Mary Poppins Returns

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Director: Rob Marshall
Writer: David Magee, Rob Marshall and John DeLuca (based on story by P.L Travers)
Released: December 2018
Starring: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke ,Angela Lansbury, Colin Firth, Meryl Streep

Well, I thought this was a scene-by-scene remake. That’s what the rumours said anyway.

However, as the title does actually suggest, this is a sequel. It follows the lives of Michael (Ben Whishaw) and Jane (Emily Mortimer) as adults – the brother and sister in the first film.

After the death of his wife, Michael’s repayments on the house lapsed. The bank demanded that he now pay up in full – which he can’t possibly afford.

Thankfully, Mary Poppins (Emily Blunt) arrives just in time!

It’s a good thing you’ve come along when you did, Mary Poppins.

I have been looking forward to see this movie for ever! So as part of my hen do, we all went to watch it. It was such a magical day.

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It is a beautiful film; a real feel-good movie! I would absolutely recommend it to anyone needing cheering up.

I had to hold back the tears throughout most of the scenes because everything is just so beautiful!

Everything is possible, even the impossible.

Emily Blunt is 100% the only option to play Mary Poppins. Mary is a tough and tender character; maternal but fierce. And I think that’s Emily Blunt in a nutshell. Plus, who else is a triple threat – a singer, dancer and actress?

(Remaining ‘practically perfect’ on set was said to be difficult though!)

You’ll probably find that you adopt a frightfully posh English accent after the movie, and make promises to yourself that you will start dressing up and paying more attention to your hair style after watching Mary Poppins Returns.

Nothing. Such a useful word, isn’t it? It can mean anything and everything.

Apart from Mary, I’m sure the favourite character of many would be Jack (Lin-Manuel Miranda) the cockney street lamp lighter. He’s happy and smiley and fun and wonderful!

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I adored Julie Walters too, but sadly Meryl Streep’s character was a tad too eccentric for my liking.

I’m not generally a musical fan, but I enjoyed this one. Every song is catchy and uplifting. Particularly ‘A Cover is not the Book‘ and ‘Trip a Little Light Fantastic‘, but the latter is 99% because of the choreography with the streetlights.

 

This is history in the making – you must go to see Mary Poppins Returns in the cinema. It’s simply the only way because it’s like a stage play.

Before you go to see it though, I’d recommend watching the original Mary Poppins as well as Saving Mr. Banks to fully appreciate the history of the Mary Poppins character.

I enjoyed the echoes in the first film, including the penguins, which were drawn in the traditional way – frame by frame – by the original Disney artists. Such a lovely touch!

100% must-see if you’re feeling blue.

Jodie’s rating: 8/10

 

A Star is Born

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Director: Bradley Cooper
Writers: Based on story by William A. Wellman, Robert Carson, Dorothy Parker, Alan Campbell. Screenplay: Eric Roth, Bradley Cooper, Will Fetters
Released: October 2015
Starring: Bradley Cooper, Lady Gaga, Andrew Dice Clay, Dave Chappelle and Sam Elliott

Believe it or not, this is the fourth version of A Star is Born.

1937 (Janet Gaynor and Fredric March)
1954 (Judy Garland and James Mason)
1976 (Barbara Streisand and Kris Kristofferson)
2018 (Lady Gaga and Bradley Cooper)

It’s about a rock star called Jackson Maine (Bradley Cooper) who is an alcoholic with failing hearing and a career that is winding down. He bumps into a waitress called Ally (Lady Gaga) who has some decent pipes and takes her under his wing. Before he knows it, she’s an even bigger pop star than him and fame changes her from a humble, ordinary girl into an unrecognisable star.

While she rakes in the money and wins all the awards, Maine’s alcoholism gets worse.

The two main characters’ relationship reminds me of Johnny Cash and June Carter as portrayed by Joaquin Phoenix and Reese Witherspoon in the movie Walk the Line. I liked how in love they seem – no wonder why it sparked rumours that Lady Gaga and Bradley Cooper had a fling! They’re a very convincing couple.

Actually, in so few words: Walk the Line + Burlesque + two and a half hours = A Star is Born.

The movie itself has brilliant music in it, especially everybody’s favourite song ‘Shallow‘. Despite a few plot holes and weird twists and turns, I can certainly appreciate that this movie stands out from the bunch this year.

But while the first quarter of the film was giving me chills and teary eyes, that quickly faded as the pacing of the film was getting slower and slower, and the story was getting longer and longer.

I looked over at my friend (Sascha) who appeared to be thinking the same thing: ‘where is this story going, and when will it end?’

Thankfully, Lady Gaga’s stunning performance almost made up for the dragged-out shots and painfully slow story line – she was a brilliant actress. Bradley Cooper looked the part too, with his rough exterior, long hair and diesel-engine voice.

After the movie finished, I thought I’d check out Lady Gaga’s Instagram as I was excited to follow her and be a fan of her acting career. But then quickly changed my mind as her Instagram isn’t a platform to showcase her talent or personality, it’s an album of her near-naked photos.

Then I remembered there were at least four scenes where Lady Gaga was naked for no reason in the movie. I realised that she’s just a woman who likes to get naked at the drop of a hat and talk total nonsense in interviews. Which was disappointing.

I guess I really only liked the character she was playing, which I suppose is credit to her acting talent.

My verdict is that the acting and the music is top notch, and this remake will probably win all the awards and be known as a Hollywood sensation. But the pacing is so slow and drawn out that even the heavy emotion of the story simply isn’t enough to keep you focused.

Therefore, if you’re looking for an emotional film about musicians falling in and out of love, I’d recommend watching Walk the Line instead. It’s got all the perks of A Star is Born –  hit songs, flawless acting and it still covers the same distressing issues (such as substance abuse). The difference being that the pacing is faster in Walk the Line and keeps you hooked.

The music, the performances and the cinematic beauty of this movie is wonderful. But the rest of it lets it down.

Jodie’s rating: 5/10

Sing Street

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Director: John Carney
Writer: John Carney and Simon Carmody
Released: May 2016
Starring:  Ferdia Walsh-Peelo, Lucy Boynton, Maria Doyle Kennedy, Aidan Gillen, Jack Reynor, Kelly Thornton

I was dubious about this film at first, I was thinking ‘any second now it’s going to take a turn for the worse’. But it didn’t! It was actually a very uplifting film from beginning to end.

I love movies about a likeable and naive underdog – like About a Boy or Driving Lessons – but coming-of-age films with a great soundtrack like this one is even better. The songs are so catchy!

It’s very similar to The Commitments as it follows the story of a band of young Irish musicians in the 1980s/1990s. But Sing Street has a more definitive love story and protagonist. I really enjoyed it!

Darren: What does “happy-sad” even mean? How can we be both things? It makes no sense.
Conor: It means that I’m stuck in this shithole full of morons and rapists and bullies, and I’m gonna deal with it, okay? It’s just how life is. I’m gonna try and accept it and get on with it, and make some art.

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Protagonist Conor (Ferdia Walsh-Peelo) is sent to a new school as a result of his parents breaking up. It that wasn’t bad enough, he is already getting picked on by students and teachers at school. Conor soon meets a young, aspiring model (Lucy Boynton) hanging around the school, who he tries to impress by saying he’s in a band. As a result, he immediately tried to recruit people to be in his band.

Brendan: This is life, Conor. Drive it like you stole it.

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The band is a bunch of misfits and underdogs, which I just love! It’s so funny.

Sing Street would particularly appeal to those who love 1980s pop or who love stereotypical 80s fashion. But even if you don’t like either of those things, you’ll love the humour in this film. It’s Irish humour like in Black Books or Calvary.

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An easy-to-watch film about people who win at life by not giving up, and continuing to pursue their dreams. A real pick-me-up.

Jodie’s rating: 7/10

La La Land

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Director: Damien Chazelle
Writer: Damien Chazelle
Released: December 2016
Starring: Emma Stone, Ryan Gosling, John Legend and J.K Simmons

IT’S SO MAGICAL!

Despite the trailer making me expect Glee meets Grease, I had heard so many rave reviews about La La Land, that I simply had to see it for myself.

I was not disappointed.

A story about a boy and a girl, with grand dreams (already a refreshing storyline in itself). Ryan Gosling’s character, Sebastian, wants to be a jazz musician playing in his own bar – he represents old-style Hollywood. Emma Stone’s character, Mia, wants to be a successful actress – she represents the Prius-driving new-age Hollywood. Two strong-minded people going in different directions, yet refusing to let go of each other.

With elements of Woody Allen’s Midnight in Paris, this absolute feel-good epic is layered and definitely deserves more than one viewing.

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Damien Chazelle’s La La Land
La La Land movie review is similar to Midnight in Paris
Woody Allen’s Midnight in Paris

It’s not only romantic, but Mia and Sebastian’s stories are incredibly relatable and real.

Many people were disappointed by the ending (don’t worry, I won’t give it away), as it’s not exactly what was expected, and tinged with sadness. But I thought the ending was absolutely spot-on and perfect, as it keeps the tone of life being a little messy and little disappointing.

La La Land movie review of the dance opening sceneThankfully I was pre-warned about the opening scene, so the overly theatrical and colourful intro did not startle me. But I think everyone must be warned – it only gets better from here.

Nevertheless, this highway traffic jam intertwines with the story throughout the film. A metaphor for being stuck and not sure which direction to go, perhaps. But also the poignant location of the main characters’ first meeting.

This is a refreshing journey, unlike anything I have seen before.

I love the songs, which are few and far between. So claiming you’re ‘not into musicals’ is no excuse to avoid this movie. They sing about meaningful things during meaningful moments, and not about eating cheese or pointless things.

Emma Stone and Ryan Gosling are incredible dancers, singers and musicians –  who knew! Gosling actually learnt the piano for the role, with no use for a hand-double.
I love how Stone’s voice isn’t the breathy, stage-sounding voice that you would typically find in American musicals, too. If her voice was too clean or edited, it certainly would have spoilt the soundtrack.

La La Land movie review girls night outThe jazz influence is AH-MAY-ZING. The writer and director is Damien Chazelle who wrote and directed Whiplash (love this movie too). So if you loved how jazz supported that story, you’ll adore the band performances in La La Land.

The trumpets! The pianos! The Sax! Brilliant.

The best part? (Apart from the costume design, music, story, dialogue, pianos and acting) It’s actually funny! I chuckled through my tears of sadness and joy throughout the whole film.La La Land movie review with Ryan Gosling and J.K Simmons

Especially any scene starring the amazing J.K Simmons, who plays Seb’s boss:

Sebastian: I want to let you know you’re looking at a new man. A man who’s happy to be here. [working a pianist at a dingy restaurant]
Boss: Right, and you’ll play the set list.
Sebastian: Gladly… Although, you know, I thought in this town it worked on a sort of “one for you, one for me” basis type system. How about two for you, one for me?
Sebastian: How about all for you and none for me?
Boss: That’s perfect, yes.
Sebastian: Great.
Boss: Okay.
Sebastian: Okay, a mutual decision then.
Boss: Made by me.
Sebastian: Right, and I sign off on it, so…
Boss: Whatever. Tell yourself what you want to know.

What a guy!

This movie is full of emotion, and you need to just go with it. Hence why you must lose yourself by watching it in the cinema. It’s a feelings kinda film.

Thank Christ Emma Watson and Miles Teller weren’t the lead actors. Rumour has it they were too demanding and wanted too much money. Youch! And now they are apparently gutted they didn’t snatch the roles.

God. That would have been a disaster… Think what the world would look like today if Hermione played the part of Mia… Think of the La La Land we have come to know, and how easily the movie could have changed… Disaster.

Stone and Gosling were perfect, it wouldn’t have been the same if anyone else had their roles. They’re grounded, humble and elegant. They’re relatable, but also aspirational.La La Land movie review

I will see this again. IT’S JUST SO REAL. And beautiful. And true. And honest. With incredibly moving jazz music, which created a movie that is layered, moving and deep.

“Here’s to the ones who dream, foolish as they may seem. Here’s to the hearts that ache, here’s to the mess we make.” – Mia’s audition song

Oh my God I think I might cry again, just thinking about how perfect this movie is. I want a yellow dress and take dance lessons now.

Jodie’s rating: 9/10

 

Moulin Rouge!

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Director: Baz Luhrmann
Writer: Baz Luhrmann and Craig Pearce
Released: 2001
Starring: Jim Broadbent, Nicole Kidman and Ewen McGregor

Truth, beauty, freedom and love.

I have never been a fan of sappy romance, and I still am not. Because Moulin Rouge! is not at all sappy or unbelievable, nor does the music break the suspension of disbelief. I think that it is because the acting is not over the top or overly theatrical at all.

Ewan McGregor plays the protagonist, Christian, a writer who wants to write about love, but the problem being that he has never been in love. That is until he meets Nicole Kidman’s character, Satine, a courtesan at the Moulin Rouge. Satine is forbidden to fall in love, so they must keep their relationship secret.

Christian_SatineUnfortunately, the fairytale romance unravels due to the Duke (Richard Roxburgh)  – an investor in Satine and the Moulin Rouge – attempts to put an end to their love affair. Christian and Satine’s love turns into a concoction of “desire, suspicion, jealously, anger and betrayal”.

Yet, “the show must go on!”, as a beautiful parallel between the new production that the Moulin Rouge is performing called Spectacular, Spectacular and the couple’s forbidden love is intertwined with the on-stage play, which results in disastrous consequences.

Moulin-Rouge-moulinIt is full of colour and energy! It feels like you’re right there in the Moulin Rouge with them. The lighting is incredible along with Baz Lurhmann’s trademark choppy edits and steadicam footage. This all adds to the excitement on the dance floor with the colourful dresses and cabaret dancers.

Throughout this is the serious and unfortunate events for each character, which is again reflected in lighting and music with very fantastical scenes. Some are metaphors such as the feeling of being on top of the world being acted quite literally.

Plus, the over all performance by the people who run the Moulin Rouge show such as Jim Broadbent’s character Harold Zidler who, although a father figure to Satine, has the priority of keeping the facade of the shows convincing to the paying customers, which is at the expense of Satine’s love for Christian.

ewan_moulinrougeThe music is fantastic! They’re not songs that describe mundane things, it’s music that supports the emotion of it all. They’re modern songs by incredible artists such as Bowie, Rufus Wainwright and Elton John, as well as bands such as T.Rex, Queen and Nirvana, in an orchestral fashion, and/or medley mash-up of multiple songs, sometimes in aMoulin Rouge party style.

I have many favourite songs in this film including Your Song originally written and performed by Elton John and The Show Must Go On originally by Queen. But I have to say, I prefer the Moulin Rouge! version of every song. Elephant Love Medley is very cleverly put together with lyrics from various songs including All You Need Is Love by The Beatles, Silly Love Songs by Wings and Heroes by Bowie – the collage of twelve infamous songs is seamless!

See if you can pick out various lines from the different songs. It really picks up 2 minutes in, which is my favourite part of the song:

An example of the more serious scenes is the El Tango de Roxanne scene where some of the best dancing shown. Absolutely amazing lighting too.

Moulin Rouge! is a tragedy that reminds me of a Shakepeare play, – ironic since the director Baz Lurhmann also directed Romeo + Juliet – but the sincere romance is based within the “underworld” of cheap, make-believe love. It is layered with so much detail to notice in every scene.

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Forget that it’s a musical, it’s more of a movie with a ton of music in it. Each song sung very well by Nicole Kidman and Ewan McGregor, and with convincing sincerity to keep the audience hooked.

Moulin Rouge! is a pretty heavy and emotional story – so certainly not a movie you would unwind to, despite there being some comedic scenes that almost mock the life of theatre. However, I think there is something in this film for every person to appreciate whether it’s the incredible costumes, the music, the romance or Ewan McGregor’s face.

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This has always been in my top five favourite movies, its an uplifting wonderland with a deeply moving story acted out by authentic and convincing actors.

Clearly, romance is not everybody’s cup of tea – it certainly isn’t mine – but this is not just another silly Hollywood love story.

Jodie’s rating: 9/10

This is the WORST trailer of all time.

Grease

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Director: Randal Kleiser
Writers: (Screenplay) Bronte Woodard and Allan Carr based on Grease by Jim Jacobs Warren Casey
Released: 1978
Starring: Olivia Newton-John and John Travolta

I have never really been a fan of musicals, but Grease is certainly an exception and an all time favourite of mine.

grease8Musical or not, its fifties costumes and authentic hair-dos are enough to make me love this optimistic film. I love this era and it’s portrayed in the most idyllic light. Obviously Grease is essentially a stage play which isn’t lost in the movie form with the occasional fourth wall barriers lost.

Based in a high school environment, the seventeen and eighteen year old characters were almost unconvincingly played by actors in their late twenties and early thirties. But the whole shebang is so up-beat, colourful and exciting that you forget that the ages are totally wrong.

It’s a great musical because it is full of colour and lovable characters, who although are stereotyped, are easily relatable. Especially the Pink Ladies, but perhaps the T Birds were not explored individually quite as much.

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Unfortunately each of the Pink Ladies has quite a negative moral to them.

Sandy (Olivia Newton-John): You need to change and fit in to be noticed and respected.
Rizzo (Stockard Channing): Sleeping around gets you attention. Getting pregnant is a risk, but hopefully that won’t occur, and celebrations are in order whenever she realises she isn’t pregnant. Don’t bother learning your lesson.
Frenchy (Didi Conn): A little bit ditzy and attempted to break away from the crowd and do something different. However, this was too hard and frowned upon by others, it is best to stick with the crowd.
Marty (Dinah Manoff): A little arrogant and an attention seeker who is very much into her looks. Her cold dispostion is attractive to men.
Jan (Jamie Donnelly): The unattractive ‘fat’ one. Except, she’s tiny and clearly on the lower end of the average weight scale. Staying super skinny is attractive and eating in general is clearly frowned upon.

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Looking deeper into Grease, it is clear that the morals are not to be desired. Not moving forward or being different is certainly a bad thing. But, Grease is supposed to be quite a two dimensional film that is simple and entertaining. Stereotypes and happy endings make feel-good movies, which this certainly is.

John Travolta and Olivia Newton-John are two great actors and singers for sure! But have you heard their reunion song!? It is so sad! They should be so proud of their accomplishments in Grease, but let’s leave it in the seventies, guys.

If you want to cringe and ruin your ideals of the two protagonists of the famous musical, feel free to watch their 2012 song:

I don’t like Travolta at the best of times – his hair looks like it’s painted on and his eyes are too blue. But this is just toe-curlingly bad!

The soundtrack has many lovely sing-a-long songs with my favourites being the comedic Look At Me, I’m Sandra Dee sung by Stockard Channing (Rizzo) and We Are Together. But my above-all favourite song is Blue Moon, I’m not sure who did this version, but it is certainly my favourite (*gasp!* even better than Elvis Presley’s!).

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It is a very fun, very uplifting movie that isn’t supposed to be read into too much. It was popular when it was first released in the seventies and it will continue to be extremely popular throughout future generations, I’m sure.

Jodie’s rating: 7/10