Travel Movies – NZ Film Freak

Paul

Director: Greg Mottola
Writers: Simon Pegg, Nick Frost
Released: March 2011
Starring: Simon Pegg, Nick Frost, Jason Bateman, Kristen Wiig, Bill Hader, Blythe Danner, John Carroll, Lynch Sigourney, Weaver Seth Rogen
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From the director of Superbad, and the creators of Hot Fuzz and Shaun of the Dead, comes Paul.

A story about a laid-back alien called Paul (Seth Rogan) who is on the run from the government across the States before getting picked up by a couple of geeky tourists, Graeme (Simon Pegg) and Clive (Nick Frost). Graeme and Clive attended Comic-Con before travelling to various locations where UFOs have been sighted in an RV, until they get a closer encounter than they expected!

A concept that was thought-up on the set of Shaun of the Dead, but was not to be a part of the ‘Cornetto Trilogy’ with Edgar Wright. Looking into it, Pegg and Frost decided on an American director instead of their usual collaborator to keep an American tone.

Paul is a fun film, but can become a bit of a drag to watch because it feels like a never-ending chase without enough funny moments along the way to sustain your attention.

It’s an epic road trip film, which is entertaining enough with it being neither hilarious or a total write-off. Because of the writers’ previous epics – Hot Fuzz in particular – I was expecting a faster-paced script with cooler moments. But I guess the humour was tailored for an American audience.

Nevertheless, Pegg and Frost are brilliant writers and the casting was great. Seth Rogan was a good choice to be the voice of the CGI alien, whose attitude is severely laid-back, even in the most stressful of situations.

The cast is quite large for a relatively simple storyline, and I wonder how many of the characters were necessary.

Paul is essentially a love letter to the science-fiction genre, and Steven Spielberg in particular whose voice makes a guest appearance over the phone in one scene. So if you’re a science-fiction fan, you’ll probably enjoy this more than the Cornetto Trilogy fans would.

Jodie’s rating: 5/10

Eat Pray Love

Director: Ryan Murphy
Writer: Ryan Murphy Jennifer Salt (screenplay), Elizabeth Gilbert (novel)
Released: August 2010
Starring: Julia Roberts, James Franco, Richard Jenkins, Viola Davis, Billy Crudup, Javier Bardem
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I have avoided writing this review for years because the thought of it exhausts me, as did the film.

Eat Pray Love is about Elizabeth Gilbert (Julia Roberts) who has a large home, a husband and a great job, but she feels empty and without an ‘appetite’ for life. She soon instigates a divorce from her husband (Billy Crudup) whom she feels no connection to, before having a rebound relationship with David (James Franco).

Elizabeth: Hadn’t I wanted this? I had actively participated in every moment of the creation of this life. So why didn’t I see myself in any of it? The only thing more impossible than staying… was leaving. I didn’t want to hurt anybody, I wanted to slip quietly out the back door and not stop running until I reached Greenland.

A comment in the early part of the film that sticks in my head is by Elizabeth’s best friend Delia (Viola Davis). She says that Elizabeth used to look like Steven (her ex-husband), and now she looked like David (her rebound boyfriend).

As in, she was trying to find herself in others and consequently copying the way they dressed. I thought that was insightful and very relatable because when you don’t know who you are, you pretend to be someone else.

So Elizabeth decides to go travelling for a year to Italy to find her appetite again (eat), then India to experience peace (pray), and then Bali for balance, which turns into love.

Elizabeth: I used to have this appetite for my life, and now it’s gone! …I want to go somewhere where I can marvel at something.

Julia Roberts was the perfect choice because she plays a down-to-earth, complicated and romantic character. Her character is also quite inspirational as she does exactly what she tells everyone she’s going to do; travel!

She’s especially inspirational in comparison to her rebound actor boyfriend David who talks a lot about what he’s going to do but never actually does it.

Elizabeth: If you’re brave enough to leave behind everything familiar and comforting, which can be anything from your house to bitter, old resentments, and set out on a truth-seeking journey… then the truth will not be withheld from you.

Eat Love Pray does have a particularly ‘privileged, rich, skinny, white woman is feeling sad’ kind of vibe. So I can imagine this detracts from the message significantly. Especially when the slim characters supposedly get ‘muffin tops’ from eating too much pizza and pasta. Like, girl, there’s nothing to you!

Nevertheless, there are a lot of philosophical lessons that are learnt by Elizabeth along the way, which I enjoy. It truly is a very personal discovery that she goes through, with her self-reflection and life lessons being relatable and aspirational.

In Italy, she learns to enjoy herself and not worry about her waistline. She learns to taste, enjoy, not feel guilty and to not deny herself of feeling good.

Luca Spaghetti: Americans! You work too hard. …you don’t know pleasure. You have to be told you’ve earned it. You see a commercial that says, “It’s Miller time”… and you say, “That’s right. Now I will go to buy a six-pack”. And drink the whole thing and wake up the next morning and you feel terrible.
But an Italian doesn’t need to be told. He walks by a sign that says, “You deserve a break today”… and he says, “Yeah, I know. That’s why I’m planning on taking a break at noon… to go over to your house and sleep with your wife”.

In India, she learns to block out the noise and to live in the moment. She learns to make peace with her past and let resentment go.

Richard from Texas: Big deal. So you fell in love with someone
Elizabeth: But I miss him.
Richard from Texas: So Miss him! Send him light and love when you think of him and then drop it!

Finally, in Bali, she discovers true love.

Filipe: You don’t need a man, Liz. You need a champion.

While in theory this should be a film I absolutely adore, unfortunately it is simply far too long (two and a half hours) with too many complicated internal conflicts to digest.

But I do appreciate that a lot of people can relate to running away from a ‘perfect’ life to search for themselves across the world.

Overall, it’s got strong messages but by the end I felt like I had travelled the world myself. I was exhausted.

Jodie’s rating: 5/10

Brooklyn

Brooklyn movie poster review

Director: John Crowley
Writer: Screenplay by Nick Hornby, based on novel by Colm Tóibín
Released: November 2015
Starring: Saoirse Ronan, Emory Cohen, Domhnall Gleeson Jim Broadbent, Julie Walters
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I am ashamed how close I came to watching Tina Fey’s new movie, Sisters, rather than seeing this touching drama. (I still reckon Tina Fey is a genius, though.)

After seeing the Brooklyn trailer I was prepared to see a slow-paced, sullen and potentially grim film. But this was not the case!

I walked out of the cinema feeling uplifted, positive and encouraged. I felt as though I’d been wrapped up in a big, fat duvet, sung a lullaby while sipping on hot cocoa inside by the fire during a blizzard… It gave me the warm and fuzzies, and made me feel happy.

It’s about young Eilis Lacey (Saoirse Ronan) who is having a tough time growing up in Ireland, with not much in the way of a job, opportunities or a meaningful future.

Eilis’ sister sends her to Brooklyn to give her a chance at a better life, leaving her small family behind, devastated. However, she’s promptly set up with a job, warms to living in a loving boarding house, and meets a plucky Italian feller (Emory Cohen).

But tragedy strikes, and she must return to Ireland. Brooklyn film review in Ireland wearing yellow dress This is where she meets a charming Irishman (Domhnall Gleeson), and must choose between the life she has always hoped for in Ireland with her family, and the life she has made for herself back in Brooklyn.

Father Flood: Homesickness is like most sicknesses, it will pass. It will make you feel wretched, and then it will move on to someone else.

Based in the 1950s, Brooklyn is a bright, feel-good movie with beautiful dresses and make-up, as well as having an incredibly romantic storyline.

It’s another screenplay masterpiece by the amazing Nick Horny (About A Boy, Wild). It has fantastic lines from Julie Walters’ character, Mrs. Keogh – I adore her. I can’t express how perfect she was for this motherly role, keeping the film upbeat and comforting.

Mrs. Keogh: I’ll tell you this much: I am going to ask Father Flood to preach a sermon on the dangers of giddiness. I now see that giddiness is the eighth deadly sin. A giddy girl is every bit as evil as a slothful man, and the noise she makes is a lot worse. Now, enough.

Mrs. Keogh: [in response to someone saying ‘oh God’ to stockings at a store called Bartocci’s] I’ll thank you to keep His name out of a conversation about nylons, thank you very much. He might be everywhere, but He’s not in Bartocci’s on sale day.

Brooklyn film review coming back to Tony end scene A heart-wrenching, relatable and deeply emotional story. I loved it. I laughed, I sobbed (wait for the part where the homeless man sings – I got chills), I was totally engaged from beginning to end.

If I must be so picky, though… The second half of the movie – where she returns to Ireland – lacks the intensity of the first half. It didn’t so much sag, but it did slow in pace a tad, making it a little unclear how conflicted she really is about whether she should stay or leave.

Nevertheless, this is a movie I wish I could watch again and again, to fully immerse myself in the 1950s culture, beautiful lighting and cinematography… And drool every time Tony the Italian man spoke in a dreamy Brooklyn accent.

It tugs on the heart-strings, for sure.

Jodie’s rating: 8/10

The ‘Runaway’ Film Genre

I have referenced this unofficial genre in many film reviews of late, so I thought I should dedicate a post to it. Especially since it doesn’t have a Wikipedia page.

Because I made it up.

I did a check list for the genre in Wild. So I’ll copy and past it here, and elaborate.

THE RUNAWAY GENRE GROUND RULES:

One or two characters who have suffered trauma
Inner-conflict (usually expressed via flashbacks)
At least one emotional breakdown
Typically involves a marriage break-up or violence
Expression of every emotion
Writing down of feelings/diary-keeping
Genre that is mostly likely to conclude with tragedy (according to unofficial polling)
And of course… The act of running away

CLASSIC EXAMPLES OF A RUNAWAY FILM:

Borderline exceptions to the genre:

Now, I love this genre. Sure, I’ve made up the title and the rules, but they are typically wondrous, fantastical, deep, meaningful, adventurous insights into a character.

I love psychology, and these movies tend to play on why we make the decisions we do, and why we interact in the way we do.

Keep an eye out for films of this genre. They’re quite easy to pick.

Jodie.

Hector and the Search for Happiness

Director: Peter Chelsom
Writer: Peter Chelsom,Tinker Lindsay and Maria von Heland. Based on the novel of the same name by François Lelord
Released: September 2014
Starring: Simon Pegg, Rosamund Pike and Toni Collette
—

I thought this was going to be an English version of Walter Mitty… I think that was the aim anyway, but it certainly wasn’t the final product.

Unfortunately, this potentially deep and meaningful storyline was not achieved due to the general lack of believability, and the distaste toward the main character, Hector (Simon Pegg).

Basically, Hector is a psychiatrist and he finds himself unfulfilled. So he goes on a journey around the world, visiting countries including China and Africa, to find out what makes people happy.

But right off the bat, the audience stops rooting for the protagonist when he cheats on his wife in China, then meets up with an old flame in America. Suddenly, we no longer think well of Hector and the story goes down hill from there.

So the suspension of disbelief has plummeted, and for the rest of the film I’m hoping his wife Clara (Rosamund Pike) tells him he’s a disgusting excuse for a man and dumps him.

To save you the suspense, here are some of the things he learns makes people happy. Like most other films in the ‘runaway’ genre, he writes down his experiences.

Making comparisons can spoil your happiness.
A lot of people think happiness is being rich or important.
Many people see happiness only in their future.
Happiness could be the freedom to love more than one woman at the same time. (Which I’m sure will result in the unhappiness of people around him!)
Nostalgia is not what it used to be.

Anyway. I was disappointed because I love Walter Mitty so much and I thought this would be just as inspiring. Although, the fact it wasn’t shown in the major theatres here in New Zealand should have been a clue.

A great excuse to travel the world for some lucky cast and crew.

Jodie’s rating: 4/10
1) Because I still enjoy movies about travel, 2) it has Simon Pegg in it, 3) it has Rosamund Pike in it, and 4) the trailer is pretty awesome.

Into the Wild

Into the Wild film poster Director: Sean Penn
Writer: Sean Penn based on Into the Wild by Jon Krakauer
Starring: Emile Hirsch, Marcia Gay Harden, William Hurt, Jena Malone, Catherine Keener, Brian Dierker, Vince Vaughn, Zach Galifianakis, Kristen Stewart, Hal Holbrook
Released: September 2007
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WARNING: THIS FILM MAY GIVE A GIANT REALITY CHECK TO MANY ASPIRING TRAVELLERS. YOU MAY END UP CANCELLING YOUR ADVENTURE PLANS AND BECOME CONTENT WITH A SECURE, SAFE 9-5 JOB.

This took me soooo long to sit down, and watch successfully from beginning to end. I attempted watching it twice, about two years ago. But I found it slow-paced and uneventful.

Oh boy was I wrong.

Based on a true story, Into the Wild is about a privileged young man, Christopher McCandless (Emile Hirsch), who graduates from university. He has the world in his hands, from the outside he has a top-class education, and wealthy, supportive parents. Into the Wild film - hitchhiking scene

But his deepest desire is to distance himself from the material world of money and ‘things’. So he sets off on a journey in search of adventures in the Alaskan wilderness.

I’m gonna be all the way out there, all the way f*cking out there. Just on my own. You know, no f*cking watch, no map, no axe, no nothing. No nothing. Just be out there. Just be out there in it. You know, big mountains, rivers, sky, game. Just be out there in it, you know? In the wild.

A few months ago I took the time to watch it properly. I watched it just before my graduation from university, which was probably why I loved it so much; the story seemed to parallel my life at that point.

I think everyone’s had that desire to break away from the life they know and rough it out in East Jesus nowhere. And, just like every other ‘runaway’ film, Into the Wild lives out your secret fantasy.

Society, man! You know, society! Cause, you know what I don’t understand? I don’t understand why people, why every f*cking person is so bad to each other so f*cking often.

Into the Wild film - bird scene It’s certainly a sad story, and it bursts your idealistic bubble of living in the wilderness. As it turns out, being in the wild is a brutal place to be. Especially all alone.

But, in Christopher’s eyes, he did exactly what he wanted to do. He created his own challenges and hurdles, his own dreams and goals. I feel he was in complete control of his life for once. And despite the tragedies along the way, at least you can say he truly led a free life.

Check out Christopher’s real-life story, there’s a few interesting facts you’ll find out about him… But it’s probably best to read the true story after watching the film. Otherwise you’ll kill the magic in the film.

Into the Wild film scene A classic ‘runaway‘ film that nods to Thelma and Louise, with The Secret Life of Walter Mitty, and Wild following in its epic, glorious and inspiring footsteps.

With this gorgeous song leaving you at the end of the film, I found myself to feel extremely humbled. Christopher’s story was an incredible one to say the least, but as I said, it will smash your travelling dreams with one heavy swing of reality.

This is a ‘quieter’ film to Wild, which is why the rating is a smidgen lower. I think the lack of dialogue and music works for this film, but I ultimately prefer Wild‘s soundtrack and use of dialogue more.

Jodie’s rating: 7.5/10
Please watch the trailer – the score and the editing just punches you in the face with awesomeness.

Wild

Wild film poster Director: Jean-Marc Vallee
Writer: Nick Hornby (screenplay), Cheryl Strayed (novel)
Released: December 2014 (USA), January 2015 (NZ)
Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
—

Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.

Reese Witherspoon in counselling scene in Wild film To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.

A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild, Thelma and Louise.

Find out more about the runaway genre here!

Wild film with Reese Witherspoon In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.

I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.

When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.

Wild Reese Witherspoon film I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!

Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.

Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.

I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.

Life, eh!

Jodie’s rating: 9/10

Thelma & Louise

Director: Ridley Scott
Writer: Callie Khouri
Released: May 1991
Starring: Susan Sarandon, Geena Davis, Harvey Keitel, Michael Madsen and Brad Pitt
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I can’t believe I haven’t written about Thelma & Louise. This is my favourite movie of all time.

In 1991, Ridley Scott made the genius decision to direct a cinematic breakthrough with two strong female characters, essentially playing traditionally male roles.

Geena Davis and Susan Sarandon were stupendous. Absolutely the perfect actresses to portray Thelma, the naive housewife, and Louise, the hardened but streetwise woman.

If you haven’t seen this movie, it’s about two women who needed a break from their respective husband and boyfriend, and took a weekend away. Except, after getting caught up in a major kerfuffle, the women find themselves on the run from the law. They have never experienced such freedom, and use the lack of rules to their advantage by going on a crime spree. But, they do take moral responsibility for everything they do. They are able to fully explore who they are without the moulding of a man in their lives.

I love films about the characters. Like The Jane Austen Book Club, where you can see a piece of yourself in every character, and the clear development of them.

I’m drawn to this honest movie because Thelma and Louise break through their fears. They learn hard lessons, but ultimately become exactly who they want to be. Reminding me of the The Secret Life of Walter Mitty where he takes off to Iceland and discovers how freedom can shape you. Perhaps part of the same runaway genre.

It’s a road trip film with gorgeous scenery and music that perfectly fits. It’s based in the South as the pair are heading for Mexico. However, the film was actually shot in rural California and Utah – even the Grand Canyon scenes.

On the road in their blue/green T-Bird convertible, the women evolve physically too. Thelma Dickinson, the housewife, starts out with flowing dresses and long hair. By the end, her hair is tied back, she’s wearing a trucker’s black shirt with sleeves rolled up and jeans. Louise Sawyer, the surly, controlling character, starts out wearing an outfit that is ‘just so’. By the end, she’s wearing a loose tank top and jeans.

They strip off their make up and steal men’s hats and clothing. The denim jacket from Brad Pitt’s character is altered by the women by making it sleeveless and using parts of it for neck ties and such. Almost as a way to tear the layers of control and weakness away, and rebuild their characters in the ways they want.

I also see this as their way of dismembering authority. In the same way that a hunter kills fierce animals for its fur, and taking it as a trophy.

The men in this movie play important parts but take a back seat to the development of Thelma and Louise. Sometimes literally. I read that some found the movie to be ‘man-hating’. But I think it’s just unusual to see two strong women convincingly portrayed in films.

Thieving men (Brad Pitt), rude truck drivers, controlling husbands and flaky boyfriends, Thelma and Louise find ways to rebel, and use the men to their advantage. They stop relying on men for protection, and start standing on their own two feet.

I’m so inspired by these characters. They are so independent and fearless, yet they are so carefree and fun despite their situation.

I think everyone can see the naive, open and scared ‘Thelma’ in themselves, and the logical, unwavering and powerful ‘Louise’. Which is why these characters are so relatable and ‘real’.

Thelma & Louise is a profound, freeing and exciting journey. I love this film so much because the women are doing what every woman wants to feel capable of doing. Being in control of their future, going wherever they want, and nobody is getting in their way! Everything is on their terms right to the end.

I’m going to steal what Susan Sarandon said in an interview; it is a comedy and a tragedy with a surprise ending, and political significance.

This is a pretty long review so I’ll stop here. Believe me, I could make it longer!

This is a timeless film that makes my imagination run wild. It’s adventurous and always makes me feel happy and inspired at the end of every watch. However, I don’t want to give it full marks because it is for quite a narrow audience.

Jodie’s rating: 9.5/10

Top 9: First Class Films About Travelling

I know I need to stop going on about it! But The Secret Life of Walter Mitty is a fantastically inspiring film. It really did make me want to travel. Coincidently, Iceland is my dream location anyway. So that was just the cherry on top.

This got me thinking what other films make you want to quit your day job and get lost in the wilderness.

Into the Wild
A film that keeps coming up in conversation when I talk about travelling films. I have seen the first 40-odd minutes of it, but it didn’t quite grasp my imagination… Perhaps I should give it another shot though. Still shots taken from the film look extraordinary. (Finally reviewed it).

Midnight in Paris
It is a film I marvelled over. It’s a perfect marriage between the environment of a magical and unfamiliar city, plus a fantastical and romantic storyline. Can’t go wrong with a bit of time travel too! The mysterious and enchanting themes will make anyone want to book a flight to Paris.

Eat Pray Love
Now, I need to disclose that this was so disappointing! I thought it was going to be a deep and meaningful tale of self-discovery. However, it was pretty much a chick flick based in three different countries; Italy, Bali and India. But I have to say, I did buy into the dream. To take off for a year! What an experience.

Up In The Air
I know, I know, you pretty much only see airports in this film. But my imagination was harnessed by this movie! Turning up to an airport, picking a place, and going. No strings attached, no worries, just leaving everything behind.

Water For Elephants
Have you ever fantasised about joining a travelling circus? Perhaps it’s not a common dream now days, but I can definitely relate to it. Living rough, never being in the same place twice or staying in one location for too long. The people around you, mesmerised and spellbound by the circus performances.

Cemetery Junction
It’s all about escaping the ordinary life. After being inspired by Julie, a young aspiring photographer, Freddie realises he doesn’t want to live in a sleepy town either. He wants to go on an epic adventure. The film is about him building up the courage to leave; to ditch a town of no potential, to go around the world. It’s a grand idea to ponder.

Chocolat
About a mother and daughter who wander from place to place, finding towns to warm up with chocolate treats. They’re always on the road, floating from town to town, until they finally settle. It is more about the people than the places to be honest, but it’s a magical film with beautiful locations nevertheless.

Brooklyn
One of my favourite films about a young Irish girl who goes to Brooklyn to work, but she’s torn between her life in Ireland and her life in Brooklyn. Should she follow her heart and stay in America? Or should she stay in Ireland with her vulnerable mother and the life that’s expected of her?

Jodie.

The Secret Life of Walter Mitty

Director: Ben Stiller
Writer: Steve Conrad. Based on The Secret Life of Walter Mitty by James Thurber
Released: January 2014
Featuring: Ben Stiller, Kristen Wiig, Shirley MacLaine, Adam Scott, Kathryn Hahn and Sean Penn
—

An inspirational fable to say the least. I have been waiting for a movie like this for a long time.

“Having a Walter Mitty moment”, you’ve probably heard the phrase. The Secret Life of Walter Mitty explores the ‘what if’ situations in life.

It is sort of similar to The Curious Case of Benjamin Button, because it is the story of a man’s dreams and epic adventures.

Coincidently, there is a hilarious reference to Benjamin Button in the movie.

Everybody can relate to Walter Mitty. Dreamers, travellers, photographers, bored office workers… Anybody who fantasises about running away or doing something crazy.

Ben Stiller not only produced and played the lead, but he directed it too. I have a new-found respect for this man. I have fished him out of the pile of cheap laughs in comedies with Owen Wilson or Adam Sandler. He is way up there with respected artists and creatives. Absolutely incredible.

The shots are beautifully framed and the locations are simply breath-taking.

Iceland has been on the top of my travel list for a few years now, so the fact that this movie is mostly based in Iceland just gives me warm and fuzzies. No other location could offer this film with a better foundation. What an exceptional choice.

The characters are real. The acting and casting is superb. Kristen Wiig, Ben Stiller, Sean Penn, Patton Oswalt, Adrian Martinez… Holy beans. This cast is gorgeous.

I can’t think of another movie that put me in these situations and locations first hand. I feel like I experienced the courage Walter experiences, and how he felt when he is embarrassed or intimidated. I don’t know how they did it.

I suppose it is the genuine dialogue, the seamless transitions between scenes and the emotional and realistic reactions. Genius.

Now. The music. The soundtrack and the use of music for the scenes is simply a HUGE part of The Secret Life of Walter Mitty. Jose Gonzalez and Of Monsters and Men in particular had songs that complimented the film perfectly.

My favourite scene is the montage of Walter Mitty going through the mountains to the song ‘Lake Michigan’ by Rogue Wave. The music is more than icing on the cake… This is the flour IN the cake; it is so essential and so well mastered.

House on fire leave it all behind you,

Darkest night let the lightning guide you

– Step Out by Jose Gonzalez

I won’t lie to you; I did have a fat cry. But I shan’t be ashamed! This film just gave me chills, and the songs moved me. I blubbered like a baby. Deal with it.

New Zealand’s TV3 movie reviewer, Kate Rogers, gave this film a 2.5 out of 5… Perhaps she accidentally watched Anchorman 2 instead. There is no way this movie could be any less than a 9/10.

Films should be entertaining and transport you to another world, and make you feel different when you walk out the theatre. The Secret Life of Walter Mitty did this. I walked out feeling inspired, excited, exhilarated, happy and feeling the urge to travel, even more so than before.

My favourite component is how a lot of the characters’ mistakes were things that would happen in real life, such as throwing something away absent-mindedly or daydreaming about having a conversation with somebody.

This is more than a feel-good film. This is a lively, funny, adventurous film, full of rich and interesting characters and places. I cried, I laughed, I felt empowered and excited. It’s just a magical adventure. I’m going to see this again.

Don’t just dream it; live it.

Jodie’s rating after first watch: 10/10

The first 10/10 ever given on filmfreak.co.nz!!

November 2014: I have to say, after almost a year of watching Walter Mitty, I think it’s realistically closer to an 8/10 because Kristen Wiig doesn’t really work with the genre, and the movie can look a bit sterile.

However, I’ll stick with 10/10, because that’s how it feels after the first watch.

PLUS an epic extended trailer:

You may enjoy The Secret Life of Walter Mitty, if you enjoyed these:
Big Fish
The Curious Case of Benjamin Button
Forrest Gump
Stranger Than Fiction
Little Miss Sunshine
Juno
Billy Liar

Water For Elephants

Director: Francis Lawrence
Writer: Richard LaGravenese. Based on Sara Guen’s novel of the same name
Released: April 2011
Starring: Reese Witherspoon, Robert Pattinson, Christoph Waltz
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I bought this DVD as a bit of a whim. After stumbling across the trailer on YouTube I thought that the look of the whole film resembled the circus scenes in Big Fish.

It is the story of the dark side of the circus during the early 1930s, with a forbidden love story between Jacob (Robert Pattinson) and Marlena (Reese Witherspoon) intertwined. Jacob runs away with the circus and poses as a certified vet to continue travelling with them, but discovers that there’s much more to performing that the magic the audience sees.

On the way, he experiences the control and under handed acts that go on in order to keep the circus from failing during the depression. Staff would go missing in the night if the boss and husband of Marlena, August (Christoph Waltz), was unable to pay.

horses_water_for_elephants — Beautiful animals and amazing stunts

The climax did have me holding my breath, but the over all story seemed somewhat watered down, with the lack of suspense throughout most of the heavier scenes.

Of course, my terrible habit is that I hype movies up before I’ve even seen them. I did think that Water For Elephants was going to be more dramatic and horrific, perhaps I would have been right if it was an R17 rating or something like that. But, it wasn’t a bad story by any stretch and it was an enjoyable romance drama – despite there being more romance that drama for my taste.

However, it was very well shot! The director, Francis Lawrence shows his talent for lighting in previous films including I Am Legend and has carried it through to Water For Elephants. I am excited to see how he portrays The Hunger Games sequels!

The acting was great for the most part! Christoph Waltz… Need I say more? He was amazing as usual, and one of the most compelling reasons to buy this movie, he was convincingly intense. Robert Pattinson was pretty decent too, possibly a little monotone..? Reese Witherspoon was AV-ER-AGE to say the least. Shallow acting.

A cool tale that explores the fantasy of running away with the circus.

Jodie’s Rating: 6.5/10

Cemetery Junction

Directors: Ricky Gervais and Stephen Merchant
Writers: Ricky Gervais and Stephen Merchant
Released: April 2010
Starring: Emily Watson, Ricky Gervais, Ralph Fienes, Christian Cooke, Tom Hughes
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Based in the early seventies, this film follows the lives of three boys in their early twenties whose lives consist of “boozing”, partying and “getting birds”. However, after one of the boys, Freddie (Christian Cooke), meets an old friend, Julie (Felicity Jones) who is bursting to leave town and travel the world, he decides that he wants more in life too.

They both realise that they are both being held back by conservative parents and living in the regimented town of Cemetery Junction. The film follows these two characters as well as their friends and families, as they come to terms with climbing out of the armpit of a town, despite Julie being engaged and their ideas beyond the town are frowned upon.

This movie is fantastically well made! Bright colours from the swinging sixties that reminds me of The Boat That Rocked and Made In Dagenham. Fantastic songs from the sixties and seventies too, including Bowie, Slade and Elton John. I bet the soundtrack would be worth getting.

The characters are (according to my parents) quite accurate of the time. The older generation racist and with plans of keeping in the same job and staying in the same town, but with a growing proportion of the younger generation wanting more than being in a 9 to 5 job, marrying and having children, but wanting to explore and move away.

It is a refreshing plot line that is beyond an aesthetically perfect rom-com, but an inspiring story of escape in search of adventure. The feeling of being trapped experienced by some of the characters who are trying to break free are well communicated in the film. It’s a very human story of breaking the mould and being independent.

Cemetery Junction is convincing and very well made, apart from the frequently questionable language. It is extremely funny, exciting and makes you long for that era with the fashion and majestic clubs with live music booming. The characters are relatable and realistic who encourage the feeling of moving away from all that is familiar just for the sake of the journey.

A fun easy-to-watch, yet deep movie of lovable characters living in an increasingly exciting time.

Jodie’s rating: 8.5/10

Chocolat

Chocolat-Movie

Director: Lasse Hallström
Writer: Screenplay by Robert Nelson Jacobs. Based on the novel by Joanne Harris.
Released: December 2000
Starring: Judi Dench, Johnny Depp and Carrie-Anne Mos
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A mysterious and magical fable-like tale about an eccentric, colourful and embracing chocolatier named Vianne Rocher (Juliette Binoche) and how she brightened up a deeply rooted traditional French village. Her provocative clothing, illegitimate child and outspoken values made her unwanted in the village, being outcast as an evil influence. Despite this, her Chocolaterie brings hope and perspective to the guilty customers. Amongst this, there is a compelling love interest between Vianne and a free-spirited Irish traveller, Roux (Johnny Depp).

I love the lead actress, Juliette Binoche, but I do wonder if they chose her because Marion Cotillard was unavailable. In any case, they are two gorgeously elegant and talented French women.

Despite looking like a model village, Flavigny-sur-Ozerain is in fact a real village located in Burgundy, France.

This film is about depriving ourselves of things purely for the discipline, particularly pressured by religion or the expectations of society. With everybody being up tight about keeping a perfect front for others, it seems easy for the important things in their lives to crumble in the background. Perhaps marriage, not pursuing new love, staying in dangerous situations from fear of persecution, or not allowing themselves to try new things.

The incredible Judi Dench playing a foul mouthed, strong willed landlord

The Chocolaterie represents freedom and indulgence. It is a moral that allows people to make mistakes, to not feel guilty about taking pleasure in something or feeling damned or frowned upon. They begin to give into desires, discover new feelings and acting on them.

The soundtrack is authentically French! Minor Swing by Django Reinhardt/Stéphane Grappelli makes you want to get up and dance, with other classical songs that bring out the essence of the town. Lots of guitars and drums that gets your feet tapping. Fantastic songs.

This is a movie set in the year of 1959. The women wear dresses and hats and the men in suits. Everything seems black and white until the woman with pink shoes and bright coloured dresses arrives. The costumes are absolutely to die for. The shoes, the belts the make up… So beautiful!

I have to say, the first few times I watched this, I was expecting it to be a bit more mystical with a Chocolatier who is very wise and knowledgeable, helping people in every place that she moves to. But she is only human who makes mistakes and questions life like the people in the village opened themselves up to do. Now that I’m older, I can see that this was purposeful. Vianne is flawed too which just makes this fable a much more down to earth film.

For all the chocolate lovers, Johnny Depp lovers, romantics, dreamers and free thinkers. This is a personable film that is easy to watch and brings hope to people, particularly to anyone who feels a little different or who questions society’s morals, or the things that we are influenced by.

An uplifting, soulful journey of how a little sweetness in life can bring people together.

Jodie’s rating: 8/10

Up in the Air

Director: Jason Reitman
Writer: Jason Reitman and Sheldon Turner (based on novel by Walter Kirn)
Released: December 2009
Starring: George Clooney, Vera Farmiga, Anna Kendrick
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At face value, this may seem like just another shallow idea with a typical love story. But this is far from it.

It’s an incredible story that has a very serious undertone, indeed. It is actually documenting the effects of the start of the financial downfall that we are now experiencing globally.

The movie is not told from the perspective of an employee being let go and the inevitable family and financial problems that would accompany it, but from the point of view of the man that is hired by the boss to tell their employers they no longer have a job.

This is a song that a man named Kevin Renick wrote after losing his job. He sent it to Jason Reitman after hearing about the film and the song is played on the credits. Shows how real this film is, I think.

It’s a fantastic – yet heartbreaking – perspective, because we also see how technology is ruining human connection. For example, it is proposed that instead of Ryan Bingham (George Clooney) flying from city to city letting these people go face to face, that he could actually tell them online via a camera which would be more ‘efficient’, but obviously much less personal. This proposition doesn’t work for Bingham whatsoever. Let alone the people getting told they’re losing a job.

It’s a sad story of how people’s worlds collapse, how in many respects the odds are against us and that people can no longer rely on each other since it is predominately all about profit. It addresses how we have stopped being personal, only professional, and how a job can become somebody’s life. How it can be their only reliable thing.

Of course, being the director of Juno, Jason Reitman has created another fantastic comedy with very quirky lines. I love this kind of humour, particularly in the scene showed in the photo above.

Ryan: I’m not a shrink, Bob. I’m a wake-up call. You know why kids love athletes?
Bob (JK Simmons): I don’t know. Cause they screw lingerie models?
Ryan: No, that’s why we love athletes. Kids love athletes because they follow their dreams… Your resume` says that you minored in French culinary arts. Most students, they work on the fryer at KFC, but you bussed tables at Il Picador to support yourself. Then you get out of college and then you come and you work here. How much did they first pay you to give up on your dreams?
Bob: 27 grand a year.
Ryan: And when were you going to stop and come back and do what makes you happy?
Bob: Good point.

My favourite part is when George Clooney’s character is deliberating which line to join for security screening in an airport:

This fantastic film is pretty much about all the different ways somebody can feel ‘up in the air’ with little substance and solidarity in their life.

It is a sad film if you look beyond its face value, with not much of a happy ending which I think is very appropriate since we are not quite out of the dark yet. However, it’s strong, underlying current of humour keeps us afloat and captured throughout the whole film.

Jodie’s rating: 9/10