Adrien Brody – NZ Film Freak

Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: July 2004
Starring: Joaquin Phoenix, Adrien Brody, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Brendan Gleeson
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The Village is my favourite M. Night Shyamalan film ever. I must have watched it at an impressionable time, because I still catch myself daydreaming about it.

It’s about a 19th century village surrounded by woods. It is said that there are dangerous creatures – The Ones We Do Not Speak Of – in the woods who will attack if anyone goes into their territory. The elders of the village are in charge of keeping the rest of the community safe, ensuring nobody wanders into the woods.

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However, when Lucius (Joaquin Phoenix) becomes ill, Ivy (Bryce Dallas Howard) volunteers to brave the woods in order to retrieve medicine from the towns beyond. Plot twist: Ivy is blind (that is definitely not the only plot twist).

Mrs. Clack: How could you have sent her. She is blind.
Ivy’s Father: She is more capable than most in this village. And she is led by love. The world moves for love. It kneels before it in awe.

Despite being a thriller, The Village is such an honest, romantic and innocent film that delves into the fundamental human connection between lovers Ivy and Lucius. It strips life right back and reveals what is important to people, and how far we would go to save the ones we love.

The script writing is divine. I’d like to have my house covered in quotes from these characters. I think Shyamalan’s writing overshadows his talent for directing.

Ivy: Sometimes we don’t do things we want to do so that others won’t know we want to do them.

What makes this film spectacular is the music. It really sets it apart from other thrillers. Hilary Hahn is a fantastic violinist and without her solos The Village wouldn’t have that tender and hopeful feel to it. It’s so emotive that it gives me shivers just listening to it on its own:

I would recommend this film to everyone. You don’t have to like thrillers to appreciate the beauty of this movie because the storyline is so pure and touching.

The most beautiful scene is the one below. Ivy proves Lucius’s loyalty and love during a raid on the village by Those Who We Do Not Speak Of. She stands with an out-stretched arm on the porch, knowing Lucius will not let her fall to the monsters who are on the hunt through their village. He saves her, and the use of slow motion and the frantic violins brings tears to my eyes!

At first I didn’t think Bryce Dallas Howard was a convincing blind person. However, after multiple watches, I realised that she can see faint colour and shadows. Which makes more sense.

Ivy: I do long to do boy things. Like that game the boys play at the stump. They put their backs to the woods and see how long they can wait before getting scared. It’s so exciting. I understand you hold the record? It will never be broken they say.
Lucius: It’s just childish games.

It’s a must-watch. If you get bored through the first half, which I hear some people do, please do persist because it’s well worth it.

Jodie’s rating: 8/10

Director: Woody Allen
Writer: Woody Allen
Released: June 2011
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody
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When I first watched this film I was disappointed because I had hyped up the plot of Gil (Owen Wilson) travelling through different time eras of Paris. The artistic, fashionable, sophisticated and elaborate times of the 1920s, as well as the ceremonious, coming of age times of the 1890s. But after letting my great expectations subside, I really enjoyed the watch.

The plot is about the Golden Age. That is, longing to live in a time before your own. For example, mine is the early 1960s. Rock and roll music and amazing fashion, with the huge liberal movement against war and for free will.

Paul: Nostalgia is denial – denial of the painful present… the name for this denial is golden age thinking – the erroneous notion that a different time period is better than the one one’s living in – it’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.

However, Midnight In Paris attempts to shroud my Golden Age in contempt, trying to convince me that few are content with the current times and to get over it. It dampened my comfort of believing I would be happier in a different time, because the reality is – as Gil discovers – that you would simply find another time that you would believe to be better.

There is a lot of magic in this film, which I love. Gil goes through a wormhole of sorts, where at the strike of midnight every night a 1920s car picks him up and takes him to parties with his literary heroes. It’s a beautiful “what if” storyline that lives out everybody’s dream to travel through time to experience a life not meant for them.

I think that the decision for Gil to be transported to different era via transport appropriate for that time was perfect. It seems like a small, obvious detail, but I’m just glad that there was no CGI, special effects or sound effects to make the transition obvious.

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This magic does not last throughout the film, however. “The grass is always greener on the other side” is a phrase that has been converted into the moral of this story – the cold, harsh light of day is not welcoming.

Gil sees that the beauty of every era can still be inspiring without having the ability to experience it first hand. Which is disappointing since it seems that he is throwing away his idyllic time era of 1920s Paris for an average life in 2010 Paris. He could have continued to live his dream, but chose not to for no convincing reason.

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On the other hand, I loved how his heroes gave him advice and support, which ultimately builds his confidence to improve his life in the present.

Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.

Instead of taking the easy option of staying in his dream, he takes the tough road of building his life into what he really wants. I guess he shook of the security blanket of living in the past – an easier place to live because you know what’s coming for you.

Gil: Adriana, if you stay here though, and this becomes your present then pretty soon you’ll start imagining another time was really your… You know, was really the golden time. Yeah, that’s what the present is. It’s a little unsatisfying because life’s a little unsatisfying.

Gertrude Stein: We all fear death and question our place in the universe. The artist’s job is not to succumb to despair, but to find an antidote for the emptiness of existence.

The beautiful French music was glorious! Seriously considering buying the soundtrack.

The acting was very well done. I really hated Rachel McAdam’s character. Like, it got to the point where I was starting to think that she must be a total bi-atch in real life because she played evil Inez so convincingly. So, kudos to her acting ability.

Owen Wilson was pretty much the same character he is in everything. I’m not totally sure why he was cast. Perhaps to keep the film upbeat.

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It is an uplifting tale of something that many of us dream of doing. The ending was rather disappointing, at first. But I have come to terms with it, and I think it works well for Gil.

Worth a watch, but don’t expect it to be a deep and meaningful movie – you will be disappointed! Look at it as a quirky drama/rom-com. Although, I do think that it would have been a very moving film if it was heavier with more drama and emotion.

Jodie’s rating: 8/10