After reading a bit about the background, I found the short-and-sweet episodes to be easily digestible.
It is a popular underground web-series about a New York woman surrounded by ‘crackpot relatives’.
The episode I watched was quirky and weird, but almost to the point of being cringe-worthy. The characters were theatrical and outrageous – certainly made for the stage.
It is, however, created by several accomplished writers, directors and actors, particularly with Sundance Film Competitions on their CV.
Although this webcom is not my cup of tea, I can appreciate the amount of work that must go into these weekly episodes. What dedication to make it to their third season of the show, raising over $20,000 to fund it! Plus, the bravery and perfectionism they have to change the actor playing the main character three times during the series.
A very specific kind of humour which I may be missing because of my lack of American culture. But worth a look!
Jodie.
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This is a soulful and soft number with talented singer, Jen Hannah.
I can see this song being used on a film actually. Although a tad slow and with repetitive lyrics, I certainly feel the overall emotion and idea of the song has impact. It would support a romantic-comedy, after the ‘crisis’ and during ‘turning point’.
I really enjoy the violin in this song, it binds the whole composition together. The piano is a perfect choice too.
A “primarily self-taught musician”, Jen Hannah is a fantastic singer and deserves much success.
A beautifully composed song for easy-listening, like Norah Jones, Brooke Fraser Kate Bush or Bic Runga.
Check out Breathe and Jen Hannah’s many other tracks on her website HERE.
Flo-Rida’s cover of Dead or Alive’s 1980 dance-floor filler You Spin Me Round (Like a Record), was pretty good – a modern take on a high energy crowd-pleaser. Flo-Rida’s version was a new take on this club classic.
The original was featured on the fun ’80s-based film, The Wedding Singer, and the cover featured on Pitch Perfect. (Both versions were very well utilised in these comedies.)
But Thomas Sturges’ remix of what was a fantastic rendition of a great song, and has put a whole new spin on it.
His dub-step / club version has taken the song in a different direction. His remix of Flo-Rida’s track should be released by the singer’s label. Yes, it’s that good. I reckon it’s much better than Flo-Rida’s version.
Thomas Sturges has, with this remix, proved himself to be a music producer.
In his mix you can hear Flo-Rida’s unmistakable vocals, but instead of a ramble of words, it has become an echoed and vibrant verse.
I can’t fathom how Sturges actually achieved his remix. It must have taken hours. I wouldn’t be surprised if his version gets snapped up by a record company.
Making a feature-length long film is not easy. The amount of organisation, preparation and dedication put into this independent film, Beer & Seed, does not go unnoticed.
Accomplishing all these things on a budget only makes it more difficult; the cast and crew deserve immense credit.
Beer & Seed is well shot, well lit and well framed. However, the acting is sometimes wooden which lets down the feel of the film somewhat.
Many of the characters are college students. who are portrayed as one broad stereotype; undedicated drug-taking drinkers. Although the opportunity for character development was skimmed over, it was comedic nevertheless.
The dark themes, the basic sets and the static shots created a stage-play look which worked well.
Although I do think a ‘mockumentary’ style would have done wonders – using the rough look of the filming to its absolute advantage.
Beer & Seed reflects a team of creative and dedicated filmmakers.
Quirky and entertaining, although certainly a ‘seedy’ storyline.
Worth a watch! Check them out at their website here or rent/purchase the film on Amazon.
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Matthiew Klinck follows his brother, David, throughout his day-to-day life in Guangzhou, China. The culture shock is evident, but with a twist.
David is an English language teacher, so not only does the documentary follow the Westerners learning the Chinese culture, but the Chinese students learning the Western culture.
This documentary is upbeat and exciting; a totally different angle on the interaction between Western and Chinese cultures. The environmental hazards, work ethic and business dealings highlights the divide between East and West.
English teacher, David, and his Chinese girlfriend
David and his girlfriend run their own English language company, but when David’s not teaching he’s recording an album with a group of friends. The documentary follows the band as they get an investor, before creative and business priorities begin to clash. These ‘characters’ aren’t quite expanded on enough though, making them seem quite harsh and hard to relate to.
There are a few parts where I think the editing could have been snappier, with a faster pace because it begins to look like a home movie. If this was to be aired on television, a re-edit would probably be needed with an obvious climax and resolution to make the footage have a larger impact.
Marketing and branding needs to be worked on. The title, My Brother Lives in China could be made more catchy. The backwards ‘N’ on the poster does make it look like the film is based in Russia, so perhaps the presentation of the poster could be revised.
The entire movie soundtrack is made up of the band’s music which fits so perfectly! The band, Tomorrow Is No, represents the perfect mix of Chinese and Western cultures in a pop-rock genre really well. Fantastic voice-overs!
The visuals are superbly filmed, particularly in the light-deficient areas.
Overall, a decent watch! I enjoyed seeing a different side to intercultural communication. I think this film is just shy of a seven. It is a great concept, but a faster paced version would pick up the slower points.
Well done to the filmmaker, Matthiew Klinck! Sincerely hope you get funding for the sequel.
Jodie’s rating: 6.5/10
Check out the documentary, My Brother Lives in ChinaHERE
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If you’re in to old school country/rock ‘n’ roll, I think you’ll be interested in this band.
Billy Roberts and the Rough Riders certainly have a similar style of writing as the likes of Johnny Cash – and I’m a sucker for Johnny Cash songs!
The beginning of No More Mr Nice Guy has a spine-tingling harmonica and a wicked steel guitar. So awesome! My favourite part is probably the bluesy piano though.
The vocals are a little flat, making the singer sound bored. It would be great to pick up the energy for this folky genre, a genre that is great to get up and dance to. The drums sound a little too mechanical for the genre as well – we need a bit more improv!
I say ‘well done’ for completing these decent tunes. If the band sounds like they’re enjoying their music, so will others. A more casual approach would perfect this band. I’m very pleased to be introduced to this band’s music!
Jodie.
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I was talking to my hairdresser about how tired I am with the monotonous pop songs and icons who are thrown into the spotlight until they’re wrung dry, with their music played relentlessly on the radio. We both mentioned some artists we enjoy who are quite underground in the music scene, who we hoped to hear more from in popular culture.
Any artist who goes out of their way to sound different should be applauded. It is certainly difficult to break away from the mold, and I think along with many other indie/alternative artists, Claus Zinger is doing it.
His sound is original, with inspiration from his homeland, Israel, branching into a rock/electro sound. If I had to make a similarity, it would be to Nick Cave. They both have a raw, rough sound which is a great change of pace.
His songs are typically about despair, about “the pain attached to the essence of the world, which cannot be ignored.”
My favourite of the songs I have heard of his is “Last Night”. Reading the lyrics along with the song makes it very powerful. The strings and piano are solid, creating impact and sorrow, with the drums picking up the pace.
The layered vocals can be almost distressing because of the heaviness of it. But his voice is certainly distinctive.
I say good on him! Claus Zinger is doing his own thing. His music is powerful, emotional and original. I hope to hear more from him, and others like him.
I wondered what I was going to be watching when I first saw it actually…
This short film is about a man who calls a lock smith to get him out of a compromising situation.
It is tastefully done and leaves most of it to the imagination – making a bigger impact! The clever thing about the film is that it is based in one room with only two characters and no music, yet it still tells a convincing story.
It will be interesting to see the final cut, so that I could comment on the lighting and audio. But certainly a solid effort was put into acting a scripting with clear morals.
It’s an interesting concept made simple and entertaining – I’m very keen to see the final cut!
I was lucky enough to see the rough cut, but if you are keen to take a look, keep up to date with their progress on their Facebook page: www.facebook.com/lockedmovie
Hurricane is the second song I have reviewed of Junior Turner’s – the first being Natural and Nice.
This is a country-pop sounding song with upbeat melodies. It’s really quite inspirational-sounding!
In my last review for Junior Turner’s song, I said his voice sounds “like David Bowie mixed with Robbie Williams”, but I can hear Nick Cave in this one! Pretty cool.
This song has been fantastically recorded and produced – a very clear and professional sound.
A solid beat with great vocal harmonies between the singers. Hurricane is an easy listening song, bound to please many listeners.
A digital version of this song will be available on iTunes, Amazon & Play.com on September 27th, 2013.