I first heard this song on the trailer for The Conjuring – I. LOVED. IT. Works SO well with the horror genre.
It was recorded in the sixties and became a hippy-related song. George Harrison actually helped write the song, however, his verse was not included in the single that was released.
Connie Francis did this cover in 1958, but there have been many versions with some of the earliest being in 1923 by Marion Harris, Irving Kaufman and an orchestral version by Isham Jones. Ella Fitzgerald also covered this song in 1960.
But none of these beat Connie’s version, which is probably just as slow, but more ‘jukebox’…
I love 50s and 60s music.
In case you are interested, this is Marion Harris’ version:
Do you want to be inspired? Lifted up? Be given a ray of hope?
Do you want to hear one of the best protest songs ever written..?
Well. This is it. This is the key to your hopes and dreams. Bob Dylan’s song is like Imagine by John Lennon and Blowin’ In The Wind by Joan Baez combined. Just as inspiring, just as awesome, just as timeless.
Depending on what mood you are in, this song could make you just totally despise what our world has come to, and make you want to make your own protest outside parliament listing all the reasons that you hate their selfish ways and that you are finally fed up with feeling fristrated and powerless against their blatant lies and flip-flops.
OR
You could feel at peace knowing that times really are changing, and that the great peace warriors are on your side.
Actually, I decided to liberate your minds with this song because Michael Moore covered it for the Occupy Movement album :) Look it up!
Director: Richard Curtis Writers: Tim Bevan, Eric Fellner, Hilary Bevan Jones Released: 2009 Starring: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Emma Thompson
—
If you love groovylicious music and cool fashion from the 1960s, then you are going to LOVE this film!
It’s a film about the pirate radio stars during the sixties who played rockin’ music, whilst trying to keep the government off their backs who didn’t like the kind of influence the radio stations had.
It’s the kind of film where its characters are used to target the typical main-stream movie audience who are in their twenties, but it’s ‘historical’ enough to capture the reminiscing kids of the sixties, yet, unique enough to entice the indie teens, and overall AWESOMENESS to be absolutely: Way. Cool.
It’s an exciting film about each radio host’s personal triumphs as well as the overall capturing story of essentially giving the middle finger to society. The contrast between the conservative government workers versus the wild rock and roll supporters from the boats in the North Sea was drawn which was great to see two sides.
You can also see the same sort of contrast being drawn between the children and their parents. The children being the rebellious worshippers of the DJs who hide radios in their bedrooms, and the parents being the BBC listeners who frown upon the culture of pop and rock and roll music.
The humour was a bit hit-and-miss for me occasionally, but that’s probably because I have a dry sense of humour… As in, I find Napoleon Dynamite hilarious. The majority of the audience would enjoy it very much, I’m sure.
Fantastic music OBVIOUSLY, which compelled me to buy the double-disc album which was incredible! Think of your favourite artist from the sixties, and it’ll be on there… Except for The Beatles… That was a bit of a disappointment, actually…
A loud, crazy, colourful and hilarious depiction of the sixties’ uprising which was almost successful. I felt quite upset at the end when I saw the ship sink and I went into a deep daydream of how the Government should have let the ships be, how it could have been, how they should never have made laws against them and how spectacular the sixties was… and the WAY COOL music… The ending was a bit of a downer, but accurate nevertheless. (Reinforcing my ‘Golden Age Thinking’ as explained in Midnight in Paris)
The Boat That Rocked is an entertaining film where anybody could pick out a favourite bit, moment or character, making it a movie that’s easy to talk about. It is a perfectly orchestrated story with fewer stereotypes than I expected.
The wardrobe was absolutely stupendous (I wish there was a “The Boat That Rocked Shop”) and the cut-aways to the everyday listeners was probably one of my favourite bits, because it gave you a huge scope of the world they lived in – since it could have been very isolated to the life on the boat.
This isn’t just a film worth watching, this is a film worth buying and then replaying. You will finish watching the film and feel an urge to carry a stereo around with you, liberating the boring and monotonous people of the 2000s with epic sounds of the sixties.
You will feel the need to stick it to the man and be rebellious… But you’ll probably just put the film on repeat instead, and that’s cool too.
If American Graffiti represents America in the 60s, The Boat that Rocked represents the UK in the 60s.