on the inside, and the lighting gives you hints as to if and when to feel hopeful. Very clever when you take notice of it.

This film is not a blood-bath, but has graphic violence. But not for the sake of being graphic (like all seven Saw films…). It really keeps your attention strongly from start to finish. A fantastic watch!

Jodie’s rating: 8.5/10

The original trailer: