Despite being a high-production-value song and music video, Love Ain’t a Prize left me feeling like I had heard it all before. The country-pop genre tends to be quite monotonous for me.
Love Ain’t A Prize is not a poorly-made song, but the chorus repeats itself too often, which makes the writing appear lazy.
The style and sound becomes a self-fulfilling stereotype. The classic black-tassel-wearing and silver-studded band members came as no surprise in Donica Knight’s video.
Don’t get me wrong, I enjoy a bit of country music (Kelly Willis), a bit of pop (Katy Perry), and rock ‘n’ roll (Johnny Cash). But I tend to stay away from the contemporary, flamboyant country-pop genre, due to its gaudy appearance and cookie-cutter sound.
I can see why Donica Knight is growing in popularity in the Southern music scene.
She has shown her diversity and success by opening for acts including Lynyrd Skynyrd, 3 Doors Down, Kid Rock and Jamey Johnson.
Despite my personal take on the contemporary country sound and genre, if you’re into country-pop then Donica Knight is for you. She seems like the kind of artist who excels on stage with a lot of energy, and an engaging presence. She has a strong voice, confidence and style, that I’m sure will be appealing to many.
Two legends gone at the age of 69. I am so shocked and gutted. They are English artists who both died of cancer within four days of each other.
David Robert Jones (8 January 1947 – 10 January 2016)
For me, Heroes will forever encapsulate David Bowie’s genius. It is a song I can’t get bored of, featured in films such as Moulin Rouge and The Perks of Being a Wallflower.
Though nothing, will keep us together
We could steal time,
just for one day
We can be Heroes, for ever and ever
What d’you say?
However, let’s not forget the remarkable on-screen work he’s done. I may be neglecting to mention the most well-known performances he’s done, but my personal favourites include his portrayal of Nikola Tesla in The Prestigeand him featuring as a more brash version of himself in Ricky Gervais’ show, Extras.
Check out his hilarious interview about being on the show:
Alan Sidney Patrick Rickman (21 February 1946 – 14 January 2016) Alan Rickman will forever be known to my generation as the fantastical almost-villain everybody loves to love, Professor Snape in the Harry Potter movies.
“I can teach you how to bewitch the mind and ensnare the senses. I can tell you how to bottle fame, brew glory, and even put a stopper in death.” – Snape
I will also remember him from a film I watched years and years ago called Perfume: The Story of a Murderer.
A fantastically well-spoken performer (who was forever impersonated on chat shows), whose voice will forever be associated with Absolem the blue caterpillar in Burton’s Alice in Wonderland.Thankfully he completed the second instalment to the Alice in Wonderland series, Alice Through the Looking Glass.
Tom Hiddleston and Benedict Cumberbatch are two of many celebrities who impersonate Alan Rickman regularly, but Family Guy might just take the cake:
I figured your legendary statuses would prevent you guys from passing away somehow… Rest in peace you glorious human beings.
Jodie.
PS. I can only hope that David Bowie will forever be remembered as a majestic guy who rode a tiger made of lightning.
My two favourite singer-song writers: Fiona Apple and Sharon Van Etten need to be BFFs.
I can’t believe it – there isn’t even a photo of them together, a cover of each other’s songs, or a duet by either of them. I’m hoping they don’t see each other as direct competition or foes…
Therefore, I have collated five compelling reasons why they need to be besties forever:
1. They are both from New York and are of a similar age.
Fiona from New York City – now 38 – released her first single in 1996. Sharon from New Jersey (then moved to Brooklyn), New York – now 34 – released her first in 2009.
2. They have similar styles of music.
It’s safe to say they are of the same genre… Mellow alternative rock, I guess. Both have a jazz/folk tone to them too. They both have incredibly emotive lyrics and hooks in their songs that you just can’t get out of your head. Fiona’s songs are perfect for those times when you’re royally pissed off, or bitter about something. Sharon’s songs are perfect for those times when you’re feeling a tad melancholy or nostalgic. Fiona and Sharon’s vocals are both natural-sounding, as in, their live and recorded versions tend to sound identical. PURE TALENT.
3. Powerful songs. Fiona’s Not About Love and Sharon’s Your Love is Killing Meare their most powerful songs (both of which I have over-played).
Not About Love Conversation once coloured by esteem
Became duologue as a diagram of a play for blood
Took a vacation, my palate got clean
Now I could taste your agenda
While you’re spitting your cud.
Your Love is Killing Me There he let it go, his temper, standing there See her with his gun and he, steals love so he can feel alive
Everyone’s knees knockin’ at the fear of love Taste blood Everybody needs to feel.
As a side note: Both singers have a song called ‘I Know‘.
4. Similar style and character. Besides their musical style being similar, they are both grunge, messy, quirky, yet stylish at the same time. I bet they shop at the same stores… They’re both kind of shy and humble in interviews, too.
5. It appears they both write only when they’re unhappy.
In the case of Sharon, she uses song writing as an outlet, a way to process the hard times. Fiona’s work is a ‘pep talk’ to herself when feeling low. Neither singer has a happy song… I think the closest to a happy song of Sharon’s is ‘One Day’ or ‘Our Love’ at a pinch… And Fiona’s ‘Extraordinary Machine’.
Despite their similarities, I think Fiona’s writing is more complicated and broader with her use of language, but Sharon’s melodies and harmonies are beautiful.
Nevertheless, both artists punch you in the feels. Hard. Both FiFi and Shazza (if I may be so bold as to give them nicknames…) have the ability to transform strong emotion into relatable music. Both tell stories incredibly. And their work always brings back vivid memories of people, places or instances in my life, which is a talent and gift in itself.
I don’t really listen to pop music. But I’m pretty sure Belle Vex sounds similar to how I would imagine One Direction and the Johnson Brothers… Oh wait, that’s not right… Jonas Brothers, rather, would sound.
Belle Vex‘s (AKA Beautiful Curse) sound is typical of the genre – nasally vocals with a frantic electronic vibe – which is popular these days. His music would likely be a hit in the nightclubs with today’s youth, especially if remixed.
“So I describe my dream girl as really, really vague, like:
I love your hands because your fingerprints are like no other,
I love your eyes and their blueish-brownish-greenish colour,
I love that when you smile, how you smile wide,
And I love how your torso has an arm on either side…” – Bo Burnham on the generic boy band pop song
But after listening to much of the album 15 Seconds of Fame, I found a couple of songs that were a bit below the belt – no pun intended… Like Escort Girl – a literal explanation of a night spent with an escort.
It’s not for the rest of your life, just tonight. Come on in. – Escort Girl, Belle Vex
In fact, it’s pretty degrading. Is this girl being coerced or convinced to carry on being an escort?
The intro to the album, also called 15 Seconds of Fame, is where the story begins, however.
Wanna know what she does for the money?
This lovely little honey turns into a piece of filth.
…she met the devil in a nightclub, and sure enough, he said:
‘I can make you a star, if you take your clothes off’ – 15 Minutes of Fame, Belle Vex
Their isn’t much creativity to his story-telling, with most being rather literal to say the least. But, in terms of the tune, it’s catchy, and in terms of production, the value is high.
Belle Vex clearly has talent. So I’m hoping it’s not going to be wasted on low-grade lyrics that are perhaps not suitable for young One Directioners or Beliebers to listen to at Christmas after all.
Despite my critical review, Belle Vex certainly has a loyal following with more that 3,000 likes on Facebook and more than 3,000 followers on Twitter.
Check out Belle Vex‘s music on iTunes and check out his website here.
This latest tune has lived up to the country-rock sound of Billy Roberts and co..
As I’ve mentioned in my previous reviews, the vocals are wee bit flat, in a spoken-word tone. This doesn’t quite live up to the energy of the electric guitar and sliding guitar sound.
Having said that, the classic country -rock genre of Billy Roberts and the Rough Riders remains, leaving their fans surely satisfied.
My favourite element of the band remains – their storytelling. Dark and interesting lyrics for sure.
This is the second song of Van Etten’s that I’ve put on repeat – the first being Give Out.
Your Love is Killing Me has an exceptional story.
I think it’s about an over-bearing partner, and being too numb and too blinded to take notice.
Break my legs so I won’t walk to you
Cut my tongue so I can’t talk to you
Burn my skin so I can’t feel you
Stab my eyes so I can’t see
You like it when I let you walk over me…
If you marry that up with this beautiful music video, it supports this idea so well.
A woman is drinking her last beer and smoking her last cigarette before leaving a bar. She starts walking, only to end up in a cafe where her boyfriend is waiting for her (I presume).
She holds up her arms, which are drenched in red before falling to the floor. He rushes over and pulls back her sleeves to find there’s not a mark on her. The woman looks up at him with a look of relief, smiles at him and walks out.
Your Love is Killing me = it’s a physicalisation of the idea up until the point where the woman lets him go… And walks out. Like a boss.
The Swiss actress who plays the part is phenomenal. Just… Just watch her subtle expressions. So powerful! Especially as the music picks up in intensity.
…You tell me that you like it
Your love is killing me
Try to tell you this when I’m sober, how I feel about loving you.
Holy crap. I’m just watching and listening to this on REPEAT.
Watch it! Watch it! And listen!
How weird – just noticed the video was published one year ago almost to the day.
Written as a reminder to people that “deep down we are all the same,” Humanity is certainly meaningful and relatable.
It is a very well produced song for sure – produced by Stuart Epps. You can definitely hear the work that has gone into it.
Because of the band’s name, I was expecting a Radiohead Karma Police sound – intense and deep – which was why I was surprised to hear a relatively bright pop song.
Side by side, hand in hand,
we’ll get the word across the land
Everyone, one by one,
we won’t stop until we’re done
Though we might disagree,
we are all one family
Love and hope and unity,
that’s what makes Humanity
Humanity reminds me of a celebrity charity pop song, with melancholy, choired vocals. The message of standing together is a strong one, and perhaps would have been translated more powerfully in the form of an acoustic song.
This may give it a bit more grit and integrity; one musician, one guitar – Bob Dylan, Alanis Morissette, John Lennon kind of deal.
But, it’s certainly a song that deserves recognition and credit; it’s well-written, and well produced.
This is the second song I’ve reviewed of Billy Roberts’.
Seen It All Beforehas a different sound to No More Mr Nice Guy. The last one was more country, but this one sounds more like a garage band; a bit rockier!
But this song still carries the same unique sound of Billy Robert and the Rough Riders, with the same spoken-word kind of singing style.
It’s an upbeat and fun song with great electric guitar parts mixed in with an organ, making an interesting and distinct sound.
The chorus is very catchy! My only critique would upping the energy in the vocals a bit! As the vocals aren’t carrying much emotion like he rest of the instruments.
Easy listening for the over 25-year-old single or broken-hearted ladies out there.
Every Bridget Jones-esk spinster, or recent singletons, would have this track on repeat during their Sunday afternoon wine.
It is the new smooth sound – quite literally. You may have been equally deprived of this fact, but New Smooth Sound is a legit genre combining R&B, pop, and jazz.
With the cool lyrics that any Michael Bublé listener would love, and casual banter similar to the monologues one hears in sixties songs to kick the song off, I can see this tune being a hit.
Very well mixed and recorded, with talented singers and musicians for sure.
Reading about AJ Smooth he seems like a genuine guy who is ‘known to dip an occasional fry into mayonnaise’, and whom writes his own songs.
This is not a song easily disliked, this is atmospheric coast music at its best.
They remind me of Radiohead, mixed with a sort of Shihad kind of deal – sort of grunge, but upbeat.
I cranked this baby up, and the layering of the vocals is what makes this song! His gravelly voice raises the song above a typical pop song into a something with a sound I haven’t really heard anywhere before.
The music video is super cool! Thoroughly enjoyed it. It’s pretty much just one shot the whole time. I’m assuming it’s shot in the UK – I’d love to know where.
I reckon their music would suit movies like The Lost Boys.
If you’re into grungy, catchy, punk rock tunes, check Warme out! Facebook and Twitter.
First of all, I should declare that rap music really isn’t my jam.
But I do appreciate the general gist of the song meaning, which I understand it to be about making something of yourself when everything is against you.
Every story got a two-side
T-shirt tryna make it to the suit and tie
I think New Guy would be a great candidate for a remix.
The video is certainly something to rave about though; so cool! It’s directed by Justin Campos. Kudos to the editor too! Very impressive video.
When times is tough they look at me for answers
Hoping I can lift ‘em off from their fears and progress
So I grind, Sunday to Monday
I’m that new guy
I think if you’re into rap music, New Guy will be worth a listen.
The first thing I thought was ‘Nick Cave’. I think it’s David Arn’s gravelly voice and story-telling songs.
I agree with Arn’s previous critics who say that his strong point is certainly the lyrics.
“When you lost your situation, gypsies went home sick”
When Lost In Your Situationsounds like a song I’d expect to hear on one of my favourite films, Thelma & Louise, or on classic indie stations and films with its lost-sounding guitar and the grounding vocals.
The guitar and deep voice is let down slightly by the organ. If my critique is worth anything, I’d like to accent the pounding heartbeat of the bass guitar, and enhancing the rich piano. Just to make the song sound ‘solid’ with more depth to the song.
(Or, at least I’d like to see what it sounds like.)
These two suggestions are simply to reinforce the intensity of the song. So that the weight of the deep and bold vocals, guitar and lyrics can be fully supported by the rest of the instruments.
Despite that, I am already a fan of the enchanting, entrancing music of David Arn.
Director: Jean-Marc Vallee Writer: Nick Hornby (screenplay), Cheryl Strayed (novel) Released: December 2014 (USA), January 2015 (NZ) Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
—
Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.
To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.
A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild,Thelma and Louise.
In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.
I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.
When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.
I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!
Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.
Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.
I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.
While we are on the topic of Sia, I love her earlier song: Chandelier.
It’s just as emotionally-charged and high energy as Elastic Heart. In fact, I see Chandelier as the prequel to Elastic Heart, because the videos are both directed by Sia and Daniel Askill and features the same dancer in the music video, Maddie Ziegler. You can definitely tell the dancing was choreographed by the same person too, Ryan Heffington, as some of the moves are the same, and so is Ziegler’s costume.
It’s still fantastic though. The video was nominated for a Grammy Award for Best Music Video, and became the seventh most watched YouTube video of 2014.
The lyrics are great. It reminds me of Tove Lo’s song High, because it’s about the plights of a party girl. (Which, I personally find a frightening subject matter after seeing the music video to High.)
I’m gonna swing from the chandelier, from the chandelier
I’m gonna live like tomorrow doesn’t exist
Like it doesn’t exist
I’m gonna fly like a bird through the night, feel my tears as they dry…
But I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ‘cos I’m just holding on for tonight
Help me, I’m holding on for dear life, won’t look down won’t open my eyes
Keep my glass full until morning light, ‘cos I’m just holding on for tonight…
I’ve found a lot of covers – including one by Sara Bareilles. But they’re either too slow, which I don’t think gives the song justice, or (in the case of some of the singing contestants on tv) are just plain out of tune.
Sia’s original performance is the best, and I don’t think it will be beaten. No one can match her vocals – especially live!
I think the song can speak for itself, but it’s a chilling story of the singer’s two emotional versions of herself. Each side wrestles to become dominant.
I imagine it’s the side that’s strong, flexible, and can cope with trauma, versus the side that’s negative and fragile:
I’ve got thick skin and an elastic heart
But your blade it might be too sharp
I’m like a rubberband until you pull too hard
I may snap and I move fast
But you won’t see me fall apart
‘Cos I’ve got an elastic heart
Gorgeous voice.
The music video is equally as powerful – but has been rather controversial.
This concept of dominance is portrayed by 28-year-old actor Shia LaBeouf and 12-year-old Maddie Ziegler through interpretive dance. It is directed by Sia and Daniel Askill, and choreographed by Ryan Heffington.
Wearing nude-coloured clothing, they dance inside a giant cage, that I assume represents Sia’s head. Ziegler being the protective, flexible side, LaBeouf portraying the aggressive and restricted side.
They both try to fight to be the one that gets outside the cage and be expressed. But at the same time they do want to work as one and get out together. Unfortunately, opposite emotions can’t be expressed at the same time.
(Toward the end of the video, Ziegler softly hits LaBeouf on his forehead. Each time she does so he changes his expression to show the emotions he represents: scared (he’s holding his breath – claustrophobia?), sarcastic, angry and depressed.
Some (in the twittersphere) are saying the video is referring to paedophilia, or could offend victims because a young girl is dancing with an older man.
It is a video that looks primal and raw, but I don’t really think it’s sexual at all.
Personally, I didn’t realise how young the girl was until I read about it. However, it hasn’t changed my view on the video. I find it creative and expressive. But I suppose you can read into anything if you have an angle in mind.
I think the video shows an incredible amount of talent and power to match an energetic song.
Sia has since tweeted an apology to those who were offended.
All I can say is Maddie and Shia are two of the only actors I felt could play these two warring ‘Sia’ self states. I [apologise] to those who feel triggered by ‘Elastic Heart’. My intention was to create some emotional content, not to upset anybody.
Never Tear Us Apart was written and performed by Australian rock band INXS in 1988. However, it was originally written in a bluesy genre with a similar sound to Fats Domino.
Oh how I would have loved to hear that version.
I do like the INXS version, but mostly because of the gnarly saxophone solo – which simply isn’t long enough!
However, Paloma Faith covered their song in 2012. She brought her jazzy/pop/blues sound to it, making it spine-tingling. I love it. Particularly the high note she pulls on this line:
I told you, that we could fly. ’cause we all have wings, but some of us don’t know WHHHHHY!
The only thing that’s missing from Faith’s version is a lengthy saxophone solo! Perhaps I’ll try to edit INXS’ sax solo into the bridge of Faith’s version.
Are You Thinking What I’m Thinking? is a funk/electro track being released by Bernie Journey. He is New York-based and a self-described dance/pop singer-songwriter.
His sound reminds me of a psychedelic/glam 90s band. So certainly not a typical ‘pop/dance’ sound, but a perfect karaoke track. I think a heavier bass and bit more variety would make it the JAM.
Check out the promo for the single here:
The song, produced by Phunk Junk Records, is to be released on December 30, 2014.
Bernie Journey
In addition to this single, there are two remixed versions that will be available by Ros Garcia and El Brujo.
I have always been a fan of Paloma Faith because she was funny on chat shows, and her singles I heard on the radio were catchy. However, I have since become a slightly more dedicated fan.
I have done my research: Paloma Faith Blomfield is 33 years-old and she grew up less than an hour away from where I grew up in England. She also has an overbite like I do. So I’m clinging on to the idea that if I had stayed in England, and despite my crooked teeth, I would have become a pop star. Just like Paloma.
*Heavy breathing*
She seems so humble and so much fun to be around! If I could party with any star, it would be Paloma.
Paloma’s always done what she wanted. I don’t think she’s ever had a boring job, from a magician’s assistant to a trained cocktail waitress. And she never even meant to be a pop star! She wanted to be a movie director.
Yes. We are both huge film fans.
Her voice is spectacular. She almost sounds gospel-like and is influenced by 50s and 60s music. She’s like Amy Winehouse, Duffy, Florence Welch and Adele mixed into one.
Yes. We are both huge 50s/60s music fans.
Paloma loves fashion and always wears bold outfits (like a conservative Lady Gaga). Therefore, I have bought a 40s style hat. That I now wear.
I love her confidence and how witty she is. Also, she sounds like my nan so I just feel a warm wave of nostalgia every time she talks.
The choreography is spectacular, the costumes are awesome and the four and a half minute video is all done in one shot.
My dad actually pointed this out to me because he likes the song (which was written and recorded within an hour and a half), but the video is twice as cool.
Kiesza danced in this despite having a broken rib! She said she couldn’t move for a month after shooting it.
Kiesza’s brother shot the video in Brooklyn, and it was choreographed by Ljuba Castot. It received an MTV Music Award nomination for best choreography.
Check it out! It’s very 90s.
Jodie.
If you liked that, you’ll LOVE this parody. It has been very well done indeed!
This is a song by the German band named My Secret Island. I was going to call them a goth-rock band based upon their latest single: What Was Yesterday because of their zombie-themed music video and heavy guitars.
However, looking through their back catalogue I found a fantastic range of genres including a cover of T. Roe’s Sheila from the 1960s and a more upbeat electro-rock sounding song named Evil Fire.
What Was Yesterday is a rock song with a well done music video portraying a sort of Frankenstein-zombie apocalypse story. It’s awesome to see a band take as much time with their music videos as they do with their songs.
If you isolate each component of this song you will get the essence of this genre mash-up.
The drumming reminds me of sixties rock ‘n’ roll during the verses, but along with the heavy guitars, it becomes a darker sounding goth-rock throughout the chorus. The vocals are definitely has a pop-punk sound which keeps My Secret Island from slipping into being too mainstream or too metal. Which I like!
I haven’t heard anything like them before, yet it sounds so recognisable… They’ve thrown our favourite genres and sounds into a pot, creating a Frankenstein sub-genre (which matches their horror music video perfectly!).
I thoroughly enjoyed this single, and I loved that music video! It’s off beat and fun… Yet dark and intense.
I had the best night of my life so far on Tuesday, March 18.
Pokey LaFarge is a ragtime/jazz band whose sound is like no other. Their thirties-based, feel-good music is absolutely incredible, you can’t help but dance and smile.
I knew about these guys months ago, I heard ‘Hard Times Come, Hard Times Go’ on an advert and looked them up. Although, it was their song ‘Pack It Up’ which got me hooked.
I emailed their manager and asked if they would be coming the New Zealand any time soon, because they are now my favourite band and I quite simply have to hear them live. The reply was, to my disappointment, saying it may happen one day but there were no official plans in place.
However, by Christmas I found out they were to play a gig in Auckland.
You can’t imagine my excitment.
When that Tuesday finally rolled around, I was so excited that I decided to get to the venue two hours before the doors opened. I could hear them practising and even caught a glimpse of some of the members!
The total grandiloquent moment that happened next was unexpected to say the least.
Pokey LaFarge noticed me outside and we chatted for ages! Well. 15 minutes. We even got a photo together! He told me about his travels and how he’s really just “a writer at heart”.
To put it into perspective, this was like a tween girl hanging out with Justin Beiber… I know. Incredible, right!?
He asked me what song was my favourite and I said “Pack It Up!” He replied, “Ooo. I may have to practice that one for yah!”
Their set was a gorgeous up-beat hybrid of jazz, blues and ragtime I was dancing and clapping and screaming the entire time.
TJ, the trumpet player, is a talented man to say the least! Gave me chills! He asked if I took swing lessons… He noticed us dancing in the front row!
Ryan, the percussionist, was fascinating to watch. It looks like he gets completely emerged and lost in the music. So awesome. I’m gutted I couldn’t find him after the gig!!
The clarinet and saxophone player is Chloe. I have to be honest, she made me regret giving up learning the clarinet when I was 9… I’m going to dig it out now that I know it is possible for it to sound that amazing!
The highlight was when Pokey said that this next song is dedicated to a “Kiwi named Jodie Hart”. I just died. On the spot. I do remember blurting out an inaudible “blaaaaa… That’s me!”. The song was Pack It Up. It was the single most incredible moment ever.
After the energetic gig, I met up with Pokey again. He signed the song list (that I subtly retrieved from the stage after the set) and told me to keep writin’!
I asked the bouncer if I could sneak past him to meet Joey (double bass), Adam (guitarist) and TJ, he said no. So the only logical thing was to look like I was about to turn away, but then skip past him. He laughed though, so no harm done. I did feel like quite a rebel though…
Everybody was easy to talk to. They are such interesting and talented people who look awesome in thirties attire.
What an unforgettable evening! How will I ever beat that night…
Thank you to the Pokey Lafarge band!
Jodie.
…I’m going to go ahead and take the title of “biggest fan”.
This is a soulful and soft number with talented singer, Jen Hannah.
I can see this song being used on a film actually. Although a tad slow and with repetitive lyrics, I certainly feel the overall emotion and idea of the song has impact. It would support a romantic-comedy, after the ‘crisis’ and during ‘turning point’.
I really enjoy the violin in this song, it binds the whole composition together. The piano is a perfect choice too.
A “primarily self-taught musician”, Jen Hannah is a fantastic singer and deserves much success.
A beautifully composed song for easy-listening, like Norah Jones, Brooke Fraser Kate Bush or Bic Runga.
Check out Breathe and Jen Hannah’s many other tracks on her website HERE.
This song is as American and as inspiring as the iconic the Don Mclean song American Pieand the Bob Dylan song Times are a-Changin’.
Sing us a song, you’re the piano man
Sing us a song tonight
Well, we’re all in the mood for a melody
And you’ve got us feelin’ alright
I love songs that tell stories. In Piano Man, Billy Joel is playing the piano is a bar on a Saturday night. In each verse he sings about a regular customer. My favourite story is about the barman who is the nicest of men, but wants to be anywhere but here…
Now John at the bar is a friend of mine
He gets me my drinks for free
And he’s quick with a joke or to light up your smoke
But there’s some place that he’d rather be
He says, “Bill, I believe this is killing me.”
As the smile ran away from his face
“Well I’m sure that I could be a movie star
If I could get out of this place”
Billy Joel has a gorgeously soft, yet strong voice. I heard his song Vienna on the movie 13 going on 30 (aka: Suddenly 30). I looked it up on YouTube and I recognised the song named Piano Man on the side of the page.
The final verse is so powerful!
And the piano, it sounds like a carnival!
And the microphone smells like a beer
And they sit at the bar and put bread in my jar
And say, “Man, what are you doin’ here?”
Give it a listen!
I love the music video too…
Jodie.
Flo-Rida’s cover of Dead or Alive’s 1980 dance-floor filler You Spin Me Round (Like a Record), was pretty good – a modern take on a high energy crowd-pleaser. Flo-Rida’s version was a new take on this club classic.
The original was featured on the fun ’80s-based film, The Wedding Singer, and the cover featured on Pitch Perfect. (Both versions were very well utilised in these comedies.)
But Thomas Sturges’ remix of what was a fantastic rendition of a great song, and has put a whole new spin on it.
His dub-step / club version has taken the song in a different direction. His remix of Flo-Rida’s track should be released by the singer’s label. Yes, it’s that good. I reckon it’s much better than Flo-Rida’s version.
Thomas Sturges has, with this remix, proved himself to be a music producer.
In his mix you can hear Flo-Rida’s unmistakable vocals, but instead of a ramble of words, it has become an echoed and vibrant verse.
I can’t fathom how Sturges actually achieved his remix. It must have taken hours. I wouldn’t be surprised if his version gets snapped up by a record company.