Paul

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Director: Greg Mottola
Writers: Simon Pegg, Nick Frost
Released: March 2011
Starring: Simon Pegg, Nick Frost, Jason Bateman, Kristen Wiig, Bill Hader, Blythe Danner, John Carroll, Lynch Sigourney, Weaver Seth Rogen

From the director of Superbad, and the creators of Hot Fuzz and Shaun of the Dead, comes Paul.

A story about a laid-back alien called Paul (Seth Rogan) who is on the run from the government across the States before getting picked up by a couple of geeky tourists, Graeme (Simon Pegg) and Clive (Nick Frost). Graeme and Clive attended Comic-Con before travelling to various locations where UFOs have been sighted in an RV, until they get a closer encounter than they expected!

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A concept that was thought-up on the set of Shaun of the Dead, but was not to be a part of the ‘Cornetto Trilogy’ with Edgar Wright. Looking into it, Pegg and Frost decided on an American director instead of their usual collaborator to keep an American tone.

Paul is a fun film, but can become a bit of a drag to watch because it feels like a never-ending chase without enough funny moments along the way to sustain your attention.

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It’s an epic road trip film, which is entertaining enough with it being neither hilarious or a total write-off. Because of the writers’ previous epics – Hot Fuzz in particular – I was expecting a faster-paced script with cooler moments. But I guess the humour was tailored for an American audience.

Nevertheless, Pegg and Frost are brilliant writers and the casting was great. Seth Rogan was a good choice to be the voice of the CGI alien, whose attitude is severely laid-back, even in the most stressful of situations.

The cast is quite large for a relatively simple storyline, and I wonder how many of the characters were necessary.

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Paul is essentially a love letter to the science-fiction genre, and Steven Spielberg in particular whose voice makes a guest appearance over the phone in one scene. So if you’re a science-fiction fan, you’ll probably enjoy this more than the Cornetto Trilogy fans would.

Jodie’s rating: 5/10

 

Juno

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The very quirky, very honest “Juno”

Director: Jason Reitman
Writer: Diablo Cody
Released: December 2007
Starring: Ellen Page, Michael Cera, Jennifer Garner, Jason Bateman, Allison Janney, J. K. Simmons

Holy crap, if you haven’t seen this, you are seriously deprived of life. Likewise, if you saw it and didn’t like it, you have been shunned.

juno-bleeker-juno-2098226-1024-576However, I saw it. Then I saw it again. Then I purchased the DVD with my hard-earned pennies and enjoyed it a whole lot more. Juno is more than just a “comedy drama” as Wikipedia so conservatively stated. It is the hilarious and refreshing story of a typical teenager, Juno McGuff (Ellen Page), and her slight mishap of falling pregnant by the introverted and slightly cheesy  Paulie Bleaker (Michael Cera).

It is a movie like no other… It may be distantly related humour-wise to the likes of Little Miss Sunshine (another film dear to me), but its use of language and musty image wreaks of painfully ordinary and very relatable environments.

juno bren macJuno is a fantastic movie because it has a serious undertone blended with the raw and in-your-face snarky remarks of the teen characters. It’s a story of family, essentially. The relationship between parents and children, divorce and innocence, as well as the relationship – or lack of – between generations. Juno’s love of rock n roll and horrors from the 70s, and the longing for youth that some of the adult characters experience.

The humour is split down the middle; the adults of the audience will laugh at the parent’s reactions and the teens of the audience will be quoting McGuff for the next few months. It’s not a vile rom-com or on par with “Knocked Up”, it’s emotionally deeper than those one-hit-wonders.

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Diablo Cody actually owns this infamous prop – the Hamburger Phone.

The writer, Diablo Cody, was a blogger, that’s how she was approached by a film producer and asked to write a script. She came up with Juno. The shocking dialogue sometimes provokes nervous laughter, or may be tear jerking or blatant Laugh-Out-Loud material! It’s quite an intricate script which essentially follows the awkward storyline of Juno McGuff as well as the adoptive parents that “June-Bug” picks out (who’s marriage is subsequently on the rocks).

The first thing I had to do after seeing this film was to buy the DVD. The second thing I had to do was buy the soundtrack. The tracks are just as quirky as the film, particularly Kimya Dawson’s many songs and instrumentals that made the final cut. They go very well with the feel of Juno, particularly the bluntness of the protagonist.

Reitman’s dedication and patience is obvious when you see the clearly painstakingly long time it would have taken to create the intro – it was worked on from the beginning of the shoot to the very first viewing, nevertheless, worthwhile. The shots are mostly static.

ellen-page-j-k-simmons-fox-searchlights-juno-970464168It’s all in the lighting and seventies colour scheme of clashing reds, oranges and browns with knitted-looking clothing and dated throws on furniture. Reitman’s work reminds me of Edgar Wright’s (Shaun of the Dead, Hot Fuzz…) approach to filming. You can tell it’s an off-beat approach somehow, yet refreshingly upbeat and incredibly honest.

It’s not a fast-paced movie anyway, but I think the montage scene I found on the DVD extras was something that would have kept up the pace… Although it may have detracted from the overall emotion of the film, so in the end the scene’s absence was a blessing in disguise, even if it did tie a ball and chain to the overall pace.

Still one of my favourite films even after all these years.

Jodie’s rating: 8.5/10