Director: Frank Coraci Writer: Tim Herlihy Released: February 1998 Starring: Adam Sandler, Drew Barrymore and Christine Taylor
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This film is the eighties equivalent of the sixties-based The Boat That Rocked, so it is very funny and has an awesome soundtrack!
Adam Sandler plays Robbie Hart the wedding singer who is very talented and loves his job until he loses faith in love. ‘Love Stinks’ is probably the most memorable song in the entire movie, which is covered by Sandler who has a surprisingly good voice!
The Love Stinks scene is my favourite scene, not because he is at the depths of heartbreak, but because his anger becomes pretty hilarious…
I think if Sandler had carried on doing the more tasteful films like The Wedding Singer, I would be a fan of more of his movies… It’s a shame that this is the only film I own with him in it.
Julia is the sweet girl-next-door type played by Drew Barrymore. Julia is such a cool character who is marrying the wrong guy; Glenn Gulia who is arrogant and rude.
That is until she starts “spending more time with this other man… Robbie Hart” who is, to her mother’s disappointment just “the wedding singer”.
Drew Barrymore has never looked more innocent with short blonde hair, this character shows her versatility as an actress since I always imagine her to be a bolshy and over-confident person in real life.
This film is probably my favourite rom-com of all time because it has a dry sense of humour, but above all it has a soundtrack that I absolutely love! Literally the best of the eighties.
Like all classic rom-coms, stereotypes and inevitable story lines fall into place, but the incredibly accurate fashion trends and set designs – at the very least – will keep you entertained and/or reminiscing!
I am now on the hunt for blue mascara…
Jodie’s rating: 8/10
2nd June: Yes, I take every opportunity to celebrate the survival of my blog – let’s just be thankful that I’m not doing one every month… But I won’t make any promises.
So thank you for all of your support! Especially America; you guys are always reading my blog. New Zealand… I am ashamed. You’re like… Sixth on the “countries that read my blog often” list. Jeez!! Thanks a lot. I was hoping to be a Kiwi icon along with the All Blacks, Pavalova and Marmite.
…You guys would call me “our Kiwi film freak”. But then Australia would try to steel me like they tried with the Pineapple Lumps. So then both countries would fight over my personal items between the museums… Ah… I could go on…
But I won’t.
Thank you, thank you, thank you! Please continue to comment, too!! I love reading the comments. Especially the criticism. I find it very entertaining. Sure, I cry inside. But, it is still very exciting to read. I shall continue to approve your criticising comments.
Unless they’re really pointless like that dude who wrote a comment saying “Harry Potter sucks” about 200 times… Yeah… Nah. I did not approve that. Because if you really hated Harry, you wouldn’t have wasted about 5 minutes of your life telling me so… THRICE! So go tell J.K Rowling. I just write about the films… But I still laughed out loud so all good! :-D
You may have noticed that we have extended my menu of film reviews, political rants and random thoughts with ‘cool-ass songs’. Yay! I hope you enjoy.
I adore this song – it’s relaxing and very reflective of the 1940’s sound.
This song is used in The Notebook as a very romantic song, yet also in Misery as an uneasy tune. It just has a feel about it that fits for the two opposing genre of film, which is unusual.
I hope you enjoy listening, singing and dancing to it as much as I do!
Do you want to be inspired? Lifted up? Be given a ray of hope?
Do you want to hear one of the best protest songs ever written..?
Well. This is it. This is the key to your hopes and dreams. Bob Dylan’s song is like Imagine by John Lennon and Blowin’ In The Wind by Joan Baez combined. Just as inspiring, just as awesome, just as timeless.
Depending on what mood you are in, this song could make you just totally despise what our world has come to, and make you want to make your own protest outside parliament listing all the reasons that you hate their selfish ways and that you are finally fed up with feeling fristrated and powerless against their blatant lies and flip-flops.
OR
You could feel at peace knowing that times really are changing, and that the great peace warriors are on your side.
Actually, I decided to liberate your minds with this song because Michael Moore covered it for the Occupy Movement album :) Look it up!
Director: Rob Reiner
Writer: Stephen King (novel)
Released: 1990 (It seemed like late 90s though)
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It has been a long time since I felt uneasy going to bed after watching a horror film.
Actually, this psychological thriller isn’t that horrific (for the most part..), it’s just when it finishes that you realise how disturbed you feel…
I haven’t read the book, but it’s pretty common knowledge that Stephen King’s work translates to film very successfully (The Shining, The Green Mile, Secret Window…) so I knew that I was in for a spectacular treat.
In a remote town, the popular author Paul Sheldon (James Caan) checks out of the hotel where he stays every time he writes a novel. On the completion of his new book, he begins his drive home until he gets caught in a blizzard. His car flips out of control and lands out of sight buried in snow.
But somebody is there to save him – his biggest fan, Annie Wilkes.
She treats him at her isolated house, which is fine until Paul realisees that he is actually being held captive.
Annie Wilke’s mood swings on a dime, yet she is not easily fooled! Her use of language is so freaky… Yet sort of funny… Which makes you feel very uneasy when laughing while watching this film.
“…he didn’t get out of the COCKADOODIE CAR!”. “You’re just another lying ol’ dirty birdy.” “…you just better start showing me a little appreciation around here, Mr. MAN!”
Kathy Bates plays Annie Wilkes. This scene being the most memorable… For all of the wrong reasons…
With the famous novelist being bed-ridden in Wilke’s home, he has to find ways to reach the outside world. Still reliant on his capturer for medicine, he needs to play along to ensure she doesn’t get suspicious whilst thinking up plans to alert the outside world.
Kathy Bates will always be the Unsinkable Molly Brown (Titanic) to me. (As well as being an uncanny resemblance to my year 13 English teacher…). So to see her as a controlling, deceiving and deeply unsettling person was quite a shock. Bates really was incredible in this role!
The cool thing is that James Caan’s character is one step ahead of you, but Annie is two steps ahead of him.
The music imitates the mood very well. In fact I honestly didn’t notice the music because it added to the scenes so perfectly. In the credits “I’ll Be Seeing You” was played… I can’t listen to that song in the same way any more. So creepy.
This film is full of anticipation and anxiety – but not with the usual frustration you get when the victim is just not getting away fast enough, it’s much smarter than those gags.
“Book’s almost finished, your legs are getting better. Soon you’ll be wanting to leave… I have this gun. Sometimes I think about using it. I’d better go now. I might put bullets in it.”
– Annie Wilkes.
The shots and lighting have to be kept interesting as the film is more-or-less based in one room (King’s novel was made into a stage play first). So check out the extras on the DVD if you’re interested.
The low angles make Annie’s innocent exterior look distorted which reflects how she is on the inside, and the lighting gives you hints as to if and when to feel hopeful. Very clever when you take notice of it.
This film is not a blood-bath, but has graphic violence. But not for the sake of being graphic (like all seven Saw films…). It really keeps your attention strongly from start to finish. A fantastic watch!
Directors: Jonothan Dayton and Valerie Faris Writer: Michael Arndt Released: January 2006 Starring: Greg Kinnear, Steve Carell, Toni Collette, Paul Dano, Abigail Breslin and Alan Arkin
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If you adored the humour of Juno, you will fall madly in love with this film! It was full of that dry, black humour where you don’t know if you should laugh or cry.
It has that ‘typical family’ quality where you can relate to every character because we all know somebody like them. Sort of.
Olive (Abigail Breslin) wants to compete in a beauty pageant, which is a good one-and-a-half day’s drive away. With an unpredictably suicidal uncle (Steve Carell) who can not be left by himself, the whole family decides to go.
You automatically adore Olive, who brings an innocence to the family who are full of ‘failures’. Her brother refuses to talk, her grandfather is a heroin addict, her uncle is suicidal, and her father is a failed life coach. Meanwhile, her mother is struggling to keep the family together.
Despite me making it sound like a total downer, it’s actually a beautifully triumphant film where everyone slowly makes peace with themselves and each other. I thoroughly enjoyed the adventures and internal conflict with a lot of deep and meaningful messages throughout the film.
A film that will make you laugh, cry, and reconsider your priorities in life.
Director: Robert Redford Writer: Nicholas Evans (Novel) Released: 1998 Starring: Robert Redford, Kristin Scott Thomas, Sam Neill, Dianne Wiest, Scarlett Johansson, Chris Cooper
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I am a sucker for any great horse film – such as Black Beauty, but unlike War Horse.
And The Horse Whisperer is certainly way up there in terms of lack of soppiness, being accurate in the training and horse terms as well as having a strong sense of realism.
So it begins in the most idyllic farm blanketed in thick snow. Grace (the young Scarlett Johansson) puts her riding boots on and tip toes out of the house. She sees he friend over in the next field and yells “HELLO!!” with steam coming from her mouth and her voice echoing. “HELLOOO!!” her friend replies and they run toward each other, then make their way to the stables.
This is my idea of paradise which is why this film starts out on an instant high.
Unfortunately during their ride, Grace’s friend and her horse get hit by a truck and die. The accident was filmed so well! And when I say that it was filmed well, I mean insatiablely exquisitely well! I can’t even put my finger on how they did it… Perhaps they really did get a horse to do all of the stunts or perhaps they got away with realistic dummies due to the many quick-edited shots. Anyway. I almost don’t want to know because it was so convincing.
The accident leaves Grace and her horse Pilgrim physically and mentally injured so Grace’s mum (Kristin Scott Thomas) takes them to a ‘horse whisperer’ called Tom Booker (Robert Redford) in order to help them both recover.
The thing that stood out for me was the acuracy in the training techniques. The Horse Whisperer is based on a training system called Natural Horsemanship where the rider asks the horse for submission, acceptance and softness.
Obviously the reactions of the horse are not always particularly realistic, nor would the lack of time spent on Pilgrim result in the horse becoming totally cured. However, I think we are all grown up to accept that this is a film that has certainly taken the horse’s reactions into consideration, without it becoming an instructional video of how to train your horse.
The epic music is as incredible as Titanic and Black Beauty. I blame the music for my constant blubbering throughout the entire film…
I remember when I last watched this and I felt like there wasn’t enough of the horse’s story in it. However, this was about ten or so years ago and I am rather thankful that a parallel storyline of how humans interact and accept each other was weaved throughout. The love story is strong and does not take from the overall story of the horse’s journey through recovery.
You kind of get to know how cruelly we treat each other, how trauma affects people differently and how we listen and communicate with each other through the recovery of the horse. It’s really quite deep.
The end of the story is unexpected… But I can’t decide if it was in a good way or not. Everything is concluded except for the love story which I was eager to know more about.
After watching this I wanted to buy a ranch in Southern America so badly! Get a horse and go out riding for days. It made horseriding look incredibly natural – which I suppose it isn’t really – with big western saddles, loose reins and calm canters over the endless hills. A fantastically jolting contrast between the uncontained farm land and the claustrophobic New York City show within the film.
A fantastic watch for any horse lover or lover of deep emotion-driven films. I enjoyed the culture of the farm in the south.
Robert Redford has style! So keep an eye out for the use of shadows and colour.
A film that is very well done.
Director: Clint Eastwood Writer: Peter Morgan Released: 2010 Starring: Matt Damon Cécile de France, Bryce Dallas Howard
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Released in 2010?? Are you kidding me? I thought we would have mastered the art of writing and making films by then… Jeez!
And Matt Damon. Matt Damon. Where is your head?? You are on my top 10 actors… And you sign yourself up for this??
So anyway, having bought this DVD on a bit of a whim I felt obliged to like it. But I found it difficult since the story line was virtually non-existent.
Don’t get me wrong, the first ten or so minutes were SO intense! A tsunami comes out of nowhere and you feel the panic under water – similar to the movie 2012. But after that, you pretty much get whip lash from the sudden decrease in pace of the movie.
You can see the Tsunami here:
George (Damon) is a psychic who denies his gift and tries to live a normal life. He eventually meets Melanie (Bryce Dallas Howard) who pushes him to give her a reading which abruptly ends the date… We never see Melanie for the rest of the film. Which was actually a blessing in disguise because Howard did a terrible job of acting – all hands and awkward pauses… rather jarring actually.
There are three story lines that intertwine which could have been effective if it wasn’t so damn slow and predictable. It really was obvious because after you find out George is a psychic and how he got his powers, you can fit the puzzle very quickly. Because you know that whoever dies in the film and comes back to life will have these powers, and the people who witness death will somehow find George.
I called it a ‘puzzle’ but it was literally a three-piece puzzle. Where you could figure out the picture before you had even put the pieces together…
Clint Eastwood is a master of light. But the lack of light in every scene made me squint and it ended up not making the film mysterious because it ignored the audience. Like, the lack of light shut the audience out of the scene.
The scenes of the natural disaster and the car crash scenes were very realistic though. I have to give him that.
I am selling this DVD online – I am confident that I will ever waste two hours of my life on this movie again. It was sssoooo boring!!
Unfortunately Matt Damon is in that We Bought A Zoo film so it looks as though his awesome days of Good Will Hunting, Saving Private Ryan and The Bourne Identity are sadly over…
Matt Damon – Please pick your films more carefully next time!
Wow! So guess what I’ve been watching and totally thought it was extremely similar to a certain film series…
That’s right! After watching the Twilight Saga films which were written by Stephanie Meyer during 2005-2008 (which has created multi-millions in recent years) I realised that it is rather similar to the Roswell series which debuted in 1999 with the final episode airing in 2002.
Let me explain further. I am no “twi-hard”, nor am I a “twilight hater”. I do not enjoy the storyline, the actors or characters within the Twilight films. However, I do watch them because I enjoy the fantasy element and the behind the scenes of how the films were made – as I believe they are made rather well.
I have also enjoyed the Roswell series… Or at least the first series when the storyline is introduced. I have recently returned to the Roswell DVDs I own (post-Twilight) and the similarities are staggering.
Not only are both series set highschool, but their characters have a remarkable likeness. Bella and Liz are both smart, biology-loving, emotion-lacking highschoolers who stumble upon a ‘being’ previously thought to be fictional.
It was quite a shock after I watched Roswell and realised that Twilight is not such a unique idea after all…
For example:
Roswell’s protagonist: Elizabeth (Liz) Parker
Twilight’s protagonist: Isabella (Bella) Swan
Both brown hair brown eyed.
Both enjoy science.
Both meet their freaky boyfriends in BIOLOGY CLASS.
Bella (Kristen Stewart)Liz (Shiri Appleby)
Freaky alien boyfriend: Max Evans
Freaky vampire boyfriend: Edward Cullen
Both monotone, intense and emotionless.
Both have brown hair and brown eyes.
Edward (Robert Pattinson)Max (Jason Behr)
Max Evans has a blonde ‘sister’ named Isabel Evans
Edward Cullen has a blonde ‘sister’ named Rosalie Hale. Both have a chilly disposition against the protagonist. Both are sassy, strong and take care of their looks.
Rosalie Hale (Nikki Reed)Isabel Evans (Katherine Heigl)
Both have a family or clan of similar beings.
Vampire clan of teenagers Edward, Alice, Rosalie, Emmett and Jasper
Alien family of teenagers Max, Michael and Isabel
All of whom are not believed to be blood related and each have individual powers.
Twilight charactersRoswell characters
So, what am I saying? I am saying that there are similarities. I’m saying that a lot of money has been made out of something that is not wholly original. I’m not saying Twilight is bad. Just unoriginal. Which is a little disappointing considering the amount of money that has been made from it.
But will there be original work anymore? Really.
I mean Harry Potter is remarkably like Star Wars. I’m sure you can think of more.
But perhaps I’ll blog about that one another day.
Potter Wars
Is this worth getting worked up about? Or should we just enjoy it?
Just because you can’t be first at something, doesn’t mean you shouldn’t do it. Otherwise you’ll never do anything. (Wise words… Thanks Dad.)
So more and more films are either being made and released as 3D, or re-made in 3D… Is this a necessary evil to keep the industry on its feet? Or are they just doing it because they can?
I’m guessing it is just another money-making scheme.
I honestly enjoy 2D films better than 3D with very few exceptions. VERY few exceptions. In fact, I will name them for you right now:
I think both of these films benefit from 3D because they are animated, the genre is ‘fantasy’ and they are both set in ficticious lands. So the environment is more fantastical without pointless objects being thrown at you for no apparent reason.
Titanic – a step too far? I mean the fact that the sinking of the Titanic was an actual occurence where many died… So by making another, but in 3D, are the production companies simply taking advantage? Then again, thank God it’s not a sequal!!
Having said that, Titanic is a fantastic film that James Cameron did very well on. And it is essentially a love story that happened to be based during a tragic, historical happening…
I just don’t think 3D is needed for good films… (ie: Titanic) But, maybe that’s why. Bad films that would not sell originally, sell very well if they are in 3D. But, you’re paying more for it too. It’s like… $3 extra for watching a crap film that hurts your eyes while using glasses that dig into your face. It’s even worse if you wear prescription glasses.
It’s true. I am not a supporter of this fad. Man, I sure hope it is a fad. I can’t see it becoming a permanent way of watching films to be honest.
I don’t know anybody – who is not under 11 years-old – who actually prefers 3D so… Yeah… Film companies: make sure you keep the 3D films away from the PG rated films and over.
Directors: Chris and Paul Weitz Writer: Nick Hornby Released: 2002 Starring: Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult
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I am in no way a fan of Hugh Grant. He seems to only play one character and that character appears to be exactly what he is like in real life. Having said that…
He is in some pretty wicked films like Bridget Jones, Notting Hill, but the most impressive being this one: About A Boy.
It’s about Will Freeman (Hugh Grant) who has never needed to work and is a professional womanizer. The parallel story is about poor Marcus (Nicholas Hoult) and how he deals with his mother (Toni Collette) who is suffering from depression, all the while having a tough time at school.
Will thinks that having no family and friends is liberating until he meets the friendless Marcus who is looking for family.
It’s such a breath of fresh air because Hugh Grant keeps his typecast role of the ‘handsome’ Englishman yet it is intermingled with Toni Collette’s role as an incredibly sad and hopeless character.
After watching this scene (tango scene in Scent of a Woman) I wanted to take tango lessons! Yet, I don’t think it was the visuals, but the song that made me fall in love with the scene.
Por una Cabeza (“By a Head”) was written in 1935 by Carlos Gardel and Alfredo Le Pera. Originally with lyrics, it tells a story about a gambler who compares his love of women with his addiction of betting on race horses.
I think it’s the whining instruments that makes the piece sound like it’s yearning for something, like the song is telling a story of losing somebody… I don’t know. It’s awfully touching though!
This is the best version I have found, I think it’s the French accordion that completes it.
I hope you enjoy it just as much as I do!
You can read my review to Scent of a Woman here. Including the trailer.
Director: Martin Brest Writer: Based on Ibuio e il miele by Giovanni Arpino Released: 1992 Featuring: Al Pacino and Chris O’Donnell
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Getting this film in a “two for $20” sale I was cautious, particularly because the front cover showed a rather dated looking image and the title sounded a tad creepy. However, the name ‘Al Pacino’ gave me hope.
Scent of a Woman is an incredibly fascinating film to watch repeatedly because of the script, which is deep and meaningful to say the least.
Al Pacino’s character – referred frequently to as The Colonel – is a blind man who appears to be as mad as a dog at his first screen appearance. But he is such an interesting character I almost wish he were real. He is an experienced soldier and a wise man, who has a story or two to tell.
Chris O’Donnell’s character is Charlie who is hired as Colonel Slade’s aid for a thanksgiving weekend. He is dragged to New York with him, but learns a lot along the way.
There are a couple of incredibly memorable scenes. One is where Colonel does a very moving speech at Charlie’s school. I wrote all about it here. There are some brilliant quotes, and by the end you have total respect for this flawed character.
Colonel: There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There’s no prosthetic for that.
The other memorable scene is the tango scene. Colonel and Charlie are sitting in a restaurant when Colonel senses a woman sat by herself behind them and he asks her to dance the tango with him. It sounds creepy, but it’s actually beautiful.
Colonel: There are no mistakes in the tango. If you get all tangled up, you just tango on!
Scent of a Woman reminds me a lot of Driving Lessons(and many other films including The Intouchables and You’re Not You): Where an old person drags a young person somewhere. The young person doesn’t know jack about life, and learns a lot from the old, wise person. Then, the young person finds out that the old person has big secrets. So they help each other out. I’ve written about this in my post One Story, Six Movies.
Director: Jeremy Brock
Writer: Jeremy Brock
Released: 2006
Featuring: Julie Walters, Rupert Grint, Laura Linney
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Okay, so this film has been HUGELY underrated. Despite being aware that everybody has their right to their own opinion, I, as New Zealand’s official Freak of Film, would like to say:
YOU ARE ALL INCORRECT.
Driving Lessons is a slower-than-usual paced film with a script as philosophical as Forrest Gump, but with humour as dry as Napoleon Dynamite (in some parts).
It’s about a boy named Ben (the gorgeous Rupert Grint… He’s so cool… *sigh*) who is born into a devoted Christian family, which becomes an oppressive and controlled lifestyle that batters Ben down into an emotionally-absent teenager.
Until he meets Evie.
This film has my favourite actress, Julie Walters playing an eccentric elderly woman named Evie who has been “…married and divorced three times. Once to an actor, once to an English Lord and once to a Californian” and is far from the ‘saved’ friends Ben usually acquaints himself with.
She shows him the ropes of life – with the moral being more-or-less that you can learn about how the world should be and the theory of how life works, but you don’t know a thing until you LIVE it.
She has had such a colourful life and is so liberal, which influences Ben to shake the strong reliance his controlling mother (Laura Linney) has over him.
I LOVE Walter’s interpretation of Evie who is a filthy-mouthed but very warm woman who anybody would wish was their nan in real life!
Ben’s mother, Laura Marshall, was played incredibly well by Linney who showed the character to be an insecure and controlling woman who appears almost like a puppeteer behind the mask of a wholesome church-goer. Laura Linney does such a great job, you begin to dislike the character very quickly!
The religious undertone isn’t something that should put non-religious watchers off, as it is an approach that is refreshing and open-minded. The story does very well keeping a non-bias view of beliefs, that do not suffocate the plot with pre-set ideas.
I have got the soundtrack which I absolutely enjoy! However, a few more like Ben Fold’s song “Jesusland” would have been cool.
I can’t help wondering what a TOTALLY different film this would have been if the old woman was an old man and the young boy was a young girl. Even if the plot remained the same… Just found that peculiar…
This is a film that is deep enough to watch repeatedly, yet, light enough for a social viewing. The humour is fantastic and Rupert Grint shows his versatility. A must see!
Jodie’s rating: 8/10
Fave line:
“Evie, you’re in the middle of nowhere.”
“Then I shall cling to the edge of somewhere!”
Director: Conor McPherson Writer: Neil Jordan Released: 2003 Starring: Michael Caine, Dylan Moran, Lena Headey, Michael Gambon, Miranda Richardson, Michael McElhatton, Abigail Iversen, Aisling O’Sullivan, Ben Miller, Simon Delaney, Alvaro Lucchesi
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The funniest movie I have seen in a very long time.
It’s intelligent-funny… Not happy-clappy, seen it before, recycled Hollywood shizz. With Dylan Moran playing the protagonist and the supporting act being Michael Caine, this concoction of pure awesome is sure to be a pleaser.
Surprisingly, this film is not well-known. But it is a film everybody would enjoy with its ironic plot line and an under-lying love story, which I am happy to say doesn’t take centre-stage regularly. Dylan Moran’s character, Thomas Quirk, is indeed a quirky guy who loosely calls himself an actor working in play with a fellow actor, Anthony O’Malley (Caine).
O’Malley soon hears about a scheme going down in the local bar where “a certain somebody owes money to another certain somebody, but they have never met”. He decides that Quirk does need to practice his acting skills and convinces Thomas to be the collecter whom the debtor has never met. Of course, how could something like that ever be as straight forward as it sounds!?
Dylan Moran’s disguises throughout this scheme are hilarious and you will be sure to be repeating and imitating the characters after! This script is so funny and its catch-phrases remind me of the film Juno.
Despite being an up-beat comedy, the camera work (particularly lighting) in many scenes are spot-on and very well done, so is the music. Now I really want to buy the soundtrack! The songs and compositions by Michael Nyman are spectacularly emotional and support the visuals very well.
It’s a film that merges the stage actors and improvisation actors which I thought was really clever and it gave the film a really unique twist.
I can’t believe the negative reviews I have found on this film… How? o.O I thought it was HILARIOUS and I watch it regularly.
Jodie’s rating: 8/10
I can’t find a trailer, so here’s a pretty funny scene where Dylan Moran is playing Thomas Quirk who is undercover as “Barreller”. Barreller accidentally gave the money to Quirk earlier on. Now, Quirk is pretending to be Barreller, confronting “Jock” who the money was supposed to go to… Ugh, don’t worry, it makes more sense in the film.
So I absolutely idolise Coldplay. Their albums are spectacular, their songs are well written and Chris Martin seems like a genuine guy with a great voice – especially live.
So when I got Mylo Xyloto, Coldplay’s latest album, I was expecting to find many hits that I would put on repeat for hours. But I felt they were pushing their usually faithful audience just a little too far.
It didn’t take long before I lost all confidence and enjoyment in the music by the time I reached the second song on the CD “Hurts Like Heaven” with lyrics sounding like they were being sung to pre-school children:
Written in graffiti on a bridge in a park
‘Do you ever get the feeling that you’re missing the mark?’
It’s so cold, it’s so cold
It’s so cold, it’s so cold
Written up in marker on a factory sign
‘I struggle with the feeling that my life isn’t mine’
It’s so cold, it’s so cold
It’s so cold, it’s so cold…
…Yes, I feel a little bit nervous,
Yes, I feel nervous and I cannot relax,
How come they’re out to get us?
How come they’re out when they don’t know the facts?
Cold, is it? These lyrics really did not fit with the tune which was disappointing when you compare their new shallow and electronic-sounding music to their older songs that are richer sounding and more emotional.
But I suppose if I’m honest, these kind of lyrics did begin on the previous album with the song Violet Hill:
It was a long and dark December,
One the roof tops I remember,
There was snow,
White snow…
Yeah… All joking aside, snow is typically white. If you need to fill in a line, maybe try something a little more adventurous.
The most famous song on the new album ‘Paradise’ was a good song until my Uncle pointed out that it sounds as if Chris is saying “Pair of Tights” not “Paradise”… Yeah, try getting those lyrics out of your head when you next listen to it. Also, despite the deep and meaningful nature of the lyrics not really being carried through with Chris Martin’s short notes, which didn’t quite fit the bill.
(Dreaming of a pair-of, pair-of, pair of tights)
With my favourite album being Parachute which I still listen to often, Mylo Xyloto (and to some extent Viva La Vida) was a gigantic flop which I hope this ground breaking band will be able to make a come-back from.
I have always loved Coldplay albums before I even hear the first single. But usually I’m not disappointed. Now I will not make that impulse purchase of their newest album with new fears that Coldplay is seeing how ridiculous they can make their music before their devoted fans realise.
I’m not turning into a music reviewer, but I did want to point out this massive flaw in this usually talented band, despite still being a huge fan of the band’s old music.
Verdict: Don’t waste your money, watch the parodies for free on YouTube.
Director: Michel Gondry Writers: Michel Gondry, Charlie Kaufman and Pierre Bismuth Released: March 2004 Starring: Jim Carrey, Kate Winslet, Kirsten Dunst, Mark Ruffalo, Elijah Wood, Tom Wilkinson
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My Valentine’s Day post. Why? Because of this line that Joel delivers in the film about Valentine’s Day:
Joel: Today is a holiday invented by greeting card companies to make people feel like crap.
Which I found amusing.
It’s still one of my favourite movies after multiple viewings. I discovered this film in English class at high school and (admittedly not actually getting it the first time I watched it) I have loved it ever since!
Believe you me, the people who said they got it after the first viewing were either lying or they read the plot on Wikipedia.
It explores the idea of erasing painful memories and the implications of this. Imagine being able to erase the memory of an embarrassing moment. More seriously, imagine being so distraught with losing a loved one that you choose to erase the memory of them ever existing.
Mary (Kirsten Dunst): Blessed are the forgetful, for they get the better even of their blunders.
But is erasing difficult memories enabling one to make the same mistakes again? Is never meeting a true love better than enduring the loss?
It follows two main characters Joel (Jim Carrey) and Clementine (Kate Winslet) whose difficult relationship leads them down the road of removing the memory of each other. They are polar opposite. It shows how two people can complete each other, but also how much they can clash.
Clementine: This is it, Joel. It’s going to be gone soon. Joel: I know. Clementine: What do we do? Joel: Enjoy it.
I love how the story explores relationships. How sometimes the things you love about someone becomes the very reason you fall out of love with them.
Joel: [on tape recording] And the whole thing with the hair – it’s all bullshit. Joel: I really like your hair. Clementine: Thank you.
(Cleverly, Clementine has ever-changing hair, which helps viewers keep track of the order of the plot, which jumps between past and present.)
The actors appear to be playing the opposite of the sort of characters they’ve been typecast to play. Winslet and Carrey both nail it though.
This film is thought provoking to say the least. Mind boggling too. But it’s ultimately about accepting that pain is part of growing, and loss is a part of life.
Joel: I can’t see anything that I don’t like about you. Clementine: But you will! But you will. You know, you will think of things. And I’ll get bored with you and feel trapped because that’s what happens with me. Joel: Okay. Clementine: [pauses] Okay.
It’s sort of like Inception meets The Matrix, but that’s just because it’s the exploration of a different perspective of life.
At the end of The Matrix we all asked ourselves ‘is this world virtual?’. At the end of Inception we all asked ourselves ‘am I in a dream?’.
At the end of Eternal Sunshine, you’ll ask yourselves ‘have I done this before?’.
You’ll be sure to pick up a few funny sayings and dwell over the small touches that you would never notice the first three times of watching this layered film.
Clementine: You’re not a stalker, or anything, right? Joel: I’m not a stalker. YOU’RE the one that talked to me, remember? Clementine: That is the oldest trick in the stalker book. Joel: Really? There’s a stalker book? Great, I gotta read that one.
This is an absolutely awesome film that will have you thinking for hours. I thoroughly enjoyed it as it is a fantastic break from the monotonous love stories out there. The technology used and tricks done on set by the camera and the actors is old school, but very cool.
Eternal Sunshine is a film that not everybody could relate to or fully appreciate. I think it is because this is not a spoon-fed love story Fedexed from Hollywood to a cinema near you!
Jodie’s rating: 8.5/10
This trailer really makes this film very light and fluffy… Which isn’t accurate.
I have recently re-discovered a song from the seventies.
This song is by a dude named Don McLean,
and the song is named American Pie.
“…Something touched me deep inside, The day the music died So bye, bye Miss American Pie Drove my Chevy to the levee but the levee was dry Them good ole boys were drinking whiskey in Rye Singin’ this’ll be the day that I die…”
This emotionally-charged blog is being written post-viewing of the film I recently reviewed named “The Boat That Rocked“, where rock and roll, as we knew it in the sixties, came to an abrupt end. When the music died.
It seems many of the most incredible talents die a premature death.
Buddy Holly
Anything from plane crashes such as Buddy Holly who was a great loss to music.
Along with two fellow stars as passengers, Ritchie Valens (who had boarded the plane as a result of winning a coin toss) and Jile Perry Richardson/The Big Popper in 1959. This crash inspired the writing of the song American Pie.
“…Everyday seems a little longer Every way love’s a little stronger Come what may Do you ever long for, true love from me Everyday it’s a-gettin’ closer Goin’ faster than a roller coaster…”
(“Everyday”)
“I don’t like that surfin’ shit. Rock and roll’s been going down hill ever since Buddy Holly died”- American Graffiti
Jimi Hendrix
There were also drug-related deaths, such as Jimi Hendrix in 1970. I think, due to his outstanding guitar skills, his unbelievable singing voice was not recognised quite as much as it should have been.
“…A broom is drearily sweeping Up the broken pieces of yesterday’s life… ‘Cause the life that lived is,
Is dead. And the wind screams Mary…” (“The Wind Cries Mary”)
“You see the thing that makes sense in this crazy world is Rock and Roll.” – The Boat That Rocked (deleted scene)
Elvis Presley
A heart attack got The King, Elvis Presley in 1977 who had the looks, style, talent and personality. I have three photos of him on my wall, even though I wasn’t alive when he was. That’s how influential he was.
“…Please don’t ask me what’s on my mind
I’m a little mixed up,
But I’m feelin’ fine.
When I’m near that girl that I love best
My heart beats so it scares me to death…” (“All Shook Up”)
Wolfman Jack
Wolfman Jack passed away in the arms of his wife, Lou, due to a heart attack in 1995. He was a legendary pop music radio host in the sixties and has appeared in films such as American Graffiti.
Somehow the Rock and Roll stars of our world don’t seem to last.
The Beatles
Sometimes the music dies because it’s simply not created any more. With the most heart-breaking tragedy occurring in 1970, when The Beatles split up.
“…Life is very short
and there’s no time, For fussing and fighting my friend, I have always thought that it’s a crime, So I will ask you once again Try to see it my way…” (“Try To See It My Way”)
By 1980, John Lennon is shot and in 2001 cancer takes George Harrison.
George HarrisonJohn LennonBob Marley
In 1981, the legendary Bob Marley also died of cancer. With his final words being “money can’t buy life”
“…Rise up this mornin’, Smiled with the risin’ sun, Three little birds Pitch by my doorstep Singin’ sweet songs Of melodies pure and true, Sayin’: “This is my message to you Singin’: “Don’t worry ’bout a thing, ‘Cause every little thing gonna be all right…” (“Three Little Birds”)
Michael Jackson
Despite not really being a fan, I can’t deny the incredible influence Michael Jackson has had on other musicians and, of course, his unmeasurable talent as a performer and musician. He died under suspicious circumstances in 2009. This death is a memorable one for me due to its recent occurrence (I was in maths class, and this shocking news put an end to that lesson… Which was the light in the darkness I guess).
“…It’s close to midnight Something evil’s lurkin’ in the dark Under the moonlight You see a sight that almost stops your heart You try to scream But terror takes the sound before you make it You start to freeze As horror looks you right between the eyes You’re paralyzed ‘Cause this is thriller…” (“Thriller”)
Whitney HoustonAmy Winehouse
Of course, this is just a pinch from the endless realm of musical talent that we know of today. Amy Winehouse (2010) and just yesterday, Whitney Houston are a couple of others that have checked-out much too soon. However, they have still influenced our popular culture and, more importantly, inspired future musicians.
We’ve had many sad days when “the music died”. American Pie is a song that represents the importance of our favourite music and artists. This song is for every time a star has fallen.
Give peace a chance, and keep listening to good music! Especially by the musicians I have mentioned – to keep them alive. They represent the better parts of music because they are talented – unlike many of the ridiculous acts the money-grabbing producers are finding today. Just because we have computers that can sing for these “posers”, doesn’t mean that’s what we should be doing. We need to inspire people today more than ever.
The death that has affected my iPod playlists the most, it’s the death of The Beatles. And with that, I will leave you with John Lennon‘s solo tune, Imagine. Which is about how it could be.
“All you need is love”. And when you feel bad, “take a sad song and make it better”.
Jodie.
2 February 2012:
NZFilmFreak’s one month anniversary!
ONE MONTH!
Thank you to all of the blog commenters, readers and viewers (in that order)! With 464 views I am excited by the growth in popularity and I hope it continues at an alarming rate!
I will continue to write my honest reviews of all of the positively terrible and fantastical films that I have watched and admire the talented writers and directors from around the world.
I will continue to write about many of my random thoughts.
And I will continue with my political rants and raves to help open your eyes to the issues in our world that need attention. Because that is the only way to solve our major problems – by recognising them, talking about them, blogging about them and most importantly doing something about them.
Thank you very much for your support and for fellow bloggers like Dead Homer Society and That Indian Dude (even though it appears it has been deleted, but still…) who have referred to my blog on their site.
Keep reading and commenting – it’s great to know people are reading.
Director: Andrew Niccol Writer: Andrew Niccol Released: 2011 Starring: Justin Timberlake, Amanda Seyfried
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I think this is going to be a short entry today. Because I’ve been mulling this film over and over in my head for a good few months since I watched it.
It’s a film about how in the future everybody would be paid in time. With a count-down timer on our arm (which would make a pretty cool tattoo) we have to use that time to pay for things we need such as bus rides and food.
This film does have some powerful points, such as the rich getting richer while the poor get poorer. It does make a stand how unfair it is that the few wealthy and powerful people in the world have total control over 99% of the planet’s population. It’s a film about greed which is parallel to real life.
Unfortunately, this become secondary to the romance, which dilutes the impact of the potentially strong and shocking political statement trying to be made.
Quite simply, this thought-provoking Matrix/Inception–like film could have been a decent action/thriller if it wasn’t for the following three things:
NUMBER 1: If the story line wasn’t so obviously and devoted to the old-age tale of Robin Hood. Stealing from the rich and giving to the poor. Justin Timberlake wasn’t a bad actor, but his character was too unrealistic. Will Salas (Justin Timberlake) was a worker with just enough income to survive, until a ‘rich’ man donates all of his time to him. Sales then gets into top security places and eventually steels most of the money to donate to the poor sections of the world which he continues to do until every body is equally rich.
Not very original, is it, if you replace the guns with bow and arrows and the city with a forrest.
NUMBER 2: This turned into a romance. Like, I would say that this film was not a “Mystery & Suspense, Science Fiction & Fantasy” (according to Rotten Tomatoes), but a Romance/Action. How the love interest (Amanda Seyfried) could run in those six-inch heels and still rob banks… I do not know.
NUMBER 3: It is quite simply too far-fetched. They should have stuck to developing the lifestyle and internal struggles of watching our life tick away from you. I think that would have been way more interesting…
I was pretty disappointed with this one, actually… But perhaps I was wanting to see a deep and meaningful movie when In Time was essentially a chick-flick disguised as a sci-fi/action in the trailer.
We covered “adult” or R Rated cartoons briefly in my Media Studies class last year, but it has been brought to my attention once again.
I was watching the seventh season of Family Guy – thanks to my brother’s loyal collection of the TV series – and after watching a good few hours worth of episodes, I reached the final disc: “the making of the 100th episode” where Seth MacFarlane (creator of Family Guy) interviews people who have recently watched an episode of Family Guy for the first time and hated it.
Of course, they didn’t know that the person who they were complaining to was the creator, and divulged they were appalled that a cartoon could be so offensive to almost every community.
One of the questions asked by MacFarlane was “would you let your kids watch Family Guy?” and everybody who was asked said absolutely not.
But that got me thinking. Despite being a TV series based on fictitious characters, which are not played by ‘real’ actors in the flesh, it is still a very violent and graphic series. So, of course you wouldn’t let somebody, say, under 15 or 16 years old watch it. It’s not like it’s actually aimed at that age group…
A cartoon of this rating is no better than a gory horror, yet parents appear to be more outraged that a cartoon such as Family Guy, South Park or American Dad! can be aired rather than something like… Scream (which was on TV not long ago).
Comedy is typically about somebody taking the mickey out of a minority group, something that’s different or a stereotype. Family Guy picks on all of the above and more. I can understand if something may appear offensive but I’m wondering if we’re just being too “PC” and thin-skinned about most things… Of course I could say what all Family Guy fans would say; “if you don’t like it, don’t watch it”.
But I think it ought to be addressed that they pick on women, the typical white American male, typical American lifestyle, African-American people, English people, homosexual people… and so on.
But yeah, if you feel hurt or offended by a stereotypical portrayal of a group or community you belong to or that you feel strongly about, you probably shouldn’t watch it. However, I think it’s good to make fun of yourself and not take it so seriously sometimes. As Macfarlane put it; “”Family Guy likes to hold a mirror up to society and say, ‘Society, you’re ugly.'” and sometimes you may not like what you see!
As I was doing the vacuuming just now, I was thinking about why I like Family Guy‘s humour, and I concluded that I like how it is smart and shocking. I mean, Family Guy is the only cartoon I’ve seen that includes scenes from war and major events that have shaped society for the worse and turned it on its head to make it… well, funny. That sounds so mean saying that… But that’s what sets the series apart; they go where no other cartoon has gone. And they’ve paid for it – being cancelled twice!
They parody songs, popular sayings, celebrities and other cartoons (such as The Simpsons… And how it’s not been funny since you were 13 – sad but true).
They say what you’ve always thought, but were too polite (or conservative) to say. They use the timing of gags and jokes to their absolute advantage until the only reason something is funny is because of how long the scene has been going on for.
I think we should lighten up. Really. And if you don’t like it, don’t watch it because it’s not hurting anybody. It’s not like factory farming where farmers can say; “if you don’t agree with how the animals are raised, don’t buy it” because although you would be boycotting the company, the animals would continue to be living barbaric conditions.
What I’m saying is, that Family Guy is not a practice that inflicts torture on others for an individual’s gain or does anything similarly evil to others.
I don’t believe violent video games or cartoons make innocent people murderers or that they give anybody ideas to copy what a character did. So, no I really don’t think Family Guy is damaging our society and doesn’t set out to offend people. I think it’s a really smart cartoon made by extremely talented people who look like they have so much fun!
Director: Michael Mann Writer: Michael Mann, Ronan Bennett and Ann Biderman Released: 2009 Starring: Johnny Depp, Christian Bale, Marion Cotillard, Billy Crudup, Stephen Dorff, Stephen Lang
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After reading the blurb on the back of the $9.99 DVD I was preparing myself for a mind-numbing 143 minutes of car chases and gunfire. With such an instant dislike you may wonder why I bothered rescuing this film from the bargain bin. Well, I put my faith in Johnny Depp’s reputation of being in the best of films.
Three words; Way. Friggin’. Cool. The car chases were not boring (possibly for the simple reason that the 1930s cars are wicked!) and the gun fire had consequences. i.e. it wasn’t random gunfire for the most part – some bullets did actually collide with people or surroundings, which is always a bonus.
The real John Dillinger
Public Enemies is a true account of John Dillinger’s (Depp) bank robberies, successes and being on the constant run from the cops during the depression of 1933-34. Despite it being rather difficult to distinguish many of the male characters during the dimmer scenes due to their very similar wardrobe, the characters were pretty well rounded and before you knew it, you were rooting for the ‘baddies’. You know the writers and film makers have done their job when you end up supporting the murdering protagonists. It’s like Dillinger is perceived as a superhero villain/rock star… He’s the dark superstar of the 1930s.
Depp as Dillenger
This action thriller is fantastic because it did happen which makes all of the gasping and gob-smacking moments even more appropriate. However, after doing about ten-minutes worth of research after watching the film, I realised that they embellished the love-interest and missed out the hugest mystery of all; the question mark over Dillinger’s death!
Apparently there was a look alike named Jimmy Lawrence who was a petty thief who became Dillinger’s alias in Chicago, and because John Dillinger burned his fingers with acid to remove his fingerprints, the post-mortem was inconclusive despite the FBI closing the case – possibly to save any more embarrassment in relation to the long chase. I think they should have included that, and laid off on the love interest of Billie Frechette (Marion Cotillard) a tad.
The filming and lighting was FANTASTIC! It was mostly hand-held with slow motion shots that made chills go down your spine and incredible shadows which created the entire mood.
Directors: Phil Lord and Christopher Miller Writers: Phil Lord and Christopher Miller (screenplay), Judi and Ron Barrett (story) Released: 2009 Starring: Bill Hader, Anna Faris, James Caan, Andy Samberg, Bruce Campbell, Bobb’e J. Thompson, Mr. T, Benjamin Bratt, Neil Patrick Harris
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Animated films have been growing in popularity because of the flexibility and ability to create elaborate sets. Fantastic films have been made thanks to the advanced technology now available from Toy Story 3 to Megamind to this film; Cloudy with a Chance of Meatballs.
I was skeptical at first as it seemed like a silly and random storyline. However, after watching it from start to finish I found that the humour was similar to that of Megamind (one of my favourite animations) and the fantasy element like the 2009 animation Coraline.
It was the crazy gestures and facial expressions which I thought was the funniest element. Particularly the main character’s father who simply had a monobrow, a nose and a mustache. The creativity was pretty awesome in regards to the natural disasters formed by food, as well as the colour and realistic food which made me want to eat a hamburger so badly (despite being a vegetarian, so that shows how far graphics have come these days!).
Typically there are mostly stereotyped characters, but that wasn’t really a surprise for a film which is targeting a younger audience. Having said that, these animations (with Toy Story 3 in mind) aren’t boring for the older viewers – cartoons are not just for kids any more.
It was a simple storyline, however. Despite me trying to look deeper – perhaps it’s a stab at genetic modification or corporations wanting to rule the world or global warming – I found it lacked substance. Plus, the ‘absolute low’ in this film lasted as long as a blink. Not very much suspense at all. Perhaps it really was just a film with a tired moral of “not giving up on your dreams”… *sigh*
It’s an easy-to watch film which is pretty funny (not as funny as Megamind) and fantastical (not as fantastical as Coraline) with a typical “they all lived happily ever after” ending.
Somewhat disappointing but perhaps my hopes were too high.