Director: Francis Lawrence
Writer: Richard LaGravenese. Based on Sara Guen’s novel of the same name
Released: April 2011
Starring: Reese Witherspoon, Robert Pattinson, Christoph Waltz
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I bought this DVD as a bit of a whim. After stumbling across the trailer on YouTube I thought that the look of the whole film resembled the circus scenes in Big Fish.
It is the story of the dark side of the circus during the early 1930s, with a forbidden love story between Jacob (Robert Pattinson) and Marlena (Reese Witherspoon) intertwined. Jacob runs away with the circus and poses as a certified vet to continue travelling with them, but discovers that there’s much more to performing that the magic the audience sees.
On the way, he experiences the control and under handed acts that go on in order to keep the circus from failing during the depression. Staff would go missing in the night if the boss and husband of Marlena, August (Christoph Waltz), was unable to pay.

The climax did have me holding my breath, but the over all story seemed somewhat watered down, with the lack of suspense throughout most of the heavier scenes.
Of course, my terrible habit is that I hype movies up before I’ve even seen them. I did think that Water For Elephants was going to be more dramatic and horrific, perhaps I would have been right if it was an R17 rating or something like that. But, it wasn’t a bad story by any stretch and it was an enjoyable romance drama – despite there being more romance that drama for my taste.
However, it was very well shot! The director, Francis Lawrence shows his talent for lighting in previous films including I Am Legend and has carried it through to Water For Elephants. I am excited to see how he portrays The Hunger Games sequels!
The acting was great for the most part! Christoph Waltz… Need I say more? He was amazing as usual, and one of the most compelling reasons to buy this movie, he was convincingly intense. Robert Pattinson was pretty decent too, possibly a little monotone..? Reese Witherspoon was AV-ER-AGE to say the least. Shallow acting.
A cool tale that explores the fantasy of running away with the circus.
Jodie’s Rating: 6.5/10


Tim Burton’s quirky and off centre idea of normalcy is shown in Edward Scissorhands which is about a man who was created by an inventor who died before he could complete him – hence the scissors for hands. Edward finds himself embraced into suburbia which challenges the belief system of the small, gossipy population, before everything goes wrong and Edward finds himself in a more confused state than ever.
It does seem like a crazy storyline. A man with scissors for hands? Imagine trying to pitch that to a production company…
Speaking of casting, one of my favourite actresses, Dianne Wiest, (
The sets look like a model set because of all of the pastel colours and cookie-cutter, two dimensional looking houses, especially in contrast with the black, gothic castle that Edward Scissorhands hides out in. It is actually a spectacular set which is an exaggeration of suburbia’s claustrophobia, uniformity and lack of individualism or creativity, which is what Edward Scissorhands inadvertently changes when he is introduced to the neighbourhood.
It is a comedic view on the insanity of normalcy. An entertaining watch – unlike anything you have ever seen before. It is a typical Burton film so if you’re not a fan of his work usually, you may not enjoy the weirdness of Edward Scissorhands. However, the love interest between Edward and Kim (Winona Ryder) as well as the snowy Christmas scenes makes it a great festive movie (despite the somewhat sad ending which Tom Cruise disliked).
The protagonist is a storyteller although he is known to exaggerate and embellish the story of his life with fantastical metaphors and unbelievable occurrences. Just like 
Fate, destiny, time, love and death. From real life giants and lion tamers to mermaids and witches, Big Fish is a fantasy/adventure/drama movie, but with a make-believe glaze over it.













The cast were fantastic and the post production techniques are impressive and live up to today’s high film expectations, especially since the release of