This classic 1990’s-sounding ballad, Lie, is a melancholy rock anthem with heavy guitar and drums backing strong and gravelly vocals.
With powerful guitar solos and a hard rock bridge, Blue Moon Harem‘s song reminds me of string-heavy ’90s bands such as Nickleback and Soundgarden.
The vocalist has a husky voice, that reminds me of Collective Soul‘s vocalist Ed Roland in their song The World We Know. Blue Moon Harem‘s vocals are emotionally-charged and compliment the band’s rock genre well.
This Boston-based band has a high production value, and their songs are certainly enjoyable to listen to.
I imagine Lie is the kind of song I would play in the car on the way to a concert or high-energy music festival – you can hear the band are genuinely putting their all into their performance, and it’s contagious!
My two favourite singer-song writers: Fiona Apple and Sharon Van Etten need to be BFFs.
I can’t believe it – there isn’t even a photo of them together, a cover of each other’s songs, or a duet by either of them. I’m hoping they don’t see each other as direct competition or foes…
Therefore, I have collated five compelling reasons why they need to be besties forever:
1. They are both from New York and are of a similar age.
Fiona from New York City – now 38 – released her first single in 1996. Sharon from New Jersey (then moved to Brooklyn), New York – now 34 – released her first in 2009.
2. They have similar styles of music.
It’s safe to say they are of the same genre… Mellow alternative rock, I guess. Both have a jazz/folk tone to them too. They both have incredibly emotive lyrics and hooks in their songs that you just can’t get out of your head. Fiona’s songs are perfect for those times when you’re royally pissed off, or bitter about something. Sharon’s songs are perfect for those times when you’re feeling a tad melancholy or nostalgic. Fiona and Sharon’s vocals are both natural-sounding, as in, their live and recorded versions tend to sound identical. PURE TALENT.
3. Powerful songs. Fiona’s Not About Love and Sharon’s Your Love is Killing Meare their most powerful songs (both of which I have over-played).
Not About Love Conversation once coloured by esteem
Became duologue as a diagram of a play for blood
Took a vacation, my palate got clean
Now I could taste your agenda
While you’re spitting your cud.
Your Love is Killing Me There he let it go, his temper, standing there See her with his gun and he, steals love so he can feel alive
Everyone’s knees knockin’ at the fear of love Taste blood Everybody needs to feel.
As a side note: Both singers have a song called ‘I Know‘.
4. Similar style and character. Besides their musical style being similar, they are both grunge, messy, quirky, yet stylish at the same time. I bet they shop at the same stores… They’re both kind of shy and humble in interviews, too.
5. It appears they both write only when they’re unhappy.
In the case of Sharon, she uses song writing as an outlet, a way to process the hard times. Fiona’s work is a ‘pep talk’ to herself when feeling low. Neither singer has a happy song… I think the closest to a happy song of Sharon’s is ‘One Day’ or ‘Our Love’ at a pinch… And Fiona’s ‘Extraordinary Machine’.
Despite their similarities, I think Fiona’s writing is more complicated and broader with her use of language, but Sharon’s melodies and harmonies are beautiful.
Nevertheless, both artists punch you in the feels. Hard. Both FiFi and Shazza (if I may be so bold as to give them nicknames…) have the ability to transform strong emotion into relatable music. Both tell stories incredibly. And their work always brings back vivid memories of people, places or instances in my life, which is a talent and gift in itself.
A timely and heart-breaking video to match a strong and inspiring song.
At face-value, Will Young’s Brave Manis an empowering and uplifting tune to say the least. However, the controversial music video puts the song in context, which follows a young naked transgender man’s journey, making it a timely and inspirational message.
I’m a brave man
Running through the rain
I’m a brave man
Not scared to feel the pain…
Despite the song being titled ‘Brave Man‘, Will Young commented that being a transgender person isn’t brave. Rather, the message is that “being vulnerable is to be strong”.
“I know that transgender people do not like being called brave. It is something that is innate. Not a choice, but a given. Being a gay man I feel the same. I wasn’t ‘brave’ to come out it was simply what I had to do.” – Will Young, Facebook
No matter what you read into the song, no matter what you take away from it, you can’t deny it is a catchy and uplifting tune. I can’t get it out of my head after just one listen!
I don’t really listen to pop music. But I’m pretty sure Belle Vex sounds similar to how I would imagine One Direction and the Johnson Brothers… Oh wait, that’s not right… Jonas Brothers, rather, would sound.
Belle Vex‘s (AKA Beautiful Curse) sound is typical of the genre – nasally vocals with a frantic electronic vibe – which is popular these days. His music would likely be a hit in the nightclubs with today’s youth, especially if remixed.
“So I describe my dream girl as really, really vague, like:
I love your hands because your fingerprints are like no other,
I love your eyes and their blueish-brownish-greenish colour,
I love that when you smile, how you smile wide,
And I love how your torso has an arm on either side…” – Bo Burnham on the generic boy band pop song
But after listening to much of the album 15 Seconds of Fame, I found a couple of songs that were a bit below the belt – no pun intended… Like Escort Girl – a literal explanation of a night spent with an escort.
It’s not for the rest of your life, just tonight. Come on in. – Escort Girl, Belle Vex
In fact, it’s pretty degrading. Is this girl being coerced or convinced to carry on being an escort?
The intro to the album, also called 15 Seconds of Fame, is where the story begins, however.
Wanna know what she does for the money?
This lovely little honey turns into a piece of filth.
…she met the devil in a nightclub, and sure enough, he said:
‘I can make you a star, if you take your clothes off’ – 15 Minutes of Fame, Belle Vex
Their isn’t much creativity to his story-telling, with most being rather literal to say the least. But, in terms of the tune, it’s catchy, and in terms of production, the value is high.
Belle Vex clearly has talent. So I’m hoping it’s not going to be wasted on low-grade lyrics that are perhaps not suitable for young One Directioners or Beliebers to listen to at Christmas after all.
Despite my critical review, Belle Vex certainly has a loyal following with more that 3,000 likes on Facebook and more than 3,000 followers on Twitter.
Check out Belle Vex‘s music on iTunes and check out his website here.
This latest tune has lived up to the country-rock sound of Billy Roberts and co..
As I’ve mentioned in my previous reviews, the vocals are wee bit flat, in a spoken-word tone. This doesn’t quite live up to the energy of the electric guitar and sliding guitar sound.
Having said that, the classic country -rock genre of Billy Roberts and the Rough Riders remains, leaving their fans surely satisfied.
My favourite element of the band remains – their storytelling. Dark and interesting lyrics for sure.
This is the second song of Van Etten’s that I’ve put on repeat – the first being Give Out.
Your Love is Killing Me has an exceptional story.
I think it’s about an over-bearing partner, and being too numb and too blinded to take notice.
Break my legs so I won’t walk to you
Cut my tongue so I can’t talk to you
Burn my skin so I can’t feel you
Stab my eyes so I can’t see
You like it when I let you walk over me…
If you marry that up with this beautiful music video, it supports this idea so well.
A woman is drinking her last beer and smoking her last cigarette before leaving a bar. She starts walking, only to end up in a cafe where her boyfriend is waiting for her (I presume).
She holds up her arms, which are drenched in red before falling to the floor. He rushes over and pulls back her sleeves to find there’s not a mark on her. The woman looks up at him with a look of relief, smiles at him and walks out.
Your Love is Killing me = it’s a physicalisation of the idea up until the point where the woman lets him go… And walks out. Like a boss.
The Swiss actress who plays the part is phenomenal. Just… Just watch her subtle expressions. So powerful! Especially as the music picks up in intensity.
…You tell me that you like it
Your love is killing me
Try to tell you this when I’m sober, how I feel about loving you.
Holy crap. I’m just watching and listening to this on REPEAT.
Watch it! Watch it! And listen!
How weird – just noticed the video was published one year ago almost to the day.
Written as a reminder to people that “deep down we are all the same,” Humanity is certainly meaningful and relatable.
It is a very well produced song for sure – produced by Stuart Epps. You can definitely hear the work that has gone into it.
Because of the band’s name, I was expecting a Radiohead Karma Police sound – intense and deep – which was why I was surprised to hear a relatively bright pop song.
Side by side, hand in hand,
we’ll get the word across the land
Everyone, one by one,
we won’t stop until we’re done
Though we might disagree,
we are all one family
Love and hope and unity,
that’s what makes Humanity
Humanity reminds me of a celebrity charity pop song, with melancholy, choired vocals. The message of standing together is a strong one, and perhaps would have been translated more powerfully in the form of an acoustic song.
This may give it a bit more grit and integrity; one musician, one guitar – Bob Dylan, Alanis Morissette, John Lennon kind of deal.
But, it’s certainly a song that deserves recognition and credit; it’s well-written, and well produced.
A laid-back song that has been very well mastered. Alohais a lazy Sunday afternoon tune.
The vocal layers work very well, although, some of the vocals are a wee bit flat in some spots.
I think the spoken word at the end really makes the song. The lyrics are pretty cool too – including some head-nods to other songs.
Tell me Annie, are you okay?
The drumming and keyboard reminds me of an Incubus song called Aqueous Transmission – an equally layered and relaxing song. Both Aqueous Transmission and Aloha use a similar technique of having instruments sound like breathing. The Incubus song uses violins to have that sort of ‘in-out’ rhythm, Aloha uses layered vocals in the chorus.
This is the second song I’ve reviewed of Billy Roberts’.
Seen It All Beforehas a different sound to No More Mr Nice Guy. The last one was more country, but this one sounds more like a garage band; a bit rockier!
But this song still carries the same unique sound of Billy Robert and the Rough Riders, with the same spoken-word kind of singing style.
It’s an upbeat and fun song with great electric guitar parts mixed in with an organ, making an interesting and distinct sound.
The chorus is very catchy! My only critique would upping the energy in the vocals a bit! As the vocals aren’t carrying much emotion like he rest of the instruments.
Easy listening for the over 25-year-old single or broken-hearted ladies out there.
Every Bridget Jones-esk spinster, or recent singletons, would have this track on repeat during their Sunday afternoon wine.
It is the new smooth sound – quite literally. You may have been equally deprived of this fact, but New Smooth Sound is a legit genre combining R&B, pop, and jazz.
With the cool lyrics that any Michael Bublé listener would love, and casual banter similar to the monologues one hears in sixties songs to kick the song off, I can see this tune being a hit.
Very well mixed and recorded, with talented singers and musicians for sure.
Reading about AJ Smooth he seems like a genuine guy who is ‘known to dip an occasional fry into mayonnaise’, and whom writes his own songs.
This is not a song easily disliked, this is atmospheric coast music at its best.
They remind me of Radiohead, mixed with a sort of Shihad kind of deal – sort of grunge, but upbeat.
I cranked this baby up, and the layering of the vocals is what makes this song! His gravelly voice raises the song above a typical pop song into a something with a sound I haven’t really heard anywhere before.
The music video is super cool! Thoroughly enjoyed it. It’s pretty much just one shot the whole time. I’m assuming it’s shot in the UK – I’d love to know where.
I reckon their music would suit movies like The Lost Boys.
If you’re into grungy, catchy, punk rock tunes, check Warme out! Facebook and Twitter.
First of all, I should declare that rap music really isn’t my jam.
But I do appreciate the general gist of the song meaning, which I understand it to be about making something of yourself when everything is against you.
Every story got a two-side
T-shirt tryna make it to the suit and tie
I think New Guy would be a great candidate for a remix.
The video is certainly something to rave about though; so cool! It’s directed by Justin Campos. Kudos to the editor too! Very impressive video.
When times is tough they look at me for answers
Hoping I can lift ‘em off from their fears and progress
So I grind, Sunday to Monday
I’m that new guy
I think if you’re into rap music, New Guy will be worth a listen.
The first thing I thought was ‘Nick Cave’. I think it’s David Arn’s gravelly voice and story-telling songs.
I agree with Arn’s previous critics who say that his strong point is certainly the lyrics.
“When you lost your situation, gypsies went home sick”
When Lost In Your Situationsounds like a song I’d expect to hear on one of my favourite films, Thelma & Louise, or on classic indie stations and films with its lost-sounding guitar and the grounding vocals.
The guitar and deep voice is let down slightly by the organ. If my critique is worth anything, I’d like to accent the pounding heartbeat of the bass guitar, and enhancing the rich piano. Just to make the song sound ‘solid’ with more depth to the song.
(Or, at least I’d like to see what it sounds like.)
These two suggestions are simply to reinforce the intensity of the song. So that the weight of the deep and bold vocals, guitar and lyrics can be fully supported by the rest of the instruments.
Despite that, I am already a fan of the enchanting, entrancing music of David Arn.
Pokey LaFarge returns to Auckland! It was grand. This time, promoting their brand new album Something In the Water, which was released in New Zealand on the night – well before the official April 7 release date.
A lot has changed with their sound, still keeping their fantastic ragtime/blues genre and tempo, but with an extra player added to the team: Matt the drummer! It was amazing. It was a loud and energetic atmosphere to say the least with the lead singer, Pokey, making the crowd laugh in between songs.
Chloe the spectacular sax/clarinet player did a duet with Pokey on a couple of songs which was so, so cool! I loved it!
I will restrain my inner fan this year and not write a mile-long post, but it was a fantastic show that sold out much earlier than last year – so lucky I was on the guest list! Yes, this band treats their psycho fans rather well.
I can’t wait to buy their album (I didn’t bring cash on the night to buy one! What an amateur mistake on my behalf.)
These may have slipped your memory because they are from the late 90s/early 2000s. But for some, they are embedded in childhood brains.
Here It Goes Again by OK GO Don’t tell me you weren’t mesmerised by their choreography using treadmills. Or at least fascinated by their costumes.
Weapon of Choice by Fatboy Slim A favourite of my parental’s. Played on repeat throughout my impressionable years.
Praise You by Fatboy Slim
A favourite of mine. Their dancing reminds me of my current style of expressive dance that I like to impress people with at nightclubs. I actually didn’t realise Praise you and Weapon of Choice were by the same artist until just now…
Freestyler by Bomfunk MC’s
My brother’s favourite song, played on repeat in the car. Everywhere. Great video though.
Sophie by Goodshirt From us Kiwis comes ingenuity. One shot. Straight through. Who can be bothered with editing? So why not just… Let the camera roll. Well done, guys. A humble and funny video.
What do you reckon? Basically, I like quirky videos.
Oh! Weezer’s Say It Ain’t So video was narrowly cut out! I love how the singer pauses to take a sip of milk. That’s it. Fantastic moment.
While we are on the topic of Sia, I love her earlier song: Chandelier.
It’s just as emotionally-charged and high energy as Elastic Heart. In fact, I see Chandelier as the prequel to Elastic Heart, because the videos are both directed by Sia and Daniel Askill and features the same dancer in the music video, Maddie Ziegler. You can definitely tell the dancing was choreographed by the same person too, Ryan Heffington, as some of the moves are the same, and so is Ziegler’s costume.
It’s still fantastic though. The video was nominated for a Grammy Award for Best Music Video, and became the seventh most watched YouTube video of 2014.
The lyrics are great. It reminds me of Tove Lo’s song High, because it’s about the plights of a party girl. (Which, I personally find a frightening subject matter after seeing the music video to High.)
I’m gonna swing from the chandelier, from the chandelier
I’m gonna live like tomorrow doesn’t exist
Like it doesn’t exist
I’m gonna fly like a bird through the night, feel my tears as they dry…
But I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ‘cos I’m just holding on for tonight
Help me, I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ‘cos I’m just holding on for tonight…
I’ve found a lot of covers – including one by Sara Bareilles. But they’re either too slow, which I don’t think gives the song justice, or (in the case of some of the singing contestants on tv) are just plain out of tune.
Sia’s original performance is the best, and I don’t think it will be beaten. No one can match her vocals – especially live!
I think the song can speak for itself, but it’s a chilling story of the singer’s two emotional versions of herself. Each side wrestles to become dominant.
I imagine it’s the side that’s strong, flexible, and can cope with trauma, versus the side that’s negative and fragile:
I’ve got thick skin and an elastic heart
But your blade it might be too sharp
I’m like a rubberband until you pull too hard
I may snap and I move fast
But you won’t see me fall apart
‘Cos I’ve got an elastic heart
Gorgeous voice.
The music video is equally as powerful – but has been rather controversial.
This concept of dominance is portrayed by 28-year-old actor Shia LaBeouf and 12-year-old Maddie Ziegler through interpretive dance. It is directed by Sia and Daniel Askill, and choreographed by Ryan Heffington.
Wearing nude-coloured clothing, they dance inside a giant cage, that I assume represents Sia’s head. Ziegler being the protective, flexible side, LaBeouf portraying the aggressive and restricted side.
They both try to fight to be the one that gets outside the cage and be expressed. But at the same time they do want to work as one and get out together. Unfortunately, opposite emotions can’t be expressed at the same time.
(Toward the end of the video, Ziegler softly hits LaBeouf on his forehead. Each time she does so he changes his expression to show the emotions he represents: scared (he’s holding his breath – claustrophobia?), sarcastic, angry and depressed.
Some (in the twittersphere) are saying the video is referring to paedophilia, or could offend victims because a young girl is dancing with an older man.
It is a video that looks primal and raw, but I don’t really think it’s sexual at all.
Personally, I didn’t realise how young the girl was until I read about it. However, it hasn’t changed my view on the video. I find it creative and expressive. But I suppose you can read into anything if you have an angle in mind.
I think the video shows an incredible amount of talent and power to match an energetic song.
Sia has since tweeted an apology to those who were offended.
All I can say is Maddie and Shia are two of the only actors I felt could play these two warring ‘Sia’ self states. I [apologise] to those who feel triggered by ‘Elastic Heart’. My intention was to create some emotional content, not to upset anybody.
Never Tear Us Apart was written and performed by Australian rock band INXS in 1988. However, it was originally written in a bluesy genre with a similar sound to Fats Domino.
Oh how I would have loved to hear that version.
I do like the INXS version, but mostly because of the gnarly saxophone solo – which simply isn’t long enough!
However, Paloma Faith covered their song in 2012. She brought her jazzy/pop/blues sound to it, making it spine-tingling. I love it. Particularly the high note she pulls on this line:
I told you, that we could fly. ’cause we all have wings, but some of us don’t know WHHHHHY!
The only thing that’s missing from Faith’s version is a lengthy saxophone solo! Perhaps I’ll try to edit INXS’ sax solo into the bridge of Faith’s version.
I’m honestly not a massive fan of festive music. However, here are four (and a half) songs in my December play list:
Baby, It’s Cold Outside Written by Frank Loesser in 1944, the original was sung by Ricardo Montalban and Esther Williams, which I just think is a gorgeously dramatic and almost comedic rendition. I love this!
Although the second part is by Betty Garrat and Red Skelton, their version just looks creepy…
However, the first version I heard was by Zooey Deschanel and Leon Redbone, which I heard in the hilarious movie, Elf.
Updated 2015: Just found this song done by Sharon Van Etten and Rufus Wainwright (he’s on the Moulin Rouge soundtrack)… This is definitely awesome.
Lady Gaga and the handsomely dashing Joseph Gordon-Levitt have done a cover of it too, but I don’t think it was that great…
— December Will Be Magic Again
Okay, sure, Kate Bush is a little on the peculiar side, but so is Fiona Apple and Joanna Newsom, and yet we have enjoyed their music. Or at least covers of their songs like when The Decemberists covered Newsom’s song: Bridges And Balloons. So, give Kate a chance with this one, please.
I found it the most magical song to listen to, particularly when reading the lyrics along with the song. Her stories are so enchanting.
Upon the black-soot icicled rooves,
Ooh, and see how I fall.
See how I fall…
Come to cover the lovers.
(But don’t you wake ’em up.)
Come to sparkle the dark up.
(With just a touch of make-up.)
Come to cover the muck up.
(Ooh, with a little luck.)
— Merry Christmas Everybody Written and composed by Slade in 1973 – I love this song. It’s a tad melancholy, but I think Christmas can be slow, reflective time of year anyway.
—
Sleigh Ride Composed by Leroy Anderson during a heat wave in 1946, the lyrics were written by Mitchell Parish in 1950.
However, my favourite version is by KT Tunstall. She’s made it rockier.
—
Just as a side note, although not a Christmas song as such, 17 by Kings of Leon weirdly makes me think of Christmas..? Maybe it’s just the use of bells.
So those are a few to add to your play list this Christmas! Enjoy!
Jodie.
Are You Thinking What I’m Thinking? is a funk/electro track being released by Bernie Journey. He is New York-based and a self-described dance/pop singer-songwriter.
His sound reminds me of a psychedelic/glam 90s band. So certainly not a typical ‘pop/dance’ sound, but a perfect karaoke track. I think a heavier bass and bit more variety would make it the JAM.
Check out the promo for the single here:
The song, produced by Phunk Junk Records, is to be released on December 30, 2014.
Bernie Journey
In addition to this single, there are two remixed versions that will be available by Ros Garcia and El Brujo.
The choreography is spectacular, the costumes are awesome and the four and a half minute video is all done in one shot.
My dad actually pointed this out to me because he likes the song (which was written and recorded within an hour and a half), but the video is twice as cool.
Kiesza danced in this despite having a broken rib! She said she couldn’t move for a month after shooting it.
Kiesza’s brother shot the video in Brooklyn, and it was choreographed by Ljuba Castot. It received an MTV Music Award nomination for best choreography.
Check it out! It’s very 90s.
Jodie.
If you liked that, you’ll LOVE this parody. It has been very well done indeed!
Right. So I’m not used to this genre of music, so admittedly I had to do my research. I listen to 50s and 60s music, so the popular names of the hip hop scene go right over my head a lot of the time (I’m embarrassed to say)!
So! This song that I was asked to reviewed is called High. It is by a rap artist named Shid Latta, and it features Tove Lo and it’s produced by Hippie Sabotage. So this is a remix of a remix basically.
The original Tove Lo song was remixed by Hippie Sabotage into this song (which I think is pretty awesomely done). And Shid Latta recreated it by replacing the versus with his own.
This is Shid Latta’s first single on his upcoming album: Love + Other Drugs due to be released on 24 November.
Although the lyrics are for the most part quite rude, it certainly matches the subject matter of getting high. His contribution to the song basically frames Tove Lo’s chorus. In all seriousness though, it’s actually quite a sad song when accompanied by the original music video. It reminds me of Requiem for a Dream.
Shid Latta (AKA Rashid Latta) is a hip hop artist from Baltimore. He prides himself on not being a ‘typical rapper with tales of money, drugs, sex and streets’.
I don’t really identify with this music, but I can certainly appreciate the skills Shid Latta has for writing an rhyming. I know it’s not something everyone can do, nor be successful at doing. So I say, good on him!
For those hip hop lovers out there, I think this will be your jam. It’s damn catchy.
This is a song by the German band named My Secret Island. I was going to call them a goth-rock band based upon their latest single: What Was Yesterday because of their zombie-themed music video and heavy guitars.
However, looking through their back catalogue I found a fantastic range of genres including a cover of T. Roe’s Sheila from the 1960s and a more upbeat electro-rock sounding song named Evil Fire.
What Was Yesterday is a rock song with a well done music video portraying a sort of Frankenstein-zombie apocalypse story. It’s awesome to see a band take as much time with their music videos as they do with their songs.
If you isolate each component of this song you will get the essence of this genre mash-up.
The drumming reminds me of sixties rock ‘n’ roll during the verses, but along with the heavy guitars, it becomes a darker sounding goth-rock throughout the chorus. The vocals are definitely has a pop-punk sound which keeps My Secret Island from slipping into being too mainstream or too metal. Which I like!
I haven’t heard anything like them before, yet it sounds so recognisable… They’ve thrown our favourite genres and sounds into a pot, creating a Frankenstein sub-genre (which matches their horror music video perfectly!).
I thoroughly enjoyed this single, and I loved that music video! It’s off beat and fun… Yet dark and intense.
I had the best night of my life so far on Tuesday, March 18.
Pokey LaFarge is a ragtime/jazz band whose sound is like no other. Their thirties-based, feel-good music is absolutely incredible, you can’t help but dance and smile.
I knew about these guys months ago, I heard ‘Hard Times Come, Hard Times Go’ on an advert and looked them up. Although, it was their song ‘Pack It Up’ which got me hooked.
I emailed their manager and asked if they would be coming the New Zealand any time soon, because they are now my favourite band and I quite simply have to hear them live. The reply was, to my disappointment, saying it may happen one day but there were no official plans in place.
However, by Christmas I found out they were to play a gig in Auckland.
You can’t imagine my excitment.
When that Tuesday finally rolled around, I was so excited that I decided to get to the venue two hours before the doors opened. I could hear them practising and even caught a glimpse of some of the members!
The total grandiloquent moment that happened next was unexpected to say the least.
Pokey LaFarge noticed me outside and we chatted for ages! Well. 15 minutes. We even got a photo together! He told me about his travels and how he’s really just “a writer at heart”.
To put it into perspective, this was like a tween girl hanging out with Justin Beiber… I know. Incredible, right!?
He asked me what song was my favourite and I said “Pack It Up!” He replied, “Ooo. I may have to practice that one for yah!”
Their set was a gorgeous up-beat hybrid of jazz, blues and ragtime I was dancing and clapping and screaming the entire time.
TJ, the trumpet player, is a talented man to say the least! Gave me chills! He asked if I took swing lessons… He noticed us dancing in the front row!
Ryan, the percussionist, was fascinating to watch. It looks like he gets completely emerged and lost in the music. So awesome. I’m gutted I couldn’t find him after the gig!!
The clarinet and saxophone player is Chloe. I have to be honest, she made me regret giving up learning the clarinet when I was 9… I’m going to dig it out now that I know it is possible for it to sound that amazing!
The highlight was when Pokey said that this next song is dedicated to a “Kiwi named Jodie Hart”. I just died. On the spot. I do remember blurting out an inaudible “blaaaaa… That’s me!”. The song was Pack It Up. It was the single most incredible moment ever.
After the energetic gig, I met up with Pokey again. He signed the song list (that I subtly retrieved from the stage after the set) and told me to keep writin’!
I asked the bouncer if I could sneak past him to meet Joey (double bass), Adam (guitarist) and TJ, he said no. So the only logical thing was to look like I was about to turn away, but then skip past him. He laughed though, so no harm done. I did feel like quite a rebel though…
Everybody was easy to talk to. They are such interesting and talented people who look awesome in thirties attire.
What an unforgettable evening! How will I ever beat that night…
Thank you to the Pokey Lafarge band!
Jodie.
…I’m going to go ahead and take the title of “biggest fan”.