Ocean’s Eleven

oceaneleven.jpg

Director: Steven Soderbergh
Writer: Ted Griffin (screenplay), George C. Johnson and Jack Golden Russell (story)
Released: December 2001
Starring:  George Clooney, Brad Pitt, Matt Damon, Andy García, Julia Roberts

After hearing about Ocean’s Eight coming out, I decided it was time to watch the first instalment.

Actually, Ocean’s Eleven is a remake of a 1960s movie called Ocean’s 11 (number instead of word) featuring Frank Sinatra as the protagonist. I had no clue!

Ocean’s Eleven is a fun, shallow film about a star-studded cast who rob a casino. Why? Because Danny Ocean (George Clooney) has just got out of prison and doesn’t accept that his ex-wife (Julia Roberts) has moved on with a wealthy casino-owner.

oceaneleven2

Hence why him and his former colleagues rob the casino, in order to try and win Danny’s wife back. How romantic.

It’s harmless fun, really, which is what the director wanted; enjoyment without embarrassment or cheese. It looks like everyone on set had a good time – and apparently their chemistry is all completely genuine! They hung out together, played pranks on Julia Roberts and even gambled together outside of shooting.

 

oceaneleven3.jpg

This is a short review because although I enjoyed it, I was hoping for a bit more comradery, a bit more comedy and more deep-and-meaningful moments. To be honest, I was expecting  The Parole Officer featuring cool Hollywood superstars.

Oh, and Don Cheadle as Basher was a terrible choice; his English accent was cringe-worthy. Otherwise, they should have just allowed him to be American! (Apparently Ewen McGregor was considered for his part initially.)

It’s a classic and I enjoyed it for what it was, but maybe it’s simply more of a man’s man film.

Jodie’s rating: 6/10

Top 10: Actors Who Regretted Their Iconic Roles

I never considered it before, but some actors genuinely regret roles they have accepted. I guess it’s quite difficult to tell if a film will be good or not when all you have to go on is a black and white script. I suppose there’s a lot of trust involved in accepting a role.

Some of these actors regret the roles because the film was a flop, and some of them resent their character because it made them internationally famous.

regrettedrole.jpgCarrie Fisher as Princess Leia in Star Wars
The late Carrie Fisher said she had no idea how big the Star Wars franchise was going to be. According to Today.com, she said: “I would never have done it. All I did when I was really famous was wait for it to end.” She accepted the role in the most recent Star Wars because she said it’s tough getting work in Hollywood when you’re the wrong side of 30.

regrettedrole2.jpgSean Connery as James Bond
In 2004, Sean Connery told The Guardian: “I have always hated that damned James Bond, I’d like to kill him.” He was fed up with it after nine James Bond films. While he swore he’d never play James Bond again after Diamonds are Forever, he did do one more: Never Say Never Again. Ironically.

regrettedrole5.jpgKate Winslet as Rose in Titanic (1997)
Not only did Kate Winslet regret doing the infamous nude scene, she also despises her acting in the film. According to Hollywood, she found her acting to be cringe-worthy:  “Every single scene, I’m like ‘Really, really? You did it like that? Oh my God.’ Even my American accent, I can’t listen to it. It’s awful. Hopefully it’s so much better now.”

 

regrettedrole3.jpgMatt Damon as Jason Bourne in Bourne Ultimatum (2007)
On the third Bourne film, Bourne Ultimatum, Matt Damon was not happy with it. He called it a “career-ender” according to Indiewire. “I don’t blame Tony Gilroy (the screenwriter) for taking a boatload of money and handing in what he handed in. It’s just that it was unreadable.” While Matt Damon refused to feature in the fourth film, The Bourne Legacy, he did return in 2012 for Jason Bourne because Paul Greenhouse returned to direct and co-write it.

regrettedrole6.jpegRobert Pattinson as Edward Cullen in Twilight Saga
I don’t blame him. This is the kind of franchise that you’ll never be able shake. Zac Efron will always be that guy from High School Musical, Jennifer Lawrence will always be that chick from The Hunger Games, Daniel Radcliffe is Harry Potter and Robert Pattinson will be that dude from Twilight. Speaking with Empire in 2008, Robert said: “The more I read the script, the more I hated this guy, so that’s how I played him, as a manic-depressive who hates himself. Plus, he’s a 108-year-old virgin so he’s obviously got some issues there.” (I can’t actually find the article where he says this, but a lot of website say he did.)

regrettedrole4.jpgGeorge Clooney as Batman in Batman & Robin
In 2015, George Clooney spoke on the Graham Norton show about always saying sorry for his performance as Batman: “I always apologize for Batman & Robin. Let me just say that I’d actually thought I’d destroyed the franchise until somebody else brought it back years later and changed it.” Apparently Clooney keeps a photo of himself as Batman in his house to remind himself what happens when you do something purely for the money. Yeesh. (PS. Why did Clooney’s Batman costume need to have nipples?)

regrettedrole9.jpgKatherine Heigl as Alison Scott in Knocked Up (2007)
Anne Hathaway was originally cast in the role of Alison in the film, but dropped out due to creative reasons. Jennifer Love Hewitt and Kate Bosworth auditioned for the part after Hathaway dropped out, but ended up losing out to Katherine Heigl. Despite the fight for the role, in 2008 Katherine Heigl told Vanity Fair that Knocked Up was “a little bit sexist” and didn’t like how her character came across as a kill-joy. Seth Rogen said he had no idea she felt that way, and had a great time making the movie with her. Their feud was very public and Heigl regrets that her comments are all anyone can remember about the film.

regrettedrole7.jpgShia LaBeouf as Mutt Williams in Indiana Jones and the Kingdom of the Crystal Skull (2008)
Shia LaBeouf said at the 2010 Cannes Film Festival that his acting let the film down: “You get to monkey-swinging and things like that and you can blame it on the writer and you can blame it on (director) Steven (Spielberg), but the actor’s job is to make it come alive and make it work, and I couldn’t do it. So that’s my fault.” He maybe went a bit far in telling Vanity Fair that he “[didn’t] like the movies that I made with Spielberg. The only movie that I liked that we made together was Transformers one.” Ouch.

regrettedrole8.jpgMatthew Broderick as Walter Kresby in The Stepford Wives (2004)
Actually, it wasn’t just Matthew Broderick, it was much of the Stepford cast including Nicole Kidman who didn’t like how the film was turning out. Kidman almost walked away from the film entirely. Broderick was reported saying he didn’t find the filming fun (partly because his mum was sick at the time) and he didn’t play a particularly interesting character. The Stepford Wives had massive rewrites according to IMDb, and director Frank Oz said he regrets how many mistakes he made on the film.

regrettedrole10.jpgCher as Tess in Burlesque (2010)
Not only did singer Cher say Burlesque wasn’t a good movie, she also said she wasn’t happy with how her character was portrayed. “It had a few good moments, but I didn’t even like my performance that much… What, I don’t have a brain? I’m old but I’m still pretty on top of everything.” I have to say, I agree with her entirely.

Top 10: Actors Who Stopped Getting Typecast

Typecast1.jpg

Ricky Gervais loves being typecast, he says that actors should do what they do best and not feel the pressure to play different parts.

However, this is clearly not the view of a lot of actors who seem to be trying to shake their ‘character’. Some have not been successful, such as Jack Black and Adam Sandler, who forever play the School of Rock and Happy Gilmore type characters.

Jennifer Aniston is still being typecast as her Friends character Rachel in various rom-coms, despite the attempts to ditch it such as in Cake or The Good Girl.

Will Ferrell ditched his ‘mean but dumb funnyman’ character in Stranger Than Fiction, Robin Williams played a very serious role in Good Will Hunting, and Owen Wilson almost detached from the funny guy persona in Midnight in Paris.

For other actors such as Daniel Radcliffe and Robert Pattinson, I don’t think their iconic roles as Harry Potter and Edward Cullen will ever be able to be shaken, sadly. That is despite their clear acting ability.

Meanwhile other actors have been successful in breaking free from their typecast, and are in all sorts of films now.

I think the top five female actors (are we allowed to say actresses anymore?) who narrowly escaped being typecast are:

typecast2.jpgRosamund Pike
I wrote about Pike’s change in public perception in my post What are you like, Rosamund Pike. Just when we thought she was forever going to play the smart, elegant and beautiful lady-like characters in films like Pride & Prejudice, Made in Dagenham and The World’s End, she goes and does something like Gone Girl! Which, I’m sure surprised us all. She’s certainly shown Hollywood what she’s capable of. Having said that, have we seen her in anything big since..? Eek.

typecast3.jpgEmma Stone
She was the rough and ready comedy support actress, and I think that’s where we thought she’d always stay. The Superbad, The House Bunny, Zombieland, Friends with Benefits kind of girl. But then The Help came along, showing her dramatic and compassionate side, then Spiderman, then La La Land, which turned her into an all-singing, all-dancing serious actress! Love her.

typecast4.jpgKate Winslet
Sense & Sensibility turned into Titanic, and Finding Neverland turned into The Holiday. Kate Winslet remains a brilliant dramatic actress who sometimes showed her comedic side (like in Extras). But if you look closer at her career, you’ll find some gems that shows a totally different side to Kate Winslet. Eternal Sunshine of the Spotless Mind being one, where she plays an eccentric woman. The Dressmaker being another, where she plays a flamboyant Australian. I guess she is still typecast in a way, but she has shown that she can do so much more.

typecast5.jpgReese Witherspoon
I wrote her off, because she’s always played ‘the blonde’. The Legally Blonde airhead, then Sweet Home Alabama and Little Nicky. But then Walk the Line happened, and suddenly Reese Witherspoon was a genuine and talented dramatic actress who could sing beautifully. THEN, there was Wild. And I was sold. I’ve heard she’s amazing in Devil’s Knot too.

typecast6.jpgJennifer Lawrence
At first, I thought she was going to forever remain as Katniss Everdeen from The Hunger Games, then I thought she’d be typecast as a sci-fi blue thing in X-Men (I haven’t watched the X-Men series). But each time she managed to escape the typecast hold! With movies like Silver Lining, American Hustle and Joy keeping her not only out of reach of typecasting, but also the highest paid female actor of 2015 and 2016.

 

The top five male actors who narrowly escaped being typecast are:

typecast7.jpgJim Carrey
He may have been typecast during the ’90s as the goofy, outlandish comedy actor of Ace Ventura, The Mask, Dumb and Dumber and The Cable Guy, but there was a sudden turn closer to the naughties. There was Liar, Liar (a personal favourite), and then The Truman Show, which showed a far more serious side. Man on the Moon showed yet another angle, then the biggest leap of all in Eternal Sunshine of the Spotless Mind. In this film, he was a nervous, serious introvert. (It’s joked that Jim Carrey and Kate Winslet swapped their typecast roles in this film.) He was made for the part. He returned to children’s films after that (Dr Seuss and A Christmas Carol), but is sadly slowly riding the curve back to being typecast in cheap and dirty comedy sequels.

typecast8.jpgBryan Cranston
This actor was forever Malcolm in the Middle‘s dad. But actually, I think he was born to be a dramatic actor in serious roles. It seems he was accidentally made famous in comedy roles instead! He could have easily stayed on that road of comedy, but he escaped. First came a small role in Little Miss Sunshine, then Drive, then Argo… But suddenly, there was a TV show that no one could stop talking about. Breaking Bad. And now we look at Bryan Cranston a little differently and with a little more respect than we did when he was Malcolm’s dad.

typecast9.jpegSteve Carell
In his early career, Carell was credited as a ‘Mailroom Guy without Glasses’ in a 1998 film called Tomorrow Night. He soon found himself climbing the ropes in the comedy genre. Bruce Almighty, Anchorman and 40-Year-Old Virgin were quick to follow. Then out of nowhere was Little Miss Sunshine, where Carell played a reasonably serious role of a suicidal, gay scholar. In between his typecasting, serious roles keep cropping up, like The Way Way Back, where he plays a really mean dick of a stepdad. Then Foxcatcher, which I really need to watch. These brilliantly serious roles in his career have acted as a red flag to Hollywood, telling them that he has the ability and the power to resist his comedic typecast.

typecast10.jpgJonah Hill
It all began in the massive Hollywood comedies – 40-Year-Old Virgin, Click, Knocked Up, Get Him to the Greek… Then he stepped up a notch and did 21 Jump Street and everyone was like ‘whaaaaaat, is that the same guy?’ because he lost a ton of weight. Not only had his look changed, but so did the kind of work he got. He began to get into more serious roles like The Wolf of Wall Street and Django Unchained in between sequels to successful comedies and animation films. Go Jonah!

typecast12.jpgBradley Cooper
Does this guy have the same agent as Jennifer Lawrence? Because he’s in a ton of the same films as her now. He began in comedy, the Wedding Crashers being a memorable feature, Yes Man and The Hangover of course. I thought rom/coms was where he’d stay, but somewhere along the way he got into a bit more action, like Limitless. Then that progressed to The Place Beyond the Pines, American Hustle and Joy. This has extended into superhero films! I personally don’t like the guy because he seems a bit pompous, but he sure can act in a variety of roles!

There are lots of all-rounders or ‘chameleon’ actors who could never be typecast! They show how talented they are in every genre and in every role. These include:
Ryan Gosling, George Clooney, Gary Oldman, Ralph Fiennes, Brad Pitt, Meryl Streep, Stanley Tucci, Leonardo DiCaprio… The list goes on!

Gravity

Gravity-2013-Movie-PosterDirector: Alfonso Cuarón
Writers: Alfonso Cuarón and Jonás Cuarón
Released: October 2013
Starring: Sandra Bullock and George Clooney

—–

maxresdefaultThis movie is out of this world!
Ha.
I saw Gravity 3D and it was spectacular. The director, Alfonso Cuarón, said movies should be a visual experience – a lot of dialogue isn’t necessary to tell the story – and he certainly did that well.

Claustrophobia, agoraphobia, isolation, suffocation and death. This is a terrifying movie, playing on our natural fears. It is a very ‘human’ film – it goes back to basics – which is extremely effective in such an alien environment.

I’m not sure how to describe the epicness of the visuals… It is inviolable. Simply spectacular. The shot of the Northern Lights from outer space, and of the sun emerging from behind Earth… Wow.gravity_inline_2

Ryan (Sandra Bullock) and Matt (George Clooney) were absolutely incredible. I am a huge fan of George Clooney anyway, who played a chatty and upbeat character. But I was pleasantly surprised with Sandra Bullock! She convincingly played a strong protagonist.

All the dialogue used makes a huge impact. There is literally no unnecessary dialogue. The spoken word is almost used as a parallel storyline; Ryan’s back story links to her current traumas.

GRAVITYThe audio is so detailed and layered. The use of silence is powerful and serene. Ryan’s  heartbeat can often be heard in the background. The point-of-view shots include the dampened sounds of collision as though heard from inside the astronaut suit.

Speaking of audio, the soundtrack is incredibly moving – especially in the final scene! RANDOM FACT: Steven Price, who composed for Gravity, also composed for The World’s End.

Sgravity-sandra-bullock-image-1tructurally, the story keeps you hooked. The count down before the next debris shower from the destroyed satellite near-by, and the suspense as the oxygen depletes… You literally find yourself holding your breath.

The loneliness, desperation, mourning, horror and serenity creates a hugely emotional journey. The point-of-view shots, as mentioned before, just gets you closer to the action.

All my favourite movies are character-orientated and emotional. Juno, Young Adult, About A Boy, Little Miss Sunshine, The Perks of Being A Wallflower.. I could go on! But imagine that character development in a terrifying thriller with a totally original environment.

Intense, stunning and creative. It is definitely worth seeing in 3D.

I loved it!
Jodie’s rating: 9.5/10

The trailer gives away nothing. The storyline is barely touched upon – you’re in for a treat!
I just got chills. Again.

Coming Soon!

beatles_fanSo excited to see the following films:

The World’s End
OMG OMG OMG OMG OMG OMG!
UPDATE: https://nzfilmfreak.wordpress.com/2013/07/20/the-worlds-end/

Now You See Me
It reminds me of The Prestige; hopefully it will be just as epic.
UPDATE: https://nzfilmfreak.wordpress.com/2013/08/21/now-you-see-me/

The Conjuring
I love a good, creepy horror!
UPDATE: https://nzfilmfreak.wordpress.com/2013/07/22/the-conjuring/

The Hunger Games: Catching Fire
Too excited!!
UPDATE: https://nzfilmfreak.wordpress.com/2013/11/21/the-hunger-games-catching-fire/
http://youtu.be/keT5CRhhy84

The Way, Way Back
Can’t go wrong with a coming-of-age film. Juno and Little Miss Sunshine are two of my faves

Gravity
George Clooney. I rest my case.
UPDATE: https://nzfilmfreak.wordpress.com/2013/11/10/gravity/

World War Z
I know this has been released for yonks, but I still really want to see it.
UPDATE: Seen it! https://nzfilmfreak.wordpress.com/2013/07/09/world-war-z/

Byzantium
Gotta love those decent-looking SCARY vampire films. I’m not holding my breath though. It could be super lame.

Jodie.

My Favourite Scene: Up in the Air

Stereotype up in the air
Up In The Air
(2009): “I stereotype, it’s quicker”
A story about the lives of people who have been made redundant during an economic crisis, told by the man who is hired to fire them on behalf of their bosses. A very comedic look by Ryan (George Clooney) regarding people in airports:

The point up in the air“Everybody needs a co-pilot”
A heavier scene about the point of life, with quite an insightful answer by Ryan.

Jodie.

Up in the Air

Up in the air

Director: Jason Reitman
Writer: Jason Reitman and Sheldon Turner (based on novel by Walter Kirn)
Released: December 2009
Starring: George Clooney, Vera Farmiga, Anna Kendrick

At face value, this may seem like just another shallow idea with a typical love story. But this is far from it.

It’s an incredible story that has a very serious undertone, indeed. It is actually documenting the effects of the start of the financial downfall that we are now experiencing globally.

The movie is not told from the perspective of an employee being let go and the inevitable family and financial problems that would accompany it, but from the point of view of the man that is hired by the boss to tell their employers they no longer have a job.

This is a song that a man named Kevin Renick wrote after losing his job. He sent it to Jason Reitman after hearing about the film and the song is played on the credits. Shows how real this film is, I think.

It’s a fantastic – yet heartbreaking – perspective, because we also see how technology is ruining human connection. For example, it is proposed that instead of Ryan Bingham (George Clooney) flying from city to city letting these people go face to face, that he could actually tell them online via a camera which would be more ‘efficient’, but obviously much less personal. This proposition doesn’t work for Bingham whatsoever. Let alone the people getting told they’re losing a job.

One of my favourite scenes with J.K Simmons playing 'Bob' who gets firedIt’s a sad story of how people’s worlds collapse, how in many respects the odds are against us and that people can no longer rely on each other since it is predominately all about profit. It addresses how we have stopped being personal, only professional, and how a job can become somebody’s life. How it can be their only reliable thing.

Of course, being the director of Juno, Jason Reitman has created another fantastic comedy with very quirky lines. I love this kind of humour, particularly in the scene showed in the photo above.

Ryan: I’m not a shrink, Bob. I’m a wake-up call. You know why kids love athletes?
Bob (JK Simmons): I don’t know. Cause they screw lingerie models?
Ryan: No, that’s why we love athletes. Kids love athletes because they follow their dreams… Your resume` says that you minored in French culinary arts. Most students, they work on the fryer at KFC, but you bussed tables at Il Picador to support yourself. Then you get out of college and then you come and you work here. How much did they first pay you to give up on your dreams?
Bob: 27 grand a year.
Ryan: And when were you going to stop and come back and do what makes you happy?
Bob: Good point.

My favourite part is when George Clooney’s character is deliberating which line to join for security screening in an airport:

This fantastic film is pretty much about all the different ways somebody can feel ‘up in the air’ with little substance and solidarity in their life.

It is a sad film if you look beyond its face value, with not much of a happy ending which I think is very appropriate since we are not quite out of the dark yet. However, it’s strong, underlying current of humour keeps us afloat and captured throughout the whole film.

Jodie’s rating: 9/10