film review – NZ Film Freak

Contagion

contagion film review.jpg

Director: Steven Soderbergh
Writer: Scott Z. Burns
Released: September 2011
Starring: Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Jennifer Ehle, Elliot Gould and Kate Winslet
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I’m 100% sure I have reviewed Contagion before… But I can’t find it anywhere so I must have only thought about writing about it. Anyway.

Contagion is almost like an apocalyptic film that explores what may happen in the event of a major epidemic that threatens to wipe out much of the population, similar to that of the Spanish flu that killed about 1% of the word’s population at the time (50-100 million people during 1918).

It plays on our fears of being vulnerable and desperate to protect ourselves and our family.

It follows the lives of multiple people such as an ordinary citizen (Matt Damon) whose [cheating] wife (Gweneth Paltrow) is affected by the epidemic (funny how the first person to die is someone who is guilty of having an affair), a doctor (Marion Cotillard) who attempts to trace the origin of the flu, and another doctor (Kate Winslet) who investigates the nature/behaviour of the virus. In the background is Jennifer Ehle’s character who is working hard to find the vaccine to this unknown flu strain.

Meanwhile, we see the ‘faces’ of the epidemic: Laurence Fishburne’s character’s professional opinion is sought after by the Centre of Disease Control, and he is asked to do interviews on the news.

“No one can know until everyone knows”

In the other corner is Jude Law’s character who is a popular conspiracy theorist who attempts to prove that the disease is a bio terrorism weapon used by the government to financially profit from the vaccines. He believes he has found a homeopathic cure for the fatal disease.

contagion_jude law.jpg

It’s so interesting – every opinion is represented by a character, including the medical industry, government and citizens. The conspiracy theorist – although shown in a negative light with little integrity or authenticity (even given a gammy tooth for good measure) – raises a lot of good questions that should be asked. Challenging authority in such situations isn’t necessarily dangerous, but spreading propaganda may well be.

A thrilling ride with lots of interesting ‘what if’ scenarios.

My only criticism is the music. It’s such bizarre music. It’s sort of indie-sci-fi and reminds me of the Blade Runner soundtrack. The noises certainly put you on edge, but I’m not sure it always works with the more emotional scenes.

Jodie’s rating: 7/10

Darkest Hour

Darkest Hour film review - churchill

Directed: Joe Wright
Written: Anothony McCarten
Released: January 2018
Starring: Gary Oldman Kristin Scott Thomas Lily James Stephen Dillane Ronald Pickup Ben Mendelsohn
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If you thought Dunkirk and The King’s Speech were epics, wait until you see Darkest Hour. It’s another perspective of the remarkable rescue of British soldiers from the shores of Dunkirk, this time the story is told from inside British parliament.

With the Germans closing in, the battle appears to be lost. But Britain’s new prime minister Winston Churchill is not ready to give up. While his cabinet threatens resignation unless he agrees to peace talks with Hitler, Churchill becomes desperate to find a way to save the men on the front lines, and prevent invasion.

With merely hours to go until the Germans get through Dunkirk, Churchill has the weight of the nation on his shoulders as he figures out a way stop them on his own. But time is ticking!

Winston Churchill is played by Gary Oldman, whom I had seen in a lot of films without even realising it (Harry Potter, Batman, A Christmas Carol…). What a guy. The prosthetics are flawless, and his impersonation of how we’ve come to know Churchill was brilliant. You would think they had brought him back from the dead for the film!

darkest hour film review - churchill

Churchill’s speeches and his word-wizardry is legendary, and this film certainly takes advantage of this. It is dialogue-heavy, but I think that’s where the magic is, so make sure you hold your attention. There are some hard-hitting one-liners in this movie, powered by the shear emotion and strength.

Will you stop interrupting me while I am interrupting you! – Churchill

It is almost unbelievable how Winston Churchill saved not only the UK, but Europe from Hitler’s reign. He did it without the support of his cabinet, although, the British public were behind him as shown in a fantastic scene depicting Churchill’s first ride on the underground.

He speaks frankly with the public in his carriage; not speaking down to them and not sugar-coating anything. I got chills from the unity of the people, as they all proclaimed that they would stand up to Hitler and not reason with him in peace talks. As Churchill said:

You can not reason with a Tiger when your head is in its mouth! – Churchill

I don’t know how it must have felt having such a decision to make, but this movie certainly projected the stress and weight of the situation well.

darkest hour film review - churchill

A brilliant film with fantastic cast members, lighting and suspense. Akin to a courtroom drama, I suppose, but ultimately a fantastic alternative to watching a documentary on the events.

Definitely worth a watch, but I think the second watch would be better because there’s so much information to absorb.

Jodie’s rating: 8.5/10

Finding Dory

Director: Andrew Stanton
Writer: Andrew Stanton
Released: June 2016
Featuring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy
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I was more keen to see BFG if I’m honest, but mostly because I thought Finding Nemo was so good that ‘Finding Dory‘ was just going to be a cash-in. But due to a particularly over-excited boyfriend, we ended up seeing Finding Dory.

Sharing a small cinema with about 50 people – some of them peculiar, some of them creepy, and only a couple of them under the age of 13 – we unabashedly cracked open a couple of ciders and the movie began. And I was pleasantly surprised.

With new characters and a heart-felt story line, Finding Dory was another genius creation of Pixar.

We follow Dory (Ellen DeGeneres) as she slowly gets flash-backs to her home and parents. It leads her, Nemo (Hayden Rolence) and Marlin (Albert Brooks) across the ocean once again, and finding themselves in a Marine Life Institute. (Featuring Sigourney Weaver as herself).

My favourite character was probably Becky, who is a dotty bird who is rather simple.She is as creepy as she is quirky.

Although I did think Hank (Ed O’Neill (granddad in Modern Family)) the octopus was the most heart-warming character.

But my boyfriend’s favourite character was Bailey (Ty Burrell (aka dad in Modern Family)) the beluga whale due to the humour of watching him figure out how to be a whale, as well as the sounds he made.

Unfortunately, my boyfriend pointed out that the goofy sea lion Gerald has an uncanny resemblance to my good self… I was offended.

In between the genuinely laugh-out-loud moments, the storyline was heavy in parts. The emphasis on family and unity and support and friendship and acceptance and patience… Man! Please calm down on the wholesome messages.

Dory’s short term memory loss became a little irritating, as the ‘wait, what are we talking about?’ jokes began to seem over-used, and wearing thin.

But it’s a movie I would happily see again. I haven’t laughed that loudly in a movie for a long time! It’s certainly aimed at us older kids (in our twenties) who grew up watching Finding Nemo.

Jodie’s rating: 7/10

Wild

Wild film poster Director: Jean-Marc Vallee
Writer: Nick Hornby (screenplay), Cheryl Strayed (novel)
Released: December 2014 (USA), January 2015 (NZ)
Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
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Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.

Reese Witherspoon in counselling scene in Wild film To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.

A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild, Thelma and Louise.

Find out more about the runaway genre here!

Wild film with Reese Witherspoon In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.

I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.

When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.

Wild Reese Witherspoon film I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!

Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.

Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.

I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.

Life, eh!

Jodie’s rating: 9/10

American Graffiti

Director: George Lucas
Writer: George Lucas, Gloria Katz and Willard Huyck
Released: 1973
Featuring: Richard Dreyfuss, Ronny Howard, Paul Le Mat, Charlie Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack
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This movie nearly didn’t get made. Boy, am I glad it was. This is in my top five movies – at least!

American Graffiti is the colourful account of the final night of high school for a group of students who go out cruising, attend ‘the hop’ and hang at the drive-in dina.

It’s not only an incredibly entertaining film, it’s also the most accurate documentation of what the sixties were all about.

This movie makes me upset because it makes me mourn the spectacular sixties. As mentioned in Midnight in Paris, it’s “Golden Age Thinking” – the thought that I’d be happier in another time. And boy does American Graffiti do that; it hits me right in the feels.

“The erroneous notion that a different time period was better than the one, one’s living in.” – Midnight in Paris

The music frequently takes centre stage with classics from the rise of the The Beach Boys, Buddy Holly, Chuck Berry and a whole lot more. It’s the wall-to-wall rock ‘n’ roll hits that makes this movie so recognisable and exciting.

Of course with music comes radio, and its influence on the culture is seen. Wolfman Jack is the most popular radio host among the teenagers, who is looked up to and even sought out especially for personal advice. His charisma and unique material captures the infatuated listeners as his frequency hits almost every car in town.

If the music isn’t enough to paint the picture of the sixties, the cars and fashion are! I adore the cruising culture in this film. Unlike today’s cars of bland silver Toyotas with a monotonous tone, this film has the gorgeous cars of the 50s and 60s – all bright colours with personality.

In American Graffiti, it’s clear that everybody’s car is an extension of the driver’s personality, which seems a special trait of the sixties.

Based in one night – the final night of high school. Every kind of graduate is shown:

The cool guy John Milner (Paul Le Mat)
The nerd Terry Fields (Charles Martin Smith)
The scholar Curt Henderson (Richard Dreyfus)
The naive Carol (Mackenzie Phillips)
The Highschool Sweethearts Steve Bolander (Ron Howard) and Laurie Henderson (Cindy Williams).

Now, although it all seems like a typical stereotyped high school drama, believe me when I tell you that it isn’t. Perhaps it’s just the time

difference, but every character seems so real! Not stereotyped, but flawed, and all have their own problems and aspirations.

I can so relate to Curt – who wants to leave town and everyone in it, but I’m so drawn to Carol – the totally naive girl who can’t grow up fast enough.

The simplicity of the movie reflects the simplicity of the time. It is not boring; it’s relatable. As George Lucas said himself; “it’s filmed documentary style” which is why it’s a film that stands out.

I could drool over and talk about this film all day; I’m watching the behind the scenes doco for the third time right now!

Jodie’s rating: 9.5/10

Love Thy Neighbor (Short Film)

Director: Mika Boorem
Writer: Mika Boorem
Released: 2014
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A short film exploring the dark effects of grief.

We follow a teenage boy, Jonah (Slade Pearce), who has become obsessed with his neighbour. The neighbour (Jaclyn Ferber) is a widow whose husband died in the war. She is grieving and begins to take a liking to Jonah.

Certainly mature subject matter and probably not material I can really relate to.

However, on a technical level, Love Thy Neighbor is fantastically made. The lighting and set design reflects the characters very well.

I think the director/writer, Mika Boorem, achieved her goal of making the story seem ordinary on the surface. That is until you scratch the surface to discover the intricate, dark and twisted lives of the neighbourhood.

I think the best accomplishment was how well the crew has done on limited means. Having a main cast of three, and one location was a great way to take advantage of what they had. It can be easy to let the imagination run wild, but keeping it simple allowed the deeper storyline to take centre stage.

A fantastic production. An example on how high quality a short film can be.

Jodie.

Book me to independently review your favourite song, music video or film here.

Jack the Giant Slayer

Director: Bryan Singer
Written: Darren Lemke and David Dobkin
Released: March 2013
Starring: Nicholas Hoult, Eleanor Tomlinson, Stanley Tucci, Ian McShane, Bill Nighy and Ewan McGregor
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What an exciting cast! Bill Nighy, Stanley Tucci and Ewan McGregor! *drool*

I first saw the advert on the back of the bus, and quite frankly I thought it looked a little.. Lame.

I mean starting from Tim Burton’s Alice In Wonderland, we have had remake after remake of these fairytales and fables; The Wizard of Oz, Mirror, Mirror, Snow White and the Huntsman…

jack_the_giant_killer_slayer — Yay! Ewan!

So to see Jack and the Beanstalk being remade was not a surprise, and I expected it to have similar disappointments with all of the other remakes.

Namely the fact that the violence has to be toned down so that it can be suitable for the younger audience. Despite the storyline being 100 times better if it went the full hog and making it an M.

JACK THE GIANT SLAYER — Oh hey, Ewan. What cha doin’ on the cliff there…

I was right. But it didn’t stop the story being enjoyable.

I do think the writers tried to cram a big storyline into a short amount of time – the intro seemed extremely rushed.

The special effects are amazing! Very well done. Getting the proportions convincing between the giants and the humans must have taken a bit of thought. Although, I still maintain that the giants should have had horses… Like, huge horses. That would have been cool.

Oh, and all the giants were male… I thought that was a bit odd.

Also, if I was designing where the giants lived, I would have made it way more fantastical, not just the average 16th century environment but quadruple the size.

Toward the end you will think you know exactly what will happen because it looks SO obvious leading up to it. However, I am happy to say that the writers did not take the easy way out. The ending isn’t as obvious and typical as one would expect.

This is a pleasantly entertaining film. Not hilarious or deep and meaningful. Just lightly entertaining. Nothing more than you would probably expect.

Jodie’s rating: 6.5/10

Morning Glory

Director: Rodger Mitchell
Writer: Aline Brosh McKenna
Released: November 2010
Starring: Rachel McAdams, Harrison Ford and Diane Keaton
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I love this movie. This is my happy movie.

Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show.

There are some fantastic lines! Harrison Ford is so dry with his delivery. It’s so perfect!

Mike: Why do we have to mention that first cup of coffee? Why not just say, “Watch Mike Pomeroy before your morning dump?”

I love Becky because she has arms flailing all over the place, her hair is messy and she’s so intensely dedicated to her job. Rachel McAdams was reluctant to take this part because she said she’s not funny enough to be in a comedy. But I disagree! McAdams is so natural in this, she makes it funny in a Bridget Jones sort of way.

Morning Glory‘s morals are sort of similar to The Devil Wears Prada… Well, it’s written by the same person, so I guess that’s why. But they’re basically about how important a career can be to someone, treating it like a relationship. In fact, when Becky discusses her job, it sounds like she’s talking about a person.

I guess although I understand why the reviews of this movie are average, I personally love it because I can relate to the industry having studied television and journalism. Becky is a character who I would love to be! I want her hair, wardrobe, confidence and success.

Becky: Why haven’t they bumped you up [to executive producer]?
Lenny: It’s not for me. I did it for a couple of weeks once, but they put me back at Number Two. Apparently, the crying was distracting.

Keep an eye out for how Becky’s hair and clothes change as she grows and becomes more secure. It’s the attention to detail that makes this movie fun.

A very funny film, particularly if you’re familiar with the news industry!

Jodie’s rating: 7/10

Dead Poets Society

Director: Peter Weir
Writer: Tom Schulman
Released: June 1989
Featuring: Robin Williams
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Imagine Good Will Hunting + Scent of a Woman… and with a touch of The Ron Clark Story. That pretty much gives you Dead Poets Society.

It is a great story about breaking the mould. Not being what your father wants you to be, not giving into the black and white versions of education, but finding the creativity in it and allowing your imagination to run riot.

Tradition. Honour. Discipline. Excellence.
Travesty. Horror. Decadence. Excrement.

Robin Williams plays John Keating who is an English teacher with unorthodox teaching methods in a private all boys school. The tradition and formality of the school keeps the students as a uniform with little individuality. But Keating is able to bring out the strengths in them and encourage creativity.

It is one of the most inspiring movies, particularly because Robin Williams is so brilliant.

There are so many amazing scenes in this film, but I think this one below is my favourite. Keating brings out the best in a painfully shy student, showing him what he’s capable of by pushing him to open up:

I thoroughly enjoy these philosophical films, especially with the quirky Robin Williams whose improvisation skills are beyond any I have seen. He is amazing.

His character is everybody’s favourite teacher. Somebody who recognises the students weakness and strengths and getting the best out of them using methods that are best for them, even though they may not be necessarily typical of a prep school environment.

Lookatthingsdifferently — Look at things from a different perspective.

Dead Poets Society is uplifting and inspiring but also shocking and morose. It delves into the worst of humanity as it explores the desperation of students trying to escape the clutches of tradition.

Jodie’s Rating: 8.5/10

Walk the Line

Director: James Mangold
Writer: James Mangold and Gill Dennis
Released: November 2005
Featuring: Joaquin Phoenix and Reese Witherspoon
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I thoroughly enjoyed this biopic about one of the best country rock n roll singers of the sixties, Johnny Cash.

Joaquin Phoenix did an incredible job of becoming Johnny Cash. His natural intensity was perfect for the really heavy and dark life of Johnny Cash. I didn’t know much about Johnny Cash until I impulsively bought this movie. I had a few of his songs and enjoyed them, but assumed that he was just a country singer for geriatrics.

walk-the-line-folsum — Performing in Folsom Prison

It turns out that Johnny Cash’s life and the people he rubbed shoulders with is incredible. The stories he has are inspiring. I am not sticking up for everything that Johnny Cash did, but I have to say that it was so unfortunate that he was married with children just before he reached his dream of being a musician. He let that old life go, hurting his family, and continue on following his dreams and the new life that come with it.

A lot of ups and downs which can become exhausting to watch, however, that just proves how convincing the film was; it really put you in Cash’s shoes.

Reese Witherspoon, having not enjoyed her performances for almost all of her movies, pleasantly surprised me in Walk The Line. She was very convincing as June Carter and I have a new found respect for her.

Joaquin and Reese both did their own vocals… I’m afraid that I enjoyed their vocal performances more that the original Johnny and June performances! I feel bad for saying that, but their sound is so upbeat and their voices are quite similar to Johnny and June’s. Very well done indeed!

I love the sixties – as I am sure you are aware – so seeing Elvis, Jerry Lee Lewis and a few of my other favourite rock n roll stars was awesome! The clothes, the atmosphere that was so convincingly authentic was beautiful.

Can you name all of the rock and roll stars?

A gorgeously filmed biopic with fantastic actors and characters.

Jodie’s rating: 7.5/10

L’accordéoniste – Edith Piaf

La Fille de Joie Est Triste (L’accordéoniste)
“The Accordionist” (1940)

This is a beautiful song written and performed by Edith Piaf (Non, Je Ne Regrette Rien – Inception and Tu es Partout – Saving Private Ryan). The chorus gives me chills.

It is about a prostitute who is married to an accordionist who will be going to war soon and will not return to her alive.

Her man will never come back.
Goodbye to beautiful dreams.
Her life is done for.

I interpret her story as though she has to forget her emotions while she’s working, but as soon as she leaves and watches her husband play the Java, she becomes overwhelmed with emotion.

She wants to weep, it’s physical
All of her being is tense
Her breath suspended
The music has wrung her out

This song may be derived from similar life experiences. Piaf was abandoned by her parents and lived with her grandmother who owned a brothel. The prostitutes raised her and took care of her. By the age of 17 she had a child who then died at the age of two. Edith was involved in three near fatal car crashes, resulting in alcoholism that contributed to her liver cancer that took her life.

Such an unfortunate life, contrasted by her huge fame during the 1930s to 60s is tragic. But has most certainly been channelled in her beautifully emotional songs.

Obviously this song is sung in French, but that does not take any of the emotion away at all! Before I knew what she was singing about, I could hear the desperation and longing in her voice.

STOP!
Stop the music.

A beautiful song.
Jodie.
The final chorus from 2.40 is chilling!

Water For Elephants

Director: Francis Lawrence
Writer: Richard LaGravenese. Based on Sara Guen’s novel of the same name
Released: April 2011
Starring: Reese Witherspoon, Robert Pattinson, Christoph Waltz
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I bought this DVD as a bit of a whim. After stumbling across the trailer on YouTube I thought that the look of the whole film resembled the circus scenes in Big Fish.

It is the story of the dark side of the circus during the early 1930s, with a forbidden love story between Jacob (Robert Pattinson) and Marlena (Reese Witherspoon) intertwined. Jacob runs away with the circus and poses as a certified vet to continue travelling with them, but discovers that there’s much more to performing that the magic the audience sees.

On the way, he experiences the control and under handed acts that go on in order to keep the circus from failing during the depression. Staff would go missing in the night if the boss and husband of Marlena, August (Christoph Waltz), was unable to pay.

horses_water_for_elephants — Beautiful animals and amazing stunts

The climax did have me holding my breath, but the over all story seemed somewhat watered down, with the lack of suspense throughout most of the heavier scenes.

Of course, my terrible habit is that I hype movies up before I’ve even seen them. I did think that Water For Elephants was going to be more dramatic and horrific, perhaps I would have been right if it was an R17 rating or something like that. But, it wasn’t a bad story by any stretch and it was an enjoyable romance drama – despite there being more romance that drama for my taste.

However, it was very well shot! The director, Francis Lawrence shows his talent for lighting in previous films including I Am Legend and has carried it through to Water For Elephants. I am excited to see how he portrays The Hunger Games sequels!

The acting was great for the most part! Christoph Waltz… Need I say more? He was amazing as usual, and one of the most compelling reasons to buy this movie, he was convincingly intense. Robert Pattinson was pretty decent too, possibly a little monotone..? Reese Witherspoon was AV-ER-AGE to say the least. Shallow acting.

A cool tale that explores the fantasy of running away with the circus.

Jodie’s Rating: 6.5/10

Burlesque

Director: Steven Antin
Writers: Susannah Grant. Screenplay by Steven Antin and Diablo Cody
Released: November 2010
Starring: Christina Aguilera, Cher, Eric Dane, Cam Gigandet, Kristen Bell, Julianne Hough, Alan Cumming, Peter Gallagher, Stanley Tucci, Dianna Agron
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So, Burlesque is pretty much a lighter, chick flick version of Moulin Rouge. It is an upbeat, modern story with back to back songs that make you want to get up and dance.

Christina Aguilera is a singer who I admire for her talent, yet if I am honest, I do not enjoy her music.

Amazing costumes, with themes ranging from the classic 1940s to the 1960s. She does an amazing job during the scenes where she is performing on stage. However, for the most part her acting is much to be desired. Her squeaky voice gets a little on nerves considering she has such a deep, powerful singing voice.

The same goes for Cher, her acting was average… But so was her auto-tuned voice. I’m not convinced that she should really be classed as “a legend”…

I swear Life After Love is the only successful song of hers that I can think of.

But Stanley Tucci is one of my favourite actors – he is great in this movie as usual!

Burlesque-tucci

I don’t love the songs enough to buy the soundtrack. But there are a couple that are pretty catchy! Unfortunately, Christina Aguilera’s voice is so distinct that sometimes her improvisation during the songs can become irritating. Hence why I have never bought an album of hers.

burlesqueCA

Following a typical chick-flick structure, the ending is no surprise. Over used morals of “do what you love”, “just do it” and “don’t give up” drowns this movie. But it is a film that is not supposed to be much more than enjoyable.

Looking for a pick me up? I think this high-energy, fun film will do the trick!

(Moulin Rouge + Glee = Burlesque)
Jodie’s rating: 6/10

Midnight In Paris

Director: Woody Allen
Writer: Woody Allen
Released: June 2011
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody
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When I first watched this film I was disappointed because I had hyped up the plot of Gil (Owen Wilson) travelling through different time eras of Paris. The artistic, fashionable, sophisticated and elaborate times of the 1920s, as well as the ceremonious, coming of age times of the 1890s. But after letting my great expectations subside, I really enjoyed the watch.

The plot is about the Golden Age. That is, longing to live in a time before your own. For example, mine is the early 1960s. Rock and roll music and amazing fashion, with the huge liberal movement against war and for free will.

Paul: Nostalgia is denial – denial of the painful present… the name for this denial is golden age thinking – the erroneous notion that a different time period is better than the one one’s living in – it’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.

However, Midnight In Paris attempts to shroud my Golden Age in contempt, trying to convince me that few are content with the current times and to get over it. It dampened my comfort of believing I would be happier in a different time, because the reality is – as Gil discovers – that you would simply find another time that you would believe to be better.

There is a lot of magic in this film, which I love. Gil goes through a wormhole of sorts, where at the strike of midnight every night a 1920s car picks him up and takes him to parties with his literary heroes. It’s a beautiful “what if” storyline that lives out everybody’s dream to travel through time to experience a life not meant for them.

I think that the decision for Gil to be transported to different era via transport appropriate for that time was perfect. It seems like a small, obvious detail, but I’m just glad that there was no CGI, special effects or sound effects to make the transition obvious.

midnight-in-paris-carload-of-literary-types

This magic does not last throughout the film, however. “The grass is always greener on the other side” is a phrase that has been converted into the moral of this story – the cold, harsh light of day is not welcoming.

Gil sees that the beauty of every era can still be inspiring without having the ability to experience it first hand. Which is disappointing since it seems that he is throwing away his idyllic time era of 1920s Paris for an average life in 2010 Paris. He could have continued to live his dream, but chose not to for no convincing reason.

MIDNIGHT IN PARIS marion

On the other hand, I loved how his heroes gave him advice and support, which ultimately builds his confidence to improve his life in the present.

Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.

Instead of taking the easy option of staying in his dream, he takes the tough road of building his life into what he really wants. I guess he shook of the security blanket of living in the past – an easier place to live because you know what’s coming for you.

Gil: Adriana, if you stay here though, and this becomes your present then pretty soon you’ll start imagining another time was really your… You know, was really the golden time. Yeah, that’s what the present is. It’s a little unsatisfying because life’s a little unsatisfying.

Gertrude Stein: We all fear death and question our place in the universe. The artist’s job is not to succumb to despair, but to find an antidote for the emptiness of existence.

The beautiful French music was glorious! Seriously considering buying the soundtrack.

The acting was very well done. I really hated Rachel McAdam’s character. Like, it got to the point where I was starting to think that she must be a total bi-atch in real life because she played evil Inez so convincingly. So, kudos to her acting ability.

Owen Wilson was pretty much the same character he is in everything. I’m not totally sure why he was cast. Perhaps to keep the film upbeat.

midnight-in-paris-rachel

It is an uplifting tale of something that many of us dream of doing. The ending was rather disappointing, at first. But I have come to terms with it, and I think it works well for Gil.

Worth a watch, but don’t expect it to be a deep and meaningful movie – you will be disappointed! Look at it as a quirky drama/rom-com. Although, I do think that it would have been a very moving film if it was heavier with more drama and emotion.

Jodie’s rating: 8/10

My Favourite Character: Maggie Jacobs

The ditsy character in the Ricky Gervais and Stephen Merchant TV series, Extras, is Maggie Jacobs (Ashley Jensen).

Would you rather be you, with your face and your legs, and the brain of a chimpanzee...Andy Millman: Brilliant.Maggie Jacobs: ...or would you rather be a chimpanzee, but with your brain? — “Would you rather be you, with your face and your legs, and the brain of a chimpanzee, or would you rather be a chimpanzee, but with your brain?”

I like her because she is so innocent and naive. It makes a huge change for one of the leading characters to be so honest and unaffected by mainstream beliefs. She is fresh-faced but average, similar to Bridget Jones but even easier to relate to.

I guess because she’s in a dead-end job, single and struggling as a extra on television shows, rubbing shoulders with fame and fortune yet never coming close to it, like how much of society feels as they slave away at work. But Maggie never strives for any of that. She just plods along.

I wouldn’t go as far as saying that I look up to her, but I do draw inspiration from her because she is so honest to people. Plus, she always does something to embarrass herself but lets it go – she never dwells on bad experiences or holds grudges.

She’s funny, loyal and doesn’t lie to anyone… Which gets her into trouble sometimes. Her Scottish accent is amazing, too!

Jodie.

Classic naive Maggie:

Easy A

Director: Will Gluck
Writer: Bert V. Royal
Released: September 2010
Starring: Emma Stone, Amanda Bynes, Lisa Kudrow, Stanley Tucci
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This is quite a different version to the typical high school chick flick that drowns the market. Easy A is about how rumours can make or break your reputation. But also how you can take insults and use them to your advantage.

It has a funny script with some catchy insults from the witty and very sarcastic Olive (Emma Stone) – similar dialogue to Juno.

Her best come backs are usually toward the “Jesus Freak”, Marianne (Amanda Bynes), who was responsible for spreading the false rumour of Olive losing her virginity.

Marianne: There’s a higher power that will judge you for your indecency.
Olive: Tom Cruise?

This movie covers everything that one would come across in high school; self expression, religious beliefs, hypocritical people, assumptions and rumour-spreaders. Of course, Olive uses all of this to her advantage.

She sassed up her wardrobe “just like they asked” and becomes her alter ego of the ‘whore’, despite being a very respectable 17-year-old. Just goes to show that what you may see on the outside is not always what is on the inside. And vice versa.

Emma StoneEASY A.

Nina: Perhaps you should embroider a red A on your wardrobe, you abominable tramp.
Olive: Perhaps you should get a wardrobe, you abominable twat.

I really enjoyed this movie because it is a huge, gigantic middle finger to society. You can’t change what people think of you, but you can choose not to be a victim to it.

People rumoured that Olive was a bit of a “skank”, so she began to dress like one! They didn’t whisper about it behind her back after she started wearing corsets and high heels to school, making the scandal-filled rumour less shocking.

It is a fun movie with references to eighties high school movies such as The Breakfast Club which I thought was really smart and made it a story that seemed more human because everybody wants to be in an eighties high school film.

The music is pretty awesome, too. Jessie J’s Sexy Silk is a fun song, with a modernised version of We Go Together (from Grease) by I Heart Homework. But with my personal favourite being from The Breakfast Club called Don’t You (Forget About Me) originally by Simple Minds, but covered by AM.

Oh, and since watching Easy A, Natasha Bedingfield’s Pocket Full of Sunshine has not left my mind for the past few days. You should expect the same thing after watching the film.

Mr. Griffith: I don’t know what your generation’s fascination is with documenting your every thought… “Roman is having an OK day, and bought a Coke Zero at the gas station. Raise the roof.”
Olive: He got a Coke Zero AGAIN. Ah, that Roman. Incorrigible.

Easy A is a fun and easy watch. The script enables viewers to look into it as far as they wish with layered themes and slightly more complex characters than usual. Obviously not a film for everyone, but it’s definitely my favourite movie at the moment – up there with The Breakfast Club! A 2010 version of a 1985 chick flick. tumblr_mhbirb1bNm1s1wtnqo1_500

Actually, I would say that it is on par with Pitch Perfect.

Jodie’s rating: 7.5/10

Megamind

Directed: Tom McGrath
Written: Alan J. Schoolcraft and Brent Simons
Released: November 2010
Featuring: Will Ferrell, Tina Fey, Jonah Hill, David Cross and Brad Pitt
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I think the best animations are ones where they are enjoyable for more than one age group, which Megamind certainly is! Great for the younger audience as well as teenagers and adults.

This movie is about a blue alien named Megamind (Will Ferrell) who was sent to Earth as a baby, growing up to cause destruction and trouble. Megamind and his rival, Metro Man (Brad Pitt) who is the city’s ‘super hero’, frequently fight in Metro City like Superman and Lex Luthor. It’s a classic good guy/bad guy relationship, which becomes a game to Megamind, until he finally defeats Metro Man and realises that the success he had always strived for was not as rewarding as he had thought.

Moral: Be careful what you wish for; you may just get it.

This animation has some of the best lines in it, I reckon it’s up there with Juno‘s dialogue in some parts. The script is very well written, the dialogue as well as the storyline. It’s a classic superhero story which frequently mocks itself.

This type of animation is similar to that of Cloudy With a Chance of Meatballs, but Megamind is a slightly more mature story; funnier and more entertaining.

I love you, Metro Man!
“And I love YOU, random citizen!”

Megamind: In case you’ve noticed, you’ve fallen right into my trap!
Metro Man: You can’t trap justice! It’s an idea, a BELIEF!
Megamind: Even the most heartfelt belief can get corroded over time!
Metro Man: Justice is a non-corrosive metal!
Megamind: But metals can be melted, by the heat of revanche!
Metro Man: It’s REVENGE, and it’s best served cold!
Megamind: But it can be easily reheated, in the microwave of evil!
Metro Man: Well, I think your warranty’s about to expire!
Megamind: Maybe I got an extended warranty!
Metro Man: Warranties are invalid, if used beyond their intended purpose!

All the characters are awesome! Roxanne Ritchie (Tina Fey) is a news reporter who always gets kidnapped by Megamind to provoke another fight with Metro Man. She has been taken so many times that nothing phases her any more.

Roxanne: Could someone stamp my frequent kidnapping card?
Megamind: You of all people know we discontinued that promotion.

Hal-Roxanne- — Hal: “You’re living a fantasy. There is no Easter Bunny. There is no Tooth Fairy. There is no Queen of England.”

Hal (Jonah Hill) is probably my favourite character though because he’s the funniest. He’s desperate for Roxanne’s attention but fails to be smooth or flattering. Megamind turned Hal into the new ‘good guy superhero’ after Metro Man’s disappearance, and named him Titan.

Hal: I’m havin’ a party at my house, gonna be off the hook, or whatever. You should come over. I got a DJ, rented a bouncy house, made a gallon of dip. It’s gonna be sick!
Roxanne: Oh, I…I don’t know, Hal. I don’t really feel like being around a bunch of people.
Hal: No, no, no! That’s the best part, it’ll just be like, you and me… I did hire a wedding photographer. That’s just in case we were like, something crazy happened and we wanted a picture of it like, maybe we should have this for like, ever. Like a memory, you know?
Roxanne: Um, I’m gonna pass. I have some work here that I need to do, anyway.
Hal: Cool. So, Thursday? Soft Thursday?

A fun, exciting and hilarious twist on the age-old superhero format. Great cast, characters and storyline.

Jodie’s rating: 7/10

My Favourite Scene: Saving Private Ryan

Saving Private Ryan (1998) “…and I find that marvellous.”

I had first heard of Edith Piaf when I saw Inception (Non, Je Ne Regrette Rien). She is a famous French singer from the twenties through to the sixties, and I adore her music.

Since learning about her songs, this scene in Saving Private Ryan jumped out at me. It is a bonding scene between the soldiers that begins with a conversation about Piaf’s song (Tu es Partout), like most of my other favourite scenes, it’s slower paced and one of the quieter moments of the movie.

I just really enjoy one of the more sensitive soldiers translating the song to the others.

Jodie.

My Favourite Scene: Yes Man

Yes Man (2008): I got blisters on ma fingers!

This scene jumps out from the otherwise somewhat average comedy as Jim Carrey’s character, Carl, talks down a reluctant suicidal jumper via sing-song. A song called, rather appropriately, “Jumper” by Third Eye Blind (jump to the start of the song at 1.17 in you’d like).

Jodie.

My Favourite Scene: Little Miss Sunshine

Little Miss Sunshine (2006): “Life is just one big beauty contest after another”
Just a fascinating moment of reflection by a character who is longing to become a pilot despite being colour blind, and a writer who attempted suicide.

Jodie.

Movie 43

Directed by: Peter Farrelly, Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Patrik Forsberg, James Gunn, Bob Odenkirk, Brett Ratner, Will Graham and Jonathan van Tulleken
Written by: Steve Baker, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bill O’Malley, Matthew Alec, Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken, Jonas Wittenmark
Released: January 2013
Featuring: Dennis Quaid, Greg Kinnear, Seth MacFarlane, Hugh Jackman, Kate Winslet, Naomi Watts, Anna Faris, Emma Stone, Christopher Mintz-Plasse, Chloë Grace Moretz, Gerard Butler, Johnny Knoxville, Stephen Merchant, Halle Berry AND the rest of Hollywood.
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Short review: It sucks. Don’t bother seeing it.

So it’s pretty much a series of skits, all directed and written by different people. The story line is how a crazed writer blackmails a producer to get his movie comprised of a series of short skits made. The finished product is the movie that is in the cinemas now, Movie 43.

I mean, obviously this film was not going to be good, you could tell that from the trailer.

I can’t say I actually laughed at all in this movie… The funniest scene was the first short with Kate Winslet and Hugh Jackman but even so, I only giggled a little.

The scene where Halle Berry is dared by Stephen Merchant to blow out a blind kid’s birthday candles before he does would have got a bit of a laugh too, if I hadn’t already seen the trailer and knew it was coming. Oh, and Merchant’s plastic surgery results were chuckle-worthy too.

If you want to be grossed out in a way where you also feel targeted and creeped out, skip the horror movie and watch Movie 43 by all means. But if you want to laugh at something… See an actual comedy.

I would like to take this moment to ask Kate Winslet and Emma Stone: “WHY!?”

There were many things that made me cringe, like in the homeschooling scene where the parents want to give their son every high school experience including his “first kiss”, or the entire “iBabe” sketch, or the superhero speed dating sketch. It’s not that I was necessarily offended, it just… Wasn’t funny.

Like, I understood where I was supposed to laugh and why it should be funny… But it just really wasn’t. Like when you watch an episode of Dora the Explorer and she makes a joke, you know why it is technically ‘funny’ but you don’t laugh because the jokes are simple and lame. Obviously the lame jokes in Movie 43 are R-rated humour though.

If you want to see a TON of famous people making fools of themselves, I’m sure you will enjoy this movie.

But it is rude, crude with lots of nude.

Jodie’s rating: 1.5/10 (.5 per time I chuckled)

The Breakfast Club

Director: John Hughes
Writer: John Hughes
Released: February 1985
Featuring:Emilio Estevez, Molly Ringwald, Judd Nelson, Anthony Michael Hall, Ally Sheedy, Paul Gleason
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Probably the best high school based film. Openly addressing and mocking their stereotypes and the pressures each one of them are under by their associated peers.

It is a very well made film because it is entirely based in one place during one day, with a tiny cast. We are sitting in on a Saturday detention with five completely contrasting students who soon find out what they hate and what they love about each other and themselves. Very human, very emotionally rooted.

The Characters:
The cheerleader type referred to as ‘the princess’ named Claire (Molly Ringwald).

The jock referred to as ‘sporto’ named Andrew (Emilio Estevez).

‘The brain’ named Brian (Anthony Michael Hall).

The kook or ‘the basket case’ named Allison (Ally Sheedy).

The messed up ‘criminal’ called John (Judd Nelson).

The Kook and the Princess — The Kook and The Princess

What is great about these characters, is that we can see qualities in ourselves in all of them. They are a mirror image of the teenage audience. We all know somebody with qualities like them, we all find some of them in ourselves and we all find characteristics in them that we want to possess.
Despite being about five typical stereotypes, by the end of the movie, you realise that they are a group of misfits who don’t want to belong to a group who tells them who to be.

I think if there was an extended version of this movie, it would be how each one of them over came the pressure of their groups and openly hung out with other cliques, because they’re all strong characters who would become role models. Well, that’s what I would like to think would happen anyway.

Made in the eighties and it certainly looks like the eighties! I swear I am transported to that era every time I watch it. Great eighties music too, including one of my favourite songs Don’t You (Forget About Me) by Simple Minds. If you want to listen to some eighties music on the go, this site has some great eighties music.

It’s true, high school really does suck. But this movie will make you feel better about it.

Jodie’s rating: 8/10
I would just like to say that they have excluded all of the funny bits in this trailer, so if you like the look of this, you’re going to love the film.

My Favourite Scene: Made In Dagenham

Made In Dagenham (2010): The beauty of doing something unexpected of you

Okay, I can’t believe it took me so long to write about this movie! This is based in the sixties (which obviously gives it an instant thumbs up from me) about women getting equal rights in the workplace. These are two of many clips that I could have chosen that really inspires me in this film.

In the first one, I love how Lisa (Rosamund Pike) is such a beautifully elegant woman who is socially acceptable in this era, until her opinion is asked of her. Instead of smiling and nodding, she blurts out exactly what she means even though it is totally unacceptable for her to do so. It is true, knowledge really is power. I just love the reaction of somebody doing something unexpected, it’s a fantastic way of demanding respect and getting attention from others. Lisa uses her knowledge as if she’s giving society the middle finger. She’s such a heroine!

“Please, keep going! Don’t give up.”
In this second clip, I love how Lisa is Rita’s (Sally Hawkins) beam of light reminding her that although she is personally very low, she is actually making history! Lisa, clearly my favourite character in this movie, tells Rita who she really is, which once again shocks another character. She is so empowered and is able to empower others.

Jodie.

My Favourite Scene: The Boat That Rocked

The Boat That Rocked (2009): The meaning of life = Rock n Roll!

You know that feeling of just wanting to get up and dance? A song where you just can’t sit still listening to? This is a scene about that feeling.

This is actually a deleted scene from the incredible film, The Boat That Rocked which shows the deeper meaning of the effects of music. Rock and roll just makes sense to people.

Jodie.

The Blair Witch Project

Directors: Daniel Myrick and Eduardo Sánchez
Writers: Daniel Myrick and Eduardo Sánchez
Released: January 1999
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I literally did not sleep last night.

I remember seeing snippets of this film when I was about 11, but I had not remembered how effective the horror aspect of it was! It is the best horror/psychological thriller I have seen in a very long time.

Three film makers go missing in the woods while covering the legend of the Blair Witch that supposedly haunted the area. The film makers were never found again, but their footage was, which makes up this film.

Pretty simple plot line with amateur filming which is very convincing! The idea of this horror is that the less you see the more your imagination runs a riot. You never actually see any witch or any sort of witch craft or supernatural beings, but the sounds and supposed actions of the Blair Witch is more than enough to keep you on edge.

Reading a bit about the making of this film is quite interesting. 2000 actors auditioned and the three actors with the best improvisational skills got the parts. The actors got a very loose script to work with, and to get into to character the cast were taken hiking and camping in the woods, depriving them of food and harassing them at night by the crew.

The acting is well done, with Heather being the main character as she uses the camera (and talks) the most. She is certainly an annoying character who is a total know it all, but apparently that was intentional – perhaps to keep the audience in a false sense of security as she seems convinced that at no point are they ever lost. The other two actors are fantastically convincing and natural too.

A scary story to say the least. The further toward the end it gets, the more terrifying it becomes. The final shot is still freaking me out. Considering this was all done with handy cams and mostly improvised, makes this film a more effective horror.

So awesome!!

Jodie’s rating: 8/10