The American Garage is an online DIY show about woodwork and restoration. Some of their projects include restoring planes and building boats, as well as more affordable projects that are “at grass roots”.
They are currently looking for $26,200USD to continue their project, and are currently at $110. Episodes have already been produced and can be found on YouTube.
My favourite part is their motto and the reason behind their plea for funding: they want to relieve our reliance on conglomerates for products that could be built or modified at home.
They want people to stop being consumers and return to being producers!
Screenshot from The American Garage
For them to get funded, the quality of their filming needs to be improved, but this is an area the makers say they’ll work on.
The audio is shallow and distant – perhaps from using an in-camera microphone – and the quality of the footage looks like it was recorded on a 90s video camera.
Apart from that, I can see many people will find the projects interesting, and I could see viewers would be inspired to make a change to their consumerism.
If you’re interested in supporting this plea on Kickstarter, you can find it here.
Check out their website to find out more: www.theamericangarage.net
My fellow time travellers and time travel enthusiasts! ’tis 2015 – the year that Back to the Future 2 predicted and depicted!
Before I begin, I would like to make it clear, in the defence of Back to the Future‘s creators, that the 2015 shown is merely a possible future. In the same film, we see how easily it can be changed. Therefore, perhaps their prediction is totally accurate, just not the reality that came to be.
Now, I know there are many angry fans who are aware of the lack of hover boards and flying cars. But don’t get fangry.I’m sure we’ll get what we were promised. One day.
In the movie, they showed October 21st, 2015. So we do still have some time up our sleeves to make all our dreams come true. But let’s see how accurate they have been so far…
They got these right:
Phones in our glasses
We have Google Glass.
Self-service
Just as Marty ordered a Pepsi at the cafe via a screen, we have self-service check-outs in many of our supermarkets.
(Axing minimum wage jobs for your convenience.)
Voice-activateddevices
We have voice activated phones and Xboxes.
Thumb print plates They exist. No jokes. I wouldn’t be surprised if they catch on to residential use soon.
Video calling
We have Skype. Also, I noticed that, like Facebook, the video call showed details of the caller including their likes and dislikes.
Drones
I’m not sure what they are called in the movie, but they are seen documenting Griff’s hover board crash. Today the police force use drones, at least in the US.
Home automation systems
They are actually here. You can link the system to your smart tablet, meaning you can adjust the temperature and turn on devices remotely – even from work. Voice controlled systems are also available.
3d holographic adverts Now, this one is on the fence for me. We have been able to create Michael Jackson as a hologram on stage, but what about an almost interactive one in broad daylight… What do you reckon?
Although, I feel like we’ll still be waiting a few more years for these developments:
Hover boards Man, I am so bummed-out about this. I have seen a spoof featuring Tony Hawk, despite fooling many (including me), it is in fact fake. Hover boards do not exist, bar a magnetic one that hovers a few inches for 7 minutes, but obviously confined to metal floors.
Flying cars I reckon the Google driverless cars will replace the automobile of today before we even begin to think about making them fly. Like in I, Robot.
Gardens in the kitchen
Smart idea! Keeping fruit and vegies ripe by growing them in a machine above the dinner table.
Auto-serving Pepsi Beverages rising from the centre of the table on command. I’m not sure if I really see this coming any time soon… What’s the benefit?
Cycling while eating We’re way too lazy to be doing this sort of shenanigans.
Hydrating pizza machine In goes the small, dehydrated pizza, and within seconds, out comes a big, juicy hydrated one. I know everyone is praying for this to arrive. One day, folks. One day. Although, we are 3d printing food. So, perhaps we’re not far off at all.
Weather service Controllable weather. Despite theories that a US army funded project, HAARP, was capable of moifying weather patterns, this is not something that is openly a part of 2015.
Lawyers are abolished A corrupt government that removed power and justice from the people? Or getting rid of one of the least trusted occupations?
Self-walking dog leads This has to be a thing one day. Most people want a dog, not everyone wants to exercise them in all weather. In fact, it’s probably a drone. So you could say this has basically been invented..?
Moving rubbish bins A handy invention!
Some things have accurately remained the same:
Newspapers Despite most of us reading news online, and despite the physical paper’s decrease in thickness, newspapers still exist. Specifically USA Today, which was shown in the film.
Fax machines We certainly don’t rely on fax machines as much as the film thought we would. But they are still in operation, nevertheless.
Dogs Owning pets. We haven’t been put off by the cost, stained carpets or aggravation they bring..
As a side-note, here are the fashion trends in the film that will probably only ever be replicated at sci-fi themed dress-up parties:
Inside-out pants Self-adjusting jackets Self-drying vests Self-lacing shoes I lie! Nike is developing these shoes as I type! Transparent ties Weird hats Vests that make sound effects Wearing two ties at once
However, wearing colourful, high-waisted skirts with cropped tops are in, as predicted.
Despite this over-analysis and nit-picking, I love Back to the Future. It is my favourite trilogy. I hope more time-travel themed movies continue to be made, to ensure the continuation of fangry sci-fi fans, and blog posts like this one.
On Indiegogo, a group are asking for funding for their short biographic about James Banning; the first African American to fly coast-to-coast.
The makers are looking for $45,000USD to cover costs of filming, they have currently raised almost $4,000. Keeping the wardrobe accurate is going to be difficult as Banning’s story takes place in the thirties.
His story is certainly inspirational. After being rejected from flying (due to being African American) he made his own plane using a 14-year-old engine, with help from donations.
Four months after Banning’s record, he died as a passenger in a plane. He was refused piloting the plane at a air show where it went into a tail spin and crashed.
The makers want to get Banning’s story honoured in hopes of inspiring young adults to be motivated and passionate.
Director: Nora Ephron Writer: Julie Powell, Julia Child and Alex Prud’homme. Screenplay by Nora Ephron Released: August 2009 Starring: Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina, Linda Emond and Jane Lynch
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I can NOT believe I haven’t reviewed this! I was so certain I had because this movie was the inspiration behind me starting this very blog!
So! Julie & Julia, it is a typical rom-com drama, with a twist! The twist being the gorgeous, wonderful, classic Meryl Streep.
It follows two story lines – both of them based on true stories:
One is about Julia Child (Meryl Streep), an American living in France during the 40s. (That means trilling accents and beautiful dresses). She is struggling to adapt to French culture, so we follow how her love of food provided a comfort, and her plans to write a cookbook.
The second story is of Julie Powell (Amy Adams) in the modern day, a government worker by day who starts a cooking blog as an outlet. She uses Child’s cookbook as a guide: 524 recipes in 365 days.
(But if you look hard enough, you’ll find edits of Julie & Julia online without Julie Powell’s storyline at all!)
The intertwining stories mirror each other. Despite being worlds apart, Julie and Julia have much in common. Their love of food, and their journeys to become ‘unlost’ is the main point. However, their strong, supportive husbands is the other. (Julia’s husband Paul is played by the wonderful Stanley Tucci. I love him.)
My favourite person is Meryl Streep’s character. I’d love to have her as a best friend. She is so forgiving, embracing, loud, positive and reminds me of Beatrix Potter’s Jemima Puddle-Duck.
And what a gorgeously charasmatic person Julia Child really was! Meryl Streep impersonated her perfectly!
Julia makes me titter to the point of chortling in this movie. The way she speaks is like she’s stretching and kneading her words on her tongue. Goodness! I’m a poet.
Julia’s sister: From the beginning, you just don’t fit in. Literally. So then you don’t!
Now, I am not a foodie. I don’t enjoy food. I don’t look forward to meals. I don’t like cooking… I eat toasted sandwiches. And microwavable things. So, the fact that this is a story about cooking is not attractive to me.
I hate how noisy this film is. Every smack of their lips, every slurp and slap. It makes me cringe. Nevertheless, after every viewing I become starving, and crave things my eight-year-strong vegetarian diet strongly forbids.
Paul: What is it that you really like to do? Julia: Eat. It’s what I like to do! Paul: I know, I know, I know. And you’re so good at it! Look at you! Julia: I am good at it… I’m growing right in front of you!
But ultimately, I love this movie. I love the relationship of Julia and Paul Child, and Julie’s courage to not only begin a blog, but to stick with it.
I think it’s the lovable characters and inspirational passion that I love about this film.
The iconic Thunderbirds show filmed in the 60s is being revamped using a mixture of live action and CGI.
Thunderbirds Are Go! is being created with help from New Zealand’s own Weta Workshop and Pukeko Studios – no more puppets here!
Oddly, almost all of the released cast members have worked on the 50-year-old Doctor Who series. It includes actors such as David Graham, Angel Coulby and Thomas Brodie-Sangster (the list goes on). Both of the composers worked on Doctor Who as well.
Here in New Zealand there will be no snow. No cold nights indoors by the fire. No hot roast dinners at three in the afternoon. Because it’s summer during December. We have humid tropical rain storms, and barbecues on the deck or on the beach.
It’s horrible.
So! I reminisce about white Christmases and relate to fellow Scrooges and Grinches by watching my top three favourite December flicks.
Because I haven’t reviewed any of these movies before, I’ll create short reviews in this piece.
A Christmas Carol Director: Robert Zemeckis
Writer: Charles Dickens
Released: 2009
Featuring: Jim Carrey, Gary Oldman, Collin Firth and Bob Hoskins
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Charles Dicken’s novel, A Christmas Carol (published in 1843), was brought to life with every bit of wonder, magic and fantastical detail intact.
Scrooge was perfectly played by the comical Jim Carrey. Carrey played multiple characters including all three ghosts: Christmas Past, Present and Future. Some scenes were pretty scary, and other scenes were really comedic; Carrey plays both genres easily.
I remember seeing this at the movies when it came out. It was extraordinary in 3D.
Jodie’s rating: 8.5/10
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The Polar Express
Director: Robert Zemeckis (Again! Genius.)
Writer: Chris Van Allsburg
Released: 2004
Featuring: Tom Hanks and Josh Hutcherson (before he was cool)
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Another motion capture film by Robert Zemeckis!
The Polar Express is about a child (Josh Hutcherson) who has serious doubts in the existence of Santa, and the magic of the holidays is slowly fading for him. One Christmas eve, the deafening sound of a train wakes him up. It’s the Polar Express destined for the North Pole.
I think it is such a magical film. Along the way, the most bizarre things happen, with some beautiful shots. My favourites being the ‘hot chocolate’ scene where the children on the train are served hot cocoa in the most extravagant way!
My second favourite scene is when we follow the journey of a lost train ticket: out the window with the wind, settling on the snow before being kicked up by a pack of wolves, snatched by a swooping eagle… In 3D it was fantastic.
My favourite characters include the ‘hobo’ (Tom Hanks), and the two train drivers. But the conductor (also Tom Hanks) has some great lines. Hanks has the best voice for children’s stories.
“One thing about trains: it doesn’t matter where they’re going. What matters is deciding to get on.” – Conductor
Jodie’s rating: 8.5/10
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Dr Seuss’ How the Grinch Stole Christmas
Director: Ron Howard
Writer: Dr. Seuss
Featuring: Jim Carrey
Released: 2000
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A comedy about the Grinch: a Christmas-hating recluse. The story explores the idea of commercialism and what Christmas is really about. Despite this heavy, typical ideology, it’s such a pick-me-up story.
“Max help me… I’m feeling!”
It’s bright, absurd, funny and crazy! I love it.
[opens phone book] Alphabetically! Aadvarkian Abakeneezer Who, I… HATE YOU!
Aaron B. Benson Who, I hate you.
[looking into book]
Hate, hate, hate. Hate, hate, hate. Double hate…
LOATHE ENTIRELY!
Probably the best family Christmas comedy.
Jodie’s rating: 8/10
Despite these being my favourites, they all have a 6 or 7/10 on imdb… Perhaps I don’t have good taste in Christmas entertainment.
I think the best festive films are enchanting, magical and a tad bizarre. Which is why I picked these, and not the likes of Frozen or Bad Santa.
This is a sci-fi, action, superhero film that is looking for funding.
This movie is about a neuroscientist whose experiment backfired, and equipped him with the ability to manipulate minds.
An action-packed feature with Inception-esk scores. I have now noticed that the director/writer, Joseph Mbah, is a fan of Christopher Nolan which explains that similarity.
I’m impressed to see how young the director is – only 24!!
In order for the feature film to be completed, they need $250,000USD. Depending on how much an individual donates, depends on what prize you get – and some of the prizes are pretty decent!
I think the quality of this film is up there, and it could be a strong movie with the financial support.
I’m a superhero nut too, so I’m keen to see how this one turns out.
If you want to donate to the making of their film on Indiegogo, click here. Check out the footage they’ve got so far in their promo here.
You know what? This animation looks like it could be a really great series.
The One Minute Fly is based on the 2008 One Minute Fly animation. It’s about a fly – with 60 seconds worth of life – and his attempt to accomplish everything he wants before he dies.
If you haven’t seen the original, it’s worth a watch! It’s pretty funny. And weirdly humbling.
The creator, Michael Reichert, is crowd-funding via Indie Go Go here. They are hoping to raise 32,615 Euros (approx. $40,500 USD) by December 22nd, 2014 to produce six episodes over the course of a year. They have raised almost 10,000 Euros so far.
Each of the six episodes will cover the short life of a different character.
The animations will be 2-3minutes long and free to view on their YouTube site.
I’m really keen to watch this! It represents everyone’s life struggle to ‘live it to the fullest’… Whatever that really means… And the race against the clock.
I think this is worth giving generously to. Animation is a fascinating art form, and I think they’ll do it well.
(Prepare to see a lot of screen grabs with quotes from this film around. The script is so poetic.)
Her is a sci-fi romance, drama hybrid that premiered at the 2013 New York Film Festival.
It’s set in the near future where rather than keeping one’s head down – staring at a phone screen – people now have an ear piece that respond to voice commands.
The operational system – or OS – that performs the requests now have personalities, and for all intense and purposes, are a personal assistant with feelings and emotions equal in complexity to humans.
This new update is something that the main character, melancholy and lonely Theodore Twombly (Joaquin Phoenix), becomes immediately interested in.
By day, Theodore is a professional personal letter writer, which is an occupation where people who feel unable or unwilling to compose heart-felt and genuine letters to loved ones pay letter writers like Theodore to do so on their behalf.
(I’m really hoping this job gets invented soon. I’d be on that like white on RICE!)
I think his job is an example of how emotionally distant we are becoming as technology becomes the middle-man in human interactions.
It’s also the perfect job for this introverted character, who clearly expresses his emotions best when done so indirectly. I think this is a characteristic that allowed him to get so attached to his personalised OS, named Samantha (voiced by Scarlett Johansson).
Before long, Samantha and Theodore have bonded and their relationship grows.
Considering Samantha isn’t a physical character yet still a main character in the movie, Her is fantastically written and shot.
OS/human relationships become a common phenomenon, and certainly makes the viewer question what makes a relationship, and what love is.
If you think about it, meeting people online was frowned upon not too long ago. I think the OS relationship story parallels the shift in society’s thinking about online relationships.
Or, a colder interpretation of this story is how we are avoiding personal relationships by hiding behind screens all the time. Where people are ‘being in love with their lap top or phone’. But I don’t think this is the writer’s ambition, according interviews I’ve seen.
I found Her a really thought-provoking film. I enjoy movies that focus on characters, human behaviour and social development, and I think this is quite an accurate depiction of what the future could look like.
Her is an interesting insight into the future of romantic relationships, an interesting reflection on what relationships fundamentally are, what the most important components are, and what the common obstacles are.
It’s a fascinating and compelling analysis of the human heart and its complexities.
Sorry, I know I’m babbling on – I could say a lot more – but my final point is about the clothes. I bet this is accurate of what we will wear in the future. No silver jump suits, but a mix of old fashioned pants and bold shirts.
Oh wait! This is my final point: the music by Arcade Fire is AMAZING.
Her may be a little too abstract or boring for some watchers. But I thoroughly enjoyed it.
This is a humble plea for funding of a feature film about Cuba named Príncipe 69.
A woman named Hannah Imbert is raising money to begin filming her story about Cuba.
It’s a story that will avoid the stereotypical palm trees and beaches. Judging by the description of her feature film, it’s going to be about “an island that is left alone, ageing in time without make-up.”
To be frank, I don’t know exactly what Príncipe 69 is because she speaks in Spanish. But all I’m going on is her written plea, and it sounds genuine and personal.
“When it comes to art, film making is the most expensive one. If I were a painter, I would paint a huge island on every wall of this planet, if were a singer, I would stand on any corner and rise up my voice up to reach everyone. But it turns out to be that I am film producer”
So if you’re interested in contributing to the making on this feature film feel free to donate your spare pesos.
Director: Jason Reitman Writer: Diablo Cody Released: December 2011 Starring: Charlize Theron, Patton Oswalt, Patrick Wilson, Elizabeth Reaser and Collette Wolfe
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Another classic Diablo Cody script! I love the dialogue she writes for characters who are (for lack of a better word) ‘real’. Jason Reitman is the director of this comedy-drama, who is responsible for the likes of Juno and Up in the Air.
Young Adult is about a ghost writer, Mavis Gary (Charlize Theron), who returns to her home town to try and get back with an old flame, Buddy. Buddy, however, is married and has just had a baby and is in no way interested in what Mavis is so obviously implying.
Mavis’ mum: That new baby of his is just darling. Mavis: Have you seen it? …up close?
Her pessimistic and delusional outlook is something that [unfortunately] I love about her. She is rude, aloof and doesn’t care what people think of her.
Her language is just great though. The way she talks about marriage and children is like she’s talking about a disease that needs to be avoided. Mavis tells Buddy that ‘we can beat this thing together’ referring to his family. I’m tickled by that. This really isn’t a typical comedy at all.
Thankfully, during her crisis, Mavis meets a guy who she also used to go to high school with, Matt (Patton Oswalt).
Matt was severely attacked during high school resulting in him being disabled. But they bond over hating the same things. Mavis projects her hatred outwardly, and Matt eventually realises he has nothing to lose by expressing his anger around her too.
Mavis is such a lost soul though. She tortures herself by forever reminiscing about her high school days, when she was popular. It doesn’t help that she writes a ‘young adult’ series about popularity in high school, which becomes her diary disguised as a fictional teenage novel.
I love this movie because it’s character-based. It’s not fast-paced, just like real life, and hangs on to every emotion of the unstable Mavis, which makes you squirm. She’s so immature… But entertaining because she’s so expressive.
It’s not a movie for everyone. But I enjoy analysing behaviour, and I find the subtleties in this film interesting. She’s entertainingly perpetually disgusted with everything.
Check out my favourite scene in the movie here. It’s when Mavis Gary loses the plot at Buddy and Beth’s (Elizabeth Reaser) baby shower. It’s oddly empowering. Although I feel like I’m doing the wrong thing by taking her side.
I suppose this is a movie where the protagonist is the ‘bad guy’, and you can’t help but support and relate to her.
Lost Angeles is an independent film that is looking for funding. It is about a woman who went to Los Angeles in search of a modelling career, but through a series of trip-ups she finds herself homeless.
I was under the impression it was a documentary when I read the summary:
“The City of Los Angeles has the highest homeless population in America. It is constantly growing by thousands of people who are in search of an elusive Hollywood Dream. These people find themselves in compromising situations where work is hard to find and housing is exceptionally high…”
I was a bit disappointed that it wasn’t non-fiction because of the effort the cast and crew went to to make the film authentic; they gave up their apartments to experience homelessness during the shoot.
Looking at the trailer the acting appears quite theatrical. I hope this doesn’t let the film down because it seems like a great way to look into the serious issue of homelessness in America.
Via IndieGoGo, the film makers are asking for $50,000 to complete filming and post production. If this sounds like a film you’re interested in seeing, feel free to donate.
Director: Dan Gilroy
Writer: Dan Gilroy
Starring: Jake Gyllenhaal, Rene Russo, Riz Ahmed and Bill Paxton (the dude from Titanic)
Released: November 2014
This film is by far one of the creepiest films I’ve seen. It’s not so much scary, but it does put you on edge and makes your skin crawl. I guess, hence the film title.
Jake Gyllenhaal with his goggly, baby-bird eyes and sharp cheek bones, is enough to make you squirm. Let alone the control he has over everyone. It is so captivating.
He lost more than 13kg (30 pounds) to play the ‘literally and figuratively hungry’ character, Lou Bloom. Gyllenhaal did so by running a lot and eating only kale and chewing gum. He said the diet was completely safe and healthy.
Lou Bloom, is searching for a job he’s really good at. He soon discovers the media industry where freelance camera operators use police scanners to find car crashes, shootings and what-not, to film and sell to local news outlets.
Bloom dives into this career and quickly makes a sweet sum.
He basically represents the media industry and the control they have over broadcasts and the law. He steps on and manipulates every relationship, smudging the lines of ethical coverage along the way.
Having recently gained a degree in journalism, I found the subject relatable. I don’t think I’ve seen a movie like Nightcrawler before where the story is from the media industry’s point of view.
It’s a fascinating film that is quite difficult to explain. But it certainly gets you thinking. But if you just want to be entertained, you’ll certainly find yourself laughing at Bloom quite often! His intense delivery of lines is sure to give you fits of nervous giggles.
Actually, come to think of it, his character sometimes reminds me of Jim Carrey’s Andy Kaufman character in Man on the Moon.
The only thing I was disappointed about was how there were no consequences for Bloom – which I know is the point because he represents the gigantic conglomerate of the untouchable media. But just when there was a major conflict, the movie ended.
Despite that, I loved it, and I am definitely going to watch it again.
This is a documentary about the late theatre director, Reza Abdoh.
The Iranian-born American artist was known for his large productions and the impact he had on the industry in the early 90s.
He died in 1995 at the age of 32. This documentary explores his life with over 46 interviews.
I am personally not interested in this kind of outlandish theatre, but judging by the six minute promo it looks to be a fantastically produced doco. The lighting and sound looks perfect in the interviews.
The film maker, Adam Soch, is currently looking to raise $35,000 via Kickstarter to complete the post production and DVD release. The money needs to be raised by November 30, and is currently up to $12,000.
If you’re into theatre, I suspect you have heard of Reza Abdoh and understand the effect he had on the industry.
If the rest of the production gets funded, keep an eye out for it in Spring 2015!
Director: Christopher Nolan
Writer: Jonathan Nolan, Christopher Nolan
Released: November 2014
Starring: Matthew McConaughey, Anne Hathaway, Michael Caine, Jessica Chastain and Matt Damon
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The time travelling concepts in this movie are easy to grasp if you’re familiar with the sci-fi genre. If you can keep up with Doctor Who, you’ll keep up with this.
It’s set in the future where scientists are aware that crops are failing and the end of the world could be near. NASA is attempting to find another planet so that the human race can continue.
I would love to tell you more, but I’m worried I’ll ruin something! (For the record, the trailer makes it out to be an average film… It’s not.)
Anne Hathaway in InterstellarSandra Bullock in Gravity
I love this movie. I think Matthew McConaughey did a fantastic job, and I have a new found respect for Anne Hathaway.
It did make me wonder if Anne Hathaway was considered for Sandra Bullock’s role in Gravity though. Because the characters are very similar, physically and characteristically.
There are some gorgeous scenes in this movie. Which isn’t surprising, because Interstellar is a Nolan film.
My favourite scene is when they are on another planet, a water planet. Rather than regular waves, there are tsunamis that arrive every so often. And every one hour spent on this planet, is seven years on Earth.
There was just one thing I was disappointed about: the ending. It was a little too perfect. I think if it ended with a similar feel to Gravity‘s final scene, which was open-ended but with a feeling of hope.
Whereas, Interstellar ended like a Hollywood drama, the i’s were dotted and the t’s were crossed, wrapped in glossy paper with a bow.
Despite that, it is worth a watch if you’re fascinated with worm holes, time manipulation, outer space and strong characters.
Director: Ridley Scott
Writer: Callie Khouri
Released: May 1991
Starring: Susan Sarandon, Geena Davis, Harvey Keitel, Michael Madsen and Brad Pitt
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I can’t believe I haven’t written about Thelma & Louise. This is my favourite movie of all time.
In 1991, Ridley Scott made the genius decision to direct a cinematic breakthrough with two strong female characters, essentially playing traditionally male roles.
Geena Davis and Susan Sarandon were stupendous. Absolutely the perfect actresses to portray Thelma, the naive housewife, and Louise, the hardened but streetwise woman.
If you haven’t seen this movie, it’s about two women who needed a break from their respective husband and boyfriend, and took a weekend away. Except, after getting caught up in a major kerfuffle, the women find themselves on the run from the law. They have never experienced such freedom, and use the lack of rules to their advantage by going on a crime spree. But, they do take moral responsibility for everything they do. They are able to fully explore who they are without the moulding of a man in their lives.
I love films about the characters. Like The Jane Austen Book Club, where you can see a piece of yourself in every character, and the clear development of them.
I’m drawn to this honest movie because Thelma and Louise break through their fears. They learn hard lessons, but ultimately become exactly who they want to be. Reminding me of the The Secret Life of Walter Mittywhere he takes off to Iceland and discovers how freedom can shape you. Perhaps part of the same runaway genre.
It’s a road trip film with gorgeous scenery and music that perfectly fits. It’s based in the South as the pair are heading for Mexico. However, the film was actually shot in rural California and Utah – even the Grand Canyon scenes.
On the road in their blue/green T-Bird convertible, the women evolve physically too. Thelma Dickinson, the housewife, starts out with flowing dresses and long hair. By the end, her hair is tied back, she’s wearing a trucker’s black shirt with sleeves rolled up and jeans. Louise Sawyer, the surly, controlling character, starts out wearing an outfit that is ‘just so’. By the end, she’s wearing a loose tank top and jeans.
They strip off their make up and steal men’s hats and clothing. The denim jacket from Brad Pitt’s character is altered by the women by making it sleeveless and using parts of it for neck ties and such. Almost as a way to tear the layers of control and weakness away, and rebuild their characters in the ways they want.
I also see this as their way of dismembering authority. In the same way that a hunter kills fierce animals for its fur, and taking it as a trophy.
The men in this movie play important parts but take a back seat to the development of Thelma and Louise. Sometimes literally. I read that some found the movie to be ‘man-hating’. But I think it’s just unusual to see two strong women convincingly portrayed in films.
Thieving men (Brad Pitt), rude truck drivers, controlling husbands and flaky boyfriends, Thelma and Louise find ways to rebel, and use the men to their advantage. They stop relying on men for protection, and start standing on their own two feet.
I’m so inspired by these characters. They are so independent and fearless, yet they are so carefree and fun despite their situation.
I think everyone can see the naive, open and scared ‘Thelma’ in themselves, and the logical, unwavering and powerful ‘Louise’. Which is why these characters are so relatable and ‘real’.
Thelma & Louise is a profound, freeing and exciting journey. I love this film so much because the women are doing what every woman wants to feel capable of doing. Being in control of their future, going wherever they want, and nobody is getting in their way! Everything is on their terms right to the end.
I’m going to steal what Susan Sarandon said in an interview; it is a comedy and a tragedy with a surprise ending, and political significance.
This is a pretty long review so I’ll stop here. Believe me, I could make it longer!
This is a timeless film that makes my imagination run wild. It’s adventurous and always makes me feel happy and inspired at the end of every watch. However, I don’t want to give it full marks because it is for quite a narrow audience.
Director: Michael Tracy
Writers: Michael Tracy
Released: 2014
Starring: Rebecca Hanssen, Colin MacDougall andJulie Martis
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This is an independent short film by Scottish filmmaker Michael Tracy, who also wrote and produced it.
It’s a horror-drama, which, based on the trailer looks like it could certainly be a thrilling watch about an affair that has shocking a twist.
It is a struggle to make a film independently, so there are a lot of things you can forgive. However, it’s a shame the darkly-lit scenes were a tad grainy. If the filmmaker had shot it with more light and then put a dark filter over the scenes in post, I think the final product would have looked higher quality.
Judging purely by the trailer, the acting seems pretty top-notch though – making it pretty creepy and compelling! I think the best thing independent filmmakers can do is keep cast members low, keep the sets few, and keep the production short. I think Sunshine has ticked the boxes there, so I think this short film has decent foundations to be a scary watch.
I haven’t seen the film, but I am certainly intrigued.
Director/writer: Stuart Wahlin
Featuring: North Roberts and Anita Boska
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A six minute film made in a 60 hour film competition about a drinker with a writing problem.
A one-character show with little dialogue, but a compelling voice over script making it seem almost Sin City-esk.
I actually quite enjoyed it. Showing the struggles of somebody who finds a 9-5 job utter hell. The only thing this character enjoys is writing, despite never finishing his projects or having anything published.
With a drink in one hand and a cigarette in the other, the writer finds himself to be the biggest hindrance. Even more so than the power cuts and constant distractions.
I’ve found that many of these amateur/self funded films with limited dialogue reflects badly on the actors who tend to over-act to fill in the silence. I didn’t finds this was the case in Tissue though. The acting was subtle and believable.
A perfectly entertaining short film.
Jodie.
Check it out on Youtube by searching for “Tissue Stuart Wahlin”
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Directed by: Gabriel Sunday
Written by: Steve Sanders and Gabriel Sunday
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What a glorious film.
Chinese Penhold premiered at the 2010 Sundance Film Festival.
I thoroughly enjoyed this five minute gem. In the opening scenes it reminded me of the film Peaceful Warrior. Certainly carrying similar themes of self-competition and distractions in life.
It follows a man Jake Scribner (Jake Miller) whose underlying passion for competition clashes with his girlfriend who isn’t the nicest of people.
Finding himself in a worn-out flat at a grotty party, he plays an intense game of ping-pong. He fights against his inner voice, his distracting girlfriend and struggling to stay focussed on the game at play.
I loved the parallel storyline of the white dog and what he represents. There is so much symbolism and so much thought gone into the use of colour, lighting and a fantastic amount of time put into the editing.
In my eyes, at least one of the morals of this story is: to stay in the game and don’t over-think it. In other words, fight for what is important to you, don’t let anyone stop you, but don’t take it all too seriously, because you’ll overlook the point of it.
(Although I’m sure I’ve barely scratched the surface of unpacking this film).
I really enjoyed this short film. A lot of work and effort has clearly gone into the storyline despite the lack of dialogue.
A delightful watch!
Jodie.
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Director: Mika Boorem
Writer: Mika Boorem
Released: 2014
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A short film exploring the dark effects of grief.
We follow a teenage boy, Jonah (Slade Pearce), who has become obsessed with his neighbour. The neighbour (Jaclyn Ferber) is a widow whose husband died in the war. She is grieving and begins to take a liking to Jonah.
Certainly mature subject matter and probably not material I can really relate to.
However, on a technical level, Love Thy Neighbor is fantastically made. The lighting and set design reflects the characters very well.
I think the director/writer, Mika Boorem, achieved her goal of making the story seem ordinary on the surface. That is until you scratch the surface to discover the intricate, dark and twisted lives of the neighbourhood.
I think the best accomplishment was how well the crew has done on limited means. Having a main cast of three, and one location was a great way to take advantage of what they had. It can be easy to let the imagination run wild, but keeping it simple allowed the deeper storyline to take centre stage.
A fantastic production. An example on how high quality a short film can be.
Jodie.
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It was a great concept, but it was just so weird! It was simply bizarre.
Scarlet Johansson plays the protagonist, Lucy, who is kidnapped and used as a drug mule. The new drug seeps into her system, which enables her to use more and more and more of her brain.
She is able to manipulate everything from pain tolerence to technology. She even pulls some solid Matrix moves.
It would have been a great as a short film… It’s almost as though it should have been an arty film festival film. The mere fact it ha Johansson and Freeman in it threw it into the Hollywood sphere. I don’t think it belongs there though. It attracts the kind of audience who want an awesome sci-fi film, when it should attract the deep-and-meaningful film analysts.
Some parts of the script were super cool, particularly in regards to how people have evolved, how we think and behave.
Other parts were plain odd.
Basically, this movie isn’t what you think it will be like. The trailer advertises a Hollywood action sci-fi, when in fact it’s mind-bender with a screwed up ending.
Director: Scott Derrickson Writers: Scott Derrickson and Paul Harris Boardman (screenplay), Ralph Sarchie and Lisa Collier Cool (story) Starring: Eric Bana, Édgar Ramírez, Olivia Munn, Sean Harris and Joel McHale Released: July 2014
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Was this supposed to be a black comedy?
I had been told Deliver Us from Evil was on par with The Conjuring. But I honestly can’t say this was the case. It was a suspenseful, supernatural thriller, but not something that would keep you up at night.
Apparently based on ‘true events’ of a New York cop Ralph Sarchie (Eric Bana) who encounters demonic forces. The mysterious cases quickly become bizarre and laughable.
Reading up about the true events of this cop, I think the only ‘true’ parts that were used in the film was his name and characteristics. There’s an interview on Youtube where he says most of the “possessed” people he encountered turned out to have mental issues.
In the film we follow Sarchie as he slowly unravels the peculiar happenings of what turns out to be people with demons in their houses. Throwing children into lion dens at the zoo, cat worshiping, scratching at walls, and croaky voices was just some of the fun that ensues.
A tad too typical of a horror, with the characteristics of a scary movie thrown in even if it doesn’t fit. Like when the daughter suddenly has the urge to wind the musical jack-in-the-box before she goes to bed. Because we all know how creepy the combination of children, musical boxes and darkness is.
I couldn’t take it seriously because of the weird choice of music that face-plants you back into reality. Imagine getting into a super tense part in the movie and then have the theme song ‘People Are Strange’ by The Doors blasting. What a way to snap you out of it!
The acting was a bit average, particularly the 6-year-old daughter, whose toys come to life at night. I felt like I was in a mash-up of The Ring and Toy Story.
Quite frankly, I couldn’t keep a straight face when the demonised people were talking, I wasn’t scared of the dude who ate his own leg either… I was just grossed out. And the final exorcism went on for way too long. I fell asleep toward the end of that scene.
Finally, the religious messages of how non-believers are screwed and your only hope for protection is by converting to a life of God in some form, was a tad over-kill!
A few things will make you jump, but overall it wasn’t scary or creepy… Just weird.
Director: Brett Ratner
Writer: Based on Hercules: The Thracian Wars by Steve Moore. Admira Wijaya.
Released: July 2014
Starring: Dwayne Johnson, Ian McShane, Rufus Sewell, Joseph Fiennes, Peter Mullan
and John Hurt
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Hercules was a blood bath with a sense of humour.
Based on Hercules: The Thracian Wars by Steve Moore, the story weaves in the legends of the Demi-God, Hercules (played by wrestler, Dwayne Johnson), but centered it on the more human aspects of him.The movie follows Hercules and his right-hand men (and woman) into multiple battles, but Hercules soon questions who he is really fighting for.
A violent and relatively shallow film, but the characters make fun of themselves and their circumstances, which saves the movie from the bargain bin.
I did enjoy how the legends of Hercules are being spread purposefully to glorify a mere mortal. With Iolaus (Reece Ritchie) being the storyteller, he exaggerates Hercules’ adventures to encourage followership and unity of the people.
Thought you saw Jude Law? Turns out the character (Autolycus) I thought to be played by Law with olive-tinted skin, darkened hair and green contacts, was in fact Rufus Sewell… Just in case you were as equally mistaken by the little round head and English accent.
Speaking of which, Dwayne Johnson’s accent switches a few times throughout the movie, but does remain the only American accent in the entire film.
As a side note, Johnson’s veins are too visible and makes me squeamish.
Overall, a perfectly adequate film for the lovers of Greek mythology and ancient battles. A chick flick for the men… A man movie, a boy story… If you will.
Directors: Phil Lord andChristopher Miller
Writers: Story: Jonah Hill and Michael Bacall Screenplay: Michael Bacall, Oren Uziel and Rodney Rothman
Released: June 2014
Featuring: Jonah Hill, Channing Tatum, Peter Stormare and Ice Cube
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22 Jump Street certainly didn’t match up to its prequel, 21 Jump Street.
This one was long and had as many topless scenes of Channing Tatum as possible… I’m assuming this was written into his contract..?
I didn’t find it as funny as the first one because it was so ridiculous. It was similar to the first but more outrageous. Although, I’m sure the Jump Street fans won’t be disappointed.
The amount of references to the first film kept the cookie-cutter-comedy fresh. The movie made fun of itself, hinting at the repetitive storyline and stereotypical characters they play. This decision saved the film from being put on the scrap heap.
It looks like the cast had a lot of fun on this film. As though it was for themselves rather than the audience. Which was actually okay!
I don’t have a lot to say about this film to be honest. It was a bit weird, quite typical, but not as funny as the first. It’s for the younger Hangoverfans and the Channing Tatum lovers.
Director: Michael Bay
Writers: Ehren Kruger
Released: June 2014
Featuring: Mark Wahlberg and Stanley Tucci
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One was enough!
This is the fourth Transformers movie. This has gone on for too long.
It’s about government agencies coming after people who have found a Transformer. Transformers are no longer welcome as they are deemed ‘alien’.
I’m not a Transformers fan, but I can appreciate that cars becoming giant robots are cool.
However, the fighting was endless and exhausting, and acting was hopeless. It was a pointless and boring two hours and 45 minutes.
Assuming that Transformer fans enjoy these movies because of the graphics when the machines physically transform will be sorely disappointed. The entire premise of this fourth film is based around how the man-made Transformers don’t “transform” at all, and when the original machines are about to transform, the camera pans away!
The product placement was blatant and outright ridiculous. Stanley Tucci is amazing, but conveniently drank a Chinese soy-based beverage toward the camera, with the branding beautifully framed and presented. It was pathetic.
If you’re okay with being belittled and being nothing more than a captive audience to sell Victoria’s Secret, Bud Light and energy drinks to, be my guest. But it is certainly an exhaustingly long film with a stupid storyline. Although, to be fair, I zoned out by the time the characters made it to China…
Transformers: Age of Extinction is a three hour ad break.
Oh so boring. Please, no more.
Jodie’s rating: 2/10
Two points were given because:
1. The dinosaur transformer things were pretty cool
2. Stanley Tucci