Director: Tate Taylor
Writer: Tate Taylor (screenplay), Kathryn Stockett (novel)
Released: August 2011
Starring: Emma Stone, Octavia Spencer, Viola Davis, Bryce Dallas Howard
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The first thing that attracted me to this DVD was, quite shallowly, the dresses that the characters were wearing on the cover. This was a story based in the sixties, also, it has Emma Stone in it.
So I decided to [wait until the price came down and] buy it.
In the back of my mind I was expecting it to be either over-emotional and depressing such as the film Precious (which I still haven’t brought myself to watch). Or, I was expecting it to be a little too cheesy… But I was gladly wrong.
This is a story about a strong-willed and moral young woman named Skeeter (Emma Stone) who interviewed African-American maids in Jackson, Mississippi despite it being very dangerous and very much against the law.
With many struggles and an immense amount of courage from all involved, she wrote a book anonymously based upon the accounts of the Help who serve white families for little money and humiliating conditions.
Although I am not overly well-versed in American Civil Rights history, it is not hard to feel sympathetic and emotionally moved by the stories of the Help, or incredible remorse for the way that many of the white population viewed African-American people.
Hilly Holbrook (Bryce Dallas Howard) plays the ‘villain’. It’s easier to pity her more than despise her, and she is still accessible enough to guess why she acts the way she does.

Skeeter was the most inspirational character of course. Maybe because she is about my age. But I also find her an inspirational character because she refuses to fit into society.
She doesn’t just want to get married, live in a house in the suburbs or pay a maid to raise her children. Instead, she wanted to change the world around her for the better. Skeeter graduated as a journalist and bravely took on a huge project for the greater good, giving the ignored maids a voice.

Minny (right) and her new employer, Celia (Jessica Chastain) is a happy go-lucky woman who is impossible to dislike. She is excluded from the white community, probably because of her acceptance of everybody – no matter the colour – and finds friendship in her new maid, Minny Jackson.
I am reluctant to give too much credit to the author that this film was based on, Kathryn Stockett, because I’m not incredibly sure she was completely honest and pure in her intentions (my theory based upon a few interviews I have seen her in).
There was a lawsuit filed against her by Aibileen, the author’s brother’s maid, saying that Stockett had stolen her life story without her knowledge. Although Stockett was found innocent, it did take the honour out of the story a bit.
The novel is in fact fiction, with bits and pieces drawn from Stockett’s life experiences as a white child growing up in the South with a family maid. But, it is essentially a story that is worth being told to remind us of how it was, with themes of friendship, adversity, desperation and success.
This film is a people film. It follows characters who have flaws and struggles, triumphs and strength. It follows the lives of various people and from their points of view which reminds me of The Curious Case of Benjamin Button, Big Fish and other stories that accurately follow the path of interesting, yet believable, people.
Triumphant and inspirational.
…Also, their accents and way of talking is so awesome. I’ve watched this movie so many times, my thoughts are now in a Southern accent.
Jodie’s rating: 8/10
Can’t say that the movie is quite as upbeat as this trailer makes it out to be, but it gives you chills nevertheless.













OR the mamsy-pamsy emotional blubbering characters who through the fog of their infatuation are unable to reach logical decisions.




Unfortunately, the fairytale romance unravels due to the Duke (Richard Roxburgh) – an investor in Satine and the Moulin Rouge – attempts to put an end to their love affair. Christian and Satine’s love turns into a concoction of “desire, suspicion, jealously, anger and betrayal”.
It is full of colour and energy! It feels like you’re right there in the Moulin Rouge with them. The lighting is incredible along with Baz Lurhmann’s trademark choppy edits and steadicam footage. This all adds to the excitement on the dance floor with the colourful dresses and cabaret dancers.
The music is fantastic! They’re not songs that describe mundane things, it’s music that supports the emotion of it all. They’re modern songs by incredible artists such as Bowie, Rufus Wainwright and Elton John, as well as bands such as T.Rex, Queen and Nirvana, in an orchestral fashion, and/or medley mash-up of multiple songs, sometimes in aMoulin Rouge party style.

Inspired by true events, this exciting and high-energy journey follows Ben Campbell (Jim Sturgess) as he discovers the world of counting cards and the game of blackjack in Vegas. The huge financial rewards and glamorous way of life that was supposed to be a means to an end for Ben, became an addictive and extremely risky and dangerous lifestyle choice.
This is a fast paced film of high-rollers and well-educated characters, some with intimidating power and control. A once conscientious student becomes wrapped up in the underworld of counting cards which jeopardises his future as a Harvard Medical student as blackjack team member, Professor Mickey Rosa (Kevin Spacey), turns on him.
The soundtrack to 21 is a mixture of popular artists such as Rihanna and MGMT, classic artists such as The Rolling Stones, plus some more of the middle-of-the-road artists like Peter Bjorn and John and Unkle. There are a few R&B songs that I don’t really like, but the best parts are used in the film effectively.
Musical or not, its fifties costumes and authentic hair-dos are enough to make me love this optimistic film. I love this era and it’s portrayed in the most idyllic light. Obviously Grease is essentially a stage play which isn’t lost in the movie form with the occasional fourth wall barriers lost.



Tim Burton’s quirky and off centre idea of normalcy is shown in Edward Scissorhands which is about a man who was created by an inventor who died before he could complete him – hence the scissors for hands. Edward finds himself embraced into suburbia which challenges the belief system of the small, gossipy population, before everything goes wrong and Edward finds himself in a more confused state than ever.
It does seem like a crazy storyline. A man with scissors for hands? Imagine trying to pitch that to a production company…
Speaking of casting, one of my favourite actresses, Dianne Wiest, (
The sets look like a model set because of all of the pastel colours and cookie-cutter, two dimensional looking houses, especially in contrast with the black, gothic castle that Edward Scissorhands hides out in. It is actually a spectacular set which is an exaggeration of suburbia’s claustrophobia, uniformity and lack of individualism or creativity, which is what Edward Scissorhands inadvertently changes when he is introduced to the neighbourhood.
It is a comedic view on the insanity of normalcy. An entertaining watch – unlike anything you have ever seen before. It is a typical Burton film so if you’re not a fan of his work usually, you may not enjoy the weirdness of Edward Scissorhands. However, the love interest between Edward and Kim (Winona Ryder) as well as the snowy Christmas scenes makes it a great festive movie (despite the somewhat sad ending which Tom Cruise disliked).
The protagonist is a storyteller although he is known to exaggerate and embellish the story of his life with fantastical metaphors and unbelievable occurrences. Just like 
Fate, destiny, time, love and death. From real life giants and lion tamers to mermaids and witches, Big Fish is a fantasy/adventure/drama movie, but with a make-believe glaze over it.
Director: Jon Favreau
It includes my favourite Christmas song; Baby, It’s Cold Outside, sung by Zooey Deschanel and Will Farrell. The same song on the official soundtrack is by Zooey Deschanel and Leon Redbone which is a great version.









I enjoyed this film so much that I managed to ignore the fact that I really don’t like Daniel Craig... As James Bond anyway. He just seems too arrogant to be 007… Plus his blue eyes look unnaturally blue…






he picks unknown and indie songs along with well-known musicians and their more unheard music. If anything, the emotion comes from the music in this film.


I… I can not fathom this peculiar choice of automobile. If I could not be hurt or killed, I would not only drive a dangerous and rebellious-looking motorbike, but I would drive it at great speeds… Without a helmet on too! What kind of vampire drives a Volvo? Aren’t they one of the safest cars on the road? Made for safety-conscious families who can in fact be injured..? But, I guess fantastical one-hundred year-old creatures with skin as cold and clammy as a rock on a chilly winters day, who would not sustain a mere scratch in a severe car crash, would also be attracted to the top safety ratings and efficient air bags… Makes sense. -_-
portrayed. It just seems like she is happy to throw away her entire life for a boy. She’s seventeen and runs away with some guy she just met – a guy who she knows to be a predatory killer. It just seems crazy. She was going to go to university and everything.
The accented green in the woods to show the intimidation yet fascination around Edward Cullen.













Fat Amy has to be everybody’s favourite character, just because she is so freakin’ hilarious. I was so disappointed that they didn’t include the “pirate dancing” scene though… They replaced it with the “mermaid dancing” scene. So, here is the pirate dancing clip since you won’t see it in the movie (25 seconds in):











I have to say I was extremely concerned about Anne Hathaway being Catwoman! However, she certainly stole the show – the Cat Burglar was incredible. Good on Anne Hathaway for her performance.