emma thompson – NZ Film Freak

Brave

Directors: Mark Andrews and Brenda Chapman
Writer: Brenda Chapman
Released: June 2012
Starring: Kelly Macdonald, Billy Connolly, Emma Thompson, Julie Walters, Robbie Coltrane, Kevin McKidd, Craig Ferguson
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I was so certain I had written a review on this film…

Anyway, it’s a medieval, Scottish-based Disney Pixar animation film about a young fiery red-headed princess named Merida (Kelly Macdonald). Her youth and freedom is threatened when her parents organise suiters to win her hand in marriage. She rebels and enlists a witch to change her mum (Emma Thompson) in order to change her fate.

While the dodgy witch (Julie Walters) did make her mother change, she changed her into a bear. This did change Merida’s fate but not in the most ideal way. Therefore, Merida has to find a way to break the spell.

Princess Merida: [narrating] There are those who say fate is something beyond our command. That destiny is not our own, but I know better. Our fate lives within us, you only have to be brave enough to see it.

My favourite scenes all include Angus, Merida’s shire horse. She frequently rides him bareback as they gallop across the Scottish countryside – it’s so dreamy! I spoke about him being one of my favourite animated horses here.

There are a lot of firsts for this movie: Merida is the first princess to not have a love interest, she’s the first to have brothers, and Brave is the first ever Disney film to be entirely set in a historic past.

The lack of romance was probably to set a tone with the equal-rights and gender equality movement of today. Brave shows a strong, independent young woman who ‘don’t need no man’ and can make her own life decisions. It is one step up from Frozen‘s theme of only needing love from family and not necessarily romantic love, I suppose.

While I appreciate we should be shifting our attitudes with gender equality, I really hope the classic Disney love stories don’t die out. I feel like there is a movement shunning princess movies and ‘happily ever afters’.

I saw a video recently where the gender roles were swapped in Cinderella, called ‘Cindefella‘. The story shows a peasant boy who goes to a ball and falls in love with a princess, who then tries to find him after he bails at midnight. Just like in the traditional fairytale, they both marry in the end and live happily ever after.

This video was used as an example of gender inequality: ‘we wouldn’t read this to our sons so why would we read it to our daughters?’ Quite frankly, I don’t think the story was all that bad for girls or boys, gender swaps or not.

Anyway.

While I did enjoy Brave, it wasn’t what I expected. I thought it would carry the tone of the first half of the film where Merida is fun and free and exploring the world right to the end. But it quickly turns into a far more unrealistic tale about turning people into bears, which I found to lack entertainment and relatability. It just took a weird and unexpected turn for me.

Overall, it had some comedic moments and I did enjoy the first half of the film, but it’s not my favourite.

Jodie’s rating: 6/10

Beauty and the Beast (2017)

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Director: Bill Condon
Writers: Linda Woolverton (Disney film), Jeanne-Marie Leprince de Beaumont (story)
Released: March 2017
Starring: Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, Emma Thompson
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The 1991 Disney animation of Beauty and the Beast is a movie that I love dearly. So while I had major reservations about this remake – mostly because of Emma Watson – I was quietly optimistic about it. Perhaps today’s technology will enhance the magic…

But no. It doesn’t. This remake was appalling, and my reluctance to watch it was proven understandable.

The casting was totally wrong. Right off the bat Emma Watson – or should I say Hermione Granger – was a problem. While she fits the physicality of Belle, her same-old expression of open-mouthed, furrow-browed facials were tiring to say the least.

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I personally would have cast another semi-unknown actress like Lily James who played Cinderella in the 2015 remake, or Mia Wasikowska as Alice in the 2010 remake of Alice in Wonderland.

Not only was the protagonist the wrong choice, I also found that Emma Thompson had a really harsh voice, which didn’t fit the part of the warm motherly character, Mrs Potts. I think Julie Walters would have done it better.

I love Stanly Tucci, but I’m not sure how he stumbled into this film either. However, Josh Gad as LeFou was perfect. (He played the snowman in Frozen.)

I don’t think the horse Philippe should have been a dapple grey. What’s wrong with keeping him bay?

Fun fact: Ryan Gosling turned down the role of the Beast for the lead role in La La Land. Emma Watson turned down what became Emma Stone’s role in La La Land for this film. (Thank the stars above for their decisions.)

The storyline strayed a little too far from the fairytale for my liking. It went into how Belle’s mother died and how it put a strain on her relationship with her father. It was an unnecessary deviation. Because of these added sequences, I found the rest of the film to be condensed and rushed. (In the 1991 film, I swear it takes longer for Belle to fall in love with the beast.)

I wonder if Emma Watson influenced the story? Because it has far stronger feminist themes through it now, where Belle is forever in control and smarter than the rest. Which made me dislike her. Especially because of the very poignant moments where Belle would make it exceptionally clear that she is a strong independent woman who don’t need no man… She may as well have turned to camera and say ‘#timesup’.

The songs are lengthened, which was also unnecessary and I honestly started daydreaming a bit.

Beauty and the Beast was trying too hard. Trying too hard to make it better than the animation, and all the unusual actors that were cast seemed to be desperately trying to prove themselves too. Over-theatrical acting turned it into a stage play rather than a live-action movie.

No, no, no, no and no. I shan’t be your guest and I disagree entirely with the casting decisions and with messing-about with the story.

Jodie’s rating: 3/10

Sorry Roberta, thank you for lending me the DVD though :) x

Saving Mr. Banks

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Welcome to the 400th post! It’s taken six years and four months to get here.

Director: John Lee Hancock
Writer: Kelly Marcel, Sue Smith
Released: November 2013
Starring: Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell
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I think Saving Mr. Banks is a brilliant take on the Mary Poppins story. It’s not a remake or a sequel, it’s more of the ‘behind the scenes’ of the classic Mary Poppins story. It’s the story behind the story.

It follows Pamela Travers (Emma Thompson) who is approached by Walt Disney (Tom Hanks) himself regarding her children’s book series, Mary Poppins.

Walt Disney: Look at you! I could eat you up!
P.L. Travers: That wouldn’t be appropriate.

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While we follow her reluctancy to give up the copyright, her guard is ever so slowly lowered as we begin to find out the root of her Poppins stories. They are in fact based on a lady who comes to look after young Travers and her siblings while her dad, ‘Mr. Banks’ (Colin Farrell) suffers alcoholism and slowly dies.

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It comes to be that the Mary Poppins character in Travers’s childhood is a woman who isn’t there to save her or her siblings, but is there to try and save her beloved father. Hence why Travers is so reluctant to have her stories meddled with; she’s still coming to terms with the guilt.

Walt Disney: “No whimsy or sentiment!” says the woman who sends a flying nanny with a talking umbrella to save the children.
P.L. Travers: You think Mary Poppins is saving the children, Mr. Disney?
[Walt and the other filmmakers are stunned silent]
P.L. Travers: Oh, dear!

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Throughout the melancholy scenes are the uplifting songs that Walt Disney’s composers are developing. The music that we associate with the 1964 Mary Poppins musical is reused to support Travers’s journey of trusting Walt Disney and their rocky working relationship.

Richard Sherman: Room here for everyone / Gather around / The constable’s “responstible!” / Now how does that sound?
P.L. Travers: No, no, no, no, no! “Responstible” is not a word!
Richard Sherman: We made it up.
P.L. Travers: Well, un-make it up.

Saving Mr Banks is an incredible story that simultaneously warms and breaks your heart. I was crying my eyes out through much of this film, especially the ‘let’s go fly a kite’ scene, holy Jesus. It brings a whole new meaning and depth to the Mary Poppins we have come to know.

Tom Hanks was the perfect choice to play Walt Disney. They both have an optimistic persona, while being untouchable American treasures.

I love this ‘prequel’ of sorts to the Julie Andrews musical. It’s entertaining and insightful, although perhaps a little dry in places, and a little too heavy in others.

Jodie’s rating: 6/10

Stranger Than Fiction

Stranger-than-Fiction-will-ferrell

Director: Marc Forster
Writer: Zach Helm
Released: 2006
Starring: Will Ferrell, Maggie Gyllenhaal, Queen Latifah and Emma Thompson
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I. Love. This. Movie.

I first watched this in Media Studies class to study the narrative structure, and ever since then I have been able to watch it numerous times and never get bored… I know the entire script almost off by heart now.

Stranger Than Fiction is about a man – Harold Crick (Will Ferrell) – who can hear a voice narrating every event in his life, but it becomes sinister when the narrator casually mentions his approaching death.

Narrator: Little did he know that this simple, seemingly innocuous act would result in his imminent death.

Harold Crick now has to try and find the author to get her to stop writing before she completely writes him out of existence.

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I guess the first awesome thing about this film is the cast. Will Ferrell was never really an actor that I thought too much of until his versatility was shown in this comedy drama. He plays a very mundane and dry person, yet Ferrell’s subtle comedic value turns his character into a convincing yet entertaining person as he discovers his purpose in life is more than just being an IRS agent.

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Emma Thompson shows her insane abilities as a struggling author, yet without becoming a drag. She makes her character, Kay, so comedic yet so believable – as with all of her characters that she has ever played. You totally understand where she’s coming from. She has a lot of great come backs with no hesitation or concern for other’s emotional feelings.

Penny: And I suppose you smoked all these cigarettes?
Kay: No, they came pre-smoked.
Penny: Yeah, they said you were funny.

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I can’t go without mentioning Dustin Hoffman. His acting is SO accurate for his character – spot on! He acts as Harold’s mentor and does so in full confidence that Harold is telling him the truth, and takes it very seriously. Professor Hilbert has many little habits that I would expect to be accurate for his career and character, such as excessive coffee consumption and loud eating.

Harold: You have to understand that this isn’t a philosophy or a literary theory or a story to me. It’s my life.
Professor Jules Hilbert: Absolutely. So just go make it the one you’ve always wanted.

Maggie Gyllenhaal as Ana Pascal

My favourite character is the baker; Ana Pascal played by Maggie Gyllenhaal. She is a rebellious yet respectable woman who brings Harold to life. I wanted to own a cookie store after I watched Stranger Than Fiction. She’s just such a cool character with strong morals.

Ana: Mr. Crick, it was a really awful day. I know, I made sure of it. So pick up the cookie, dip it in the milk, and eat it.

This movie is not a light chick-flick at all (even though it has my favourite romance storyline of all time). It is about identity and real life – the characters are not stereotyped or perfect by any stretch.

It’s about feeling out of control of your life, but with determination, focus and the right people, you can change your life to make it what you want it to be. You only have your life’s outline written for you; but you can always change it if you really want to.

The music is amazing – it goes so well with every scene – and I am most definitely going to put this on my Christmas list… *Hint hint*. My favourite song is Whole Wide World by Wreckless Eric and Bottles and Bones by Califone.

The structure is perfect, and once it gets going you realise how emotionally attached to the characters you are. Because they have won you over with their subtle comedy, and lines that you will end up trying to find the perfect conversation to drop them into. My favourite line is by Ana: “You. Miscreant.”

I haven’t been able to drop that into a casual convo as of yet though.

If you enjoy Eternal Sunshine of the Spotless Mind, you are likely to enjoy this trippy story. However, it is a tragic comedy that everyone will enjoy.

Jodie’s rating: 9/10

The Boat that Rocked

Director: Richard Curtis
Writers: Tim Bevan, Eric Fellner, Hilary Bevan Jones
Released: 2009
Starring: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Emma Thompson
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If you love groovylicious music and cool fashion from the 1960s, then you are going to LOVE this film!

It’s a film about the pirate radio stars during the sixties who played rockin’ music, whilst trying to keep the government off their backs who didn’t like the kind of influence the radio stations had.

It’s the kind of film where its characters are used to target the typical main-stream movie audience who are in their twenties, but it’s ‘historical’ enough to capture the reminiscing kids of the sixties, yet, unique enough to entice the indie teens, and overall AWESOMENESS to be absolutely: Way. Cool.

It’s an exciting film about each radio host’s personal triumphs as well as the overall capturing story of essentially giving the middle finger to society. The contrast between the conservative government workers versus the wild rock and roll supporters from the boats in the North Sea was drawn which was great to see two sides.

You can also see the same sort of contrast being drawn between the children and their parents. The children being the rebellious worshippers of the DJs who hide radios in their bedrooms, and the parents being the BBC listeners who frown upon the culture of pop and rock and roll music.

The humour was a bit hit-and-miss for me occasionally, but that’s probably because I have a dry sense of humour… As in, I find Napoleon Dynamite hilarious. The majority of the audience would enjoy it very much, I’m sure.

Fantastic music OBVIOUSLY, which compelled me to buy the double-disc album which was incredible! Think of your favourite artist from the sixties, and it’ll be on there… Except for The Beatles… That was a bit of a disappointment, actually…

A loud, crazy, colourful and hilarious depiction of the sixties’ uprising which was almost successful. I felt quite upset at the end when I saw the ship sink and I went into a deep daydream of how the Government should have let the ships be, how it could have been, how they should never have made laws against them and how spectacular the sixties was… and the WAY COOL music… The ending was a bit of a downer, but accurate nevertheless. (Reinforcing my ‘Golden Age Thinking’ as explained in Midnight in Paris)

The Boat That Rocked is an entertaining film where anybody could pick out a favourite bit, moment or character, making it a movie that’s easy to talk about. It is a perfectly orchestrated story with fewer stereotypes than I expected.

The wardrobe was absolutely stupendous (I wish there was a “The Boat That Rocked Shop”) and the cut-aways to the everyday listeners was probably one of my favourite bits, because it gave you a huge scope of the world they lived in – since it could have been very isolated to the life on the boat.

This isn’t just a film worth watching, this is a film worth buying and then replaying. You will finish watching the film and feel an urge to carry a stereo around with you, liberating the boring and monotonous people of the 2000s with epic sounds of the sixties.

You will feel the need to stick it to the man and be rebellious… But you’ll probably just put the film on repeat instead, and that’s cool too.

If American Graffiti represents America in the 60s, The Boat that Rocked represents the UK in the 60s.

Jodie’s rating: 8/10