Directed: Todd Phillips
Written: Jon Lucas and Scott Moore
Released: 2009
Starring: Bradley Cooper, Zach Galifianakis and Ken Jeong
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I haven’t kept up with The Hangover movies at all – in fact last night was the first time I had watched the first of the two (soon to be three) of The Hangover films (with the aid of peer pressure). I suppose I always assumed that I wouldn’t like the humour.
However, it wasn’t that bad! I wouldn’t say that I’m a huge fan of The Hangover, or that I am compelled to see the sequels. But I did find it pretty entertaining! There were some pretty hilarious moments, all involving the incredible comedy actor Zach Galifianakis. He was rather humourous in The Hangover playing Alan – the “not all there, but secret gambling genius” sort of character. Galifianakis is equally hilarious in the movie Due Date.
There were some really crazy, random, unbelievable occurrences that were all a part of the weird circumstances that these four guys found themselves in during their stag party in Las Vegas. The night that was happily forgotten by morning, became a night that they were fighting to remember as the conclusions of the night’s events became shocking in the harsh light of day.
It is certainly a very entertaining movie, even if it wasn’t really my cup of tea humour-wise, I still enjoyed it.
Director: Drew Barrymore
Writer: Shauna Cross
Released: 2009
Starring: Drew Barrymore and Ellen Page
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First of all, don’t be put off by Drew Barrymore as the director… Your preconceptions are invalid.
Whip It is certainly a fun and enjoyable film based around the exciting sport of Roller Derby. Since watching this movie, I really wanted to go to a Roller Derby bout which I was lucky enough to do this year. Boy, the violence portrayed in the movie is clearly through the eyes of Hollywood – it is so much more brutal in real life. Or maybe our Kiwi players are just more violent…? It was awesome nonetheless.
So, Whip It is about a seventeen year old girl called Bliss (Ellen Page <3) who discovers the world of Roller Derby and sees it as a way of setting herself free from her mother’s “50s womanhood” household.
Pash (Alia Shawkat) and Bliss (Ellen Page) at their day job in the “bustling metropolis know as Bodeen, Texas”.
It explores friendship, change and rebellion. It is truly a cool film which makes you want to become a Roller Derby player after every watch; the energy is contagious! By the end of the film you will be picking our your derby name!
Ellen Page has always been one of my favourite actors (Inception, Juno…) and every female character has such a strength about them – almost androgynous – similar to the
Bliss (Elen Page) and Oliver (Landon Pigg) make a fantastic pair, with Landon Pigg being a musician in real life, his band’s songs were included which were fantastic.
likes of Trinity from The Matrix. It’s very empowering.
I guess because Bliss (who becomes Babe Ruthless) is an “alternative” girl from a misfit town who beats all odds and becomes her own hero. A powerful message that is portrayed is that you should do what makes you happy at that moment – it doesn’t matter if it is not your career path or that you do it forever; just that you experience it and live in the moment is what matters.
Musically it transforms the potential chick-flick feel into a deeper and more emotional journey. My favourite score being “The Road To Austin” by the Section Quartet. As well as Jens Lekman’s “Your Arms Around Me” which is best heard with the scene that it is used with. They go together perfectly.
Drew Barrymore has really made a reputable name for herself behind the camera as well as in front, for sure. A fun and easy-watch but also an inspirational story that captures a vivid snapshot of Bliss’ life in a way that includes the realistic ‘ups and downs’ of life.
Director: Jason Reitman Writer: Jason Reitman and Sheldon Turner (based on novel by Walter Kirn) Released: December 2009 Starring: George Clooney, Vera Farmiga, Anna Kendrick
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At face value, this may seem like just another shallow idea with a typical love story. But this is far from it.
It’s an incredible story that has a very serious undertone, indeed. It is actually documenting the effects of the start of the financial downfall that we are now experiencing globally.
The movie is not told from the perspective of an employee being let go and the inevitable family and financial problems that would accompany it, but from the point of view of the man that is hired by the boss to tell their employers they no longer have a job.
This is a song that a man named Kevin Renick wrote after losing his job. He sent it to Jason Reitman after hearing about the film and the song is played on the credits. Shows how real this film is, I think.
It’s a fantastic – yet heartbreaking – perspective, because we also see how technology is ruining human connection. For example, it is proposed that instead of Ryan Bingham (George Clooney) flying from city to city letting these people go face to face, that he could actually tell them online via a camera which would be more ‘efficient’, but obviously much less personal. This proposition doesn’t work for Bingham whatsoever. Let alone the people getting told they’re losing a job.
It’s a sad story of how people’s worlds collapse, how in many respects the odds are against us and that people can no longer rely on each other since it is predominately all about profit. It addresses how we have stopped being personal, only professional, and how a job can become somebody’s life. How it can be their only reliable thing.
Of course, being the director of Juno, Jason Reitman has created another fantastic comedy with very quirky lines. I love this kind of humour, particularly in the scene showed in the photo above.
Ryan: I’m not a shrink, Bob. I’m a wake-up call. You know why kids love athletes? Bob (JK Simmons): I don’t know. Cause they screw lingerie models? Ryan: No, that’s why we love athletes. Kids love athletes because they follow their dreams… Your resume` says that you minored in French culinary arts. Most students, they work on the fryer at KFC, but you bussed tables at Il Picador to support yourself. Then you get out of college and then you come and you work here. How much did they first pay you to give up on your dreams? Bob: 27 grand a year. Ryan: And when were you going to stop and come back and do what makes you happy? Bob: Good point.
My favourite part is when George Clooney’s character is deliberating which line to join for security screening in an airport:
This fantastic film is pretty much about all the different ways somebody can feel ‘up in the air’ with little substance and solidarity in their life.
It is a sad film if you look beyond its face value, with not much of a happy ending which I think is very appropriate since we are not quite out of the dark yet. However, it’s strong, underlying current of humour keeps us afloat and captured throughout the whole film.
Director: James Cameron
Writer: James Cameron Released: 2009 Starring: Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, Sigourney Weaver
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When I watched this film in 3D, my review would have been very different to what this review of my second watch is. At first, I would have said that it’s a storyline we’ve seen before, that the characters were typical and that it was all about the technology.
However, this is not exactly what I think now.
Having seen the first hour of Avatar on TV recently, I was surprised at how much I enjoyed it compared to how I felt about it roughly two years earlier. After the adverts interrupting my good time a few too many times, I just had to get the DVD. Which I did. And here’s my verdict:
I thoroughly enjoyed this film, and I think it is mostly because it is very easy – too easy – to compare what happened to Pandora to what is happening everyday on Earth. At least in New Zealand, we’re struggling to prevent businesses fracking the rocks below the surface to collect gas/oil which has massive effects on the environment and the people living nearby.
James Cameron made this before there was the amount of struggle between the value of the environment versus the financial value of the environment, that there is today. So Avatar hit home pretty hard the more realistic the story became.
Beyond the deep and meaningful, the technological advances of this film are at a level that will take a long time for anybody to measure up to. It’s all motion capture – so that’s all green screens and dots – but you would never be able to tell that the actors have no Pandora environments to work with.
The designs of the people (Na’vi) and the intrepid creatures that roam the strange planet and how they all share a similar colour palette to show the interdependence between the environment and it’s inhabitants. With the main message being that it is all about balance.
It is a film of action, adventure, fantasy and science-fiction. It’s kind of like exploring Wonderland, but Wonderland from the future. So it’s not at all boring for a second. Which is why after buying the DVD (and finding it had no special features -_- not cool James, not cool) I had to go back out and buy the 3-disc version to get the ins and outs of the story.
It’s got everything that would make you wish that you were there. Riding on flying dragons, galloping through the jungle on six-legged horses, exploring a land rich in life and colour. Pandora is the land you’ll soon want to exist.
Because although it is a ridiculously long film (although it is actually a lot easier to handle than any of Peter Jacksons epically exhausting creations) I found there was still a lot I wanted to know about Pandora and the tribe of Na’vi. Plus, Jake Sully’s (Sam Worthington) back story is quite an eventful one.
I mean, come on, this is James Cameron we’re talking about. The writer and director of Titanic! So of course this is a film worth watching. In fact, I think Cameron should be famous for his writing more than his directing.
I think this film is one of very few that is very beneficial in 3D! The landscape designs look idyllic and the creatures are so intriguing. I am weary of the sequels, however, that are meant to be on its way…
So depending on what ‘filter’ you’re going to watch this film through, whether it’s from a political point of view, an environmental or religious point of view or, just watching it for plain entertainment, you will find something to take away from Avatar. It’s all about values, balance, the circle of life and appreciation.
Director: Richard Curtis Writers: Tim Bevan, Eric Fellner, Hilary Bevan Jones Released: 2009 Starring: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Emma Thompson
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If you love groovylicious music and cool fashion from the 1960s, then you are going to LOVE this film!
It’s a film about the pirate radio stars during the sixties who played rockin’ music, whilst trying to keep the government off their backs who didn’t like the kind of influence the radio stations had.
It’s the kind of film where its characters are used to target the typical main-stream movie audience who are in their twenties, but it’s ‘historical’ enough to capture the reminiscing kids of the sixties, yet, unique enough to entice the indie teens, and overall AWESOMENESS to be absolutely: Way. Cool.
It’s an exciting film about each radio host’s personal triumphs as well as the overall capturing story of essentially giving the middle finger to society. The contrast between the conservative government workers versus the wild rock and roll supporters from the boats in the North Sea was drawn which was great to see two sides.
You can also see the same sort of contrast being drawn between the children and their parents. The children being the rebellious worshippers of the DJs who hide radios in their bedrooms, and the parents being the BBC listeners who frown upon the culture of pop and rock and roll music.
The humour was a bit hit-and-miss for me occasionally, but that’s probably because I have a dry sense of humour… As in, I find Napoleon Dynamite hilarious. The majority of the audience would enjoy it very much, I’m sure.
Fantastic music OBVIOUSLY, which compelled me to buy the double-disc album which was incredible! Think of your favourite artist from the sixties, and it’ll be on there… Except for The Beatles… That was a bit of a disappointment, actually…
A loud, crazy, colourful and hilarious depiction of the sixties’ uprising which was almost successful. I felt quite upset at the end when I saw the ship sink and I went into a deep daydream of how the Government should have let the ships be, how it could have been, how they should never have made laws against them and how spectacular the sixties was… and the WAY COOL music… The ending was a bit of a downer, but accurate nevertheless. (Reinforcing my ‘Golden Age Thinking’ as explained in Midnight in Paris)
The Boat That Rocked is an entertaining film where anybody could pick out a favourite bit, moment or character, making it a movie that’s easy to talk about. It is a perfectly orchestrated story with fewer stereotypes than I expected.
The wardrobe was absolutely stupendous (I wish there was a “The Boat That Rocked Shop”) and the cut-aways to the everyday listeners was probably one of my favourite bits, because it gave you a huge scope of the world they lived in – since it could have been very isolated to the life on the boat.
This isn’t just a film worth watching, this is a film worth buying and then replaying. You will finish watching the film and feel an urge to carry a stereo around with you, liberating the boring and monotonous people of the 2000s with epic sounds of the sixties.
You will feel the need to stick it to the man and be rebellious… But you’ll probably just put the film on repeat instead, and that’s cool too.
If American Graffiti represents America in the 60s, The Boat that Rocked represents the UK in the 60s.
Director: Michael Mann Writer: Michael Mann, Ronan Bennett and Ann Biderman Released: 2009 Starring: Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup, Stephen Dorff, Stephen Lang
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After reading the blurb on the back of the $9.99 DVD I was preparing myself for a mind-numbing 143 minutes of car chases and gunfire. With such an instant dislike you may wonder why I bothered rescuing this film from the bargain bin. Well, I put my faith in Johnny Depp’s reputation of being in the best of films.
Three words; Way. Friggin’. Cool. The car chases were not boring (possibly for the simple reason that the 1930s cars are wicked!) and the gun fire had consequences. i.e. it wasn’t random gunfire for the most part – some bullets did actually collide with people or surroundings, which is always a bonus.
The real John Dillinger
Public Enemies is a true account of John Dillinger’s (Depp) bank robberies, successes and being on the constant run from the cops during the depression of 1933-34. Despite it being rather difficult to distinguish many of the male characters during the dimmer scenes due to their very similar wardrobe, the characters were pretty well rounded and before you knew it, you were rooting for the ‘baddies’. You know the writers and film makers have done their job when you end up supporting the murdering protagonists. It’s like Dillinger is perceived as a superhero villain/rock star… He’s the dark superstar of the 1930s.
Depp as Dillenger
This action thriller is fantastic because it did happen which makes all of the gasping and gob-smacking moments even more appropriate. However, after doing about ten-minutes worth of research after watching the film, I realised that they embellished the love-interest and missed out the hugest mystery of all; the question mark over Dillinger’s death!
Apparently there was a look alike named Jimmy Lawrence who was a petty thief who became Dillinger’s alias in Chicago, and because John Dillinger burned his fingers with acid to remove his fingerprints, the post-mortem was inconclusive despite the FBI closing the case – possibly to save any more embarrassment in relation to the long chase. I think they should have included that, and laid off on the love interest of Billie Frechette (Marion Cotillard) a tad.
The filming and lighting was FANTASTIC! It was mostly hand-held with slow motion shots that made chills go down your spine and incredible shadows which created the entire mood.
Directors: Phil Lord and Christopher Miller Writers: Phil Lord and Christopher Miller (screenplay), Judi and Ron Barrett (story) Released: 2009 Starring: Bill Hader, Anna Faris, James Caan, Andy Samberg, Bruce Campbell, Bobb’e J. Thompson, Mr. T, Benjamin Bratt, Neil Patrick Harris
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Animated films have been growing in popularity because of the flexibility and ability to create elaborate sets. Fantastic films have been made thanks to the advanced technology now available from Toy Story 3 to Megamind to this film; Cloudy with a Chance of Meatballs.
I was skeptical at first as it seemed like a silly and random storyline. However, after watching it from start to finish I found that the humour was similar to that of Megamind (one of my favourite animations) and the fantasy element like the 2009 animation Coraline.
It was the crazy gestures and facial expressions which I thought was the funniest element. Particularly the main character’s father who simply had a monobrow, a nose and a mustache. The creativity was pretty awesome in regards to the natural disasters formed by food, as well as the colour and realistic food which made me want to eat a hamburger so badly (despite being a vegetarian, so that shows how far graphics have come these days!).
Typically there are mostly stereotyped characters, but that wasn’t really a surprise for a film which is targeting a younger audience. Having said that, these animations (with Toy Story 3 in mind) aren’t boring for the older viewers – cartoons are not just for kids any more.
It was a simple storyline, however. Despite me trying to look deeper – perhaps it’s a stab at genetic modification or corporations wanting to rule the world or global warming – I found it lacked substance. Plus, the ‘absolute low’ in this film lasted as long as a blink. Not very much suspense at all. Perhaps it really was just a film with a tired moral of “not giving up on your dreams”… *sigh*
It’s an easy-to watch film which is pretty funny (not as funny as Megamind) and fantastical (not as fantastical as Coraline) with a typical “they all lived happily ever after” ending.
Somewhat disappointing but perhaps my hopes were too high.