film – Page 7 – NZ Film Freak

In Time

Director: Andrew Niccol
Writer: Andrew Niccol
Released: 2011
Starring: Justin Timberlake, Amanda Seyfried
—

I think this is going to be a short entry today. Because I’ve been mulling this film over and over in my head for a good few months since I watched it.

It’s a film about how in the future everybody would be paid in time. With a count-down timer on our arm (which would make a pretty cool tattoo) we have to use that time to pay for things we need such as bus rides and food.

This film does have some powerful points, such as the rich getting richer while the poor get poorer. It does make a stand how unfair it is that the few wealthy and powerful people in the world have total control over 99% of the planet’s population. It’s a film about greed which is parallel to real life.

Unfortunately, this become secondary to the romance, which dilutes the impact of the potentially strong and shocking political statement trying to be made.

Quite simply, this thought-provoking Matrix/Inception–like film could have been a decent action/thriller if it wasn’t for the following three things:

NUMBER 1: If the story line wasn’t so obviously and devoted to the old-age tale of Robin Hood. Stealing from the rich and giving to the poor. Justin Timberlake wasn’t a bad actor, but his character was too unrealistic. Will Salas (Justin Timberlake) was a worker with just enough income to survive, until a ‘rich’ man donates all of his time to him. Sales then gets into top security places and eventually steels most of the money to donate to the poor sections of the world which he continues to do until every body is equally rich.

Not very original, is it, if you replace the guns with bow and arrows and the city with a forrest.

NUMBER 2: This turned into a romance. Like, I would say that this film was not a “Mystery & Suspense, Science Fiction & Fantasy” (according to Rotten Tomatoes), but a Romance/Action. How the love interest (Amanda Seyfried) could run in those six-inch heels and still rob banks… I do not know.

NUMBER 3: It is quite simply too far-fetched. They should have stuck to developing the lifestyle and internal struggles of watching our life tick away from you. I think that would have been way more interesting…

Intime Arm Count down

I was pretty disappointed with this one, actually… But perhaps I was wanting to see a deep and meaningful movie when In Time was essentially a chick-flick disguised as a sci-fi/action in the trailer.

Jodie’s Rating: 5/10

War Horse

Director: Steven Spielberg
Writer: Michael Morpurgo
Released: 2011
Starring: Emily Watson, David Thewlis, Peter Mullan, Niels Arestrup, Jeremy Irvine
—

Wow. What a spectacular disappointment.

So I went into the cinema with my tissues already to go, as I was expecting another epic Spielberg film that would be as shocking and as accurate as Saving Private Ryan and even more tragic and as touching as Black Beauty.

Sobbing — How I felt before War Horse – ready for a sad and heroic film

I was forgiving at first:

“Okay, the colt is played by a filly… I can get over that…”

“Okay, the foal has different markings to the previous scene…”

But then we got to Albert training the horse, Joey. My suspension of disbelief was non-existent when it was implied that the horse was trained by being spoken to – in English no less.

I mean the farmer dude was saying “hey Joey. Stay… Stay… Stay…. Now come here!” and the horse would come trotting over when he said so… I mean with NO previous training – that’s not possible.

Believe you me, horses don’t learn things by being spoken at. (Although I couldn’t help but try it out on my horse Apache when I got home… He looked at me weird then turned and walked away.

Nor do horses learn by copying a human, such as when Albert wanted to put a harness on Joey. They obviously had two stunt horses; the first one threw his head around at the sight of the harness, but then Albert was all like; ‘come on Joey we need you to plough the field… See you just put your nose through like this’. Then the boy put his head through the harness to show the horse what he meant (smart guy).

Then, HEY PRESTO! The horse had learned, and the other stunt horse – who was trained to have a harness on – seamlessly took the previous horse’s place and they were ready to go to plough the field! Warm and fuzzies… But, I. Mean. Seriously.

I was almost sick in my mouth when Joey ‘taught’ his horse friend how to put a harness on… Because that’s what horses would really do.

Moving on from the horse, the human actors – to put it plainly – sucked ass. Some of the actors couldn’t quite hold their accents very well, such as Emilie (Celine Buckens) who was supposed to be a French girl yet she sounded English. (Hey I was right! I just checked Wikipedia and she is English.)

Some of the actors were very unbelievable, particularly on the battle fields, like when a soldier got shot in the leg, Albert helped him up and they both ran to safety… Ran to safety… Running.

I didn’t shed a tear or feel upset AT ALL during this movie, except, perhaps, when it finished because I felt so disappointed.

I was expecting epic music like Danny Elfman’s in Black Beauty which makes you cry just listening to it. I was expecting fewer stereotypical scenes and more realistic reactions from horses. But they gave the animals human emotions… and the ability to understand English…

I think that’s what made this film go completely topsy-turvey. It was a horrific and graphic story that was seriously sugar-coated. I believe it was aimed at the younger audiences who have recently been weened off Disney films.

Steven, it could have been A-MA-ZING if it was historically accurate!

There were two scenes, however, that had the potential to be memorable scenes if they didn’t try to shelter the audience so much. One was when two German soldiers were shot because they tried to escape the fight on horseback. But the windmill blocked your vision and the extreme wide shot added zero emotion to it.

The other scene was when the English soldier surrendered to walk onto the battlefield to rescue ‘Joey’ from barbed wire and the German enemy came to help. Now this scene would have been so meaningful if it wasn’t for them being too casual with each other. It was pretty much the sort of conversation two old highschool bullies would have had if they met each other forty years later in a department store.

Really?? This is war! Not something to be made light heartedly. Spielberg should know that – he made the most accurate WW2 movie in Hollywood’s history.

I expected Saving Private Ryan/Schindler’s List mixed with Black Beauty... Not Babe mixed with a film that should have gone straight to DVD…

Jodie’s regretful and disappointing rating of: 3/10

Awwwww but the trailer looks so goooooood!! :( Especially the part where the horses are in the girl’s room. (But when you watch the film you see that to get to Emilie’s room, the horses would have had to climb up a staircase that looked like a ladder…)

Family Guy (And Other Controversial Cartoons)

We covered “adult” or R Rated cartoons briefly in my Media Studies class last year, but it has been brought to my attention once again.

I was watching the seventh season of Family Guy – thanks to my brother’s loyal collection of the TV series – and after watching a good few hours worth of episodes, I reached the final disc: “the making of the 100th episode” where Seth MacFarlane (creator of Family Guy) interviews people who have recently watched an episode of Family Guy for the first time and hated it.

Of course, they didn’t know that the person who they were complaining to was the creator, and divulged they were appalled that a cartoon could be so offensive to almost every community.

One of the questions asked by MacFarlane was “would you let your kids watch Family Guy?” and everybody who was asked said absolutely not.

But that got me thinking. Despite being a TV series based on fictitious characters, which are not played by ‘real’ actors in the flesh, it is still a very violent and graphic series. So, of course you wouldn’t let somebody, say, under 15 or 16 years old watch it. It’s not like it’s actually aimed at that age group…

A cartoon of this rating is no better than a gory horror, yet parents appear to be more outraged that a cartoon such as Family Guy, South Park or American Dad! can be aired rather than something like… Scream (which was on TV not long ago).

Comedy is typically about somebody taking the mickey out of a minority group, something that’s different or a stereotype. Family Guy picks on all of the above and more. I can understand if something may appear offensive but I’m wondering if we’re just being too “PC” and thin-skinned about most things… Of course I could say what all Family Guy fans would say; “if you don’t like it, don’t watch it”.

But I think it ought to be addressed that they pick on women, the typical white American male, typical American lifestyle, African-American people, English people, homosexual people… and so on.

But yeah, if you feel hurt or offended by a stereotypical portrayal of a group or community you belong to or that you feel strongly about, you probably shouldn’t watch it. However, I think it’s good to make fun of yourself and not take it so seriously sometimes. As Macfarlane put it; “”Family Guy likes to hold a mirror up to society and say, ‘Society, you’re ugly.'” and sometimes you may not like what you see!

As I was doing the vacuuming just now, I was thinking about why I like Family Guy‘s humour, and I concluded that I like how it is smart and shocking. I mean, Family Guy is the only cartoon I’ve seen that includes scenes from war and major events that have shaped society for the worse and turned it on its head to make it… well, funny. That sounds so mean saying that… But that’s what sets the series apart; they go where no other cartoon has gone. And they’ve paid for it – being cancelled twice!

They parody songs, popular sayings, celebrities and other cartoons (such as The Simpsons… And how it’s not been funny since you were 13 – sad but true).

They say what you’ve always thought, but were too polite (or conservative) to say. They use the timing of gags and jokes to their absolute advantage until the only reason something is funny is because of how long the scene has been going on for.

I think we should lighten up. Really. And if you don’t like it, don’t watch it because it’s not hurting anybody. It’s not like factory farming where farmers can say; “if you don’t agree with how the animals are raised, don’t buy it” because although you would be boycotting the company, the animals would continue to be living barbaric conditions.

What I’m saying is, that Family Guy is not a practice that inflicts torture on others for an individual’s gain or does anything similarly evil to others.

I don’t believe violent video games or cartoons make innocent people murderers or that they give anybody ideas to copy what a character did. So, no I really don’t think Family Guy is damaging our society and doesn’t set out to offend people. I think it’s a really smart cartoon made by extremely talented people who look like they have so much fun!

But hey, that’s just me.

Jodie.

Public Enemies

Director: Michael Mann
Writer: Michael Mann, Ronan Bennett and Ann Biderman
Released: 2009
Starring: Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup, Stephen Dorff, Stephen Lang
—

After reading the blurb on the back of the $9.99 DVD I was preparing myself for a mind-numbing 143 minutes of car chases and gunfire. With such an instant dislike you may wonder why I bothered rescuing this film from the bargain bin. Well, I put my faith in Johnny Depp’s reputation of being in the best of films.

Three words; Way. Friggin’. Cool. The car chases were not boring (possibly for the simple reason that the 1930s cars are wicked!) and the gun fire had consequences. i.e. it wasn’t random gunfire for the most part – some bullets did actually collide with people or surroundings, which is always a bonus.

John Dillinger mug shot — The real John Dillinger

Public Enemies is a true account of John Dillinger’s (Depp) bank robberies, successes and being on the constant run from the cops during the depression of 1933-34. Despite it being rather difficult to distinguish many of the male characters during the dimmer scenes due to their very similar wardrobe, the characters were pretty well rounded and before you knew it, you were rooting for the ‘baddies’. You know the writers and film makers have done their job when you end up supporting the murdering protagonists. It’s like Dillinger is perceived as a superhero villain/rock star… He’s the dark superstar of the 1930s.

This action thriller is fantastic because it did happen which makes all of the gasping and gob-smacking moments even more appropriate. However, after doing about ten-minutes worth of research after watching the film, I realised that they embellished the love-interest and missed out the hugest mystery of all; the question mark over Dillinger’s death!

Apparently there was a look alike named Jimmy Lawrence who was a petty thief who became Dillinger’s alias in Chicago, and because John Dillinger burned his fingers with acid to remove his fingerprints, the post-mortem was inconclusive despite the FBI closing the case – possibly to save any more embarrassment in relation to the long chase. I think they should have included that, and laid off on the love interest of Billie Frechette (Marion Cotillard) a tad.

The filming and lighting was FANTASTIC! It was mostly hand-held with slow motion shots that made chills go down your spine and incredible shadows which created the entire mood.

“What keeps you up at night?”
“Coffee”

Jodie’s rating: 7.5/10

Cloudy With a Chance of Meatballs

Directors: Phil Lord and Christopher Miller
Writers: Phil Lord and Christopher Miller (screenplay), Judi and Ron Barrett (story)
Released: 2009
Starring: Bill Hader, Anna Faris, James Caan, Andy Samberg, Bruce Campbell, Bobb’e J. Thompson, Mr. T, Benjamin Bratt, Neil Patrick Harris
—

Animated films have been growing in popularity because of the flexibility and ability to create elaborate sets. Fantastic films have been made thanks to the advanced technology now available from Toy Story 3 to Megamind to this film; Cloudy with a Chance of Meatballs.

Bill_Hader_in_Cloudy I was skeptical at first as it seemed like a silly and random storyline. However, after watching it from start to finish I found that the humour was similar to that of Megamind (one of my favourite animations) and the fantasy element like the 2009 animation Coraline.

It was the crazy gestures and facial expressions which I thought was the funniest element. Particularly the main character’s father who simply had a monobrow, a nose and a mustache. The creativity was pretty awesome in regards to the natural disasters formed by food, as well as the colour and realistic food which made me want to eat a hamburger so badly (despite being a vegetarian, so that shows how far graphics have come these days!). cloudywithachanceofmeatballs-sequel

Typically there are mostly stereotyped characters, but that wasn’t really a surprise for a film which is targeting a younger audience. Having said that, these animations (with Toy Story 3 in mind) aren’t boring for the older viewers – cartoons are not just for kids any more.

cloudy It was a simple storyline, however. Despite me trying to look deeper – perhaps it’s a stab at genetic modification or corporations wanting to rule the world or global warming – I found it lacked substance. Plus, the ‘absolute low’ in this film lasted as long as a blink. Not very much suspense at all. Perhaps it really was just a film with a tired moral of “not giving up on your dreams”… *sigh*

Cloudy-With-a-Chance It’s an easy-to watch film which is pretty funny (not as funny as Megamind) and fantastical (not as fantastical as Coraline) with a typical “they all lived happily ever after” ending.

Somewhat disappointing but perhaps my hopes were too high.

Jodie’s rating: 6.5/10

Harry Potter and the Deathly Hallows Part 2 [SPOILER]

[SPOILER]

Director: David Yates
Writer: J.K Rowling
Released: 2011
Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Robbie Coltrane, Warwick Davis, Ralph Fiennes, Michael Gambon, John Hurt, Jason Isaacs, Gary Oldman, Alan Rickman, Maggie Smith, David Thewlis, Julie Walters
—

Not a moment to rest! This really is a second part, as in, it can’t really stand alone. If you consider it as a film separate to the first, you may feel exhausted by the constant running and relentless fighting. However, it really is more that that.

It is the final of a ten year long series and the conclusion to the first Deathly Hallows. It’s less mystery and more confrontation. We discover who really is on the bad side and who was betrayed by who.

harrypotter4

Wow! So it really is the end. No more questions and a whole lot of wand-throwing and Star Wars-like action!

The final scene is cringe-worthy… I really don’t think it was necessary to show the next generation of the three characters. The best ending would have been where Harry, Hermione and Ron walk away from the ruins of Hogworts… not the barely-old-enough-to-have-children threesome back at the station… It’s too unbelievable – a little facial hair and older clothing doesn’t add ten years, I’m afraid.

dh2-epilogue1 Also, the part where Harry dies and goes to a heaven-like state did not quite sit quite right with me either. Or perhaps I’m just not into the sappy, sentimental shenanigans…. However, I am not disappointed. Because it is the second of two parts; not an isolated film.

Harry Potter and the Deathly Hallows: Part I Helena Bonham-Carter’s performance made it exponentially awesome – as per usual – playing Bellatrix who is a manically dangerous but feminine killer. So cool. This film is just as dark as the previous, but more of an action than a mystery with the equally fantastic cast and crew who have created another whopper. Technically incredible, of course.

It’s an end of an era, and for the people who were young enough and old enough to grow up with these characters I’m sure you’ll feel a weird sadness now that the series has ended, too.

A great finale, nevertheless.

Jodie’s rating: 7/10

Harry Potter and the Deathly Hallows Part 1

Director: David Yates
Writer: J.K Rowling
Released: 2010
Starring: Daniel Radcliffe, Rupert Grint, Emma Watson, Helena Bonham Carter, Maggie Smith, Robbie Coltrane, Warwick Davis, Ralph Fiennes, Michael Gambon, Brendan Gleeson, Richard Griffiths, John Hurt, Jason Isaacs, Alan Rickman, Fiona Shaw, Timothy Spall, Imelda Staunton, David Thewlis, Julie Walters
—

What a fantastic film! But of course I would say that; it’s based around time travel. So if you enjoyed the Prisoner of Azkaban, you’ll enjoy this.

Every Potter film before this has been increasingly dark – this is no exception – it is evil and horrific as we continue our ten year journey with Harry potter in order to defeat Lord Voldemort and we are almost at the final fight.

Harry-Potter-and-the-Deathly-Hallows-a

This film is getting closer and closer to the muggle world as the famous three have more dealings with people outside of Hogworts. Despite it’s scary themes and shocking circumstances, it certainly doesn’t lack its tension-diffusing humour.

Particularly within the first chapter where everybody who’s helping to protect Harry takes Polyjuice potion enabling everyone in the room to look identical to Harry – a very clever and interesting behind-the-scenes piece regarding how they did this scene on the double disc version.

There are sudden deaths which may be disappointing for some fans, but the challenges and interdependence you discover between the main characters makes the story deeper and less about Harry. It’s a journey of discovery in more ways than geographically. As we flit from place to place we meet more and more people, unable of who to trust.

Ron-and-Hermione-Deathly-Hallows-Part1-romione-15280646-1350-939 I’m still not convinced about the unorthodox chemistry between Harry and Ron’s sister, Ginny. No matter how many movies, it just doesn’t work for me… However, Ron and Hermione have a more realistic relationship including somewhat hilarious disagreements.

Not long ago I reminisced and watched the first Potter film. It was then that I realised how far we had come technology-wise and this series has documented it.

HarryPotter_DH_Animated_Scene Deathly Hallows has spectacular audio and music as well as flawlessly creepy flashbacks. My favourite scene is when Hermione tells the story of the Deathly Hallows and the relevance of the Elder Wand, Resurrection Stone and Invisibility Cloak. It is so cool – like you’re in the room listening to harry-potter-and-the-deathly-hallows-part-1-373-8756 it, it’s the atmosphere of the film that makes it so real.

This is my favourite film of the series. By far. It is the mystery and the huge journey we go on emotionally and geographically, yet somehow it doesn’t seem so far fetched. A very exciting, yet occasionally humourous watch!

Jodie’s rating: 9/10

Back to the Future III

Back-to-the-Future-Part-III Director: Robert Zemeckis
Writers: Robert Zemeckis and Bob Gale
Released: 1990
Starring: Michael J. Fox, Christopher Lloyd, Mary Steenburgen, Thomas F. Wilson, Lea Thompson
—

Awesome – as per usual.

In this epic finale, we are thrown back to the old west! 1885 to be exact, where Doc is now trapped but “happy”. However, since receiving this letter (which was handed down through the postal service for many years) Marty had found Doc’s (of 1885) grave – he was shot by Biff’s great grandfather only six days after writing the letter. So he goes back to save him.

tumblr_m8ql4bRZGJ1qgpa6xo1_1280 — Meeting the ancestors. Looking familiar..?

Wow! Another complex storyline, is it not? In a totally awesome way of course!! This is the crazy world of the 1800s – every man for himself – Marty turns up, meets his ancestors and hitches a ride to the local town where he finds Doc as a blacksmith and explains to him of his untimely death.

The sets are fantastic! With beautiful horses and incredible stunts, too. This is a romantic tale with a rough exterior where we try to get back to the future with Doc – with some help of a train. Although, of course, not everything quite goes to plan…

09_bttf-3

I really enjoyed the final of the series because it was back in the past which is always more accurate and a plot is much more easily structured upon real events creating the humour of certain minor changes in American history.

I never doubted Robert Zemeckis’ films, and I never thought he would make terrible sequels which is usually what happens or is expected. This is another exciting journey with a satisfying ending to the fantastical trilogy.

Jodie’s rating: 8/10
Check out my review of the sequels: Back to the Future I and Back to the Future II

Back to the Future II

Back to the FUture II

Director: Robert Zemeckis
Writers: Robert Zemeckis and Bob Gale
Released: 1989
Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson
—

Well, we went to the recent past of 1985 in the last movie so it’s only logical to go to the future of 1985 in the sequel! We go to 2015 where the cars are flying and instead of skateboards, we have hover boards… Doesn’t seem quite so realistic now that 2015 is just around the corner! You scientist better get on to it. We’re going to be disappointed if we don’t have our flying cars and hover boards by 2015…

back_to_the_future_part_2_1989_685x385 “Roads? Where we’re going, we don’t need roads….” We go to the future with Marty (Micheal J. Fox), Doc (Christopher Lloyd) and Marty’s girlfriend Jennifer (Elizabeth Shue) because Doc is concerned that their son will be framed by the grandson of Biff (Thomas F. Wilson), Marty’s high school bully.

back-to-the-future-2_b — Recognise a certain somebody from *Titanic*? Billy Zane’s (front left) first job was playing one of the bullies in *Back to the Future*!

Whilst there, Marty buys a magazine that recorded the results of every major sport of 1985 making betting a breeze. Unfortunately, he leaves it laying around for it to land in the wrong hands – Biff’s – who steals the time machine and creates an alternate 2015! So Doc and Marty have to save the McFlys as well as going back to 1955 to prevent Biff giving the magazine to his younger self who would create the evil alternate era!! Pheph! This is a much more scary and shocking film than the more lighthearted last, but still very exciting.

BTTF2 This dark film exposes the full extent of the dangers of time travel as Marty finds his father’s grave and his mother married to Biff in the alternate 1985. There’s a lot of gun action and accurately predicts the rise of corporations ruling the world (Biff’s company owning the police force) and everybody’s infatuation with money. It’s a massive flip-side to the innocent times of the previous film which is unexpected.

I preferred the colourful times of 1955 of Back to the Future I. However, this is still a very enjoyable film! Particularly the epic music by Alan Silvestri – equally as great as the previous film.

Jodie’s rating: 7.5/10
Check out my review of the sequels: Back to the Future I and Back to the Future III

Back to the Future I

back-future

Director: Robert Zemeckis
Writer: Robert Zemeckis and Bob Gale
Released: 1985
Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover
—

The first of the Back to the Future trilogy is a mind-blowing and exciting science fiction adventure. About 17 year-old Marty McFly (convincingly played by a 24 year old Michael J. Fox) who finds himself in ‘Doc’s’ (Christopher Lloyd) unreliable Delorean time machine and is whizzed back to the year 1955, unable to return.

I loved how you really had to think about where you were and who certain people were in relation to Marty’s life back in 1985 – such as meeting his Uncle “Jailbird Joey” who never seems to want to leave the bars of his play pen, when in the future, he never seems to get out of jail!

Unfortunately, Marty makes too much of an impression in 1955 and accidentally attracts a little too much attention from his future mother, Lorraine Baines, (Lea Thompson) – endangering his very existence!

Back-to-the-Future-One-of-the-best-movie-series-of-all-time-michael-j-fox-21003788-1280-688 As we are trapped in the fifties, we see the repetitive nature of the McFlys and how each generation get bullied by the same family of Marty’s bully as well as the lack of self-confidence carried from father to son in the McFly family. This structured life brings out the irony and humour of the story.

marty.doc02 So while he is stuck in the fifties he finds the Doc from that era to help try find another fuel to get the usually nuclear-run time machine back to the eighties! All at the same time, trying to get his future parents to meet and fall in love whilst trying to get back to the future! It’s such an exciting and fun film which looks very well made for its time.

The music is probably my favourite aspect of the film – simply because I’m a sucker for 50s music and that era. The best version I’ve heard of “Earth Angel” (originally released by The Penguins) was in this film sung by Marvin Berry and the Starlighters – it was way cool! But not as cool as Marty’s rocking version of Chuck Berry’s “Johnny B. Goode”! Music really sets each time era and helps you keep track of where the characters are from and where they are now.

THIS FOLLOWING CLIP MAY BE A SPOILER
Do not watch this following clip if you have not seen the film before.

I love Robert Zemeckis’ movies from Forrest Gump to the Polar Express and A Christmas Carol and the Back to the Future trilogy is way up there too! He has always made meaningful and incredible films which always show off his talent.

back-to-the-future

If you love timetravel or great music, this fun and easy-to-watch classic will never get old!
Look out for the sequel!!

Jodie’s rating: 8.5/10
Check out my review of the sequels: Back to the Future ll and Back to the Future lll

Sherlock Holmes – A Game of Shadows

Director: Guy Ritchie
Writers: Kieran Mulroney and Michele Mulroney
Released: 2011
Starring: Robert Downey Jr, Jude Law, Rachel McAdams, Noomi Rapace, Stephen Fry
—

Well, it’s all peaches and gravy in this corner. (Unlike NZ’s major film critic, Kate Rodger, with her surprising 2/5 rating) However, I thought this film was a fantastic sequel to the flawless first Sherlock Holmes‘ film!

What I liked in particular was the continuity between the two films, unlike the Twilight Saga and Harry Potter series which are all directed by different people each time, subsequently creating very different looks per film. I think that the continuity was mistaken as the Sherlock movies being “exactly the same”, but I strongly disagree as it keeps a regular tone.

Oh. My God. The COOLEST scene EVER was when Holmes and Watson were running through a dark forest being shot at, and it was all in slow motion with close ups of the bullets shattering tree trunks and bombs blowing up soil which was so pin-sharp I could see a bit of dirt fall in Robert Downey Junior’s eye!

I did think this scene looked an awful lot like the running-through-forest scene of Harry Potter and the Deathly Hallows Part 1…

Sherlock Holmes forest scene:

Harry Potter forest scene:

The major difference between this Holmes film and the last is the absolute hilarity of the second! It became like a black comedy/action film. My favourite parts being when Sherlock Holmes creates lycra-like suits with various patterns such as a wooden print or the same pattern as a chair which allows him to literally blend into the furniture around the house.

A Game of Shadows showed the relation to James Bond films, due to the amount of ammunition and shooting scenes, which became a tad boring after a while. I think some of it could have been cut to make the 2.5hr movie a tad leaner.

You see a lot of the world in this film too. From London to France to Switzerland – you see the whole kit and caboodle – way cool. Way cool.

Guy Ritchie’s style was clearly carried through to the sequel. Everything we loved, such as the slow motion and pre-planned fights Holmes talks us through. Love it.

Not to give anything specific away, but the fate of a certain character was disappointing, and I don’t think it should have panned out the way it did. It goes against the genre’s structure. But, at least it’s original.

Fantastic film – just like the first!! How the ratings are so low, I really do not know.

Jodie’s rating: 9.5/10

Juno

Director: Jason Reitman
Writer: Diablo Cody
Released: December 2007
Starring: Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney, J. K. Simmons
—

Holy crap, if you haven’t seen this, you are seriously deprived of life. Likewise, if you saw it and didn’t like it, you have been shunned.

juno-bleeker-juno-2098226-1024-576 However, I saw it. Then I saw it again. Then I purchased the DVD with my hard-earned pennies and enjoyed it a whole lot more. Juno is more than just a “comedy drama” as Wikipedia so conservatively stated. It is the hilarious and refreshing story of a typical teenager, Juno McGuff (Ellen Page), and her slight mishap of falling pregnant by the introverted and slightly cheesy Paulie Bleaker (Michael Cera).

It is a movie like no other… It may be distantly related humour-wise to the likes of Little Miss Sunshine (another film dear to me), but its use of language and musty image wreaks of painfully ordinary and very relatable environments.

juno bren mac Juno is a fantastic movie because it has a serious undertone blended with the raw and in-your-face snarky remarks of the teen characters. It’s a story of family, essentially. The relationship between parents and children, divorce and innocence, as well as the relationship – or lack of – between generations. Juno’s love of rock n roll and horrors from the 70s, and the longing for youth that some of the adult characters experience.

The humour is split down the middle; the adults of the audience will laugh at the parent’s reactions and the teens of the audience will be quoting McGuff for the next few months. It’s not a vile rom-com or on par with “Knocked Up”, it’s emotionally deeper than those one-hit-wonders.

The writer, Diablo Cody, was a blogger, that’s how she was approached by a film producer and asked to write a script. She came up with Juno. The shocking dialogue sometimes provokes nervous laughter, or may be tear jerking or blatant Laugh-Out-Loud material! It’s quite an intricate script which essentially follows the awkward storyline of Juno McGuff as well as the adoptive parents that “June-Bug” picks out (who’s marriage is subsequently on the rocks).

The first thing I had to do after seeing this film was to buy the DVD. The second thing I had to do was buy the soundtrack. The tracks are just as quirky as the film, particularly Kimya Dawson’s many songs and instrumentals that made the final cut. They go very well with the feel of Juno, particularly the bluntness of the protagonist.

Reitman’s dedication and patience is obvious when you see the clearly painstakingly long time it would have taken to create the intro – it was worked on from the beginning of the shoot to the very first viewing, nevertheless, worthwhile. The shots are mostly static.

ellen-page-j-k-simmons-fox-searchlights-juno-970464168 It’s all in the lighting and seventies colour scheme of clashing reds, oranges and browns with knitted-looking clothing and dated throws on furniture. Reitman’s work reminds me of Edgar Wright’s (Shaun of the Dead, Hot Fuzz…) approach to filming. You can tell it’s an off-beat approach somehow, yet refreshingly upbeat and incredibly honest.

It’s not a fast-paced movie anyway, but I think the montage scene I found on the DVD extras was something that would have kept up the pace… Although it may have detracted from the overall emotion of the film, so in the end the scene’s absence was a blessing in disguise, even if it did tie a ball and chain to the overall pace.

Still one of my favourite films even after all these years.

Jodie’s rating: 8.5/10

The King’s Speech

Director: Tom Hooper
Writer: David Seidler
Released: January 2011
Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce, Timothy Spall, Derek Jacobi, Jennifer Ehle, Michael Gambon
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Nominated for 14 BAFTAs and the winner of 12 Academy Awards, this incredibly triumphing story of King George VI (Colin Firth) has earned every award it has been given hands down.

the-kings-speech The King’s Speech is the account of King George VI, who is forced to overcome his debilitating speech impediment to reach his full potential as a strong ruler which he becomes by default due to his Father’s death, King George V (Sir Michael John Gambon) and the resignation of his brother, King Edward VIII (Guy Pearce). Despite the premise of this film sounding as if it may become a repetitive and stationary story of pure frustration and despair, The King’s Speech was actually an incredible journey of expectation, victory and unity.

The-Kings-Speech After countless ‘royalty approved’ doctors, they were about to give up when Queen Elizabeth (Helena Bonham Carter) found Lionel Logue (Geoffrey Rush). This begins the strong friendship created between the King and his unlikely acquaintance as well as the trust that has to be built between patient and doctor. The humourous, innovative methods and remarkable outcomes of the pair are inspirational and uplifting.

thekingsspeechhigh-res1 The cast for this movie was not short of perfect. Colin Firth is the protagonist who became the stuttering King George VI convincingly. He shows that he is a versatile actor who is capable of mastering any genre – from Bridget Jones’ Diary to The King’s Speech.
Queen Elizabeth is played by the eccentric and off-beat actress Helena Bonham-Carter who pulls off the composed and stately Queen (very unsurprisingly) faultlessly.

The award-winning Timothy Spall portrays Winston Churchill exactly how I would expect him to play any of his characters; with skill and completely believably.
The hero of the film is Lionel Logue, an “average Joe” in comparison to his patient of Royalty. Logue is played by Geoffrey Rush who surprises the King by his informal approach to speech exercises. Yet, after much deliberation from the King, he creates the casual and relaxed environment for the stuttering King to learn in without feeling superior.

kings-speech-trailer Tom Hooper shows himself to be quite a genius director. The composition of each shot supports the feelings of the King. With the claustrophobic feel of the environment when he is unable to communicate what he needs to say as well as the unsupportive feel of large and empty rooms. Warm and quality lighting creates the atmosphere of being in the presence of Royalty, contrasting the cold, dim, dark glow of the London streets.

kings-speech-movie This is wonderfully layered film which allows viewers to look into it as deep as they like. Therefore, the second and third viewing is as enjoyable as the first. The King’s Speech is a fantastically made film with every shot perfectly composed and every scene well constructed – this really is a motion picture suitable for anybody old enough to appreciate it.

There is no action or speed chases, but the inclination of tension and nerves kept me in the moment. This narrows the audience that this film may appeal to. However, I think that anybody who has the capability to appreciate triumph and success from shear hard work and determination will value this historical journey. I can guarantee that anyone who sees The King’s Speech will be able to take something away from it.

Jodie’s rating: 9/10

Inception

Director: Christopher Nolan
Writer: Christopher Nolan
Released: 2010
Starring: Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Cillian Murphy, Tom Berenger, Michael Caine
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Wow! If you liked the Matrix you’ll like this!

A mind-twisting film which demands the full attention of viewers as it’s not an ‘easy watch’. By that, I mean that a passive audience is not going to be handed the complex idea of dream inception and deep characters on a platter.

Dom Cobb (Leonardo DiCaprio) is the primary dreamer or extractor hired by a corporation-owner, Mr Saito (Ken Watanabe) to plant a lucrative idea into Robert Michael Fischer’s (Cillian Murphey) mind via a dream. This is to encourage him to decide to break up the energy conglomerate which he recently inherited to make way for Saito’s company.

inception_luciddreaming

Despite this not being an easy task. But to add to the challenge, Cobb’s late wife invades the dreams, potentially sabotaging the entire job and putting the dreamers (including Joseph Gordan-Levitt and Ellen Page) in fatal danger. This is because dying in a “dream within a dream” will not wake them up, but send them into limbo which is basically no-man’s land for what seems like an eternity.

That was a mouthful!

This epic film is a James Bond action meets Matrix science fiction meets a totally unique twist of a psychological thriller, which incorporates the modern fear of privacy invasion and increasing reality that companies have the most power.

With so much going on and so much to think about during the movie, the two and a half hours whizz by.

My favourite scene would have to be the parallel storyline of the van that is driving the unconscious dreamers, with the storyline of the conscious dreamers within somebody else’s dream. (Yes, it’s difficult to explain).

It’s the fast-paced dream versus the slow motion van that explains the time difference between dreaming and real life.

The count-down begins as the slow motion van is driven off of the bridge and the dreamers need to accomplish the mission and wake up before their physical selves drown in the van. It’s so intense!

The cliff-hanger ending leaves much debate between viewers – so after much philosophical thinking, logical analysis and heated debates with friends, you would be back in the cinema for a second viewing or buying the special edition DVD from the nearest store.

The devoted and flabbergasted viewers will find themselves questioning how they come to certain decisions (are we in a dream?) in the same way the Matrix promoted questions of fiction and reality (is this world physically real?). In the same way as Sims players question if somebody is playing our lives out.

Of course, different people take away very different things from this movie. The most popular comment being “I don’t get it.”

INCEPTION. With a stream of shallow chick flicks and rom-coms, Inception was a breath of fresh air for those who enjoy a bit of an “epic”.

Of course, the film and talented cast is not all that creates such a movie – Hans Zimmer’s haunting scores were essentially what gives you chills!

Not forgetting the song that was the cue for the dreamers to wake up in the film (and is everybody’s alarm clock sound now) – Non, Je Ne Regrette Rein sung by Edith Piaf. It stirs emotions of apprehension and nostalgia in the audience which is parallel with the characters’.

I’m sure you can tell that I am an Inception fan, but I have to say that such a long and complicated film has less entertainment value by the third or fourth viewing.

However, it’s a “must have” for all dedicated DVD collectors or movie-making enthusiasts.

Even if it is a DVD that is not watched frequently, it’s a film that will always spark conversation and is kept handy for casual social viewing for a wide audience.

Jodie’s rating: 8.5/10