sixties – NZ Film Freak

Top 5: Films Based in the Sixties

Films based in the 1960s I love the 1960s… I feel like my huge amount of posts regarding this era may have given that away.

So! Here are my top five favourite films set in the 1960s. (Presented in no particular order).

American Graffiti (set in 1962)
Look, creep. You want a knuckle sandwich?
Uh, no thanks. I’m waiting for a double Chucky Chuck.

This is a bitchin’ 60s film through the eyes of American teenagers with an ear for rock ‘n’ roll! I mean… This has to be my favourite 60s film. It’s bright like a jukebox with great music highlighted by Wolfman Jack. The cars, the dresses, the language, the people..! I just… Can’t even. When I watch this film, I feel like I’ve got a backstage pass to my favourite band’s show. I get all giddy and nostalgic

Made in Dagenham (set in 1968)
Cope? How will we cope? We’re women. Now, don’t ask such stupid questions.

Documenting the fight for equal pay for men and women in the UK – obviously a major change for this era – focussing on the working class. I like how the filmmakers illustrated the two generations: the older characters who lived through or fought in the war with their 40s, duller dresses. And the younger generation wearing bright sixties dresses and big hair. This divide is illustrated in one short scene: the power cut at the disco (for those of you who have seen it).

The Boat That ROCKED poster The Boat that Rocked (set in 1966)
Remember folks, it ain’t simple bein’ cool, but it’s cool bein’ simple.

From the point of view from the rock stars of the era: pirate radio DJs. It’s about the fight between pirate radio entertainers (and their fans) versus the English government who shut them down. Fantastic soundtrack of course. With every 60s music genre represented by a DJ on board the boat. Certainly a dreamy ideal of what the era was, but the film crushes your dreams at the end.

The Help (set in 1963)
Eighteen people were killed in Jackson that night. Ten white and eight black. I don’t think God has colour in mind when he sets a tornado loose.

The dark side of the sixties in the South. Every time I say “I want to live in the sixties”, the typical response is: “Yeah, but what about the racism?” Now I’m not saying the sixties are perfect, and racism in this time was devastating and unimaginable. The Help certainly puts this side of the sixties into perspective. Every era has its dark side (even the twenty-teens). A fantastic film nonetheless, with an uplifting and inspirational ending.

Good Morning, Vietnam (set in 1965)
Speaking of things controversial, is it true that there is a marijuana problem here in Vietnam?
No, it’s not a problem, everybody has it.

Why have I not written about one of my favourites? Well. I suppose It’s because it’s so dialogue-heavy that it’s more of a radio show – Robin Williams really is the star and his ad-libbed script just takes the cake. A fantastic angle of the devastating Vietnam war, from the point of view of the radio hosts. It’s bound to put a smile on your dial.

Films that didn’t quite make the cut:

Catch Me if You Can (set in 1963)
Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn’t quit. He struggled so hard that eventually he churned that cream into butter and crawled out.

Sadly, I haven’t reviewed this one yet. But I think it’s so inspiring. A young man (Leonardo Dicaprio) ran away from home and used his charm to fake being a pilot, doctor and lawyer. After being caught years later, he was hired by the FBI to help them catch cheque forgers. I love this true story because it shows how much freedom they had. (Unlike today where everyone is watched and documented). It didn’t make the top five because my love for Good Morning, Vietnam got the best of me.

Forrest Gump (set in 1960s)
Why are you so good to me?
You’re my girl!

Of course, not all of this movie is set in the 60s, but there is a large chunk of the hippie movement portrayed. A theme also shared in Made in Dagenham, is that it was just a time of complete change and challenging authorities. This didn’t get to the top 5 because, let’s be honest, haven’t we heard enough about this epic?

Walk the Line (set in 50s – 60s)
Hi, I’m Johnny Cash

I was going to put this film in the mix too, but I relealised all the best scenes were set in the fifties, and only the ending is in the sixties. But I would like to acknowedge it as being friggin’ awesome, with fantastic actors portraying the kings (and queen) of rock ‘n’ roll.

Take five! Take that!
Jodie.

American Graffiti

Director: George Lucas
Writer: George Lucas, Gloria Katz and Willard Huyck
Released: 1973
Featuring: Richard Dreyfuss, Ronny Howard, Paul Le Mat, Charlie Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack
—

This movie nearly didn’t get made. Boy, am I glad it was. This is in my top five movies – at least!

American Graffiti is the colourful account of the final night of high school for a group of students who go out cruising, attend ‘the hop’ and hang at the drive-in dina.

It’s not only an incredibly entertaining film, it’s also the most accurate documentation of what the sixties were all about.

This movie makes me upset because it makes me mourn the spectacular sixties. As mentioned in Midnight in Paris, it’s “Golden Age Thinking” – the thought that I’d be happier in another time. And boy does American Graffiti do that; it hits me right in the feels.

“The erroneous notion that a different time period was better than the one, one’s living in.” – Midnight in Paris

The music frequently takes centre stage with classics from the rise of the The Beach Boys, Buddy Holly, Chuck Berry and a whole lot more. It’s the wall-to-wall rock ‘n’ roll hits that makes this movie so recognisable and exciting.

Of course with music comes radio, and its influence on the culture is seen. Wolfman Jack is the most popular radio host among the teenagers, who is looked up to and even sought out especially for personal advice. His charisma and unique material captures the infatuated listeners as his frequency hits almost every car in town.

If the music isn’t enough to paint the picture of the sixties, the cars and fashion are! I adore the cruising culture in this film. Unlike today’s cars of bland silver Toyotas with a monotonous tone, this film has the gorgeous cars of the 50s and 60s – all bright colours with personality.

In American Graffiti, it’s clear that everybody’s car is an extension of the driver’s personality, which seems a special trait of the sixties.

Based in one night – the final night of high school. Every kind of graduate is shown:

The cool guy John Milner (Paul Le Mat)
The nerd Terry Fields (Charles Martin Smith)
The scholar Curt Henderson (Richard Dreyfus)
The naive Carol (Mackenzie Phillips)
The Highschool Sweethearts Steve Bolander (Ron Howard) and Laurie Henderson (Cindy Williams).

Now, although it all seems like a typical stereotyped high school drama, believe me when I tell you that it isn’t. Perhaps it’s just the time

difference, but every character seems so real! Not stereotyped, but flawed, and all have their own problems and aspirations.

I can so relate to Curt – who wants to leave town and everyone in it, but I’m so drawn to Carol – the totally naive girl who can’t grow up fast enough.

The simplicity of the movie reflects the simplicity of the time. It is not boring; it’s relatable. As George Lucas said himself; “it’s filmed documentary style” which is why it’s a film that stands out.

I could drool over and talk about this film all day; I’m watching the behind the scenes doco for the third time right now!

Jodie’s rating: 9.5/10

Hurdy Gurdy Man – Donovan

I first heard this song on the trailer for The Conjuring – I. LOVED. IT. Works SO well with the horror genre.

It was recorded in the sixties and became a hippy-related song. George Harrison actually helped write the song, however, his verse was not included in the single that was released.

Awesome song. Psychedelic and creepy!

Jodie.

Walk the Line

Director: James Mangold
Writer: James Mangold and Gill Dennis
Released: November 2005
Featuring: Joaquin Phoenix and Reese Witherspoon
—

I thoroughly enjoyed this biopic about one of the best country rock n roll singers of the sixties, Johnny Cash.

Joaquin Phoenix did an incredible job of becoming Johnny Cash. His natural intensity was perfect for the really heavy and dark life of Johnny Cash. I didn’t know much about Johnny Cash until I impulsively bought this movie. I had a few of his songs and enjoyed them, but assumed that he was just a country singer for geriatrics.

walk-the-line-folsum — Performing in Folsom Prison

It turns out that Johnny Cash’s life and the people he rubbed shoulders with is incredible. The stories he has are inspiring. I am not sticking up for everything that Johnny Cash did, but I have to say that it was so unfortunate that he was married with children just before he reached his dream of being a musician. He let that old life go, hurting his family, and continue on following his dreams and the new life that come with it.

A lot of ups and downs which can become exhausting to watch, however, that just proves how convincing the film was; it really put you in Cash’s shoes.

Reese Witherspoon, having not enjoyed her performances for almost all of her movies, pleasantly surprised me in Walk The Line. She was very convincing as June Carter and I have a new found respect for her.

Joaquin and Reese both did their own vocals… I’m afraid that I enjoyed their vocal performances more that the original Johnny and June performances! I feel bad for saying that, but their sound is so upbeat and their voices are quite similar to Johnny and June’s. Very well done indeed!

I love the sixties – as I am sure you are aware – so seeing Elvis, Jerry Lee Lewis and a few of my other favourite rock n roll stars was awesome! The clothes, the atmosphere that was so convincingly authentic was beautiful.

Can you name all of the rock and roll stars?

A gorgeously filmed biopic with fantastic actors and characters.

Jodie’s rating: 7.5/10

Burlesque

Director: Steven Antin
Writers: Susannah Grant. Screenplay by Steven Antin and Diablo Cody
Released: November 2010
Starring: Christina Aguilera, Cher, Eric Dane, Cam Gigandet, Kristen Bell, Julianne Hough, Alan Cumming, Peter Gallagher, Stanley Tucci, Dianna Agron
—

So, Burlesque is pretty much a lighter, chick flick version of Moulin Rouge. It is an upbeat, modern story with back to back songs that make you want to get up and dance.

Christina Aguilera is a singer who I admire for her talent, yet if I am honest, I do not enjoy her music.

Amazing costumes, with themes ranging from the classic 1940s to the 1960s. She does an amazing job during the scenes where she is performing on stage. However, for the most part her acting is much to be desired. Her squeaky voice gets a little on nerves considering she has such a deep, powerful singing voice.

The same goes for Cher, her acting was average… But so was her auto-tuned voice. I’m not convinced that she should really be classed as “a legend”…

I swear Life After Love is the only successful song of hers that I can think of.

But Stanley Tucci is one of my favourite actors – he is great in this movie as usual!

Burlesque-tucci

I don’t love the songs enough to buy the soundtrack. But there are a couple that are pretty catchy! Unfortunately, Christina Aguilera’s voice is so distinct that sometimes her improvisation during the songs can become irritating. Hence why I have never bought an album of hers.

burlesqueCA

Following a typical chick-flick structure, the ending is no surprise. Over used morals of “do what you love”, “just do it” and “don’t give up” drowns this movie. But it is a film that is not supposed to be much more than enjoyable.

Looking for a pick me up? I think this high-energy, fun film will do the trick!

(Moulin Rouge + Glee = Burlesque)
Jodie’s rating: 6/10

Cemetery Junction

Directors: Ricky Gervais and Stephen Merchant
Writers: Ricky Gervais and Stephen Merchant
Released: April 2010
Starring: Emily Watson, Ricky Gervais, Ralph Fienes, Christian Cooke, Tom Hughes
—

Based in the early seventies, this film follows the lives of three boys in their early twenties whose lives consist of “boozing”, partying and “getting birds”. However, after one of the boys, Freddie (Christian Cooke), meets an old friend, Julie (Felicity Jones) who is bursting to leave town and travel the world, he decides that he wants more in life too.

They both realise that they are both being held back by conservative parents and living in the regimented town of Cemetery Junction. The film follows these two characters as well as their friends and families, as they come to terms with climbing out of the armpit of a town, despite Julie being engaged and their ideas beyond the town are frowned upon.

This movie is fantastically well made! Bright colours from the swinging sixties that reminds me of The Boat That Rocked and Made In Dagenham. Fantastic songs from the sixties and seventies too, including Bowie, Slade and Elton John. I bet the soundtrack would be worth getting.

The characters are (according to my parents) quite accurate of the time. The older generation racist and with plans of keeping in the same job and staying in the same town, but with a growing proportion of the younger generation wanting more than being in a 9 to 5 job, marrying and having children, but wanting to explore and move away.

It is a refreshing plot line that is beyond an aesthetically perfect rom-com, but an inspiring story of escape in search of adventure. The feeling of being trapped experienced by some of the characters who are trying to break free are well communicated in the film. It’s a very human story of breaking the mould and being independent.

Cemetery Junction is convincing and very well made, apart from the frequently questionable language. It is extremely funny, exciting and makes you long for that era with the fashion and majestic clubs with live music booming. The characters are relatable and realistic who encourage the feeling of moving away from all that is familiar just for the sake of the journey.

A fun easy-to-watch, yet deep movie of lovable characters living in an increasingly exciting time.

Jodie’s rating: 8.5/10

The Boat that Rocked

Director: Richard Curtis
Writers: Tim Bevan, Eric Fellner, Hilary Bevan Jones
Released: 2009
Starring: Philip Seymour Hoffman, Bill Nighy, Rhys Ifans, Nick Frost, Kenneth Branagh, Emma Thompson
—

If you love groovylicious music and cool fashion from the 1960s, then you are going to LOVE this film!

It’s a film about the pirate radio stars during the sixties who played rockin’ music, whilst trying to keep the government off their backs who didn’t like the kind of influence the radio stations had.

It’s the kind of film where its characters are used to target the typical main-stream movie audience who are in their twenties, but it’s ‘historical’ enough to capture the reminiscing kids of the sixties, yet, unique enough to entice the indie teens, and overall AWESOMENESS to be absolutely: Way. Cool.

It’s an exciting film about each radio host’s personal triumphs as well as the overall capturing story of essentially giving the middle finger to society. The contrast between the conservative government workers versus the wild rock and roll supporters from the boats in the North Sea was drawn which was great to see two sides.

You can also see the same sort of contrast being drawn between the children and their parents. The children being the rebellious worshippers of the DJs who hide radios in their bedrooms, and the parents being the BBC listeners who frown upon the culture of pop and rock and roll music.

The humour was a bit hit-and-miss for me occasionally, but that’s probably because I have a dry sense of humour… As in, I find Napoleon Dynamite hilarious. The majority of the audience would enjoy it very much, I’m sure.

Fantastic music OBVIOUSLY, which compelled me to buy the double-disc album which was incredible! Think of your favourite artist from the sixties, and it’ll be on there… Except for The Beatles… That was a bit of a disappointment, actually…

A loud, crazy, colourful and hilarious depiction of the sixties’ uprising which was almost successful. I felt quite upset at the end when I saw the ship sink and I went into a deep daydream of how the Government should have let the ships be, how it could have been, how they should never have made laws against them and how spectacular the sixties was… and the WAY COOL music… The ending was a bit of a downer, but accurate nevertheless. (Reinforcing my ‘Golden Age Thinking’ as explained in Midnight in Paris)

The Boat That Rocked is an entertaining film where anybody could pick out a favourite bit, moment or character, making it a movie that’s easy to talk about. It is a perfectly orchestrated story with fewer stereotypes than I expected.

The wardrobe was absolutely stupendous (I wish there was a “The Boat That Rocked Shop”) and the cut-aways to the everyday listeners was probably one of my favourite bits, because it gave you a huge scope of the world they lived in – since it could have been very isolated to the life on the boat.

This isn’t just a film worth watching, this is a film worth buying and then replaying. You will finish watching the film and feel an urge to carry a stereo around with you, liberating the boring and monotonous people of the 2000s with epic sounds of the sixties.

You will feel the need to stick it to the man and be rebellious… But you’ll probably just put the film on repeat instead, and that’s cool too.

If American Graffiti represents America in the 60s, The Boat that Rocked represents the UK in the 60s.

Jodie’s rating: 8/10