movie – Page 2 – NZ Film Freak

Midnight In Paris

Director: Woody Allen
Writer: Woody Allen
Released: June 2011
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody
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When I first watched this film I was disappointed because I had hyped up the plot of Gil (Owen Wilson) travelling through different time eras of Paris. The artistic, fashionable, sophisticated and elaborate times of the 1920s, as well as the ceremonious, coming of age times of the 1890s. But after letting my great expectations subside, I really enjoyed the watch.

The plot is about the Golden Age. That is, longing to live in a time before your own. For example, mine is the early 1960s. Rock and roll music and amazing fashion, with the huge liberal movement against war and for free will.

Paul: Nostalgia is denial – denial of the painful present… the name for this denial is golden age thinking – the erroneous notion that a different time period is better than the one one’s living in – it’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.

However, Midnight In Paris attempts to shroud my Golden Age in contempt, trying to convince me that few are content with the current times and to get over it. It dampened my comfort of believing I would be happier in a different time, because the reality is – as Gil discovers – that you would simply find another time that you would believe to be better.

There is a lot of magic in this film, which I love. Gil goes through a wormhole of sorts, where at the strike of midnight every night a 1920s car picks him up and takes him to parties with his literary heroes. It’s a beautiful “what if” storyline that lives out everybody’s dream to travel through time to experience a life not meant for them.

I think that the decision for Gil to be transported to different era via transport appropriate for that time was perfect. It seems like a small, obvious detail, but I’m just glad that there was no CGI, special effects or sound effects to make the transition obvious.

midnight-in-paris-carload-of-literary-types

This magic does not last throughout the film, however. “The grass is always greener on the other side” is a phrase that has been converted into the moral of this story – the cold, harsh light of day is not welcoming.

Gil sees that the beauty of every era can still be inspiring without having the ability to experience it first hand. Which is disappointing since it seems that he is throwing away his idyllic time era of 1920s Paris for an average life in 2010 Paris. He could have continued to live his dream, but chose not to for no convincing reason.

MIDNIGHT IN PARIS marion

On the other hand, I loved how his heroes gave him advice and support, which ultimately builds his confidence to improve his life in the present.

Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.

Instead of taking the easy option of staying in his dream, he takes the tough road of building his life into what he really wants. I guess he shook of the security blanket of living in the past – an easier place to live because you know what’s coming for you.

Gil: Adriana, if you stay here though, and this becomes your present then pretty soon you’ll start imagining another time was really your… You know, was really the golden time. Yeah, that’s what the present is. It’s a little unsatisfying because life’s a little unsatisfying.

Gertrude Stein: We all fear death and question our place in the universe. The artist’s job is not to succumb to despair, but to find an antidote for the emptiness of existence.

The beautiful French music was glorious! Seriously considering buying the soundtrack.

The acting was very well done. I really hated Rachel McAdam’s character. Like, it got to the point where I was starting to think that she must be a total bi-atch in real life because she played evil Inez so convincingly. So, kudos to her acting ability.

Owen Wilson was pretty much the same character he is in everything. I’m not totally sure why he was cast. Perhaps to keep the film upbeat.

midnight-in-paris-rachel

It is an uplifting tale of something that many of us dream of doing. The ending was rather disappointing, at first. But I have come to terms with it, and I think it works well for Gil.

Worth a watch, but don’t expect it to be a deep and meaningful movie – you will be disappointed! Look at it as a quirky drama/rom-com. Although, I do think that it would have been a very moving film if it was heavier with more drama and emotion.

Jodie’s rating: 8/10

My Favourite Character: Maggie Jacobs

The ditsy character in the Ricky Gervais and Stephen Merchant TV series, Extras, is Maggie Jacobs (Ashley Jensen).

Would you rather be you, with your face and your legs, and the brain of a chimpanzee...Andy Millman: Brilliant.Maggie Jacobs: ...or would you rather be a chimpanzee, but with your brain? — “Would you rather be you, with your face and your legs, and the brain of a chimpanzee, or would you rather be a chimpanzee, but with your brain?”

I like her because she is so innocent and naive. It makes a huge change for one of the leading characters to be so honest and unaffected by mainstream beliefs. She is fresh-faced but average, similar to Bridget Jones but even easier to relate to.

I guess because she’s in a dead-end job, single and struggling as a extra on television shows, rubbing shoulders with fame and fortune yet never coming close to it, like how much of society feels as they slave away at work. But Maggie never strives for any of that. She just plods along.

I wouldn’t go as far as saying that I look up to her, but I do draw inspiration from her because she is so honest to people. Plus, she always does something to embarrass herself but lets it go – she never dwells on bad experiences or holds grudges.

She’s funny, loyal and doesn’t lie to anyone… Which gets her into trouble sometimes. Her Scottish accent is amazing, too!

Jodie.

Classic naive Maggie:

Easy A

Director: Will Gluck
Writer: Bert V. Royal
Released: September 2010
Starring: Emma Stone, Amanda Bynes, Lisa Kudrow, Stanley Tucci
—

This is quite a different version to the typical high school chick flick that drowns the market. Easy A is about how rumours can make or break your reputation. But also how you can take insults and use them to your advantage.

It has a funny script with some catchy insults from the witty and very sarcastic Olive (Emma Stone) – similar dialogue to Juno.

Her best come backs are usually toward the “Jesus Freak”, Marianne (Amanda Bynes), who was responsible for spreading the false rumour of Olive losing her virginity.

Marianne: There’s a higher power that will judge you for your indecency.
Olive: Tom Cruise?

This movie covers everything that one would come across in high school; self expression, religious beliefs, hypocritical people, assumptions and rumour-spreaders. Of course, Olive uses all of this to her advantage.

She sassed up her wardrobe “just like they asked” and becomes her alter ego of the ‘whore’, despite being a very respectable 17-year-old. Just goes to show that what you may see on the outside is not always what is on the inside. And vice versa.

Emma StoneEASY A.

Nina: Perhaps you should embroider a red A on your wardrobe, you abominable tramp.
Olive: Perhaps you should get a wardrobe, you abominable twat.

I really enjoyed this movie because it is a huge, gigantic middle finger to society. You can’t change what people think of you, but you can choose not to be a victim to it.

People rumoured that Olive was a bit of a “skank”, so she began to dress like one! They didn’t whisper about it behind her back after she started wearing corsets and high heels to school, making the scandal-filled rumour less shocking.

It is a fun movie with references to eighties high school movies such as The Breakfast Club which I thought was really smart and made it a story that seemed more human because everybody wants to be in an eighties high school film.

The music is pretty awesome, too. Jessie J’s Sexy Silk is a fun song, with a modernised version of We Go Together (from Grease) by I Heart Homework. But with my personal favourite being from The Breakfast Club called Don’t You (Forget About Me) originally by Simple Minds, but covered by AM.

Oh, and since watching Easy A, Natasha Bedingfield’s Pocket Full of Sunshine has not left my mind for the past few days. You should expect the same thing after watching the film.

Mr. Griffith: I don’t know what your generation’s fascination is with documenting your every thought… “Roman is having an OK day, and bought a Coke Zero at the gas station. Raise the roof.”
Olive: He got a Coke Zero AGAIN. Ah, that Roman. Incorrigible.

Easy A is a fun and easy watch. The script enables viewers to look into it as far as they wish with layered themes and slightly more complex characters than usual. Obviously not a film for everyone, but it’s definitely my favourite movie at the moment – up there with The Breakfast Club! A 2010 version of a 1985 chick flick. tumblr_mhbirb1bNm1s1wtnqo1_500

Actually, I would say that it is on par with Pitch Perfect.

Jodie’s rating: 7.5/10

Megamind

Directed: Tom McGrath
Written: Alan J. Schoolcraft and Brent Simons
Released: November 2010
Featuring: Will Ferrell, Tina Fey, Jonah Hill, David Cross and Brad Pitt
—

I think the best animations are ones where they are enjoyable for more than one age group, which Megamind certainly is! Great for the younger audience as well as teenagers and adults.

This movie is about a blue alien named Megamind (Will Ferrell) who was sent to Earth as a baby, growing up to cause destruction and trouble. Megamind and his rival, Metro Man (Brad Pitt) who is the city’s ‘super hero’, frequently fight in Metro City like Superman and Lex Luthor. It’s a classic good guy/bad guy relationship, which becomes a game to Megamind, until he finally defeats Metro Man and realises that the success he had always strived for was not as rewarding as he had thought.

Moral: Be careful what you wish for; you may just get it.

This animation has some of the best lines in it, I reckon it’s up there with Juno‘s dialogue in some parts. The script is very well written, the dialogue as well as the storyline. It’s a classic superhero story which frequently mocks itself.

This type of animation is similar to that of Cloudy With a Chance of Meatballs, but Megamind is a slightly more mature story; funnier and more entertaining.

I love you, Metro Man!
“And I love YOU, random citizen!”

Megamind: In case you’ve noticed, you’ve fallen right into my trap!
Metro Man: You can’t trap justice! It’s an idea, a BELIEF!
Megamind: Even the most heartfelt belief can get corroded over time!
Metro Man: Justice is a non-corrosive metal!
Megamind: But metals can be melted, by the heat of revanche!
Metro Man: It’s REVENGE, and it’s best served cold!
Megamind: But it can be easily reheated, in the microwave of evil!
Metro Man: Well, I think your warranty’s about to expire!
Megamind: Maybe I got an extended warranty!
Metro Man: Warranties are invalid, if used beyond their intended purpose!

All the characters are awesome! Roxanne Ritchie (Tina Fey) is a news reporter who always gets kidnapped by Megamind to provoke another fight with Metro Man. She has been taken so many times that nothing phases her any more.

Roxanne: Could someone stamp my frequent kidnapping card?
Megamind: You of all people know we discontinued that promotion.

Hal-Roxanne- — Hal: “You’re living a fantasy. There is no Easter Bunny. There is no Tooth Fairy. There is no Queen of England.”

Hal (Jonah Hill) is probably my favourite character though because he’s the funniest. He’s desperate for Roxanne’s attention but fails to be smooth or flattering. Megamind turned Hal into the new ‘good guy superhero’ after Metro Man’s disappearance, and named him Titan.

Hal: I’m havin’ a party at my house, gonna be off the hook, or whatever. You should come over. I got a DJ, rented a bouncy house, made a gallon of dip. It’s gonna be sick!
Roxanne: Oh, I…I don’t know, Hal. I don’t really feel like being around a bunch of people.
Hal: No, no, no! That’s the best part, it’ll just be like, you and me… I did hire a wedding photographer. That’s just in case we were like, something crazy happened and we wanted a picture of it like, maybe we should have this for like, ever. Like a memory, you know?
Roxanne: Um, I’m gonna pass. I have some work here that I need to do, anyway.
Hal: Cool. So, Thursday? Soft Thursday?

A fun, exciting and hilarious twist on the age-old superhero format. Great cast, characters and storyline.

Jodie’s rating: 7/10

My Favourite Scene: Saving Private Ryan

Saving Private Ryan (1998) “…and I find that marvellous.”

I had first heard of Edith Piaf when I saw Inception (Non, Je Ne Regrette Rien). She is a famous French singer from the twenties through to the sixties, and I adore her music.

Since learning about her songs, this scene in Saving Private Ryan jumped out at me. It is a bonding scene between the soldiers that begins with a conversation about Piaf’s song (Tu es Partout), like most of my other favourite scenes, it’s slower paced and one of the quieter moments of the movie.

I just really enjoy one of the more sensitive soldiers translating the song to the others.

Jodie.

My Favourite Scene: Yes Man

Yes Man (2008): I got blisters on ma fingers!

This scene jumps out from the otherwise somewhat average comedy as Jim Carrey’s character, Carl, talks down a reluctant suicidal jumper via sing-song. A song called, rather appropriately, “Jumper” by Third Eye Blind (jump to the start of the song at 1.17 in you’d like).

Jodie.

My Favourite Scene: Little Miss Sunshine

Little Miss Sunshine (2006): “Life is just one big beauty contest after another”
Just a fascinating moment of reflection by a character who is longing to become a pilot despite being colour blind, and a writer who attempted suicide.

Jodie.

Movie 43

Directed by: Peter Farrelly, Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Patrik Forsberg, James Gunn, Bob Odenkirk, Brett Ratner, Will Graham and Jonathan van Tulleken
Written by: Steve Baker, Will Carlough, Tobias Carlson, Jacob Fleisher, Patrik Forsberg, Will Graham, James Gunn, Claes Kjellstrom, Jack Kukoda, Bill O’Malley, Matthew Alec, Portenoy, Greg Pritikin, Rocky Russo, Olle Sarri, Elizabeth Wright Shapiro, Jeremy Sosenko, Jonathan van Tulleken, Jonas Wittenmark
Released: January 2013
Featuring: Dennis Quaid, Greg Kinnear, Seth MacFarlane, Hugh Jackman, Kate Winslet, Naomi Watts, Anna Faris, Emma Stone, Christopher Mintz-Plasse, Chloë Grace Moretz, Gerard Butler, Johnny Knoxville, Stephen Merchant, Halle Berry AND the rest of Hollywood.
—

Short review: It sucks. Don’t bother seeing it.

So it’s pretty much a series of skits, all directed and written by different people. The story line is how a crazed writer blackmails a producer to get his movie comprised of a series of short skits made. The finished product is the movie that is in the cinemas now, Movie 43.

I mean, obviously this film was not going to be good, you could tell that from the trailer.

I can’t say I actually laughed at all in this movie… The funniest scene was the first short with Kate Winslet and Hugh Jackman but even so, I only giggled a little.

The scene where Halle Berry is dared by Stephen Merchant to blow out a blind kid’s birthday candles before he does would have got a bit of a laugh too, if I hadn’t already seen the trailer and knew it was coming. Oh, and Merchant’s plastic surgery results were chuckle-worthy too.

If you want to be grossed out in a way where you also feel targeted and creeped out, skip the horror movie and watch Movie 43 by all means. But if you want to laugh at something… See an actual comedy.

I would like to take this moment to ask Kate Winslet and Emma Stone: “WHY!?”

There were many things that made me cringe, like in the homeschooling scene where the parents want to give their son every high school experience including his “first kiss”, or the entire “iBabe” sketch, or the superhero speed dating sketch. It’s not that I was necessarily offended, it just… Wasn’t funny.

Like, I understood where I was supposed to laugh and why it should be funny… But it just really wasn’t. Like when you watch an episode of Dora the Explorer and she makes a joke, you know why it is technically ‘funny’ but you don’t laugh because the jokes are simple and lame. Obviously the lame jokes in Movie 43 are R-rated humour though.

If you want to see a TON of famous people making fools of themselves, I’m sure you will enjoy this movie.

But it is rude, crude with lots of nude.

Jodie’s rating: 1.5/10 (.5 per time I chuckled)

My Favourite Scene: Up in the Air

Up In The Air (2009): “I stereotype, it’s quicker”
A story about the lives of people who have been made redundant during an economic crisis, told by the man who is hired to fire them on behalf of their bosses. A very comedic look by Ryan (George Clooney) regarding people in airports:

“Everybody needs a co-pilot”
A heavier scene about the point of life, with quite an insightful answer by Ryan.

Jodie.

The Breakfast Club

Director: John Hughes
Writer: John Hughes
Released: February 1985
Featuring:Emilio Estevez, Molly Ringwald, Judd Nelson, Anthony Michael Hall, Ally Sheedy, Paul Gleason
—

Probably the best high school based film. Openly addressing and mocking their stereotypes and the pressures each one of them are under by their associated peers.

It is a very well made film because it is entirely based in one place during one day, with a tiny cast. We are sitting in on a Saturday detention with five completely contrasting students who soon find out what they hate and what they love about each other and themselves. Very human, very emotionally rooted.

The Characters:
The cheerleader type referred to as ‘the princess’ named Claire (Molly Ringwald).

The jock referred to as ‘sporto’ named Andrew (Emilio Estevez).

‘The brain’ named Brian (Anthony Michael Hall).

The kook or ‘the basket case’ named Allison (Ally Sheedy).

The messed up ‘criminal’ called John (Judd Nelson).

The Kook and the Princess — The Kook and The Princess

What is great about these characters, is that we can see qualities in ourselves in all of them. They are a mirror image of the teenage audience. We all know somebody with qualities like them, we all find some of them in ourselves and we all find characteristics in them that we want to possess.
Despite being about five typical stereotypes, by the end of the movie, you realise that they are a group of misfits who don’t want to belong to a group who tells them who to be.

I think if there was an extended version of this movie, it would be how each one of them over came the pressure of their groups and openly hung out with other cliques, because they’re all strong characters who would become role models. Well, that’s what I would like to think would happen anyway.

Made in the eighties and it certainly looks like the eighties! I swear I am transported to that era every time I watch it. Great eighties music too, including one of my favourite songs Don’t You (Forget About Me) by Simple Minds. If you want to listen to some eighties music on the go, this site has some great eighties music.

It’s true, high school really does suck. But this movie will make you feel better about it.

Jodie’s rating: 8/10
I would just like to say that they have excluded all of the funny bits in this trailer, so if you like the look of this, you’re going to love the film.

My Favourite Scene: Made In Dagenham

Made In Dagenham (2010): The beauty of doing something unexpected of you

Okay, I can’t believe it took me so long to write about this movie! This is based in the sixties (which obviously gives it an instant thumbs up from me) about women getting equal rights in the workplace. These are two of many clips that I could have chosen that really inspires me in this film.

In the first one, I love how Lisa (Rosamund Pike) is such a beautifully elegant woman who is socially acceptable in this era, until her opinion is asked of her. Instead of smiling and nodding, she blurts out exactly what she means even though it is totally unacceptable for her to do so. It is true, knowledge really is power. I just love the reaction of somebody doing something unexpected, it’s a fantastic way of demanding respect and getting attention from others. Lisa uses her knowledge as if she’s giving society the middle finger. She’s such a heroine!

“Please, keep going! Don’t give up.”
In this second clip, I love how Lisa is Rita’s (Sally Hawkins) beam of light reminding her that although she is personally very low, she is actually making history! Lisa, clearly my favourite character in this movie, tells Rita who she really is, which once again shocks another character. She is so empowered and is able to empower others.

Jodie.

My Favourite Scene: The Boat That Rocked

The Boat That Rocked (2009): The meaning of life = Rock n Roll!

You know that feeling of just wanting to get up and dance? A song where you just can’t sit still listening to? This is a scene about that feeling.

This is actually a deleted scene from the incredible film, The Boat That Rocked which shows the deeper meaning of the effects of music. Rock and roll just makes sense to people.

Jodie.

The Blair Witch Project

Directors: Daniel Myrick and Eduardo Sánchez
Writers: Daniel Myrick and Eduardo Sánchez
Released: January 1999
—

I literally did not sleep last night.

I remember seeing snippets of this film when I was about 11, but I had not remembered how effective the horror aspect of it was! It is the best horror/psychological thriller I have seen in a very long time.

Three film makers go missing in the woods while covering the legend of the Blair Witch that supposedly haunted the area. The film makers were never found again, but their footage was, which makes up this film.

Pretty simple plot line with amateur filming which is very convincing! The idea of this horror is that the less you see the more your imagination runs a riot. You never actually see any witch or any sort of witch craft or supernatural beings, but the sounds and supposed actions of the Blair Witch is more than enough to keep you on edge.

Reading a bit about the making of this film is quite interesting. 2000 actors auditioned and the three actors with the best improvisational skills got the parts. The actors got a very loose script to work with, and to get into to character the cast were taken hiking and camping in the woods, depriving them of food and harassing them at night by the crew.

The acting is well done, with Heather being the main character as she uses the camera (and talks) the most. She is certainly an annoying character who is a total know it all, but apparently that was intentional – perhaps to keep the audience in a false sense of security as she seems convinced that at no point are they ever lost. The other two actors are fantastically convincing and natural too.

A scary story to say the least. The further toward the end it gets, the more terrifying it becomes. The final shot is still freaking me out. Considering this was all done with handy cams and mostly improvised, makes this film a more effective horror.

So awesome!!

Jodie’s rating: 8/10

My Favourite Scene: Stranger Than Fiction

Stranger Than Fiction (2006): You miscreant!

I love Ana Pascal’s (Maggie Gyllenhaal) vocabulary and anarchist values expressed rather articulately. This entire movie was filled with many scenes that are fantastically written and performed. But I have to say, this first encounter with Ana was uplifting and inspiring. A character I certainly adore, and this scene is her best one.

Jodie.

Cemetery Junction

Directors: Ricky Gervais and Stephen Merchant
Writers: Ricky Gervais and Stephen Merchant
Released: April 2010
Starring: Emily Watson, Ricky Gervais, Ralph Fienes, Christian Cooke, Tom Hughes
—

Based in the early seventies, this film follows the lives of three boys in their early twenties whose lives consist of “boozing”, partying and “getting birds”. However, after one of the boys, Freddie (Christian Cooke), meets an old friend, Julie (Felicity Jones) who is bursting to leave town and travel the world, he decides that he wants more in life too.

They both realise that they are both being held back by conservative parents and living in the regimented town of Cemetery Junction. The film follows these two characters as well as their friends and families, as they come to terms with climbing out of the armpit of a town, despite Julie being engaged and their ideas beyond the town are frowned upon.

This movie is fantastically well made! Bright colours from the swinging sixties that reminds me of The Boat That Rocked and Made In Dagenham. Fantastic songs from the sixties and seventies too, including Bowie, Slade and Elton John. I bet the soundtrack would be worth getting.

The characters are (according to my parents) quite accurate of the time. The older generation racist and with plans of keeping in the same job and staying in the same town, but with a growing proportion of the younger generation wanting more than being in a 9 to 5 job, marrying and having children, but wanting to explore and move away.

It is a refreshing plot line that is beyond an aesthetically perfect rom-com, but an inspiring story of escape in search of adventure. The feeling of being trapped experienced by some of the characters who are trying to break free are well communicated in the film. It’s a very human story of breaking the mould and being independent.

Cemetery Junction is convincing and very well made, apart from the frequently questionable language. It is extremely funny, exciting and makes you long for that era with the fashion and majestic clubs with live music booming. The characters are relatable and realistic who encourage the feeling of moving away from all that is familiar just for the sake of the journey.

A fun easy-to-watch, yet deep movie of lovable characters living in an increasingly exciting time.

Jodie’s rating: 8.5/10

Karma Police – Radiohead

This song and music video are ah-may-zing! The drone of a life that has you on the “Karma payroll” leading you to lose sight of what is good in the world. It is easy to shut off and become a zombie in life when things never seem to go right for no reason of your own, perhaps causing you to snap.

For a minute there, I lost myself

The music video is pretty straight forward. Chasing down a seemingly average man for the apparent wrongs that he needs to be punished for by Karma. The car is in a studio from the black-out windows (no reflection) and the mechanical camera that has a set speed and movement that it can repeat identically, which allows an easy cut between the outside of the car and the inside of the car.

This is what you get when you mess with us

Very well done lightning too. The actor looks like a working man – not a Hollywood actor… Which he may or may not be… But very convincing in any case.

Enjoy!
Jodie.

Freedom – Anthony Hamilton (Ft. Elayna Boynton)

I mentioned this song in my review of Django Unchained in which this song was featured.

It is an amazing song with awesome voices! The slow pace of the song and the drawn-out lyrics represents the struggle of moving forward and finding freedom.

Life hasn’t been very kind to me lately…
…in time the sun’s gonna shine on me nicely

Fantastic singers! The drums are solid and sturdy with little in the way of ‘busy’ instrumentation.

Worth a listen!

Jodie.

My Favourite Scene: Moulin Rouge!

Moulin Rouge! (2001): Roxanne dance

Roxanne! This is the clash of all negative emotions performed through the incredibly perfect song Roxanne by The Police. A theatrical version that parallels the heartbreak and betrayal that is occurring.

It is an absolutely incredible scene. The best song on the soundtrack, the best dance in the movie, the best performance, the best lighting. Amazing.

Jodie.

Django Unchained

Director: Quentin Tarantino
Writer: Quentin Tarantino
Released: December 2012/January 2013
Starring: Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L. Jackson
—

Django.
The D is silent.

Well, I got to say, the first quarter of the movie is incredible! Django (Jamie Foxx) being freed by a strange man named Dr. King Schultz (Christoph Waltz) and the show-down that occurred between Schultz and the Speck Brothers who were transporting Django and other slaves to a plantation. This is where Django and Schultz become a team and continue the journey as Bounty Hunters (killing criminals and selling their corpses for rewards).

Dr. King Schultz: My good man, did you simply get carried away with your dramatic gesture, or are you pointing your weapon at me with lethal intention?
Ace Speck: [cocks shotgun] Last chance, fancy pants.

It was a fantastic start to another incredible Tarantino film… Or at least that’s what I thought… Let me tell you, the idea of “less is more” is not something that Tarantino agrees with.

It slowly (and boy do I mean slowly!) unravelled to reveal a story that consisted of long scenes of dialogue with very sudden outbursts of bloody gunfire that would last an eternity. Particularly the final fight.

Well you think it’s the final fight until another scene of dialogue and another fight follows. By the time it reaches the actual final gun fight, you’re so over the blood and gore that you’re immune to the tragedy of it all and the impact of the violent film has subsided.

If you’re worried that this film is going to be too sadistic… Don’t worry. It’s not. I’m not going to lie, I did flinch when a slave was ripped apart by dogs, and when a horse was shot in the head… But it is essentially a black comedy – it ain’t no Saw. It is seriously more comedic than violent, especially with the scene featuring Jonah Hill.

Christoph Waltz was absolutely hilarious too. Actually, this guy is going to get a whole paragraph dedicated to his acting. He is totally incredible! Did you know that he can speak three languages fluently!? English, French and German, which he speaks in Inglourious Basterds and Django Unchained. His way of acting is unlike any other… you can’t even tell if he is acting or not because he is just so natural. *Sigh*. Maaaan… He needs a hi-5. His character had some wicked quotes too.

You silver-tongued devil, you.

Unfortunately, some things were unintentionally funny. Like Quentin Tarantino’s cameo… Yeah. That was… Weird. Especially since him and another character were speaking with an Australian accent. That literally came out of nowhere, so confusing! It was kind of disturbing.

I have to make a quick point about the horses. They were SO well trained! Incredible stunt horses. Being a horserider myself, I tend to get really picky about how the horses or riders are doing something wrong, like if the horse-doubles look very little alike or how the actors can’t ride or how sometimes I notice that one of the riders is totally out of control of their horse.
But I couldn’t fault any of the horses or riders in this film! Particularly Jamie Foxx when he was riding a horse with no bridle or saddle… Actually that was yet another left-field occurrence. It was kind of pointless, unexpected and weird.

I had read somewhere before seeing Django Unchained that there is a part where Leonardo accidentally slams his hand down onto a wine glass while in character. I looked out for it, and it makes the scene a hundred times better because for a split second you see the shock on his face, but he carries on. Throughout the scene he picks glass out of his hand, even smearing his own blood over another actor’s face. Awesomely grotesque, I have got to say! Good on you, DiCaprio. He played an mildly insane and overpowering man very well!

Gentlemen, you had my curiosity, now you have my attention.

The music was pretty cool. My favourite song was one called Freedom by Anthony Hamilton and Elayna Boynton. But out of nowhere a hardcore rap song blared against while a group of horses and riders walked from one end of the screen to the other… The mood of the movie was sort of ruined by odd little choices like that.

It wasn’t as sadistic or gory as I was expecting it to be. Also, the story line did not involve as many personal details about many characters, like there was in Inglourious Basterds. It made the entire movie seem distant, making it difficult to lose yourself in the movie.

I reckon Quentin Tarantino was just having fun in this movie. I reckon it would have been much more entertaining being on set every day rather than sitting through a Lord of the Rings-length Western/Black Comedy/Romance/Action movie.

Still confused by what I just watched…

Jodie’s rating: 6/10
You need to watch this trailer to listen purely to Christoph’s voice! His use of inflection is perfection!

My Favourite Scene: Sherlock Homes A Game of Shadows

Sherlock Holmes: A Game of Shadows (2011): Running through the forest

This is where the characters are running in slow motion while being shot at. It captures every tiny detail and the sheer panic. Throw in some Inception music and you got the most epic scene in the whole shebang.

Jodie.

Made In Dagenham

Directed: Nigel Cole
Written: William Ivory
Released: October 2010
Featuring: Sally Hawkins, Rosamund Pike, Miranda Richardson, Bob Hoskins, Geraldine James
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This movie is based in the late sixties during a time when women were treated unequally in the work place. They were degraded and given less pay than the men, simply because they are women.

The leader of the movement Rita O’Grady, played by Sally Hawkins, a worker in a Ford factory in Dagenham, organises the rallies. Based on a true story, these women made history in their success in getting equality in the workplace – even meeting Barbara Castle (Miranda Richardson)!

Rita carries the guilt of others’ personal issues such as dealing with the after effects of war on her friends as well as keeping everybody united in the struggle against the workplace. This adds another very human dimension to the film.

Rights not privileges, it’s really that simple.

My favourite character is by far Lisa, played by Rosamund Pike. She is beautifully elegant, and posesses a fantastically strong sense of right and wrong. Her opinion is generally unwelcome, but I just adore everybody’s faces when she speaks out A look of utter shock. She is strong, intelligent and an amazing woman.

I’m Lisa Burnett, I’m 31 years old and I have a first class honours degree from one of the finest universities in the world, and my husband treats me like I’m a fool…

It’s based in the sixties, so naturally the music and fashion is absolutely to die for! The dresses, the hair, the dancing *gasp* …so amazing.

This is a movie that will inspire and move you. It is entertaining and funny with an amazing cast! This is not a preachy feminist film either. This is based on true circumstances adding so much integrity to the script.

The front cover of the DVD and poster is very inaccurate. It looks like it is a happy-go-lucky rom-com. It is far from it. It is a drama based on humanity and personal triumphs.

An incredible journey by heroines based in a time of total change.

Jodie’s rating: 8/10

My Favourite Scene: Harry Potter and the Deathly Hallows

Harry Potter and the Deathly Hallows 1 (2010): Hermione & Harry dancing

In this scene, Hermione and Harry dance to a very emotive song called O’ Children by Nick Cave and the Black Seeds as they mourn Ron’s absence and the bitter situation that they have found themselves in during the war and the search for Voldemort’s horcruxes. It seems to be the quiet time before the storm, but after much destruction, loss and heartache.

Jodie.

My Favourite Scene: The Pianist

The Pianist (2002): Playing piano for a soldier

In this scene, a German Soldier, Captain Wilm Hosenfeld (Thomas Kretschmann), discovers Władysław Szpilman’s (Adrian Brody) hiding place. Instead of killing him, he helps him survive.

But before leaving after their first encounter, the German Soldier asks what he will do after the war is over. “Play the piano again” he answers. “Show me” the German soldier replies.

After two years of not being able to do the one thing he loves, Władysław does so, happily. He looks like he is healing himself after the battle to survive the war, which is slowly coming to an end.

I think this scene intrigues me because I believe the soldier just wanted the hurt of the war to end. After watching the whole film showing the destruction German Soldiers brought, he makes us remember that they are only human too. He seems to be thinking about the actions of his soldiers, what is right or wrong, perhaps his loss of faith in fighting… Music can provoke many feelings.

Wilm Hosenfeld did in fact make a habit of helping Jewish people survive in labour camps, before dying in a POW camp himself, possibly after being tortured.

I think, in this scene, both parties are united by music; healing together and making peace.

Jodie.

Chocolat

Chocolat-Movie

Director: Lasse Hallström
Writer: Screenplay by Robert Nelson Jacobs. Based on the novel by Joanne Harris.
Released: December 2000
Starring: Judi Dench, Johnny Depp and Carrie-Anne Mos
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A mysterious and magical fable-like tale about an eccentric, colourful and embracing chocolatier named Vianne Rocher (Juliette Binoche) and how she brightened up a deeply rooted traditional French village. Her provocative clothing, illegitimate child and outspoken values made her unwanted in the village, being outcast as an evil influence. Despite this, her Chocolaterie brings hope and perspective to the guilty customers. Amongst this, there is a compelling love interest between Vianne and a free-spirited Irish traveller, Roux (Johnny Depp).

I love the lead actress, Juliette Binoche, but I do wonder if they chose her because Marion Cotillard was unavailable. In any case, they are two gorgeously elegant and talented French women.

Despite looking like a model village, Flavigny-sur-Ozerain is in fact a real village located in Burgundy, France.

This film is about depriving ourselves of things purely for the discipline, particularly pressured by religion or the expectations of society. With everybody being up tight about keeping a perfect front for others, it seems easy for the important things in their lives to crumble in the background. Perhaps marriage, not pursuing new love, staying in dangerous situations from fear of persecution, or not allowing themselves to try new things.

The incredible Judi Dench playing a foul mouthed, strong willed landlord

The Chocolaterie represents freedom and indulgence. It is a moral that allows people to make mistakes, to not feel guilty about taking pleasure in something or feeling damned or frowned upon. They begin to give into desires, discover new feelings and acting on them.

The soundtrack is authentically French! Minor Swing by Django Reinhardt/Stéphane Grappelli makes you want to get up and dance, with other classical songs that bring out the essence of the town. Lots of guitars and drums that gets your feet tapping. Fantastic songs.

This is a movie set in the year of 1959. The women wear dresses and hats and the men in suits. Everything seems black and white until the woman with pink shoes and bright coloured dresses arrives. The costumes are absolutely to die for. The shoes, the belts the make up… So beautiful!

I have to say, the first few times I watched this, I was expecting it to be a bit more mystical with a Chocolatier who is very wise and knowledgeable, helping people in every place that she moves to. But she is only human who makes mistakes and questions life like the people in the village opened themselves up to do. Now that I’m older, I can see that this was purposeful. Vianne is flawed too which just makes this fable a much more down to earth film.

For all the chocolate lovers, Johnny Depp lovers, romantics, dreamers and free thinkers. This is a personable film that is easy to watch and brings hope to people, particularly to anyone who feels a little different or who questions society’s morals, or the things that we are influenced by.

An uplifting, soulful journey of how a little sweetness in life can bring people together.

Jodie’s rating: 8/10

The Prestige

Director: Christopher Nolan
Writer: Jonathan Nolan and Christopher Nolan
Released: October 2006
Featuring: Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johansson and David Bowie
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David Bowie is in it… I don’t think anything more really needs to be said…

Act one: “The Pledge”

Are you watching closely?
The Prestige is an incredible movie with real mystery and thrilling themes, like nothing you have ever seen before. Its dark and haunting aesthetic with the ruthless, deceitful, cut-throat and competitive characters makes an extremely intense film.

It is the story of strong-willed magicians who guard their incredible tricks of illusions with their lives resulting in sacrifices way beyond their expectations as their hunger for dominance of rival magicians runs riot.

Of course, I can’t forget to mention the era that this movie is set in, the late 1800s. I wouldn’t mind living in those times… Only if I was very wealthy of course. Beautiful dresses, old school showmanship, horse and carts and the thrill of newly discovered electricity.

With the complexity of Nolan’s Inception, the grungy look of The Dark Knight, but with a hint of total tragedy, this is just another of Christopher’s incredible creations.

Act Two: “The Turn”

I’m sure it will be compared to The Illusionist… But that doesn’t come anywhere near to what The Prestige delivers, nor does it deliver as much mystery, heart-break or violence. The Prestige is truly a one of a kind movie that makes you feel scared, desperate, amazed and sit mesmerised at the end trying to figure out the wild twists and turns in the story.

The trailer for The Illusionist, a second class film in comparison, but a pretty decent film nonetheless.

This film makes you gasp, cry, feel a sense of desperation and total awe as Hugh Jackman and Christian Bale’s characters go to extreme lengths, bending moral judgment to the expense of their loved ones, as they attempt to steal each other’s secrets of their most breath-taking, and threatening, tricks.

With such unexpected twists and turns, it is impossible to guess the ending. Unfortunately, knowing the ending can spoil the magic of the film for future viewing, sort of like in the second or third viewing of The Others.

Act Three: “The Prestige”

There really is no thrill in knowing the secret behind the magic. “The secret impresses no one”.

So incredible.

Jodie’s rating: 9/10