Director: Rob Reiner
Writer: Stephen King (novel)
Released: 1990 (It seemed like late 90s though)
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It has been a long time since I felt uneasy going to bed after watching a horror film.
Actually, this psychological thriller isn’t that horrific (for the most part..), it’s just when it finishes that you realise how disturbed you feel…
I haven’t read the book, but it’s pretty common knowledge that Stephen King’s work translates to film very successfully (The Shining, The Green Mile, Secret Window…) so I knew that I was in for a spectacular treat.
In a remote town, the popular author Paul Sheldon (James Caan) checks out of the hotel where he stays every time he writes a novel. On the completion of his new book, he begins his drive home until he gets caught in a blizzard. His car flips out of control and lands out of sight buried in snow.
But somebody is there to save him – his biggest fan, Annie Wilkes.
She treats him at her isolated house, which is fine until Paul realisees that he is actually being held captive.
Annie Wilke’s mood swings on a dime, yet she is not easily fooled! Her use of language is so freaky… Yet sort of funny… Which makes you feel very uneasy when laughing while watching this film.
“…he didn’t get out of the COCKADOODIE CAR!”.
“You’re just another lying ol’ dirty birdy.”
“…you just better start showing me a little appreciation around here, Mr. MAN!”
With the famous novelist being bed-ridden in Wilke’s home, he has to find ways to reach the outside world. Still reliant on his capturer for medicine, he needs to play along to ensure she doesn’t get suspicious whilst thinking up plans to alert the outside world.
Kathy Bates will always be the Unsinkable Molly Brown (Titanic) to me. (As well as being an uncanny resemblance to my year 13 English teacher…). So to see her as a controlling, deceiving and deeply unsettling person was quite a shock. Bates really was incredible in this role!
The cool thing is that James Caan’s character is one step ahead of you, but Annie is two steps ahead of him.
The music imitates the mood very well. In fact I honestly didn’t notice the music because it added to the scenes so perfectly. In the credits “I’ll Be Seeing You” was played… I can’t listen to that song in the same way any more. So creepy.
This film is full of anticipation and anxiety – but not with the usual frustration you get when the victim is just not getting away fast enough, it’s much smarter than those gags.
“Book’s almost finished, your legs are getting better. Soon you’ll be wanting to leave… I have this gun. Sometimes I think about using it. I’d better go now. I might put bullets in it.”
– Annie Wilkes.
The shots and lighting have to be kept interesting as the film is more-or-less based in one room (King’s novel was made into a stage play first). So check out the extras on the DVD if you’re interested.
The low angles make Annie’s innocent exterior look distorted which reflects how she is on the inside, and the lighting gives you hints as to if and when to feel hopeful. Very clever when you take notice of it.
This film is not a blood-bath, but has graphic violence. But not for the sake of being graphic (like all seven Saw films…). It really keeps your attention strongly from start to finish. A fantastic watch!
Jodie’s rating: 8.5/10
The original trailer:
It’s about Will Freeman (Hugh Grant) who has never needed to work and is a professional womanizer. The parallel story is about poor Marcus (Nicholas Hoult) and how he deals with his mother (Toni Collette) who is suffering from depression, all the while having a tough time at school.
“Roads? Where we’re going, we don’t need roads….” We go to the future with Marty (Micheal J. Fox), Doc (Christopher Lloyd) and Marty’s girlfriend Jennifer (Elizabeth Shue) because Doc is concerned that their son will be framed by the grandson of Biff (Thomas F. Wilson), Marty’s high school bully.
This dark film exposes the full extent of the dangers of time travel as Marty finds his father’s grave and his mother married to Biff in the alternate 1985. There’s a lot of gun action and accurately predicts the rise of corporations ruling the world (Biff’s company owning the police force) and everybody’s infatuation with money. It’s a massive flip-side to the innocent times of the previous film which is unexpected.
As we are trapped in the fifties, we see the repetitive nature of the McFlys and how each generation get bullied by the same family of Marty’s bully as well as the lack of self-confidence carried from father to son in the McFly family. This structured life brings out the irony and humour of the story.
So while he is stuck in the fifties he finds the Doc from that era to help try find another fuel to get the usually nuclear-run time machine back to the eighties! All at the same time, trying to get his future parents to meet and fall in love whilst trying to get back to the future! It’s such an exciting and fun film which looks very well made for its time.
The cast were fantastic and the post production techniques are impressive and live up to today’s high film expectations, especially since the release of 
NZ Film Freak 