1992 – NZ Film Freak

A Few Good Men

A Few Good Men film poster Director: Rob Reiner (Misery)
Writer: Aaron Sorkin
Released: December 1992
Starring: Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kevin Pollak, Wolfgang Bodison, James Marshall, J. T. Walsh and Kiefer Sutherland
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“You can’t handle the truth!”

Well. Now I know where this famous quote actually comes from. I’ve heard it being referenced in Seinfeld (and probably countless other shows), and hadn’t the slightest clue it was from a good movie – not some Terminator, mindless action film that for some reason I always assumed it would be from.

A Few Good Men, a courtroom drama from 1992. I know, I know, I’m only 23 years behind.

Man, this movie is my favourite at the moment. I’m assuming I was the only person on the planet who hadn’t seen this film, but if you need a refresher of the plot without any of the court or Marine jargon…

Tom Cruise in A Few Good Men film Kaffee, (Tom Cruise), Galloway (Demi Moore) and Weinberg (Kevin Pollak) are defending two Marines – Dawson and Downey – who are accused of killing another Marine named Santiago, via a “Code Red”. Which is a “violent extrajudicial punishment”, according to Wikipedia. But it’s fundamentally where people of higher ranks turn their heads while Marines beat the crap out of each other for being late, or running slowly, or just being a dick in general.

Jack Nicholson in the final court scene of A Few Good Men Cruise’s character is over-confident, and he asks super awesome questions to people ranked way above him. But he has to be careful when he begins questioning Jack Nicholson’s character, because if he can’t get him to admit that he knew about the Code Red, then Tom Cruise’s character will be down the pan for accusing a Colonel… Basically.

Kevin Bacon in A Few Good Men film close-up Oh! And, Captain Jack Ross (Kevin Bacon) – not to be confused with popular Disney pirate, Captain Jack Sparrow – is the lawyer person on the other side, trying to get Dawson and Downey out of the Marines for supposedly murdering Santiago.

Anyway! Explaining any court-based story sounds boring on paper, but super cool in the movies.

I love how Demi Moore’s character isn’t a typical downtrodden, infatuated female. She’s as strong, competent and as funny as the men, and does well in her job without being the damsel in distress, or totally boring.

Oh! And how she asks Tom Cruise’s character on a date, because she’s a strong, independent woman who don’t need no man to ask her! *Snaps fingers in a sassy fashion*. But it doesn’t get lovey-dovey at all – such a breath of fresh air.

Galloway: But my feeling is that if this case is handled in the same fast-food, slick-ass ‘ Persian Bazaar manner with which you seem to handle everything else, something’s gonna get missed. And I wouldn’t be doing my job if I allowed Dawson and Downey to spend any more time in prison than absolutely necessary, because their attorney had pre-determined the path of least resistance.

Kaffee: Wow… I’m sexually aroused, Commander.

Demi Moore in A Few Good Men film Although, through all three viewings of this film within a week, I could not figure out Demi Moore’s hair… Is it short? Is it long and tied back? Is it actually Travolta’s hair from Grease..? It broke my brain a little bit. Looks pretty cool, nevertheless.

I’m typically not a fan of Tom Cruise, but he is comical, intense, and plays the part of the spoiled, cocky, lawyer remarkably well. He’s so sassy, with smart-mouthed come-backs.

Kaffee: Oh, hah, I’m sorry, I keep forgetting. You were sick the day they taught law at law school.

The only thing that dates this film is the repeated music that is quite obviously from the late 80s/early 90s. Apart from that, I think it’s held its own very well indeed. It’s just as entertaining now, as I’m sure it was back in ’92.

Keifer Sutherland in A Few Good Men film I almost forgot – Kiefer Sutherland is in it! He’s so intense. Everyone is! I definitely could not survive in the Marines… But, doesn’t Sutherland just look SWELL. *Swoon* I still prefer him in The Lost Boys though…

I love courtroom dramas. Just when you think Cruise’s character is out, he finds a loophole. It’s like Sherlock Holmes meets Judge Judy!

“It doesn’t matter what I believe. It only matters what I can prove!”

So much sass, so much awesomeness. Loved it, loved it, loved it. Scary, nail-biting, funny, inspiring. So amazing.

Kaffee: I know what you’re going to say – You don’t have to. We’ve had our differences. I said some things I didn’t mean; you said some things you didn’t mean, but you’re happy I stuck with the case. And if you’ve gained a certain respect for me over the last three weeks… well, of course, I’m happy about that. But we don’t have to make a whole big deal outta that – you like me? I won’t make you say it.

Galloway: I was just going to tell you to wear matching socks tomorrow.

Jodie’s rating: 8.5/10

Por una Cabeza – Carlos Gardel

This is a fantastic classic.

After watching this scene (tango scene in Scent of a Woman) I wanted to take tango lessons! Yet, I don’t think it was the visuals, but the song that made me fall in love with the scene.

Por una Cabeza (“By a Head”) was written in 1935 by Carlos Gardel and Alfredo Le Pera. Originally with lyrics, it tells a story about a gambler who compares his love of women with his addiction of betting on race horses.

I think it’s the whining instruments that makes the piece sound like it’s yearning for something, like the song is telling a story of losing somebody… I don’t know. It’s awfully touching though!

This is the best version I have found, I think it’s the French accordion that completes it.

I hope you enjoy it just as much as I do!

You can read my review to Scent of a Woman here. Including the trailer.

Jodie.

Scent of a Woman

Director: Martin Brest
Writer: Based on Ibuio e il miele by Giovanni Arpino
Released: 1992
Featuring: Al Pacino and Chris O’Donnell
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Getting this film in a “two for $20” sale I was cautious, particularly because the front cover showed a rather dated looking image and the title sounded a tad creepy. However, the name ‘Al Pacino’ gave me hope.

Scent of a Woman is an incredibly fascinating film to watch repeatedly because of the script, which is deep and meaningful to say the least.

Al Pacino’s character – referred frequently to as The Colonel – is a blind man who appears to be as mad as a dog at his first screen appearance. But he is such an interesting character I almost wish he were real. He is an experienced soldier and a wise man, who has a story or two to tell.

Chris O’Donnell’s character is Charlie who is hired as Colonel Slade’s aid for a thanksgiving weekend. He is dragged to New York with him, but learns a lot along the way.

There are a couple of incredibly memorable scenes. One is where Colonel does a very moving speech at Charlie’s school. I wrote all about it here. There are some brilliant quotes, and by the end you have total respect for this flawed character.

Scent of a Woman

Colonel: There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There’s no prosthetic for that.

The other memorable scene is the tango scene. Colonel and Charlie are sitting in a restaurant when Colonel senses a woman sat by herself behind them and he asks her to dance the tango with him. It sounds creepy, but it’s actually beautiful.

Colonel: There are no mistakes in the tango. If you get all tangled up, you just tango on!

Scent of a Woman reminds me a lot of Driving Lessons (and many other films including The Intouchables and You’re Not You): Where an old person drags a young person somewhere. The young person doesn’t know jack about life, and learns a lot from the old, wise person. Then, the young person finds out that the old person has big secrets. So they help each other out. I’ve written about this in my post One Story, Six Movies.

scentofawoman15

I love these kind of films though, even if the story isn’t original anymore. I guess they’re coming-of-age films. Films such as Driving Lessons, The Way Way Back, Little Miss Sunshine, Juno and Up In Air. They’re funny but thought-provoking too.

Colonel: “Are you blind?!”
Charlie: “No of course not”
Colonel: “Then why do you keep grabbing my arm? I take YOUR arm.”

Jodie’s rating: 8.5/10

In case you’re interested – the speech.