
Director: Robert Zemeckis
Writers: Robert Zemeckis and Bob Gale
Released: 1989
Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Thomas F. Wilson
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Well, we went to the recent past of 1985 in the last movie so it’s only logical to go to the future of 1985 in the sequel! We go to 2015 where the cars are flying and instead of skateboards, we have hover boards… Doesn’t seem quite so realistic now that 2015 is just around the corner! You scientist better get on to it. We’re going to be disappointed if we don’t have our flying cars and hover boards by 2015…
“Roads? Where we’re going, we don’t need roads….” We go to the future with Marty (Micheal J. Fox), Doc (Christopher Lloyd) and Marty’s girlfriend Jennifer (Elizabeth Shue) because Doc is concerned that their son will be framed by the grandson of Biff (Thomas F. Wilson), Marty’s high school bully.

Whilst there, Marty buys a magazine that recorded the results of every major sport of 1985 making betting a breeze. Unfortunately, he leaves it laying around for it to land in the wrong hands – Biff’s – who steals the time machine and creates an alternate 2015! So Doc and Marty have to save the McFlys as well as going back to 1955 to prevent Biff giving the magazine to his younger self who would create the evil alternate era!! Pheph! This is a much more scary and shocking film than the more lighthearted last, but still very exciting.
This dark film exposes the full extent of the dangers of time travel as Marty finds his father’s grave and his mother married to Biff in the alternate 1985. There’s a lot of gun action and accurately predicts the rise of corporations ruling the world (Biff’s company owning the police force) and everybody’s infatuation with money. It’s a massive flip-side to the innocent times of the previous film which is unexpected.
I preferred the colourful times of 1955 of Back to the Future I. However, this is still a very enjoyable film! Particularly the epic music by Alan Silvestri – equally as great as the previous film.
Jodie’s rating: 7.5/10
Check out my review of the sequels: Back to the Future I and Back to the Future III

As we are trapped in the fifties, we see the repetitive nature of the McFlys and how each generation get bullied by the same family of Marty’s bully as well as the lack of self-confidence carried from father to son in the McFly family. This structured life brings out the irony and humour of the story.
So while he is stuck in the fifties he finds the Doc from that era to help try find another fuel to get the usually nuclear-run time machine back to the eighties! All at the same time, trying to get his future parents to meet and fall in love whilst trying to get back to the future! It’s such an exciting and fun film which looks very well made for its time.

The King’s Speech is the account of King George VI, who is forced to overcome his debilitating speech impediment to reach his full potential as a strong ruler which he becomes by default due to his Father’s death, King George V (Sir Michael John Gambon) and the resignation of his brother, King Edward VIII (Guy Pearce). Despite the premise of this film sounding as if it may become a repetitive and stationary story of pure frustration and despair, The King’s Speech was actually an incredible journey of expectation, victory and unity.
After countless ‘royalty approved’ doctors, they were about to give up when Queen Elizabeth (Helena Bonham Carter) found Lionel Logue (Geoffrey Rush). This begins the strong friendship created between the King and his unlikely acquaintance as well as the trust that has to be built between patient and doctor. The humourous, innovative methods and remarkable outcomes of the pair are inspirational and uplifting.
The cast for this movie was not short of perfect. Colin Firth is the protagonist who became the stuttering King George VI convincingly. He shows that he is a versatile actor who is capable of mastering any genre – from Bridget Jones’ Diary to The King’s Speech.
Tom Hooper shows himself to be quite a genius director. The composition of each shot supports the feelings of the King. With the claustrophobic feel of the environment when he is unable to communicate what he needs to say as well as the unsupportive feel of large and empty rooms. Warm and quality lighting creates the atmosphere of being in the presence of Royalty, contrasting the cold, dim, dark glow of the London streets.
This is wonderfully layered film which allows viewers to look into it as deep as they like. Therefore, the second and third viewing is as enjoyable as the first. The King’s Speech is a fantastically made film with every shot perfectly composed and every scene well constructed – this really is a motion picture suitable for anybody old enough to appreciate it.





The cast were fantastic and the post production techniques are impressive and live up to today’s high film expectations, especially since the release of 

With a stream of shallow chick flicks and rom-coms, Inception was a breath of fresh air for those who enjoy a bit of an “epic”.