Director: Christopher Nolan Writer: Christopher Nolan Released: September 2020 Starring: John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine and Kenneth Branagh
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Well, right off the bat this movie screams IT’S THE SAME DIRECTOR AS INCEPTION. The familiar cast members, the editing, colour-scheme and the over-complicated storyline were just a few of the tell-tale Nolan signs.
However, as I am a massive Inception fan, I was not upset about this. In fact, I was hoping to see more of the same cast (where’s Leo at?).
This classically Nolan premiss is difficult for me to explain, so I’ve found the synopsis for you: Tenet is about a secret agent who embarks on a dangerous, time-bending mission to prevent the start of World War III.
(The word ‘Tenet’ is a palindrome, meaning that it’s spelt the same way forwards as it is backwards; a nod to the time-travelling theme of the movie.)
If you think you recognise the protagonist (John David Washington), you don’t, because Tenet was pretty much his debut on the big screen. He is the son of Denzel Washington though.
Also, if you recognise the super tall, elegant woman in the movie (Elizabeth Debicki), she’s from The Great Gatsby.
Robert Pattinson wasn’t as bad as I expected but he does pout his lips a lot, which is quite distracting. I’m pleased he was given the opportunity to do an action role and avoided being trapped as the heavy drama/romance actor. (I must point out that I think he was a very poor choice as our new Batman though.)
If I learnt anything about keeping up with complicated movies, it’s that you have to listen carefully to the dialogue as that’s where the storyline is explained, and Tenet is no different. The conversations between characters last across multiple locations within a scene, with lots of details being explained.
The complexity of the film is not to be shied away from, however. Considering the cinemas have been shut for MONTHS, Tenet was a welcome debut! It’s full of action and drama, which was a perfect balance for my husband and I to enjoy.
If you’re a time travel nut like I am, you’ll thoroughly enjoy the car chase scene, as well as all the little bits and pieces where they talk about travelling through time and debunking any holes in the science to ensure your suspension of disbelief remains firmly intact.
You may walk away from the movie feeling a bit confused over the details of the plot, but it’ll only leave you wanting to see it again to fully enjoy it the second time around. So strap on that mask and head to the cinema to see Tenet – it’s well worth it!
Jodie’s rating: 7/10
PS. If you’re seeing this in the theatres while heavily pregnant like I did, bear in mind that your baby will probably not like the scenes with all the guns and explosions. (Get ready to be kicked in the ribs a lot.)
Directed: Christopher Nolan Written: Christopher Nolan Released: July 2017 Starring: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, Aneurin Barnard, James D’Arcy, Barry Keoghan, Kenneth Branagh, Cillian Murphy, Mark Rylance and Tom Hardy
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I don’t know where to start – I’m about to word-vomit on the page! There’s so much to say, so I’ve broken it up with little titles so that you don’t get too overwhelmed…
Well firstly, I’ll set the scene: I went to see this film with my significant-other in the town of Wareham, Dorset. We went to the REX Cinema, which is an independent cinema that was built in 1889. The small hall was packed when we went – I even had to book tickets two weeks in advance! The showing attracted many locals, likely due to the local film locations such as Swanage railway station and Weymouth.
Dunkirk is definitely the best war-based film I have seen since Saving Private Ryan.
Before I continue, I must mention that ‘yes’, this film is based during the war – as are plenty of films. But this one is different. It’s not full of blood and gore – it feels more like an emotional documentation of a snapshot in time. A remarkable story indeed.
This is an incredibly moving and haunting survival film about British soldiers desperately trying to escape the ever-approaching Nazi German forces. They’re attacking by air and land. The British soldiers attempt to evacuate France at Dunkirk to England via ship, despite all odds.
How the story is told:
The film is told by intertwining three stories, which transports you back in time by putting you in the shoes of various characters:
Land “You can practically see it from here… Home.”
Soldiers evacuating the beach. This story is told within a time frame of one week through the eyes of Tommy* (Fionn Whitehead). The sky is dark and the sea is just as unwelcoming as the freezing cold beach they’re stranded on. With enemy planes flying over-head, the foot-soldiers must have felt insignificant and vulnerable as the British await for an overcrowded ship to take them home. * Named after the slang term for a common British Army Solider.
Sea “Men my age dictate this war. Why should we be allowed to send our children to fight it?”
Brave, unarmed civilians journeying from Dorset into the rough channel on their wooden boats. They try to save as many men as they can from overturned Navy ships that are bleeding oil into already blackened seas, with men fighting to escape the ruins in a blind panic. This story is told within the time frame of 24 hours from the point of view of Mr. Dawson (Sir Mark Rylance) and his son Peter (Tom Glynn-Carney).
Air “Why [would the Germans] waste precious tanks when they can pick us off from the air like a fish in a barrel?”
Royal Air Force pilots flying planes over the English channel, protecting the ships and boats carrying soldiers from Dunkirk as they aim for England’s shore. The Spitfires scream overhead, not immediately knowing if they’re British or German… The feeling of claustrophobia from being strapped inside a plane without fuel, or being stuck in the cockpit of a sinking plane… It creates an atmosphere thick with anxiety that can be felt all the way to the cinema chair. This section of the film is told in a time frame of one hour from the point-of-view of RAF pilot, Farrier (Tom Hardy).
These intertwining stories of various time windows was genius. Just enough time to understand each character and what they were risking, but not so dragged-out that it becomes a Peter Jackson marathon movie.
I really felt like I got a glimpse into how the soldiers, pilots and civilians felt in that moment in time.
Audio:
The first thing that struck me was the audio (this movie is a cinematic essential – don’t wait for the DVD! Buy a ticket! You need the surround-sound). The sound of ships creaking, the sound of the Spitfires over-head, the sound of distant gunfire. All of which clearly inspired the Hans Zimmer soundtrack. The audio of this film is an art within itself. Incredible.
Commander Bolton: “The tide’s turning now.”
Captain Winnant: “How can you tell?”
Commander Bolton: “The bodies are coming back.”
Casting:
I didn’t recognise many of the actors apart from half of the Inceptionand Batmancast, of course (Michael Cain’s voiceover, Tom Hardy and Cillian Murphy).
But the actors were all fascinating to look at – they have interesting faces (particularly Barry Keoghan’s character, George) that makes you want to study and stare at them.
Of course, there is Harry Styles – Nolan reckons he didn’t have the faintest Scooby-Doo about the level of Styles’ fame before casting him. Poppycock if you ask me. Nevertheless, he doesn’t exactly steal the show, and he doesn’t look too out of place either.
Conclusion:
This is a once in a lifetime film. It’ll make you jump, it’ll make you cry, it’ll send chills down your spine, but most importantly it makes you think about what could have been.
Blind Man: “Well done lads. Well done.”
Alex: “All we did is survive.”
Blind Man: “That’s enough.”
I got so choked up at that line. “That’s enough.” I was gone, and so was my mascara.
After the Dunkirk screening at REX cinema, the audience (predominately Baby Boomers) were vocal post-showing as they discussed their stories amongst themselves. One gentleman even slapped my fiancé on the back and said: “it would have been youshould the war have happened today!” Chilling. Particularly because we walked out on to the old, narrow streets of Wareham, which made me feel like I was still being transported back to war-time Dorset.
The next day I took out a book called ‘World War II for beginners’ and a book called ‘Frontline Dorset’ to educate myself more on this unfathomable time.
Director: Christopher Nolan
Writer: Jonathan Nolan, Christopher Nolan
Released: November 2014
Starring: Matthew McConaughey, Anne Hathaway, Michael Caine, Jessica Chastain and Matt Damon
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The time travelling concepts in this movie are easy to grasp if you’re familiar with the sci-fi genre. If you can keep up with Doctor Who, you’ll keep up with this.
It’s set in the future where scientists are aware that crops are failing and the end of the world could be near. NASA is attempting to find another planet so that the human race can continue.
I would love to tell you more, but I’m worried I’ll ruin something! (For the record, the trailer makes it out to be an average film… It’s not.)
Anne Hathaway in InterstellarSandra Bullock in Gravity
I love this movie. I think Matthew McConaughey did a fantastic job, and I have a new found respect for Anne Hathaway.
It did make me wonder if Anne Hathaway was considered for Sandra Bullock’s role in Gravity though. Because the characters are very similar, physically and characteristically.
There are some gorgeous scenes in this movie. Which isn’t surprising, because Interstellar is a Nolan film.
My favourite scene is when they are on another planet, a water planet. Rather than regular waves, there are tsunamis that arrive every so often. And every one hour spent on this planet, is seven years on Earth.
There was just one thing I was disappointed about: the ending. It was a little too perfect. I think if it ended with a similar feel to Gravity‘s final scene, which was open-ended but with a feeling of hope.
Whereas, Interstellar ended like a Hollywood drama, the i’s were dotted and the t’s were crossed, wrapped in glossy paper with a bow.
Despite that, it is worth a watch if you’re fascinated with worm holes, time manipulation, outer space and strong characters.
Director: Zack Snyder Writers: Christopher Nolan and David Goyer. Based on Jerry Siegal and Joe Shuster’s Superman Released: June 2013 Starring: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni and Russell Crowe
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I went to the Man of Steel premiere that I was eagerly awaiting. We dressed up as a character (me as Lois Lane) and joined a large audience of Clark Kents, with only two Supermans and one Lex Luthor.
The trailer showed extensive fight scenes, which I was concerned would dominate the entire movie. I also wasn’t sure how original this film could possibly get since there have been countless remakes.
I was correct in expecting a much more serious tone, which seems fitting with the recent flood of darker superhero movies on the market like Spiderman, Batman (The Dark Knight and The Dark Knight Rises) and Iron Manmovies. These superhero films seem to focus on the hero’s flaws and humanity.
Although, I do enjoy the scene when Clark Kent has his first day at the Daily Planet, and Lois says:
“Welcome to the planet”
Henry Cavill is the best Superman yet. This guy has the moves down! The furrowed brow, the all-American look and expressing the inner turmoil, yet still retaining the famous righteous attitude of the hero. However, this version of Superman did not have the hair curl on his forehead… That was mildly disappointing.
Cavill is super buff in this movie, unlike many former representations. The suit has changed into a darker blue, which looks like skin-tight armour rather than a cotton onesie. Yes, Clark has since figured out that underwear on the outside is an unpopular fashion statement.
When the full extent of his powers were realised, he was not immediately able to fly. Instead, he makes mistakes, jumping miles into the air and crashing down, which seemed more realistic.
The soundtrack is incredibly powerful and epic. It supports the movie perfectly! (By Hans Zimmer).
The storyline was surprising. With no Lex Luthor or Kryptonite. Instead, there was a more extensive back story about Krypton, what happened and why Superman is the way he is, which is not a major element in most other Superman versions.
Superman’s flashbacks were well done, and the filming had an am-cam look to it with quick zooms and re-focusing on the hero when he takes off from the ground suddenly or flies over head. Sort of puts you in the environment, as though you’re a part of the crowd on the ground.
The biggest disappointment was this; Amy Adams. She doesn’t look like a convincing Lois. Perhaps I’m used to Lois with dark hair. In conjunction with this, the fundamental character of Lois was totally uninspired. She was weak, awkward and generally stupid. I was expecting the female lead to be updated, to become a strong side-kick like Pepper Potts (Iron Man) or the strong female lead of Cat Woman (The Dark Knight Rises).
Instead, Lois Lane has not moved much further from the sixties where she is domineered by the male characters, with unconvincing actions and cringe-worthy dialogue. She appears to be an incompetent reporter, despite the attempt of remedying this perception by Lane casually mentioning all of the awards she has won as a journalist.
Shut-up, Lois.
I think I would have enjoyed the film more if there was more in-depth detail of the hero’s emotions, and development of the villain who didn’t seem complex enough to become totally believable. The extensive fight scenes (like in Star Trek Into Darkness) became an uphill struggle toward the end. Seriously, about half an hour of the film could have been easily cut. It did become exhausting to stay focussed through these scenes, but I didn’t hear any complaints from the boys I went to see the movie with.
Overall, a solid movie. Although a little long, with little character development, it was entertaining and a welcome update for all Superman fans.
Perhaps my expectations were simply too high. I loved the 2008 The Dark Knight so much that I expected this film to be equally as captivating and shocking… Just in a different way due to the obvious absence of Heath Ledger… *sigh*.
The Joker was way more scary, more funny and much more shocking than ‘Bane’.
Of course it was epically shot with fantastic sets, lighting, special effects, stunts and characters – kudos to Mr. Nolan who is a fantastic film maker with Inception and The Prestige being my two of my favourite movies of his…
It’s just the storyline of The Dark Knight Rises sucked a bit…
Now, I know many people who have seen the film will be up in arms about what me thinking badly of this Batman film, and the people who haven’t seen it will be gob-smacked and shaking their heads. But seriously, if you just ignore all the “10 out of 10” and “better than the previous film” comments and take away your high expectations that will probably blind you into thinking that it is epically incredible… You will see that it wasn’t – at least not in every way. This is why:
I go to see superhero films because I like to see super people acting heroically. However, I found that for the majority of the film, Batman was in a spot of bother with no foreseeable way of escape. It just got depressing watching Batman being defeated right until the end pretty much… I mean, it’s called a three-act structure because there are ups and downs that keep the audiences’ attention. It just seems that the hero’s journey was going increasingly downhill from the beginning.
Also, Batman’s enemy, Bane, is a masked man who sounds like he has an amplifier attached to his belt which, although it was creepy, his voice kept distorting and I missed quite a few lines.
Plus, the fact that his name was “Bane” began to sound like “Wayne” (as in Bruce Wayne) and they were talking about being in ‘pain’ a lot too, so the rhyming didn’t help the understanding of the characters. Christian Bale’s Batman voice gets on my nerves too… Sometimes I just couldn’t take him seriously.
I have to say I was extremely concerned about Anne Hathaway being Catwoman! However, she certainly stole the show – the Cat Burglar was incredible. Good on Anne Hathaway for her performance.
Michael Caine and Morgan Freeman were obviously flawless, that barely needs to be mentioned; they’re both very well established and respected actors for good reason.
Joseph Gordon-Levitt was terrific too – I’m sure we will see more of him in the following Batman films.
I only know people who thought this film was fantastic. Having said that, every one of them could think of at least one major thing that they would change in film.
I’m afraid I will have to break the mould and not give full marks to this very well made film.
It’s worth seeing, but don’t get your hopes up.
Jodie’s rating: 6/10
Director: Christopher Nolan Writer: Christopher Nolan Released: 2010 Starring: Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Tom Berenger, Michael Caine
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A mind-twisting film which demands the full attention of viewers as it’s not an ‘easy watch’. By that, I mean that a passive audience is not going to be handed the complex idea of dream inception and deep characters on a platter.
Dom Cobb (Leonardo DiCaprio) is the primary dreamer or extractor hired by a corporation-owner, Mr Saito (Ken Watanabe) to plant a lucrative idea into Robert Michael Fischer’s (Cillian Murphey) mind via a dream. This is to encourage him to decide to break up the energy conglomerate which he recently inherited to make way for Saito’s company.
Despite this not being an easy task. But to add to the challenge, Cobb’s late wife invades the dreams, potentially sabotaging the entire job and putting the dreamers (including Joseph Gordan-Levitt and Ellen Page) in fatal danger. This is because dying in a “dream within a dream” will not wake them up, but send them into limbo which is basically no-man’s land for what seems like an eternity.
That was a mouthful!
This epic film is a James Bond action meets Matrix science fiction meets a totally unique twist of a psychological thriller, which incorporates the modern fear of privacy invasion and increasing reality that companies have the most power.
With so much going on and so much to think about during the movie, the two and a half hours whizz by.
My favourite scene would have to be the parallel storyline of the van that is driving the unconscious dreamers, with the storyline of the conscious dreamers within somebody else’s dream. (Yes, it’s difficult to explain).
It’s the fast-paced dream versus the slow motion van that explains the time difference between dreaming and real life.
The count-down begins as the slow motion van is driven off of the bridge and the dreamers need to accomplish the mission and wake up before their physical selves drown in the van. It’s so intense!
The cliff-hanger ending leaves much debate between viewers – so after much philosophical thinking, logical analysis and heated debates with friends, you would be back in the cinema for a second viewing or buying the special edition DVD from the nearest store.
The devoted and flabbergasted viewers will find themselves questioning how they come to certain decisions (are we in a dream?) in the same way the Matrix promoted questions of fiction and reality (is this world physically real?). In the same way as Sims players question if somebody is playing our lives out.
Of course, different people take away very different things from this movie. The most popular comment being “I don’t get it.”
With a stream of shallow chick flicks and rom-coms, Inception was a breath of fresh air for those who enjoy a bit of an “epic”.
Of course, the film and talented cast is not all that creates such a movie – Hans Zimmer’s haunting scores were essentially what gives you chills!
Not forgetting the song that was the cue for the dreamers to wake up in the film (and is everybody’s alarm clock sound now) – Non, Je Ne Regrette Rein sung by Edith Piaf. It stirs emotions of apprehension and nostalgia in the audience which is parallel with the characters’.
I’m sure you can tell that I am an Inception fan, but I have to say that such a long and complicated film has less entertainment value by the third or fourth viewing.
However, it’s a “must have” for all dedicated DVD collectors or movie-making enthusiasts.
Even if it is a DVD that is not watched frequently, it’s a film that will always spark conversation and is kept handy for casual social viewing for a wide audience.