
Director: Rob Marshall
Writer: David Magee, Rob Marshall and John DeLuca (based on story by P.L Travers)
Released: December 2018
Starring: Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer, Julie Walters, Dick Van Dyke ,Angela Lansbury, Colin Firth, Meryl Streep
—
Well, I thought this was a scene-by-scene remake. That’s what the rumours said anyway.
However, as the title does actually suggest, this is a sequel. It follows the lives of Michael (Ben Whishaw) and Jane (Emily Mortimer) as adults – the brother and sister in the first film.
After the death of his wife, Michael’s repayments on the house lapsed. The bank demanded that he now pay up in full – which he can’t possibly afford.
Thankfully, Mary Poppins (Emily Blunt) arrives just in time!
It’s a good thing you’ve come along when you did, Mary Poppins.
I have been looking forward to see this movie for ever! So as part of my hen do, we all went to watch it. It was such a magical day.

It is a beautiful film; a real feel-good movie! I would absolutely recommend it to anyone needing cheering up.
I had to hold back the tears throughout most of the scenes because everything is just so beautiful!
Everything is possible, even the impossible.
Emily Blunt is 100% the only option to play Mary Poppins. Mary is a tough and tender character; maternal but fierce. And I think that’s Emily Blunt in a nutshell. Plus, who else is a triple threat – a singer, dancer and actress?
(Remaining ‘practically perfect’ on set was said to be difficult though!)
You’ll probably find that you adopt a frightfully posh English accent after the movie, and make promises to yourself that you will start dressing up and paying more attention to your hair style after watching Mary Poppins Returns.
Nothing. Such a useful word, isn’t it? It can mean anything and everything.
Apart from Mary, I’m sure the favourite character of many would be Jack (Lin-Manuel Miranda) the cockney street lamp lighter. He’s happy and smiley and fun and wonderful!

I adored Julie Walters too, but sadly Meryl Streep’s character was a tad too eccentric for my liking.
I’m not generally a musical fan, but I enjoyed this one. Every song is catchy and uplifting. Particularly ‘A Cover is not the Book‘ and ‘Trip a Little Light Fantastic‘, but the latter is 99% because of the choreography with the streetlights.
This is history in the making – you must go to see Mary Poppins Returns in the cinema. It’s simply the only way because it’s like a stage play.
Before you go to see it though, I’d recommend watching the original Mary Poppins as well as Saving Mr. Banks to fully appreciate the history of the Mary Poppins character.
I enjoyed the echoes in the first film, including the penguins, which were drawn in the traditional way – frame by frame – by the original Disney artists. Such a lovely touch!
100% must-see if you’re feeling blue.
Jodie’s rating: 8/10











Thankfully I was pre-warned about the opening scene, so the overly theatrical and colourful intro did not startle me. But I think everyone must be warned – it only gets better from here.
The jazz influence is AH-MAY-ZING. The writer and director is Damien Chazelle who wrote and directed 


Unfortunately, the fairytale romance unravels due to the Duke (Richard Roxburgh) – an investor in Satine and the Moulin Rouge – attempts to put an end to their love affair. Christian and Satine’s love turns into a concoction of “desire, suspicion, jealously, anger and betrayal”.
It is full of colour and energy! It feels like you’re right there in the Moulin Rouge with them. The lighting is incredible along with Baz Lurhmann’s trademark choppy edits and steadicam footage. This all adds to the excitement on the dance floor with the colourful dresses and cabaret dancers.
The music is fantastic! They’re not songs that describe mundane things, it’s music that supports the emotion of it all. They’re modern songs by incredible artists such as Bowie, Rufus Wainwright and Elton John, as well as bands such as T.Rex, Queen and Nirvana, in an orchestral fashion, and/or medley mash-up of multiple songs, sometimes in aMoulin Rouge party style.

Musical or not, its fifties costumes and authentic hair-dos are enough to make me love this optimistic film. I love this era and it’s portrayed in the most idyllic light. Obviously Grease is essentially a stage play which isn’t lost in the movie form with the occasional fourth wall barriers lost.

