Director: Kenneth Branagh
Writer: Chris Weitz. Based on Disney’s Cinderella.
Released: March 2015
Starring: Cate Blanchett, Lily James, Richard Madden, Stellan Skarsgård, Holliday Grainger, Derek Jacobi, Helena Bonham Carter
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Speaking of Disney live-action remakes and royal weddings, I remembered that I never wrote a review about Cinderella. There are so many Disney princess films and wedding movies on the tellie at the moment, so I thought I’d join in.
As with every Disney princess movie, one must take it with a pinch of salt. It will be a little cringe, over-dramatic, a little too perfect and very girly. But isn’t that what princess films are all about?
This live-action remake features Lily James as Cinderella, whose career seems to have been majorly boosted after this film came out. I remember at the time I was a bit disappointed in the casting because I didn’t know who this random was, but now I’d say it’s a perfect choice.
Not only was she the perfect ‘look’ for Cinderella, but she brought a little bit of personality to the character too (unlike Mia Wasikowska in Alice in Wonderland.). Lily James stays honest to the Cinderella we’ve come to know, while still being down to earth.
Ella’s mother: Have courage and be kind.
If you thought her waist was digitally made smaller, I can confirm this was not the case. Lily James has a naturally small 24 inch waist, and as she was wearing a corset in a billowy dress the appearance was an unnaturally tiny waist.
What about the glass slippers? While the close up of the glass slipper is real, it doesn’t actually fit Lily James’s foot. The rest of the time they’re CGI glass slippers.
Apparently Emma Watson was originally asked to play Cinders but she turned it down. She later went on to be cast as Belle in Beauty and the Beast.
Watson claimed she had more of an affinity with Belle than Cinderella. She also said Belle is a better role model, but I call BS on that statement. Disney princesses are all as shallow as each other. Just because Belle reads a lot doesn’t make her morally better than Cinderella.
I digress.
Helena Bonham Carter was a brilliant fairy godmother. Being in the Harry Potter movies perhaps made her well-practiced with a wand. She isn’t a sickly-sweet fairy godmother, in fact she’s rather brash, but it works!
(It is of course rather scandalous that she was cast because the director Kenneth Branagh cheated on Emma Thompson with Helena Bonham Carter back in the nineties.)
Fairy Godmother: Now off you go. For you shall go to the ball!
Cate Blanchett was the evil stepmother, and you truly came to hate her and her daughters. Cate and her bone structure are brilliant.
My favourite part is of course when the mice get turned into horses, the lizard into the coachman and the goose into a driver. It’s so magical!
Cinderella stays loyal to the original tale, and doesn’t try to be too different. It is a truly magical film, albeit cheesey. But isn’t that what Disney princess films are all about?
Jodie’s rating: 6/10
Watching it in the cinema, I was clutching my handbag and holding my breath… Any second now, the mild-tempered Maud Watts (Carey Mulligan) is going to flip her sh*t. But she didn’t. She remains meek throughout the entire film. She just cries more and more as the story goes on.
And, no make-up! Like, usually there’s the ‘no make-up, make-up’ look. But it actually looks like the Hollywood actresses are bare-faced. Kudos.
Suffragette is based on a group of British women in the late 19th century and early 20th century who demanded gender equality. Their political action shook the system, which goes to show what a threat they were to the societal hierarchy.
We’ve reacted to it – even on the red carpet at the film’s premiere, there were demonstrations fully welcomed by the cast. And now: I’m writing about it. Just from seeing the trailer, it has inspired me.
The protagonist is a storyteller although he is known to exaggerate and embellish the story of his life with fantastical metaphors and unbelievable occurrences. Just like 
Fate, destiny, time, love and death. From real life giants and lion tamers to mermaids and witches, Big Fish is a fantasy/adventure/drama movie, but with a make-believe glaze over it.
Also, the part where Harry dies and goes to a heaven-like state did not quite sit quite right with me either. Or perhaps I’m just not into the sappy, sentimental shenanigans…. However, I am not disappointed. Because it is the second of two parts; not an isolated film.
Helena Bonham-Carter’s performance made it exponentially awesome – as per usual – playing Bellatrix who is a manically dangerous but feminine killer. So cool. This film is just as dark as the previous, but more of an action than a mystery with the equally fantastic cast and crew who have created another whopper. Technically incredible, of course.
Particularly within the first chapter where everybody who’s helping to protect Harry takes Polyjuice potion enabling everyone in the room to look identical to Harry – a very clever and interesting behind-the-scenes piece regarding how they did this scene on the double disc version.
I’m still not convinced about the unorthodox chemistry between Harry and Ron’s sister, Ginny. No matter how many movies, it just doesn’t work for me… However, Ron and Hermione have a more realistic relationship including somewhat hilarious disagreements.
Deathly Hallows has spectacular audio and music as well as flawlessly creepy flashbacks. My favourite scene is when Hermione tells the story of the Deathly Hallows and the relevance of the Elder Wand, Resurrection Stone and Invisibility Cloak. It is so cool – like you’re in the room listening to
it, it’s the atmosphere of the film that makes it so real.
The King’s Speech is the account of King George VI, who is forced to overcome his debilitating speech impediment to reach his full potential as a strong ruler which he becomes by default due to his Father’s death, King George V (Sir Michael John Gambon) and the resignation of his brother, King Edward VIII (Guy Pearce). Despite the premise of this film sounding as if it may become a repetitive and stationary story of pure frustration and despair, The King’s Speech was actually an incredible journey of expectation, victory and unity.
After countless ‘royalty approved’ doctors, they were about to give up when Queen Elizabeth (Helena Bonham Carter) found Lionel Logue (Geoffrey Rush). This begins the strong friendship created between the King and his unlikely acquaintance as well as the trust that has to be built between patient and doctor. The humourous, innovative methods and remarkable outcomes of the pair are inspirational and uplifting.
The cast for this movie was not short of perfect. Colin Firth is the protagonist who became the stuttering King George VI convincingly. He shows that he is a versatile actor who is capable of mastering any genre – from Bridget Jones’ Diary to The King’s Speech.
Tom Hooper shows himself to be quite a genius director. The composition of each shot supports the feelings of the King. With the claustrophobic feel of the environment when he is unable to communicate what he needs to say as well as the unsupportive feel of large and empty rooms. Warm and quality lighting creates the atmosphere of being in the presence of Royalty, contrasting the cold, dim, dark glow of the London streets.
This is wonderfully layered film which allows viewers to look into it as deep as they like. Therefore, the second and third viewing is as enjoyable as the first. The King’s Speech is a fantastically made film with every shot perfectly composed and every scene well constructed – this really is a motion picture suitable for anybody old enough to appreciate it.
The cast were fantastic and the post production techniques are impressive and live up to today’s high film expectations, especially since the release of 
NZ Film Freak 