With a triumphant and uplifting piano, Hometown by Dru Cutler is a soft rock song smothered in nostalgia.
With harmonies that remind me of the Plain White T’s, this band is an easy listening, all-American band that brings back fond memories of high school ‘jams’ at lunchtime.
The perfect mantra to accompany a daydream of a past life – of school, bad haircuts, hot summer sun and first loves. Or, perhaps during the credits of a coming-of-age Hollywood movie. (The Way, Way Back came to mind.)
Small town a-lovin’! Check out their website and Facebook page.
With a strong country twang and bluesy piano, Russ Still and the Moonshiners sport the well-known sound of classic country music. But when the electric guitar strikes and the heavy punch of drums begin, their sound is undeniably country rock.
The Promised Land on the band’s album Still Cookin’, sounds exactly like how the band look: Cowboy hats, worn-in jeans, black shirts, leather boots, and I imagine double-shots of neat whiskey and smoky rural bars are in reach.
The band seems to be honest and true to themselves. They look how they sound, straight up and down, raw, authentic country rock with no surprises.
Country rock fans need to check out their website and Facebook
A melodic and catchy song from Billy Roberts and the Rough Riders’ recent album. They’re a hillbilly band who stay true to their roots, and not trends, as stated by the front man, Billy Roberts. A moral that the band sticks to when recording their hits.
Only One has a more pop and up-beat tune with the classic melancholy vocals of Billy Roberts. This track on their album has a perfect marriage between the piano and guitar (Alex Quinn), sporting the same popular characteristics as many of their catalogue of songs.
The humble blues and country sound met with rocky drums (Rory Facione) and pop tones makes Billy Roberts and the Rough Rider’s album Greenbah the only one you want to hear.
Another country classic from Billy Roberts and the Rough Riders.
No One Knows Me is a track on their album Greenbah. A traditional country-rock song that draws on the band’s characteristic sound.
Beginning as what sounds like the line-dancing scene in Thelma & Louise, followed by a ‘Folsom Prison Blues’ rhythm of the guitar, this song is sure to be enjoyable by all country-rock music fans.
Although remaining true to the typical country genre, and un-strayed from the Rough Rider’s sound, No One Knows Me is a darker tune with more solemn lyrics. However, I would love to hear a deeper, richer bass to emulate this more serious and almost menacing tone.
Perhaps a focus on a more organic sound and less-remastered or smooth sound of the instruments would bring more of the band’s personality through, but ultimately another great track from the Rough Riders!
Director: Ricky Gervais
Writer: Ricky Gervais
Released: August 2016
Starring: Ricky Gervais
(Unfortunately no guest appearances in this one. Not even Karl Pilkington!)
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Looking forward to having a big belly laugh, my boyfriend was quick to remind me about his older films. Of which only one – Cemetery Junction – I enjoyed.
He was right, and my initial excitement for David Brent: Life on the Road suddenly took a dive.
Thinking about it, Ricky Gervais has a knack for TV series, but in his film career – in my opinion – he has always been a one-trick-pony.
David Brent is now working in a different office, but takes unpaid holiday to do a local ‘tour’ with his band.
After the first five-minutes of becoming reacquainted with the cocky and cringe-worthy character of David Brent, the repetitive jokes were drilled in over and over. This comedy became boring quite rapidly.
With the amount of static tripod shots used, even the documentary-style quickly slipped away. The interviews with the characters basically told the audience what we already knew about David Brent. We know he’s hopeless and harmless, funny, and ignorant rather than arrogant.
We know how to feel about the character – stop telling us.
The cringe-worthiness became tiring over the one and a half hours. In fact, I ended up giving up on the protagonist rather than being behind him.
I did enjoy some of the lyrics in his songs. A previously unexploited skill of Ricky Gervais’, with a taster of his lyrics shown in the David Bowie episode of Extras.
I missed the banter from the characters in The Office. Instead, the office David Brent works in now were simply split into bullies and heroes, which wasn’t as relatable as in the TV series.
The ‘c-word’ was thrown in for good measure – typical of Gervais films.
If it wasn’t for my boyfriend’s reminder before entering the cinema, I would have been far more disappointed than I was. Instead, this movie has simply reinforced Ricky Gervais’ strengths and weaknesses.
I hope he can team up with Stephen Merchant again to make another super successful TV show. (Like Extras, which I have always found gut-wrenchingly funny.)
David Brent: life on the Road is another typical Gervais film. Not so much aimed toward The Office fans, but more toward Gervais film fans in general. If you love Ghost Town and The Invention of Lying, then you’ll love David Brent: Life on the Road.
Director: Andrew Stanton
Writer: Andrew Stanton
Released: June 2016
Featuring: Ellen DeGeneres, Albert Brooks, Hayden Rolence, Ed O’Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy
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I was more keen to see BFG if I’m honest, but mostly because I thought Finding Nemo was so good that ‘Finding Dory‘ was just going to be a cash-in. But due to a particularly over-excited boyfriend, we ended up seeing Finding Dory.
Sharing a small cinema with about 50 people – some of them peculiar, some of them creepy, and only a couple of them under the age of 13 – we unabashedly cracked open a couple of ciders and the movie began. And I was pleasantly surprised.
With new characters and a heart-felt story line, Finding Dory was another genius creation of Pixar.
We follow Dory (Ellen DeGeneres) as she slowly gets flash-backs to her home and parents. It leads her, Nemo (Hayden Rolence) and Marlin (Albert Brooks) across the ocean once again, and finding themselves in a Marine Life Institute. (Featuring Sigourney Weaver as herself).
My favourite character was probably Becky, who is a dotty bird who is rather simple.She is as creepy as she is quirky.
Although I did think Hank (Ed O’Neill (granddad in Modern Family)) the octopus was the most heart-warming character.
But my boyfriend’s favourite character was Bailey (Ty Burrell (aka dad in Modern Family)) the beluga whale due to the humour of watching him figure out how to be a whale, as well as the sounds he made.
Unfortunately, my boyfriend pointed out that the goofy sea lion Gerald has an uncanny resemblance to my good self… I was offended.
In between the genuinely laugh-out-loud moments, the storyline was heavy in parts. The emphasis on family and unity and support and friendship and acceptance and patience… Man! Please calm down on the wholesome messages.
Dory’s short term memory loss became a little irritating, as the ‘wait, what are we talking about?’ jokes began to seem over-used, and wearing thin.
But it’s a movie I would happily see again. I haven’t laughed that loudly in a movie for a long time! It’s certainly aimed at us older kids (in our twenties) who grew up watching Finding Nemo.
Despite being a high-production-value song and music video, Love Ain’t a Prize left me feeling like I had heard it all before. The country-pop genre tends to be quite monotonous for me.
Love Ain’t A Prize is not a poorly-made song, but the chorus repeats itself too often, which makes the writing appear lazy.
The style and sound becomes a self-fulfilling stereotype. The classic black-tassel-wearing and silver-studded band members came as no surprise in Donica Knight’s video.
Don’t get me wrong, I enjoy a bit of country music (Kelly Willis), a bit of pop (Katy Perry), and rock ‘n’ roll (Johnny Cash). But I tend to stay away from the contemporary, flamboyant country-pop genre, due to its gaudy appearance and cookie-cutter sound.
I can see why Donica Knight is growing in popularity in the Southern music scene.
She has shown her diversity and success by opening for acts including Lynyrd Skynyrd, 3 Doors Down, Kid Rock and Jamey Johnson.
Despite my personal take on the contemporary country sound and genre, if you’re into country-pop then Donica Knight is for you. She seems like the kind of artist who excels on stage with a lot of energy, and an engaging presence. She has a strong voice, confidence and style, that I’m sure will be appealing to many.
This classic 1990’s-sounding ballad, Lie, is a melancholy rock anthem with heavy guitar and drums backing strong and gravelly vocals.
With powerful guitar solos and a hard rock bridge, Blue Moon Harem‘s song reminds me of string-heavy ’90s bands such as Nickleback and Soundgarden.
The vocalist has a husky voice, that reminds me of Collective Soul‘s vocalist Ed Roland in their song The World We Know. Blue Moon Harem‘s vocals are emotionally-charged and compliment the band’s rock genre well.
This Boston-based band has a high production value, and their songs are certainly enjoyable to listen to.
I imagine Lie is the kind of song I would play in the car on the way to a concert or high-energy music festival – you can hear the band are genuinely putting their all into their performance, and it’s contagious!
Director: Tim Miller Writer: Rhett Reese and Paul Wernick Released: February 2016 Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, T. J. Miller, Gina Carano, Brianna Hildebrand and Stefan Kapičić
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I only had a vague idea of what Deadpool was. I hadn’t seen the trailer, but countless people had recommended the superhero film, saying it was hilarious.
Frankly, you’d have to have a bit of a dark side to you, tough skinned, if you will. A bit of black humour, to have a full-on belly laugh at this film.
The blood, gore and violence reminded me of Watchmen – no one warned me of this… So, consider this a warning to all the girlfriends who have been convinced by their boyfriends that this is a funny film.
It is…
But.
It’s also incredibly gory. For those of you non-comic-book people out there, basically Wade Wilson aka Deadpool (Ryan Reynolds) is a sarcastic, normal dude who has got mutated in some creepy underground experimentation lab.
It turns him into a super-human being, but with an incorrigible urge for revenge on those who made him the way he is; scarred and invincible. As well as an insatiable urge to win back his girlfriend, who currently thinks he’s dead.
The main character, Deadpool, is most certainly sarcastic, light-hearted, with a few funny come-backs. I can see why the protagonist’s cockiness can get on some people’s nerves though.
This is mostly due to the film blatantly making fun of itself, breaking fourth walls frequently, and generally not taking itself seriously at all. It is essentially a mock-hero film. Like the film Vampires Suck – a spoof of Twilight. Or, The Starving Games – spoof of the Hunger Games.
Deadpool has been made with a far larger budget, of course. Taking the sarcasm and irony from Iron Manand the violence from Watchmen.
Fun fact: Ryan Reynolds was engaged to singer Alanis Morrisette, then he was married to Scarlett Johansson!
*No one cares*
I would say it’s pretty average over all. But this is a superhero film – which is basically a chick flick for men. As in, if you’ve seen one, you’ve seen them all.
You can’t take it too seriously. It’s funny enough, and for men in their mid-twenties, early-thirties who are comic book, video games know-it-alls, it will be the peanut butter and jam sandwich with chocolate sprinkles of superhero films – you’ll love it.
For the rest of us, however, it was sufficient. Although, potentially irritating and gross.
Director: Robert Schwentke Writer: Bruce Joel Rubin. Based on the novel by Audrey Niffeneger Released: August 2009 Starring: Rachel McAdams, Eric Bana, Ron Livingston
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A heart-breaking story about, not the person who leaves, but the person who’s perpetually left behind.
I like this unusual perspective, particularly since time travel is such an attractive, but foreign concept. Yet, the story is focused on the more human and deeply relatable themes.
I’ve heard the book is fantastic – I’m going to read it this summer. But, the movie is exquisite. If you haven’t seen or read The Time Traveler’s Wife, the low-down is that a man is a time traveller and his wife is not. The time traveller, named Henry (Eric Bana) can’t control his travelling, so his impromptu disappearances and reappearances become a way of life for his wife Clare Abshire (Rachel McAdams).
Clare: I’ve been here for two weeks wanting to talk to you. What do you want to talk about? How bad it feels to sit here and wait for you?
My favourite song in the movie is Love Will Tear Us Apart by Broken Social Scene. It plays during the wedding, where Clare is to marry Henry – currently a nervous, attractive young man. But just before he is to be at the alter, he time travels. Within minutes, his grey-haired, older self appears to take his place – becoming the person Clare marries.
I love time travel, so the intricacies and non-linear storyline is like cotton candy and lollipops and rainbows and unicorns for me.
Even if you’re not a time travel nut, most people will appreciate how well the movie portrays the sense of loss. As when a loved one goes away, it’s usually harder for the person left behind to pick up the pieces and carry on.
Every time Henry disappears, the camera stays on Clare; left to finish dinner by herself, left to spend Christmas on her own, left to unpack in their new house by herself – unsure whether to sit and wait, or to continue regardless.
On a shallow note, Rachel McAdams is so gorgeous in this film, I can’t even look at myself in the mirror after watching this movie without despairing.
A beautiful, tragic and magical tale, of two people who try to have a normal life, in the most abnormal of circumstances. Told in a straight-forward, beginning to end fashion, but with a non-linear character. A classic “big ball of wibbly wobbly, timey-wimey… Stuff.” (Dr. Who reference there…)
For people who love romance and drama, but who find chick-flicks boring.
This latest tune has lived up to the country-rock sound of Billy Roberts and co..
As I’ve mentioned in my previous reviews, the vocals are wee bit flat, in a spoken-word tone. This doesn’t quite live up to the energy of the electric guitar and sliding guitar sound.
Having said that, the classic country -rock genre of Billy Roberts and the Rough Riders remains, leaving their fans surely satisfied.
My favourite element of the band remains – their storytelling. Dark and interesting lyrics for sure.
This is the second song of Van Etten’s that I’ve put on repeat – the first being Give Out.
Your Love is Killing Me has an exceptional story.
I think it’s about an over-bearing partner, and being too numb and too blinded to take notice.
Break my legs so I won’t walk to you
Cut my tongue so I can’t talk to you
Burn my skin so I can’t feel you
Stab my eyes so I can’t see
You like it when I let you walk over me…
If you marry that up with this beautiful music video, it supports this idea so well.
A woman is drinking her last beer and smoking her last cigarette before leaving a bar. She starts walking, only to end up in a cafe where her boyfriend is waiting for her (I presume).
She holds up her arms, which are drenched in red before falling to the floor. He rushes over and pulls back her sleeves to find there’s not a mark on her. The woman looks up at him with a look of relief, smiles at him and walks out.
Your Love is Killing me = it’s a physicalisation of the idea up until the point where the woman lets him go… And walks out. Like a boss.
The Swiss actress who plays the part is phenomenal. Just… Just watch her subtle expressions. So powerful! Especially as the music picks up in intensity.
…You tell me that you like it
Your love is killing me
Try to tell you this when I’m sober, how I feel about loving you.
Holy crap. I’m just watching and listening to this on REPEAT.
Watch it! Watch it! And listen!
How weird – just noticed the video was published one year ago almost to the day.
Director: Rob Reiner (Misery) Writer: Aaron Sorkin Released: December 1992 Starring: Tom Cruise, Jack Nicholson, Demi Moore, Kevin Bacon, Kevin Pollak, Wolfgang Bodison, James Marshall, J. T. Walsh and Kiefer Sutherland —
“You can’t handle the truth!”
Well. Now I know where this famous quote actually comes from. I’ve heard it being referenced in Seinfeld (and probably countless other shows), and hadn’t the slightest clue it was from a good movie – not some Terminator, mindless action film that for some reason I always assumed it would be from.
A Few Good Men, a courtroom drama from 1992. I know, I know, I’m only 23 years behind.
Man, this movie is my favourite at the moment. I’m assuming I was the only person on the planet who hadn’t seen this film, but if you need a refresher of the plot without any of the court or Marine jargon…
Kaffee, (Tom Cruise), Galloway (Demi Moore) and Weinberg (Kevin Pollak) are defending two Marines – Dawson and Downey – who are accused of killing another Marine named Santiago, via a “Code Red”. Which is a “violent extrajudicial punishment”, according to Wikipedia. But it’s fundamentally where people of higher ranks turn their heads while Marines beat the crap out of each other for being late, or running slowly, or just being a dick in general.
Cruise’s character is over-confident, and he asks super awesome questions to people ranked way above him. But he has to be careful when he begins questioning Jack Nicholson’s character, because if he can’t get him to admit that he knew about the Code Red, then Tom Cruise’s character will be down the pan for accusing a Colonel… Basically.
Oh! And, Captain Jack Ross (Kevin Bacon) – not to be confused with popular Disney pirate, Captain Jack Sparrow – is the lawyer person on the other side, trying to get Dawson and Downey out of the Marines for supposedly murdering Santiago.
Anyway! Explaining any court-based story sounds boring on paper, but super cool in the movies.
I love how Demi Moore’s character isn’t a typical downtrodden, infatuated female. She’s as strong, competent and as funny as the men, and does well in her job without being the damsel in distress, or totally boring.
Oh! And how she asks Tom Cruise’s character on a date, because she’s a strong, independent woman who don’t need no man to ask her! *Snaps fingers in a sassy fashion*. But it doesn’t get lovey-dovey at all – such a breath of fresh air.
Galloway: But my feeling is that if this case is handled in the same fast-food, slick-ass ‘ Persian Bazaar manner with which you seem to handle everything else, something’s gonna get missed. And I wouldn’t be doing my job if I allowed Dawson and Downey to spend any more time in prison than absolutely necessary, because their attorney had pre-determined the path of least resistance.
Kaffee: Wow… I’m sexually aroused, Commander.
Although, through all three viewings of this film within a week, I could not figure out Demi Moore’s hair… Is it short? Is it long and tied back? Is it actually Travolta’s hair from Grease..? It broke my brain a little bit. Looks pretty cool, nevertheless.
I’m typically not a fan of Tom Cruise, but he is comical, intense, and plays the part of the spoiled, cocky, lawyer remarkably well. He’s so sassy, with smart-mouthed come-backs.
Kaffee: Oh, hah, I’m sorry, I keep forgetting. You were sick the day they taught law at law school.
The only thing that dates this film is the repeated music that is quite obviously from the late 80s/early 90s. Apart from that, I think it’s held its own very well indeed. It’s just as entertaining now, as I’m sure it was back in ’92.
I almost forgot – Kiefer Sutherland is in it! He’s so intense. Everyone is! I definitely could not survive in the Marines… But, doesn’t Sutherland just look SWELL. *Swoon* I still prefer him in The Lost Boys though…
I love courtroom dramas. Just when you think Cruise’s character is out, he finds a loophole. It’s like Sherlock Holmes meets Judge Judy!
“It doesn’t matter what I believe. It only matters what I can prove!”
So much sass, so much awesomeness. Loved it, loved it, loved it. Scary, nail-biting, funny, inspiring. So amazing.
Kaffee: I know what you’re going to say – You don’t have to. We’ve had our differences. I said some things I didn’t mean; you said some things you didn’t mean, but you’re happy I stuck with the case. And if you’ve gained a certain respect for me over the last three weeks… well, of course, I’m happy about that. But we don’t have to make a whole big deal outta that – you like me? I won’t make you say it.
Galloway: I was just going to tell you to wear matching socks tomorrow.
Director: Ben Affleck Writers: Based on the novel Prince of Thieves by Chuck Hogan. Screenplay: Ben Affleck, Peter Craig and Aaron Stockard Released: 2010 Starring: Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner, Blake Lively, Titus Welliver, Pete Postlethwaite and Chris Cooper
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I think this movie has everything in it – a compelling love story, fantastic action scenes and Ben Affleck *swoon*. You also can’t go wrong with a rough Boston accent either!
A story about a town in Boston named Charlestown. Where, for some, bank robbery is a way of life and treated as an art handed down through the generations.
In the first robbery of the film, a masked Doug (Ben Affleck) is calming Claire (Rebecca Hall) who is franticly opening the safe, while the rest of the robbers intimidate the hostages.
A few days after the robbery, Doug ‘bumps into’ the woman to see how much she knows about the robbers and what she’s told the police. Which, I thought was a super cool part of the film. By getting close with one of the few witnesses Doug had the inside scoop of how far off the police were.
Anyway, she basically falls in love with Doug – who, little does she know, was responsible for one of the most traumatic experiences of her life.
I like movies where you’re on the side of the ‘badies’. Kind of like in Gone Girlwhere I found myself rooting for the mad killer. It was the same as in this film – I was backing the robbers the whole time. but what The Town did differently was that they went a step further and villainised the ‘goodies’ – the police.
It’s a thorough insight into a vastly different culture. The robbers are brutal, tough, but incredibly loyal toward each other.
Doug: I need you to do something with me. I can’t tell you why, you can’t ask me about it after and we’re gonna hurt people.” Jem: Whose car we gonna take?
God, but bloody Affleck. Being the main character, director and one of the writers, OF COURSE he had to write himself a saucy love scene. Boys, eh!
Lovable, exciting – yet violent – characters, a believable love story with fantastic action sequences between uplifting scenes. A cool twist to the average cold, stale bank robbing film. I like how, although it is scary and violent and intense, it’s still personable and emotional.
Easy listening for the over 25-year-old single or broken-hearted ladies out there.
Every Bridget Jones-esk spinster, or recent singletons, would have this track on repeat during their Sunday afternoon wine.
It is the new smooth sound – quite literally. You may have been equally deprived of this fact, but New Smooth Sound is a legit genre combining R&B, pop, and jazz.
With the cool lyrics that any Michael Bublé listener would love, and casual banter similar to the monologues one hears in sixties songs to kick the song off, I can see this tune being a hit.
Very well mixed and recorded, with talented singers and musicians for sure.
Reading about AJ Smooth he seems like a genuine guy who is ‘known to dip an occasional fry into mayonnaise’, and whom writes his own songs.
This is not a song easily disliked, this is atmospheric coast music at its best.
Director: Pete Docter
Writer: Pete Docter and Ronnie del Carmen
Released: June 2015
Starring: Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, Mindy Kaling, Richard Kind, Kaitlyn Dias, Diane Lane, Kyle MacLachlan
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What a fantastic premise!
I am fascinated by psychology and why people behave the way they do, and this film has simplified our complex behaviours into an entertaining and interesting animation.
It’s about a young girl… Well, more like the emotions that make up a young girl. We see inside her head and see who controls her moods, decisions and feelings:
Joy, Sadness, Disgust, Anger and Fear.
Each are relatable and lovable, each with pros and cons, strengths and weaknesses. No mood is less important than the other, or more favourable than the other. Which is a moral within itself.
My favourite character was Sadness. Because she seems so helpless and incorrigible, but she’s not self-loathing or deceitful.
Joy was my least favourite… She is positively irritating.
However! I was surprised to notice there are more female characters than male characters.
I love how much we find out about this world – the subconscious, personal values, suppressed memories, even her imaginary friend. But my favourite part is the explanation of dreams…
“Action!”
By turning the brain from a wibbly-wobbly system, a complex map – if you will – of intertwined motorways, power lines, unpredictable traffic jams and road rage. This movie physicalises many components of what makes you, you!
All that is natured and nurtured, all that is influential and permanent. This movie has assigned a character to represent it.
Thoroughly enjoyed it. I think perhaps, on a deeper level beyond the entertainment value, perhaps this film could shine a new light on why people are the way they are. Hopefully increasing understanding and acceptance among us… That’s wishful thinking…
But you should see it.
My only hope is that an R16 version comes out where it’s not an animation, but a real person. Who is a psychopathic murderer like Hannibal… IMAGINE THAT. Watching what Hannibal Lecter is THINKING…
Perhaps a sequel?
Jodie’s rating: 8/10
Why not a 10/10? Because it sagged a little at times, and at the end, you realise you spent $18.50 on a children’s movie…
They remind me of Radiohead, mixed with a sort of Shihad kind of deal – sort of grunge, but upbeat.
I cranked this baby up, and the layering of the vocals is what makes this song! His gravelly voice raises the song above a typical pop song into a something with a sound I haven’t really heard anywhere before.
The music video is super cool! Thoroughly enjoyed it. It’s pretty much just one shot the whole time. I’m assuming it’s shot in the UK – I’d love to know where.
I reckon their music would suit movies like The Lost Boys.
If you’re into grungy, catchy, punk rock tunes, check Warme out! Facebook and Twitter.
The first thing I thought was ‘Nick Cave’. I think it’s David Arn’s gravelly voice and story-telling songs.
I agree with Arn’s previous critics who say that his strong point is certainly the lyrics.
“When you lost your situation, gypsies went home sick”
When Lost In Your Situationsounds like a song I’d expect to hear on one of my favourite films, Thelma & Louise, or on classic indie stations and films with its lost-sounding guitar and the grounding vocals.
The guitar and deep voice is let down slightly by the organ. If my critique is worth anything, I’d like to accent the pounding heartbeat of the bass guitar, and enhancing the rich piano. Just to make the song sound ‘solid’ with more depth to the song.
(Or, at least I’d like to see what it sounds like.)
These two suggestions are simply to reinforce the intensity of the song. So that the weight of the deep and bold vocals, guitar and lyrics can be fully supported by the rest of the instruments.
Despite that, I am already a fan of the enchanting, entrancing music of David Arn.
Written and directed by Joe Scott, who also wrote Tamla Rose. Released: 2015
Production company: Ace Film
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A slightly abstract musical about a young woman uncovering mysteries of her childhood.
Reiga (Sabrina Dickens) is a music student suffering from flashbacks and hallucinations, particularly of a little girl. As the movie goes on, it gets darker and even rather creepy.
The little girl is Reiga’s younger self, who helps her uncover family secrets and come to terms with the tragedies of her past that she has mentally blocked out.
A fantastically lit, well-made feature-length film. I thought Sabrina Dickens was a believable actress whom I enjoyed watching.
Although I’m not a fan of musicals – usually because they get mellow-dramatic rather quickly – I found that the songs not only fitted in very well with the tone of the movie, but actually carried the story further. Particularly because the protagonist was experiencing surreal delusions, so the realism wasn’t broken when the actress began singing.
Despite the occasional shot hinting at the film’s low budget, I think it was a creative and an incredibly brave storyline that was pulled off well.
I think the only way this film could have been improved, would be to play around with the lighting a little, or even using simple in-camera tricks to highlight the creepiness and uneasiness of the situations.
Despite that, I think it is a great film with great songs. But I am particularly impressed with the continuity and set lighting. Even though there wasn’t a huge amount of creativity within the set design, the crew certainly stuck to what they know and do best. Limitations are an important thing to recognise on a low budget, and these guys used it to their advantage.
Director: Peter Chelsom
Writer: Peter Chelsom,Tinker Lindsay and Maria von Heland. Based on the novel of the same name by François Lelord
Released: September 2014
Starring: Simon Pegg, Rosamund Pike and Toni Collette
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I thought this was going to be an English version of Walter Mitty… I think that was the aim anyway, but it certainly wasn’t the final product.
Unfortunately, this potentially deep and meaningful storyline was not achieved due to the general lack of believability, and the distaste toward the main character, Hector (Simon Pegg).
Basically, Hector is a psychiatrist and he finds himself unfulfilled. So he goes on a journey around the world, visiting countries including China and Africa, to find out what makes people happy.
But right off the bat, the audience stops rooting for the protagonist when he cheats on his wife in China, then meets up with an old flame in America. Suddenly, we no longer think well of Hector and the story goes down hill from there.
So the suspension of disbelief has plummeted, and for the rest of the film I’m hoping his wife Clara (Rosamund Pike) tells him he’s a disgusting excuse for a man and dumps him.
To save you the suspense, here are some of the things he learns makes people happy. Like most other films in the ‘runaway’ genre, he writes down his experiences.
Making comparisons can spoil your happiness.
A lot of people think happiness is being rich or important.
Many people see happiness only in their future.
Happiness could be the freedom to love more than one woman at the same time. (Which I’m sure will result in the unhappiness of people around him!)
Nostalgia is not what it used to be.
Anyway. I was disappointed because I love Walter Mittyso much and I thought this would be just as inspiring. Although, the fact it wasn’t shown in the major theatres here in New Zealand should have been a clue.
A great excuse to travel the world for some lucky cast and crew.
Jodie’s rating: 4/10
1) Because I still enjoy movies about travel, 2) it has Simon Pegg in it, 3) it has Rosamund Pike in it, and 4) the trailer is pretty awesome.
Directors: Andy Hamilton and Guy Jenkin
Writers: Andy Hamilton and Guy Jenkin
Released: September 2014
Starring: David Tennant, Rosamund Pike and Billy Connolly
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Like my horse, it’s funny at the beginning, saggy in the middle and a bit crappy at the end.
This is a film – featuring the spectacular David Tennant (Dr. Who!!) and Rosamund Pike – about a family of five going on holiday to Scotland for the grandfather’s 75th birthday party.
Long story short, the parents are having a divorce but only the children know, and they are sworn to secrecy while visiting their sickly grandfather so as to keep his final years pleasant.
Pike plays the mum, Abi, Tennant as the dad, Doug, and Billy Connolly as the granddad, Gordie.
Abi and Doug have three children, the easiest way to describe them is as the intelligent and serious one, the creative one and the youngest and funniest one. Sort of like in that Lemoney Snicket movie A Series of Unfortunate Events.
I found the first third of the movie hilarious – such a typical English comedy. It reminded me of About a Boy. I was laughing out loud watching it on the plane and everything. (Although, that was after two bourbon and cokes…)
After that, it got quite slow. The drama began to set in, but there wasn’t enough at stake, perhaps, for the audience to feel to effected?
Nevertheless, the script was amazing. Some fantastic one-liners! For example, the youngest child has a brick and a rock as friends:
Doug: Have you seen anybody about this?
Abi: Like a geologist?
And a whooooooole other bunch of funny lines, which I can’t find on the internet for you because it’s a newish film.
I think this movie has great intentions, and it was almost awesome from beginning to end, with philosophical and comedic moments.
Directed: Wong Kar-Wai
Written: Wong Kar-Wai
Released: September 2000
Starring: Maggie Cheung and Tony Leung
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Because this movie isn’t in English, I’m just going to do a fat dissection of the visuals… Enjoy!
A story about two married couples who move into an apartment next door from one another. One couple is Chow Mo-wan, a journalist, and his wife. The other is Su Li-zhen, a secretary, and her husband.
Chow and Su both have a spouse who works over-time often, leaving them alone in their rooms most nights. However, their absence slowly brings Chow and Su together, and they speculate over unfaithfulness in their respective spouses.
Based in Hong-Kong during the 1960s, their closeness is frowned upon so, even though only friends, Su and Chow begin a more secretive relationship.
I love how the director portrays the story visually. The spouses of Chow and Su are never seen, their faces are forever unrecognisable, with only their voices heard. This reinforces their lack of identity within their respective marriages, and their lack of presence.
I’m not familiar with Asian film, but it is a fantastically shot movie, although veeeery slow in pace.
The use of slow-motion is used often, emphasising Chan and Su waiting for their spouses to come home every night. A great scene is when the two begin to work out that both of their spouses are having an affair with each other. The camera movements get faster and closer while sitting in a cafe, and then Chan and Su leave together in slow motion, emphasising their shared heartbreak and unity.
The slow motion scenes occur regularly to mark chapters, married with the same piece of suspicious/melancholy music. Although repetitive, it works well to portray the characters growing and moving closer.
Food is a very important symbol in the film. Chan’s and Su’s first meal together parallels them coming to terms with their spouses infidelity. Where they used to get take-out from the same place and eat alone, this first meal is an important milestone.
Chan orders for Su, picking out a dish his wife likes, and Su picks out a dish for Chan that her husband would usually eat. They frequently ‘play’ each other’s spouses, almost as though to keep their growing friendship a make-believe, so as not to take responsibility.
Food is something to share and something that expresses themselves. Where Chan enjoys noodles and sesame soup, his cheating wife prefers steak with hot mustard, for example.
This is a story about coincidence, and people who have the courage to pursue chance encounters and near-missed opportunities. Chan and Su are both frequently referred to as being too polite. Their almost cowardliness natures lead to them being perpetually unhappy in their already broken marriages, too scared to make the first move.
A film that perfectly illustrates the tug-of-war between, ‘what’s meant to be, will be’ and ‘make it what you want’. A right to be happy and honest, versus secrets and unhappiness.
That turned out to be a bit longer than expected! It’s worth a watch, the full movie can be found on Youtube at the moment.
In the same way that English and American films are completely different in tone and humour, even if in the same genre, this Chinese film is different again. I’m having difficulty rating it as I’m not familiar with the culture, humour or film production, with nothing for comparison. 6/10 perhaps?
Director: Sean Penn
Writer: Sean Penn based on Into the Wild by Jon Krakauer
Starring: Emile Hirsch, Marcia Gay Harden, William Hurt, Jena Malone, Catherine Keener, Brian Dierker, Vince Vaughn, Zach Galifianakis, Kristen Stewart, Hal Holbrook
Released: September 2007
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WARNING: THIS FILM MAY GIVE A GIANT REALITY CHECK TO MANY ASPIRING TRAVELLERS. YOU MAY END UP CANCELLING YOUR ADVENTURE PLANS AND BECOME CONTENT WITH A SECURE, SAFE 9-5 JOB.
This took me soooo long to sit down, and watch successfully from beginning to end. I attempted watching it twice, about two years ago. But I found it slow-paced and uneventful.
Oh boy was I wrong.
Based on a true story, Into the Wild is about a privileged young man, Christopher McCandless (Emile Hirsch), who graduates from university. He has the world in his hands, from the outside he has a top-class education, and wealthy, supportive parents.
But his deepest desire is to distance himself from the material world of money and ‘things’. So he sets off on a journey in search of adventures in the Alaskan wilderness.
I’m gonna be all the way out there, all the way f*cking out there. Just on my own. You know, no f*cking watch, no map, no axe, no nothing. No nothing. Just be out there. Just be out there in it. You know, big mountains, rivers, sky, game. Just be out there in it, you know? In the wild.
A few months ago I took the time to watch it properly. I watched it just before my graduation from university, which was probably why I loved it so much; the story seemed to parallel my life at that point.
I think everyone’s had that desire to break away from the life they know and rough it out in East Jesus nowhere. And, just like every other ‘runaway’ film, Into the Wild lives out your secret fantasy.
Society, man! You know, society! Cause, you know what I don’t understand? I don’t understand why people, why every f*cking person is so bad to each other so f*cking often.
It’s certainly a sad story, and it bursts your idealistic bubble of living in the wilderness. As it turns out, being in the wild is a brutal place to be. Especially all alone.
But, in Christopher’s eyes, he did exactly what he wanted to do. He created his own challenges and hurdles, his own dreams and goals. I feel he was in complete control of his life for once. And despite the tragedies along the way, at least you can say he truly led a free life.
Check out Christopher’s real-life story, there’s a few interesting facts you’ll find out about him… But it’s probably best to read the true story after watching the film. Otherwise you’ll kill the magic in the film.
With this gorgeous song leaving you at the end of the film, I found myself to feel extremely humbled. Christopher’s story was an incredible one to say the least, but as I said, it will smash your travelling dreams with one heavy swing of reality.
This is a ‘quieter’ film to Wild, which is why the rating is a smidgen lower. I think the lack of dialogue and music works for this film, but I ultimately prefer Wild‘s soundtrack and use of dialogue more.
Jodie’s rating: 7.5/10
Please watch the trailer – the score and the editing just punches you in the face with awesomeness.
Director: Jean-Marc Vallee Writer: Nick Hornby (screenplay), Cheryl Strayed (novel) Released: December 2014 (USA), January 2015 (NZ) Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
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Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.
To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.
A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild,Thelma and Louise.
In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.
I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.
When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.
I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!
Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.
Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.
I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.
Director: David Fincher Writer: Gillian Flynn (based on her novel of the same name) Released: October 2014 Starring: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry and Carrie Coon
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Let me just begin by saying, oh my Lord, Gillian Flynn wrote the screenplay to her own novel! That never happens!
When writing my last post, What are you like, Rosamund Pike? (about actors whose public perception changes based on the roles they choose), I wondered how I was going to write this review…
I was so shocked by Rosamund Pike’s performance – she was fantastic of course – but I wasn’t prepared for her to pick this role.
Let’s be clear, this isn’t the mystery/detective/Midsomer Murders deal I was expecting. This is a story of a manic, psychopathic panther disguised as a house cat.
Pike’s character, Amy, is the wife to Nick (Ben Affleck), when she goes missing. They were a seemingly perfect couple who live in the suburbs, but how happy were they really before this tragedy happened?
Their house is a gory crime scene on the day of her disappearance, so it’s assumed that a brutal murder has taken place and her body has been hidden, but who did it?
It gets dark very quickly by this point as they outline the characters’ backstories, and how it came to this.
Nick is thrust into the spotlight of the media, who struggles to be the likeable and concerned husband that the public expect. He is quickly labeled as number one suspect, and Nick gets lawyered-up!
It is certainly a tragic and unnerving film, with some scenes being particularly distressing so this thriller is not a sleepy Sunday afternoon kind of film.
Nevertheless, this is a psychological thriller, which is always one step ahead of you; it has you flip-flopping between characters as to who to root for.
Amy is portrayed as a trustworthy and humble suburban woman on the outside, but has a twisted mind. I was a bit terrified of her as we realise the full potential of her off-kilted psyche. But I still kind of liked her – she has a bit of Thelma & Louise in her storyline.
Nick is a good-looking, albeit, quietly egotistical, depressed and selfish man, so he’s not all that great either. But that doesn’t necessarily make him guilty… Does it?
As Pike said in an interview about this “social satire” film, we are all editing ourselves – on Facebook and in public – so who are we all really? What are we capable of?
Gone Girl does challenge you to acknowledge the major social issues and kinks in human nature within society. As we’re rubbing shoulders with the best and the worst of humanity.