“Inspiration comes from my belief that anything can be creative, and is.” – Simon Byrne.
Saxophonist Simon Byrne recently made the leap from Britain to start a new life in Wellington.
Completing a Law degree in a previous life, Byrne’s calling has always been music. Using hospitality roles as a way to explore and perform his way around New Zealand, he is now committed to making music his main work source.
“…the saxophone has been the real constant in my life… so I wouldn’t mind people having a listen and creating some enjoyment!”
Byrne isn’t just a solo artist though – he enjoys collaborating with fellow musicians too (feel free to reach out!).
Reflecting on the differences of music scene between here and Britain, Byrne noted that New Zealand has more of an awareness of its roots with an encouraging atmosphere, feeling as though “we’re all in it together”. Whereas Britain’s vast scale of musicians can be perceived as intimidating, with it feeling easy to get lost in the crowd.
Described as a versatile and high-energy saxophonist, Byrne lending his music to weddings, gigs, live performances and recording sessions.
While he plays every genre, even accepting song requests at events, his versatility as a saxophonist is reflected in his favourite genre; jazz.
“Whilst I will pretty much play anything at the drop of a busker’s hat, it has to be Jazz. But don’t be scared! It suits so many moods and audiences in different ways. It comes into soul, funk, hooks in pop, electronica – all sorts.”
It’s the spontaneous performances, particularly those accompanying a DJ, that he find most rewarding.
Getting his teeth stuck into New Zealand’s music scene, Byrne has big ideas for his next step.
Proclaimed as an ‘ambitious project’, Byrne is developing a show that will boast visuals, electronic music and improvisational sections. An intense and fun performance set to be delivered at festivals and other arts spaces.
“My latest original work will be premiered in 2026. It’s not a play, poetry, gig or recording. Yet, watch this space!”
Director: Andrew Stanton
Writer: Andrew Stanton
Released: June 2016
Featuring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy
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I was more keen to see BFG if I’m honest, but mostly because I thought Finding Nemo was so good that ‘Finding Dory‘ was just going to be a cash-in. But due to a particularly over-excited boyfriend, we ended up seeing Finding Dory.
Sharing a small cinema with about 50 people – some of them peculiar, some of them creepy, and only a couple of them under the age of 13 – we unabashedly cracked open a couple of ciders and the movie began. And I was pleasantly surprised.
With new characters and a heart-felt story line, Finding Dory was another genius creation of Pixar.
We follow Dory (Ellen DeGeneres) as she slowly gets flash-backs to her home and parents. It leads her, Nemo (Hayden Rolence) and Marlin (Albert Brooks) across the ocean once again, and finding themselves in a Marine Life Institute. (Featuring Sigourney Weaver as herself).
My favourite character was probably Becky, who is a dotty bird who is rather simple.She is as creepy as she is quirky.
Although I did think Hank (Ed O’Neill (granddad in Modern Family)) the octopus was the most heart-warming character.
But my boyfriend’s favourite character was Bailey (Ty Burrell (aka dad in Modern Family)) the beluga whale due to the humour of watching him figure out how to be a whale, as well as the sounds he made.
Unfortunately, my boyfriend pointed out that the goofy sea lion Gerald has an uncanny resemblance to my good self… I was offended.
In between the genuinely laugh-out-loud moments, the storyline was heavy in parts. The emphasis on family and unity and support and friendship and acceptance and patience… Man! Please calm down on the wholesome messages.
Dory’s short term memory loss became a little irritating, as the ‘wait, what are we talking about?’ jokes began to seem over-used, and wearing thin.
But it’s a movie I would happily see again. I haven’t laughed that loudly in a movie for a long time! It’s certainly aimed at us older kids (in our twenties) who grew up watching Finding Nemo.
“How to get a boyfriend on Tinder… You don’t get boyfriends on Tinder. To get a boyfriend on Tinder, you need to uninstall Tinder.”
*Since writing this, Rosalea has added more videos, so I shall embed them at the bottom of this review as they are made!
This is a hilarious reality check to all those singles out there expecting to find true love on the dating app with the worst reputation.
Rosalea definitely reminds me of the American vlogger Jenna Marbles who has been vlogging for years. Both talented with hair and make up, and both hilarious.
“You’re not going to find someone that you click with like no one’s business… Who brings you a 750 gram tub of Nutella with a spoon on it and says ‘yo, let’s go sit on that mountain and discuss the invention of Cruskits.'”
This is the first episode uploaded by Rosalea, and I’m excited to see more. This isn’t a ‘Tinder tantrum’, this is an in-depth and thoroughly entertaining insight into the world of Tindering.
“They think I’m a slut and I think they’re a douche.”
She has a natural ability to make mundane experiences into hilarious stories, with her subtle expressions and bizarre metaphors.
After a brief and incredibly informal interview, Rosalea talked about her passion for vlogging – something she has been doing for a while in private.
“I’ve secretly wanted to try become a giant YouTuber for ages and sometimes I make vlogs for kicks when I’m bored. They’re somewhat entertaining to watch so I was like ‘let’s see if people like this.'” It is only now that she has posted her exploits online.
UPDATE: You have to watch Rosalea’s latest video – so hilarious:
With a desk lamp, phone and a bunch of mousse in her hair, she is well equipped to be New Zealand’s very own Jenna Marbles.
Be sure to follow her on Twitter and subscribe on YouTube – she comes out with some real chestnuts sometimes, and you don’t want to miss out.
Director: Alan Clay
Writer: Alan Clay
Released: 2013
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A coming of age romantic comedy in which a Beverly Hills girl falls for a Venice Beach street clown named Chaos and she must overcome her inhibitions and become a clown herself for the relationship to survive.
Once a clown, now a director, Alan Clay is a successful homegrown indie filmmaker who has made this film Courting Chaos.
The film is about a girl, Ginger (Rachelle DiMaria), who falls in love with a street clown, Chaos (Alastair Bayardo). But in order for the relationship to work, she has to change.
Having not seen the whole shebang, I’m not sure if the moral of the story is ‘change who you are to make someone like you’, or if it’s ‘be who you really want to be – even if it’s not what most deem to be acceptable’.
I’m assuming it’s the latter.
Judging by the sneak preview I have seen, it is certainly comedic. With the acting well above par, and the pacing of the jokes very well performed, I am looking forward to seeing the whole thing.
Courting Chaos seems to be an upbeat, colourful film. The most impressive thing about it, is that the film was made within 22 days!
Good on the cast and crew!
To sum it up, I’d say it is a quirky and honest film that anyone could enjoy.
Pokey LaFarge returns to Auckland! It was grand. This time, promoting their brand new album Something In the Water, which was released in New Zealand on the night – well before the official April 7 release date.
A lot has changed with their sound, still keeping their fantastic ragtime/blues genre and tempo, but with an extra player added to the team: Matt the drummer! It was amazing. It was a loud and energetic atmosphere to say the least with the lead singer, Pokey, making the crowd laugh in between songs.
Chloe the spectacular sax/clarinet player did a duet with Pokey on a couple of songs which was so, so cool! I loved it!
I will restrain my inner fan this year and not write a mile-long post, but it was a fantastic show that sold out much earlier than last year – so lucky I was on the guest list! Yes, this band treats their psycho fans rather well.
I can’t wait to buy their album (I didn’t bring cash on the night to buy one! What an amateur mistake on my behalf.)
Director: Sean Penn
Writer: Sean Penn based on Into the Wild by Jon Krakauer
Starring: Emile Hirsch, Marcia Gay Harden, William Hurt, Jena Malone, Catherine Keener, Brian Dierker, Vince Vaughn, Zach Galifianakis, Kristen Stewart, Hal Holbrook
Released: September 2007
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WARNING: THIS FILM MAY GIVE A GIANT REALITY CHECK TO MANY ASPIRING TRAVELLERS. YOU MAY END UP CANCELLING YOUR ADVENTURE PLANS AND BECOME CONTENT WITH A SECURE, SAFE 9-5 JOB.
This took me soooo long to sit down, and watch successfully from beginning to end. I attempted watching it twice, about two years ago. But I found it slow-paced and uneventful.
Oh boy was I wrong.
Based on a true story, Into the Wild is about a privileged young man, Christopher McCandless (Emile Hirsch), who graduates from university. He has the world in his hands, from the outside he has a top-class education, and wealthy, supportive parents.
But his deepest desire is to distance himself from the material world of money and ‘things’. So he sets off on a journey in search of adventures in the Alaskan wilderness.
I’m gonna be all the way out there, all the way f*cking out there. Just on my own. You know, no f*cking watch, no map, no axe, no nothing. No nothing. Just be out there. Just be out there in it. You know, big mountains, rivers, sky, game. Just be out there in it, you know? In the wild.
A few months ago I took the time to watch it properly. I watched it just before my graduation from university, which was probably why I loved it so much; the story seemed to parallel my life at that point.
I think everyone’s had that desire to break away from the life they know and rough it out in East Jesus nowhere. And, just like every other ‘runaway’ film, Into the Wild lives out your secret fantasy.
Society, man! You know, society! Cause, you know what I don’t understand? I don’t understand why people, why every f*cking person is so bad to each other so f*cking often.
It’s certainly a sad story, and it bursts your idealistic bubble of living in the wilderness. As it turns out, being in the wild is a brutal place to be. Especially all alone.
But, in Christopher’s eyes, he did exactly what he wanted to do. He created his own challenges and hurdles, his own dreams and goals. I feel he was in complete control of his life for once. And despite the tragedies along the way, at least you can say he truly led a free life.
Check out Christopher’s real-life story, there’s a few interesting facts you’ll find out about him… But it’s probably best to read the true story after watching the film. Otherwise you’ll kill the magic in the film.
With this gorgeous song leaving you at the end of the film, I found myself to feel extremely humbled. Christopher’s story was an incredible one to say the least, but as I said, it will smash your travelling dreams with one heavy swing of reality.
This is a ‘quieter’ film to Wild, which is why the rating is a smidgen lower. I think the lack of dialogue and music works for this film, but I ultimately prefer Wild‘s soundtrack and use of dialogue more.
Jodie’s rating: 7.5/10
Please watch the trailer – the score and the editing just punches you in the face with awesomeness.
Director: Jean-Marc Vallee Writer: Nick Hornby (screenplay), Cheryl Strayed (novel) Released: December 2014 (USA), January 2015 (NZ) Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
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Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.
To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.
A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild,Thelma and Louise.
In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.
I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.
When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.
I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!
Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.
Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.
I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.
Director: George Lucas
Writer: George Lucas, Gloria Katz and Willard Huyck
Released: 1973
Featuring: Richard Dreyfuss, Ronny Howard, Paul Le Mat, Charlie Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack
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This movie nearly didn’t get made. Boy, am I glad it was. This is in my top five movies – at least!
American Graffiti is the colourful account of the final night of high school for a group of students who go out cruising, attend ‘the hop’ and hang at the drive-in dina.
It’s not only an incredibly entertaining film, it’s also the most accurate documentation of what the sixties were all about.
This movie makes me upset because it makes me mourn the spectacular sixties. As mentioned in Midnight in Paris, it’s “Golden Age Thinking” – the thought that I’d be happier in another time. And boy does American Graffiti do that; it hits me right in the feels.
“The erroneous notion that a different time period was better than the one, one’s living in.” – Midnight in Paris
The music frequently takes centre stage with classics from the rise of the The Beach Boys, Buddy Holly, Chuck Berry and a whole lot more. It’s the wall-to-wall rock ‘n’ roll hits that makes this movie so recognisable and exciting.
Of course with music comes radio, and its influence on the culture is seen. Wolfman Jack is the most popular radio host among the teenagers, who is looked up to and even sought out especially for personal advice. His charisma and unique material captures the infatuated listeners as his frequency hits almost every car in town.
If the music isn’t enough to paint the picture of the sixties, the cars and fashion are! I adore the cruising culture in this film. Unlike today’s cars of bland silver Toyotas with a monotonous tone, this film has the gorgeous cars of the 50s and 60s – all bright colours with personality.
In American Graffiti, it’s clear that everybody’s car is an extension of the driver’s personality, which seems a special trait of the sixties.
Based in one night – the final night of high school. Every kind of graduate is shown:
Carol
The cool guy John Milner (Paul Le Mat)
The nerd Terry Fields (Charles Martin Smith)
The scholar Curt Henderson (Richard Dreyfus)
The naive Carol (Mackenzie Phillips)
The Highschool Sweethearts Steve Bolander (Ron Howard) and Laurie Henderson (Cindy Williams).
Now, although it all seems like a typical stereotyped high school drama, believe me when I tell you that it isn’t. Perhaps it’s just the time
Curt
difference, but every character seems so real! Not stereotyped, but flawed, and all have their own problems and aspirations.
I can so relate to Curt – who wants to leave town and everyone in it, but I’m so drawn to Carol – the totally naive girl who can’t grow up fast enough.
The simplicity of the movie reflects the simplicity of the time. It is not boring; it’s relatable. As George Lucas said himself; “it’s filmed documentary style” which is why it’s a film that stands out.
I could drool over and talk about this film all day; I’m watching the behind the scenes doco for the third time right now!
Director: Andy S. McEwan
Writer: Andy S. McEwan
Released: April 2014
Featuring: Steven Patrick, John Gaffney, Darren McColl, Chris Quick, Paul Massie, Karen Quick, Alan Cuthbert, David Marshall and Tony Quigley
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A great 11 minute film about two men finding a suitcase full of old records which they reckon will bring them thousands of pounds.
I enjoyed this film, it is simple and very well produced. The lighting is great, the camera work is steady, the sound is even, and the acting is natural. It’s come together very well indeed.
The storyline has a couple of plot-holes, like the context of the first scene, I’m not sure if they are painters painting a house or clearing out a deceased relative’s home. Not that it would have contributed hugely to the story anyway.
I’m not sure what the men decided to do regarding getting rid of the third guy who wanted some of the profits either, it wasn’t entirely clear.
I think if each scene began with a wide or establishing shot, it also would have helped to give context of the situation.
The continuity was impressive, every shot led seamlessly to the next.
Despite those nit-picking critiques, I thought it was funny and enjoyable. A great scene is hidden at the end of the credits so keep an eye out!
I love getting to the cinema early to watch the trailers! But if I’m not watching movies, I’m sifting through film trailers on YouTube.
My attention has been drawn to the skill of making compelling and intriguing trailers, there is such an art to it.
Of course, the idea of a trailer is to get as many people to buy a ticket to the movies as possible; trailers are an advertisement.
Recently, I’ve realised the most compelling trailers have no dialogue. It’s the music that sets the mood.
Such as the first trailer released for the movie: The Secret Life of Walter Mitty. This is so fantastic. Relying completely on the powerful music to sell the story… And it works so incredibly well.
To The Wonder is a romantic movie, which would otherwise not appeal to me. Yet, thanks to the trailer, I’ve already decided I’m definitely going to buy the DVD… I don’t even like romantic films.
They use an uplifting and, once again, powerful piece of music. But this time, a well-spoken speech is added which gives me shivers.
Up In The Air is another example of a speech over music, edited together with a collage of appropriate clips. It simply gives you chills. Although, if I’m honest, it doesn’t quite give you an accurate feel of the actual movie. But it sells it, nevertheless.
Gravity‘s trailer shows so much contrast, sound-wise, music-wise, and the shots used. So intense!
Trailers are the only kind of advertising I consume willingly. I’ve realised it’s the music that has the most impact. The footage isn’t always true to the movie, but the scenes picked for the trailer are purely used to sell the story; it doesn’t need to be accurate.
What trailers have convinced you to go see the movie?
Making a feature-length long film is not easy. The amount of organisation, preparation and dedication put into this independent film, Beer & Seed, does not go unnoticed.
Accomplishing all these things on a budget only makes it more difficult; the cast and crew deserve immense credit.
Beer & Seed is well shot, well lit and well framed. However, the acting is sometimes wooden which lets down the feel of the film somewhat.
Many of the characters are college students. who are portrayed as one broad stereotype; undedicated drug-taking drinkers. Although the opportunity for character development was skimmed over, it was comedic nevertheless.
The dark themes, the basic sets and the static shots created a stage-play look which worked well.
Although I do think a ‘mockumentary’ style would have done wonders – using the rough look of the filming to its absolute advantage.
Beer & Seed reflects a team of creative and dedicated filmmakers.
Quirky and entertaining, although certainly a ‘seedy’ storyline.
Worth a watch! Check them out at their website here or rent/purchase the film on Amazon.
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Director: Francis Lawrence
Writers: Simon Beaufoy, Michael Arndt and Suzanne Collins. Based on the novel by Suzanne Collins
Released: November 2013
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Phillip Seymour Hoffman, Jeffrey Wright, Stanley Tucci
and Donald Sutherland
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What a total disappointment!
The first movie was INCREDIBLE! A breath of fresh air. A new and exciting concept – different to the usual slog. Themes of anti-corporation, anti-government and shining a light on the absurdity of focussing on reality television rather than the actual reality.
But the second movie barely mentioned these themes. And if they did, it was literally one line of dialogue which summed the whole idea up, causing an originally important theme to become meaningless and redundant. It is pretty much leaving the best parts for the third movie. Catching Fire is just a set-up for Mockingjay.
“Yes” I have read the book, which was incredible. The first movie covered the book well, the second didn’t. I know one shouldn’t compare the book to the movie because they are very different mediums. But quite frankly, the makers left out all of the good parts and focussed on the Twilight-esk star-crossed lovers storyline. Which I felt was a mere footnote in the novel.
However, if you haven’t read the book, I will expect you to find the movie slow-paced, underwhelming and lacking action. The movie spends WAY too much time outside of the arena trying to set up the situation of district rebellion, which isn’t done convincingly anyway.
When you FINALLY make to the arena, it’s literally like you’re being shown one problem after another with no time to catch your breath or analyse character development. There is very few battle scenes too. Very disappointing.
The actors were well cast and the acting was very good. Particularly Jennifer Lawrence who is equally as convincing as she was in the first movie… Despite the inexhaustible crying.
In terms of shots and visuals, there is one impressive birds’ eye shot, and the fire on Katniss’ dress is more realistic. But I can’t say it was worth the hype I’ve heard recently.
I’m so upset. The movies are expected to make a lot of money, to ensure this, the deep themes and interesting ideas have been ditched for a cheap love story to cater for a wider audience. Which goes against the entire point of the actual Hunger Games story! Anti-corporation and anti-consumerism.
I reckon a small independent film company would have done a far better job; staying true to the ideas of the story, rather than aiming for a cheap buck.
…the musical score were average. But perhaps the soundtrack will be different.
Written: Robin Swicord. Based on the book of the same name written by Karen Joy Fowler
Released: September 2007
Starring: Maria Bello, Emily Blunt, Kathy Baker, Amy Brenneman, Maggie Grace, Hugh Dancy, Kevin Zegers, Marc Blucas, Jimmy Smits and Lynn Redgrave
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This film is up there with Bridget Jones’ Diary, I reckon.
I got this DVD because there was a ‘buy two, get one free’ deal on. Since the choice was limited, I thought I’d give this a whirl.
I was concerned because I had no interest in any of Jane Austen’s romance novels and had little knowledge of the stories and characters. So I wondered if a film about people discussing these books would be confusing…
Not the case, surprisingly!
The first time I watched it, I was just like ‘meh’, better than a chick flick… But kind of average. So it gathered dust on my shelf until one day, boredom and exhaustion from watching my DVD collection five times over resulted in me indulging in The Jane Austen Book Club once again.
I have to say, I really love this film now. The six main characters are empowering and strong, they all relate to at least some part of your own personality or life experiences. I could literally write an entire in depth essay of each character if necessary, they are that ‘real’!
I’m loathed to say they are ‘very human’, but you get where I’m coming from… They are likeable and relatable.
This is a character-based film where each character has some sort of hurdle to overcome, or growth.
Maria Bello as Jocelyn
Jocelyn is my favourite! She’s never fallen in love, which she says is “all like fiction to me anyway”. She’s a dog-breeder, and if you catch onto her mannerisms early enough, you’ll notice she treats men like dogs – she’s strict, short-tempered and dominant with them. Jocelyn is known as the ‘match-maker’, always on the look-out on who she can pair people up with. She’s drawn to ‘Grigg’ because he’s “eager to please” and “tries hard”… Sort of like a dog.
“Alone’s not the end of the world. For as many years as you’ve been married I’ve been quite happily unmarried.”
Emily Blunt as Prudie
Prudie gets on my nerves SO much! But I can’t help but admire her. She is so elegant, controlled and feminine. Her mother was a hippy, so she has a systematic and professional lifestyle to distance herself from her past. However, she is falling for a rebellious student…
Prudie: Trey, you really shouldn’t come on to me.
Trey: Why? Because you’re a teacher? We’ll go back to my place…
Prudie: Let’s not and just wish we did.
Kathy Baker as Bernadette
I would love to have a best friend like Bernadette. She is optimistic and loves people. Bernadette is a free spirit and probably doesn’t think things through very much, she has been married and divorced six times. But she is totally in love with the idea of love and brags about her previous husbands like they are trophies – not regretting any of them.
“My first husband was a politician. He was embarrassed by every move I made. He said I was rude and loud. “Stop pointing your breasts everywhere,” he’d say to me. I was 17… I married the first man who looked at me… But I’d like to get married again, maybe just once more.”
Hugh Dancy as Grigg
Aww, Grigg! You almost feel sorry for him because he is so excitable and happy all the time. You just want to take him under your wing and look after him. He stumbled into the Jane Austen Club because Jocelyn was trying to set Sylvia up with him.
“Hi! Well, I’m excited. Never read anything by Jane Austen before. What is it? I went to the bookstore to buy a copy of each one of the novels, and I saw this. And I thought, ‘Well, maybe they’re sequels’. So, I figured it might be a good idea to keep them all together in one book, in case I needed to refer back…”
Amy Brenneman as Sylvia
Sylvia is a woman who is an amazing mother and best friend. Her husband who she has been with since highschool recently asked her for a divorce and she is devastated. However, toward the end of the film, she realises how much she has grown and changed – perhaps something she was never able to explore in her younger years.
“I don’t want to meet someone [else]. I wanna pull the covers over my head and read novels. And eat. I’m starving. Allegra, go get me a dozen eggs. I’m gonna make a flan.”
Maggie Grace as Allegra
Allegra is the daughter of Sylvia. She is a fresh-faced, alternative, out-doorsy young lady who immediately clashes with the tightly-laced Prudie. Allegra falls in love and trusts “too quickly” causing her strife. She is close to her mother and quickly becomes a strong component to the book club.
Bernadette: How’s Sylvia doing without Daniel?
Allegra: She’s still stuck in the wounded stage. When she’s ready for anger, I’m so there.
Each Austen novel has a curious relevance to each character’s life. The details are subtly interwoven into the story, so even if you haven’t read any Austen, you can guess pretty easily. If you are an Austen fan, you’ll relish the tibits they reference all through the script!
This ‘review’ is more of a character bio, so please excuse that! However, I have to say, the film relies on these characters so heavily, they really ARE the story.
I am so buying the soundtrack! Amazing songs! Particularly “Save Me” by Aimee Mann.
As a side note – I am such a fan of Robin Swicord now. She’s worked on Matilda, and even collaborated with the writers of The Curious Case of Benjamin Button!
Director: Louis Leterrier
Writers: Boaz Yakin and Edward Ricourt
Released: July 2013
Starring: Jesse Eisenberg, Woody Harrelson, Isla Fisher, Dave Franco, Mark Ruffalo, Mélanie Laurent, Michael Caine and Morgan Freeman
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Um. Yeeeeaaaah. So the reviews I had been reading before I went to see Now You See Me, basically stated that it was over-complicated and so layered that one would need to watch it more than once.
This is quite simply, not the case.
It is so clichéd, so typical, so obvious, that the ending could be guessed half way through the film.
The ‘twist’ is… Barely even a twist. It wasn’t shocking or unforeseen at all. My reaction was more like, “oh yeah. Hmm. I’m not surprised”.
So, it really is nothing like The Prestige. The magicians are superficial and unlovable, as are the other characters who are all underdeveloped. For the most part, they were unbelievable – despite the epic cast!
I usually love Woody Harrelson’s and Michael Caine’s work, but they really weren’t given the chance to shine. Their characters were brief and shallow. But oh my God, Jesse Eisenberg just got on my nerves! I can’t stand the characters he plays, who are usually very similar.
The story was like something seen on a long-running TV series like CSI or what not. It was so… Average.
The only cool parts were when they explained how the tricks were performed. That was quite effective.
Unfortunately, there were a lot of major jump-cuts that became jarring. Leaving out a lot of footage, although kept the pace, did make you feel disconnected from the film.
I am quite disappointed in this movie. Despite hearing negative reviews on this film I still went into the theatre expecting to be thoroughly entertained and mystified… Yeah.. Nah.
Director: Marc Forster
Writers: Matthew M. Carnahan and J. Michael Straczynski. Based on World War Z by Max Brooks
Released: June, 2013
Starring: Brad Pitt and Matthew Fox
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I love zombie films! They are probably my favourite kind of horror.
World War Z was an awesome, classic zombie film with big frights. It was not nearly as gruesome or cringe-worthy as many other zombie films like Dawn of the Dead or its sequel, which I think, although mildly disappointing, was an interesting change for the genre.
I won’t give away the unique trait of these zombies, but it is certainly a cool adjustment to the classic zombies you’ve seen in other films.
I can assure you, you will be intrigued with the altered storyline in this film. It’s not quite a cookie cutter zombie movie.
There was no mucking around at the beginning! There was like a five minute intro, then BANG! You’re in a world-wide zombie apocalypse.
There were heaps of moments where you were holding your breath, particularly the climatic parts which were the quietest and most suspenseful parts.
There was a scene, however, that could have been hugely suspenseful, but it was brushed over. It was the part where Brad Pitt’s character, Gerry, was out doing his thing, and his family were in a very compromising situation where their safe-haven may not be able to accommodate them anymore.
Gerry knew this and instead of making a fast-cut, intense race against the clock sort of sequence, it was just… Glazed over like the safety of the main characters were unimportant.
I loved the visual effects! The zombies manically climbing on top of each other like ants to get over the wall, the EPIC plane crash, the behaviour of the zombie mobs… Very well done.
Brad Pitt was a pretty good actor as usual, but nothing outstanding. He also produced it.
Oh! But there was a strong female character in this zombie film! Like, she was taking charge and not being all helpless and “damsel-in-distress” which was such a breath of fresh air. She was known as “Segen”, played by Daniella Kertesz. She’s my fave.
It was a decent zombie movie that wasn’t too far removed from the classic zombie, yet not a stale re-tell.
I don’t know if it’s my sick mind, but there wasn’t enough gore for it to be completely realistic…
I’m looking forward to the sequel!
Jodie’s rating: 7.5/10
The trailer makes this movie way suckier than it actually is.
Director: Baz Luhrmann Writers: Baz Luhrmann and Craig Pearce. Based on F. Scott Fitzgerald’s The Great Gatsby Released: May 2013 Starring: Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher and Jason Clarke
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Visually, this film was MIND BLOWING! This is Moulin Rouge! on steroids.
The party scenes are phenomenal! The lights, the atmosphere, colours, fashion, music… It is ground breaking. Just beautiful sets, like we’re being sent to another world.
The overall feel of the movie is very similar to the likes of The Curious Case of Benjamin Button, Edward Scissorhands (the garden scenes) and of course, Luhrmann’s Moulin Rouge!and Romeo + Juliet. I think it’s because all of these movies are fantastical and out of this world.
The actors were very convincing, Leonardo DiCaprio gave another ground-breaking performance. Although his accent was a little confusing on occasion, his dialogue was incredible! I feel like speaking formally, like an upper class person from the 1920s now.
Gatsby: Come on, old sport!
I wasn’t expecting much from Toby Maguire, and for a while believed that Ewan McGregor could have done a better job, until it was mentioned to me that his “pluckiness” was what made his character convincing. Which, I thought was a good point.
I’ve never been a huge fan of Carey Mulligan, but I have to say she did a pretty decent job in this film – her eyes are incredible! Like, she plays such a depressed character, and her eyes tell you that from the first scene. Carey Mulligan has since become one of my favourite actors.
The music was perfectly selected. Florence + the Machine’s Over Your Love is my new favourite song at the moment. But, the coolest track was Lana Del Rey’s 1920s Jazz version of the popular Young and Beautiful.
However, there were some major disappointments.
This is a film that is based strongly on characters. They fuel the story almost conclusively. Therefore, it was so disappointing that I did not become attached to any of the characters. I was not rooting for or against any of them – I didn’t feel like I had gotten to know them properly.
People are complicated, these characters were not, considering it was such a ‘people story’. Too many of their thoughts and emotions were not portrayed clearly. Most of the time there was a lot of emotion without obvious reasoning behind them.
I was forever looking too deep into the plot, expecting complicated and unforeseen twists. When in fact, the plot is too easy to figure out. I think it is supposed to be very mysterious, which was not portrayed in this film.
They should have kept the audience one step behind – like in the Sherlock Holmes films – until the end for a huge “I did not see that coming!” moment.
I wish the character development was more insightful, and the plot line more curious and unexpected.
Nevertheless, as I said at the beginning, the aesthetics were simply candy for the eyeballs. It enforces the idea that Baz Luhrmann was the ideal director for the film; the parties, grand interior shots and wonderland-esk exterior shots, simply gorgeous.
Oh, I bet Baz Luhrmann could have done an amazing version of Alice In Wonderland…
I had never even heard of them before, but I have loved every song of theirs so far.
This one stood out. The Wanting Comes In Waves/Repaid. It is like two songs alternated, as though two people are talking to each other. It is a really powerful and theatrical song, unlike some of their other songs, which are a little more folk-sounding.
Director: Shane Black
Writer: Based on Stan Lee’s Iron Man. Screenplay by Drew Pearce and Shane Black
Released: April 2013
Featuring: Robert Downey Jr., Gwenyth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau and Ben Kingsley
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Holy crapolah. This movie… Guys… Just..
Wow.
This is a huge step away from the typical and clichéd superhero movies. This one is very funny with a switch up of roles among the characters. Like, it is an action-comedy with an underlying deep and meaningful storyline.
Throughout the movie, Iron Man/Tony Stark (Robert Downey Jr.) has anxiety attacks. Although I think it could have been more effective and emotional by having flashbacks, it was still pretty intense watching the usually unemotional hero break down.
The story is pretty decent, although I have to say that the villain, Aldrich Killian (Guy Pearce) is a little disappointing. He isn’t overly scary, freaky, creepy or quirky. Just. A dude who was out to get Iron Man.
The new characters in this film include a boy named Harley who helps Tony Stark. Every conversation these two had is hilarious. Tony is his legendary sarcastic self.
Rebecca Hall played Dr. Maya Hansen who is a totally undeveloped and uninteresting character… She is almost pointless. Which is disappointing, because I really liked Rebecca Hall in The Prestige and I don’t think she could show her complete talent in this film due to the empty character.
I’m not a huge fan of Gwenyth Paltrow who plays Pepper Potts, but she definitely picks up her game in this movie – she is bad ass!
I reckon the music could have been way more epic…
Overall, though, I thoroughly enjoyed this movie! It was so funny, exciting and I didn’t get bored during the fight scenes.
Director: Bryan Singer Written: Darren Lemke and David Dobkin Released: March 2013 Starring: Nicholas Hoult, Eleanor Tomlinson, Stanley Tucci, Ian McShane, Bill Nighy and Ewan McGregor
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What an exciting cast! Bill Nighy, Stanley Tucci and Ewan McGregor! *drool*
I first saw the advert on the back of the bus, and quite frankly I thought it looked a little.. Lame.
So to see Jack and the Beanstalk being remade was not a surprise, and I expected it to have similar disappointments with all of the other remakes.
Namely the fact that the violence has to be toned down so that it can be suitable for the younger audience. Despite the storyline being 100 times better if it went the full hog and making it an M.
Oh hey, Ewan. What cha doin’ on the cliff there…
I was right. But it didn’t stop the story being enjoyable.
I do think the writers tried to cram a big storyline into a short amount of time – the intro seemed extremely rushed.
The special effects are amazing! Very well done. Getting the proportions convincing between the giants and the humans must have taken a bit of thought. Although, I still maintain that the giants should have had horses… Like, huge horses. That would have been cool.
Oh, and all the giants were male… I thought that was a bit odd.
Also, if I was designing where the giants lived, I would have made it way more fantastical, not just the average 16th century environment but quadruple the size.
Toward the end you will think you know exactly what will happen because it looks SO obvious leading up to it. However, I am happy to say that the writers did not take the easy way out. The ending isn’t as obvious and typical as one would expect.
This is a pleasantly entertaining film. Not hilarious or deep and meaningful. Just lightly entertaining. Nothing more than you would probably expect.
So I am swamped with uni studies at the moment and I am afraid my conscience won’t allow me to watch movies as it makes me feel too guilty, when I know I should be writing 2000 word essays on pointless crap.
However! I thought I should write a post to remind you that I am still in existence – I bet you’re relieved – and tell you the list of films I am going to review in about a week’s time…
Please comment to this post if you wish to put something on the list :)
I have been using my twitter account @NZFilmFreak a little more often since getting an iPhone! Ah! Scandal. What a techno person I am; all up to date and shizz. So feel free to follow!
It’s great to have so many fans of my blog…
*crickets chirp*
…and I am pretty sure that people will begin to recognise me in the street and congratulate me on my talents of blogging and pay me to write about films in the near future…
Director: Stephen Chbosky Writer: Stephen Chbosky Released (in NZ about a million years after every other country): March 2013 Starring: Emma Watson, Ezra Miller and Logan Lerman
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Okay, it was NOTHING like I thought it would be like.
This is not a happy-go-lucky, up beat and freeing movie like the trailer makes it out to be. In fact, it has a lot of very serious themes, making this high school drama rather dark, and not at all light hearted.
Despite the totally unexpected storyline, I still thoroughly enjoyed it. It is a very emotional journey – you laugh just as hard as you cry in some parts. So it evens out into a humbling story.
We accept the love we think we deserve.
C minus, ladies and gentlemen! I am below average!
The main character, Charlie (Logan Lerman) and both of his friends Sam (Emma Watson) and Patrick (Ezra Miller), each go through massive emotional roller coasters. Huge changes to their lives that are developed incredibly well. Feelings and emotions are messy, unexplainable and complicated. We battle between how we feel and who we really are, with what society says we should be, and The Perks of Being a Wallflower accurately represents this.
The acting by everyone was quite simply ground breaking. I don’t think I am over-exaggerating either.
Emma Watson has lovers and haters. The haters say her accent sucked, the fans say she was faultless. I say that her American accent was well done, but perhaps her articulate way of speaking let her down. I didn’t see Hermione at all in her performance of the outgoing Sam, which I think is something that Emma Watson should be applauded for.
Amazing.
Ezra Miller plays Patrick, a fun, loving, loyal guy who is the stepbrother of Sam. What I adore about this character is how well written he is – he’s not a stereotype by any stretch! This is such a breath of fresh air because he is homosexual, yet this does not define him. He stands up for himself and does not accept being victimised. Patrick is my favourite character because he doesn’t take life too seriously… I want him to be my best friend.
Shop teacher: …Are you proud to be a senior having to take freshman shop, Patty-Cakes? Patrick: Look, my name is Patrick. Either you call me Patrick or you call me nothing. Shop teacher: Nothing, why don’t you read first? Patrick: Alright, Chapter 1: Surviving your fascist shop teacher who needs to put kids down to feel big. Oh wow! This is useful guys, we should read on!
The tunnel song – Heroes by Bowie
The music is very well picked. Some of my favourite songs are included: David Bowie’s song Heroes, which is affectively used. I discovered Come On Eileen by Dexys Midnight Runners via this film – it is such a happy song with a great scene to go with it. Oh! And oh my God the Cocteau Twins’ incredible song Pearly-Dewdrops’ Drop! I hadn’t heard of them before this film either. These contrasting sounds and genres mirror the emotional tones of the movie.
This is not a typical high school drama at all! I think its genre would be similar to the likes of Seven Pounds.
Not what I was expecting, but not a disappointment by any stretch. It is thought provoking and intense. Just like life, there are huge ups and downs.
This movie is a realistic account of three teenagers and their relatable high school/college experiences .
Jodie’s rating: 8/10
The trailer of a very alternate idea of the movie… It is literally nothing like this.
Director: Rodger Mitchell Writer: Aline Brosh McKenna Released: November 2010 Starring: Rachel McAdams, Harrison Ford and Diane Keaton
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I love this movie. This is my happy movie.
Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show.
There are some fantastic lines! Harrison Ford is so dry with his delivery. It’s so perfect!
Mike: Why do we have to mention that first cup of coffee? Why not just say, “Watch Mike Pomeroy before your morning dump?”
I love Becky because she has arms flailing all over the place, her hair is messy and she’s so intensely dedicated to her job. Rachel McAdams was reluctant to take this part because she said she’s not funny enough to be in a comedy. But I disagree! McAdams is so natural in this, she makes it funny in a Bridget Jones sort of way.
Morning Glory‘s morals are sort of similar to The Devil Wears Prada… Well, it’s written by the same person, so I guess that’s why. But they’re basically about how important a career can be to someone, treating it like a relationship. In fact, when Becky discusses her job, it sounds like she’s talking about a person.
I guess although I understand why the reviews of this movie are average, I personally love it because I can relate to the industry having studied television and journalism. Becky is a character who I would love to be! I want her hair, wardrobe, confidence and success.
Becky: Why haven’t they bumped you up [to executive producer]? Lenny: It’s not for me. I did it for a couple of weeks once, but they put me back at Number Two. Apparently, the crying was distracting.
Keep an eye out for how Becky’s hair and clothes change as she grows and becomes more secure. It’s the attention to detail that makes this movie fun.
A very funny film, particularly if you’re familiar with the news industry!
I had no idea this rock band was from New Zealand (Wellington)! So crazy.
I love this song. I remember hearing a lot growing up and recently stumbled across it again. A song about letting go of somebody who has moved on to somebody else.
Am I surprised to see you here with Lydia,
She’s oh so nice and easier to love than I
It is a great story about breaking the mould. Not being what your father wants you to be, not giving into the black and white versions of education, but finding the creativity in it and allowing your imagination to run riot.
Robin Williams plays John Keating who is an English teacher with unorthodox teaching methods in a private all boys school. The tradition and formality of the school keeps the students as a uniform with little individuality. But Keating is able to bring out the strengths in them and encourage creativity.
It is one of the most inspiring movies, particularly because Robin Williams is so brilliant.
There are so many amazing scenes in this film, but I think this one below is my favourite. Keating brings out the best in a painfully shy student, showing him what he’s capable of by pushing him to open up:
I thoroughly enjoy these philosophical films, especially with the quirky Robin Williams whose improvisation skills are beyond any I have seen. He is amazing.
His character is everybody’s favourite teacher. Somebody who recognises the students weakness and strengths and getting the best out of them using methods that are best for them, even though they may not be necessarily typical of a prep school environment.
Look at things from a different perspective.
Dead Poets Society is uplifting and inspiring but also shocking and morose. It delves into the worst of humanity as it explores the desperation of students trying to escape the clutches of tradition.