Spotlight

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Director: Tom McCarthy
Writer: Tom McCarthy, Josh Singer
Starring: Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Stanley Tucci
Released: November 2015

Based on the Pulitzer Prize-winning Boston Globe investigation, Spotlight follows the journey of a group of investigative journalists unearthing the child abuse within the Catholic Church.

Despite the heavy and disturbing subject matter, it is such a moving film. Just watching the trailer gives me chills; it is so well made.

I think the writers did a remarkable job of giving a lot of detail about the case without slowing the pace of the movie down. It moves at a steady pace where you are deep enough into the emotion without it being too overbearing.

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The cast is brilliant, featuring one of my favourite actors Rachel McAdams who has been in journalistic-based films before (Morning Glory and State of Play). Stanley Tucci, Mark Ruffalo and Michael Keaton are absolutely brilliant too.

Sacha Pfeiffer (Rachel McAdams): I’m here because I care. We’re going to tell this story, we’re going to tell it right.

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The year-long investigation takes the team through many difficulties, including the realisation that this is not a Boston-bound issue but a global one. That the church pay lawyers off to settle the child abuse cases unofficially and out of the public eye. Their uphill struggle through a thick web of lies and secrets leads them to the victims who have all been emotionally scarred by the abuse.

Walter ‘Robby’ Robinson (Michael Keaton): We’ve got two stories here: a story about degenerate clergy, and a story about a bunch of lawyers turning child abuse into a cottage industry. Which story do you want us to write? Because we’re writing one of them.

This film is very moving and is a brilliant documentation on what really went on in the Catholic Churches. Every character is brilliant, the script is remarkable and the subject matter is important.

Mitchell Garabedian (Stanley Tucci): If it takes a village to raise a child, it takes a village to abuse one.

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I am so inspired by the characters – these are all based on real-life journalists who persisted at digging deeper and deeper into finding the truth. It puts the ‘click bait’ online media of today to shame. This is real journalism.

Michael Rezendes (Mark Ruffalo): They knew and they let it happen! It could have been you! It could have been me! It could have been any of us!

Spotlight is a meaningful, important and inspiring story and I’m so pleased they made a film about it because I never would have known this happened otherwise. That’s what I love about films; they educate and inform people using a medium of entertainment that is easily consumed. And the makers of Spotlight have certainly used film to portray this story impeccably well.

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Mike Rezendes: Mitch, are you telling me that the Catholic Church removed legal documents from that courthouse?
Mitchell Garabedian: Look, I’m not crazy, I’m not paranoid. I’m experienced. Check the docket. You’ll see. They control everything.

The script is brilliant – I keep finding more and more quotes I want to include in this review but I’ll end up with the entire script on here if I don’t stop now.

You must watch this.

Jodie’s rating: 8/10

Beauty and the Beast (2017)

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Director: Bill Condon
Writers: Linda Woolverton (Disney film), Jeanne-Marie Leprince de Beaumont (story)
Released: March 2017
Starring:  Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra McDonald, Gugu Mbatha-Raw, Ian McKellen, Emma Thompson

The 1991 Disney animation of Beauty and the Beast is a movie that I love dearly. So while I had major reservations about this remake – mostly because of Emma Watson – I was quietly optimistic about it. Perhaps today’s technology will enhance the magic…

But no. It doesn’t. This remake was appalling, and my reluctance to watch it was proven understandable.

The casting was totally wrong. Right off the bat Emma Watson – or should I say Hermione Granger – was a problem. While she fits the physicality of Belle, her same-old expression of open-mouthed, furrow-browed facials were tiring to say the least.

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I personally would have cast another semi-unknown actress like Lily James who played Cinderella in the 2015 remake, or Mia Wasikowska as Alice in the 2010 remake of Alice in Wonderland.

Not only was the protagonist the wrong choice, I also found that Emma Thompson had a really harsh voice, which didn’t fit the part of the warm motherly character, Mrs Potts. I think Julie Walters would have done it better.

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I love Stanly Tucci, but I’m not sure how he stumbled into this film either. However, Josh Gad as LeFou was perfect. (He played the snowman in Frozen.)

I don’t think the horse Philippe should have been a dapple grey. What’s wrong with keeping him bay?

Fun fact: Ryan Gosling turned down the role of the Beast for the lead role in La La Land. Emma Watson turned down what became Emma Stone’s role in La La Land for this film. (Thank the stars above for their decisions.)

The storyline strayed a little too far from the fairytale for my liking. It went into how Belle’s mother died and how it put a strain on her relationship with her father. It was an unnecessary deviation. Because of these added sequences, I found the rest of the film to be condensed and rushed. (In the 1991 film, I swear it takes longer for Belle to fall in love with the beast.)

I wonder if Emma Watson influenced the story? Because it has far stronger feminist themes through it now, where Belle is forever in control and smarter than the rest. Which made me dislike her. Especially because of the very poignant moments where Belle would make it exceptionally clear that she is a strong independent woman who don’t need no man… She may as well have turned to camera and say ‘#timesup’.

The songs are lengthened, which was also unnecessary and I honestly started daydreaming a bit.

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Beauty and the Beast was trying too hard. Trying too hard to make it better than the animation, and all the unusual actors that were cast seemed to be desperately trying to prove themselves too. Over-theatrical acting turned it into a stage play rather than a live-action movie.

No, no, no, no and no. I shan’t be your guest and I disagree entirely with the casting decisions and with messing-about with the story.

Jodie’s rating: 3/10

Sorry Roberta, thank you for lending me the DVD though :) x

 

The Devil Wears Prada

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DirectorDavid Frankel
WriterAline Brosh McKenna (screenplay), Lauren Weisberger (novel)
Released: June 2006
Starring:  Meryl Streep, Anne Hathaway, Emily Blunt, Stanley Tucci, Adrian Grenier, Simon Baker

This film is so underrated. It is funny, sensitive, sassy and stars Meryl Streep and Emily Blunt.

It’s about Andrea Sachs (Anne Hathaway) who is an aspiring journalist, but can only land a job as an assistant at a fashion magazine. While ‘millions of girls would die’ for this position, it’s a far cry from the journalism job she was after.

At the fashion magazine, Miranda (Meryl Streep) is a terrifying boss and manipulates people well. Andrea soon finds herself desperately trying to keep up with Miranda’s impossible standards, with no help from fellow assistant Emily (Emily Blunt), and her family life is soon neglected.

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Andrea: She’s vicious!

Ethics and morals come into play, with the question of whether it is possible to be successful without stabbing others in the back. How far would you be willing to go to achieve your dream?

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I adore the cast in this film. Emily Blunt is unrecognisable, and plays the woman you love to hate. Quick fact: Stanley Tucci, who plays a fantastically sassy and passive-aggressive employee named Nigel in the film, married Emily Blunt’s sister.

Emily: …I’m on this new diet. Well, I don’t eat anything and when I feel like I’m about to faint I eat a cube of cheese. I’m just one stomach flu away from my goal weight.

Meryl Streep is her usual perfect self, and does an amazing job of being so intimidating! How anyone else was considered to play the part of Miranda is beyond me. Apparently Jennifer Aniston, Cameron Diaz and Gwenyth Paltrow were considered among many others.

Miranda: By all means move at a glacial pace. You know how that thrills me.

However, I think I know why: Meryl Streep threatened to leave production for not being paid enough. Meryl eventually agreed to being paid double than the original offer. She also cost too much to fly to Paris for the Paris-based scenes, so her parts are shot in America.

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Miranda: Do you know why I hired you? I always hire the same girl – stylish, slender, of course. Worships the magazine. But so often, they turn out to be – I don’t know – disappointing and stupid. … I thought you would be different. I said to myself, go ahead. Take a chance. Hire the smart, fat girl…

Anne Hathaway… Well. I don’t actually like her very much, but she plays the part well, and is realistically the perfect choice. I applaud her for going from a size 6 down to a size 4 in real life, just like her character does in the film.

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Andy: She’s not happy unless everyone around her is panicked, nauseous or suicidal.

If you love the fashion industry, then you’ll love this film. Equally, if you are striving for your dream, want a bit of a giggle, or if you worship Meryl Streep, then you’ll love The Devil Wears Prada too.

It’s a fun film with a funny and clever script and a fantastic cast. Although, Meryl Streep and Emily Blunt carry the story entirely on their shoulders. Without them, it wouldn’t be the successful film it has become.

I think it would be an enjoyable film for everyone – fashionista or not.

Jodie’s rating: 6.5/10

Top 10: Actors Who Stopped Getting Typecast

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Ricky Gervais loves being typecast, he says that actors should do what they do best and not feel the pressure to play different parts.

However, this is clearly not the view of a lot of actors who seem to be trying to shake their ‘character’. Some have not been successful, such as Jack Black and Adam Sandler, who forever play the School of Rock and Happy Gilmore type characters.

Jennifer Aniston is still being typecast as her Friends character Rachel in various rom-coms, despite the attempts to ditch it such as in Cake or The Good Girl.

Will Ferrell ditched his ‘mean but dumb funnyman’ character in Stranger Than Fiction, Robin Williams played a very serious role in Good Will Hunting, and Owen Wilson almost detached from the funny guy persona in Midnight in Paris.

For other actors such as Daniel Radcliffe and Robert Pattinson, I don’t think their iconic roles as Harry Potter and Edward Cullen will ever be able to be shaken, sadly. That is despite their clear acting ability.

Meanwhile other actors have been successful in breaking free from their typecast, and are in all sorts of films now.

I think the top five female actors (are we allowed to say actresses anymore?) who narrowly escaped being typecast are:

typecast2.jpgRosamund Pike
I wrote about Pike’s change in public perception in my post What are you like, Rosamund Pike. Just when we thought she was forever going to play the smart, elegant and beautiful lady-like characters in films like Pride & Prejudice, Made in Dagenham and The World’s End, she goes and does something like Gone Girl! Which, I’m sure surprised us all. She’s certainly shown Hollywood what she’s capable of. Having said that, have we seen her in anything big since..? Eek.

typecast3.jpgEmma Stone
She was the rough and ready comedy support actress, and I think that’s where we thought she’d always stay. The Superbad, The House Bunny, Zombieland, Friends with Benefits kind of girl. But then The Help came along, showing her dramatic and compassionate side, then Spiderman, then La La Land, which turned her into an all-singing, all-dancing serious actress! Love her.

typecast4.jpgKate Winslet
Sense & Sensibility turned into Titanic, and Finding Neverland turned into The Holiday. Kate Winslet remains a brilliant dramatic actress who sometimes showed her comedic side (like in Extras). But if you look closer at her career, you’ll find some gems that shows a totally different side to Kate Winslet. Eternal Sunshine of the Spotless Mind being one, where she plays an eccentric woman. The Dressmaker being another, where she plays a flamboyant Australian. I guess she is still typecast in a way, but she has shown that she can do so much more.

typecast5.jpgReese Witherspoon
I wrote her off, because she’s always played ‘the blonde’. The Legally Blonde airhead, then Sweet Home Alabama and Little Nicky. But then Walk the Line happened, and suddenly Reese Witherspoon was a genuine and talented dramatic actress who could sing beautifully. THEN, there was Wild. And I was sold. I’ve heard she’s amazing in Devil’s Knot too.

typecast6.jpgJennifer Lawrence
At first, I thought she was going to forever remain as Katniss Everdeen from The Hunger Games, then I thought she’d be typecast as a sci-fi blue thing in X-Men (I haven’t watched the X-Men series). But each time she managed to escape the typecast hold! With movies like Silver Lining, American Hustle and Joy keeping her not only out of reach of typecasting, but also the highest paid female actor of 2015 and 2016.

 

The top five male actors who narrowly escaped being typecast are:

typecast7.jpgJim Carrey
He may have been typecast during the ’90s as the goofy, outlandish comedy actor of Ace Ventura, The Mask, Dumb and Dumber and The Cable Guy, but there was a sudden turn closer to the naughties. There was Liar, Liar (a personal favourite), and then The Truman Show, which showed a far more serious side. Man on the Moon showed yet another angle, then the biggest leap of all in Eternal Sunshine of the Spotless Mind. In this film, he was a nervous, serious introvert. (It’s joked that Jim Carrey and Kate Winslet swapped their typecast roles in this film.) He was made for the part. He returned to children’s films after that (Dr Seuss and A Christmas Carol), but is sadly slowly riding the curve back to being typecast in cheap and dirty comedy sequels.

typecast8.jpgBryan Cranston
This actor was forever Malcolm in the Middle‘s dad. But actually, I think he was born to be a dramatic actor in serious roles. It seems he was accidentally made famous in comedy roles instead! He could have easily stayed on that road of comedy, but he escaped. First came a small role in Little Miss Sunshine, then Drive, then Argo… But suddenly, there was a TV show that no one could stop talking about. Breaking Bad. And now we look at Bryan Cranston a little differently and with a little more respect than we did when he was Malcolm’s dad.

typecast9.jpegSteve Carell
In his early career, Carell was credited as a ‘Mailroom Guy without Glasses’ in a 1998 film called Tomorrow Night. He soon found himself climbing the ropes in the comedy genre. Bruce Almighty, Anchorman and 40-Year-Old Virgin were quick to follow. Then out of nowhere was Little Miss Sunshine, where Carell played a reasonably serious role of a suicidal, gay scholar. In between his typecasting, serious roles keep cropping up, like The Way Way Back, where he plays a really mean dick of a stepdad. Then Foxcatcher, which I really need to watch. These brilliantly serious roles in his career have acted as a red flag to Hollywood, telling them that he has the ability and the power to resist his comedic typecast.

typecast10.jpgJonah Hill
It all began in the massive Hollywood comedies – 40-Year-Old Virgin, Click, Knocked Up, Get Him to the Greek… Then he stepped up a notch and did 21 Jump Street and everyone was like ‘whaaaaaat, is that the same guy?’ because he lost a ton of weight. Not only had his look changed, but so did the kind of work he got. He began to get into more serious roles like The Wolf of Wall Street and Django Unchained in between sequels to successful comedies and animation films. Go Jonah!

typecast12.jpgBradley Cooper
Does this guy have the same agent as Jennifer Lawrence? Because he’s in a ton of the same films as her now. He began in comedy, the Wedding Crashers being a memorable feature, Yes Man and The Hangover of course. I thought rom/coms was where he’d stay, but somewhere along the way he got into a bit more action, like Limitless. Then that progressed to The Place Beyond the Pines, American Hustle and Joy. This has extended into superhero films! I personally don’t like the guy because he seems a bit pompous, but he sure can act in a variety of roles!

There are lots of all-rounders or ‘chameleon’ actors who could never be typecast! They show how talented they are in every genre and in every role. These include:
Ryan Gosling, George Clooney, Gary Oldman, Ralph Fiennes, Brad Pitt, Meryl Streep, Stanley Tucci, Leonardo DiCaprio… The list goes on!

Julie & Julia

Julie and Julia film posterDirector: Nora Ephron
Writer: Julie Powell, Julia Child and Alex Prud’homme. Screenplay by Nora Ephron
Released: August 2009
Starring: Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina, Linda Emond and Jane Lynch

I can NOT believe I haven’t reviewed this! I was so certain I had because this movie was the inspiration behind me starting this very blog!

Julie and Julia film - scene with Meryl StreepSo! Julie & Julia, it is a typical rom-com drama, with a twist! The twist being the gorgeous, wonderful, classic Meryl Streep.

It follows two story lines – both of them based on true stories:

One is about Julia Child (Meryl Streep), an American living in France during the 40s. (That means trilling accents and beautiful dresses). She is struggling to adapt to French culture, so we follow how her love of food provided a comfort, and her plans to write a cookbook.

The second story is of Julie Powell (Amy Adams) in the modern day, a government worker by day who starts a cooking blog as an outlet. She uses Child’s cookbook as a guide: 524 recipes in 365 days.

(But if you look hard enough, you’ll find edits of Julie & Julia online without Julie Powell’s storyline at all!)

The intertwining stories mirror each other. Despite being worlds apart, Julie and Julia have much in common. Their love of food, and their journeys to become ‘unlost’ is the main point. However, their strong, supportive husbands is the other. (Julia’s husband Paul is played by the wonderful Stanley Tucci. I love him.)

My favourite person is Meryl Streep’s character. I’d love to have her as a best friend. She is so forgiving, embracing, loud, positive and reminds me of Beatrix Potter’s Jemima Puddle-Duck.

And what a gorgeously charasmatic person Julia Child really was! Meryl Streep impersonated her perfectly!

Julia makes me titter to the point of chortling in this movie. The way she speaks is like she’s stretching and kneading her words on her tongue. Goodness! I’m a poet.

Julia’s sister: From the beginning, you just don’t fit in. Literally. So then you don’t!

Now, I am not a foodie. I don’t enjoy food. I don’t look forward to meals. I don’t like cooking… I eat toasted sandwiches. Julie and Julia - scene with Meryl Streep and Stanley TucciAnd microwavable things. So, the fact that this is a story about cooking is not attractive to me.

I hate how noisy this film is. Every smack of their lips, every slurp and slap. It makes me cringe. Nevertheless, after every viewing I become starving, and crave things my eight-year-strong vegetarian diet strongly forbids.

Paul: What is it that you really like to do?
Julia: Eat. It’s what I like to do!
Paul: I know, I know, I know. And you’re so good at it! Look at you!
Julia: I am good at it… I’m growing right in front of you!

But ultimately, I love this movie. I love the relationship of Julia and Paul Child, and Julie’s courage to not only begin a blog, but to stick with it.

I think it’s the lovable characters and inspirational passion that I love about this film.

Jodie’s rating: 7/10

The Hunger Games: Catching Fire

cf-1Director: Francis Lawrence
Writers: Simon Beaufoy, Michael Arndt and Suzanne Collins. Based on the novel by Suzanne Collins
Released: November 2013
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Phillip Seymour Hoffman, Jeffrey Wright, Stanley Tucci
and Donald Sutherland

What a total disappointment!

Catching-Fire-Katniss-and-PeetaThe first movie was INCREDIBLE! A breath of fresh air. A new and exciting concept – different to the usual slog. Themes of anti-corporation, anti-government and shining a light on the absurdity of focussing on reality television rather than the actual reality.

But the second movie barely mentioned these themes. And if they did, it was literally one line of dialogue which summed the whole idea up, causing an originally important theme to become meaningless and redundant. It is pretty much leaving the best parts for the third movie. Catching Fire is just a set-up for Mockingjay.

the-hunger-games-catching-fire-comic-con-trailer“Yes” I have read the book, which was incredible. The first movie covered the book well, the second didn’t. I know one shouldn’t compare the book to the movie because they are very different mediums. But quite frankly, the makers left out all of the good parts and focussed on the Twilight-esk star-crossed lovers storyline. Which I felt was a mere footnote in the novel.

However, if you haven’t read the book, I will expect you to find the movie slow-paced, underwhelming and lacking action. The movie spends WAY too much time outside of the arena trying to set up the situation of district rebellion, which isn’t done convincingly anyway.

hunger-games-catching-fire-trailer-1When you FINALLY make to the arena, it’s literally like you’re being shown one problem after another with no time to catch your breath or analyse character development. There is very few battle scenes too. Very disappointing.

The actors were well cast and the acting was very good. Particularly Jennifer Lawrence who is equally as convincing as she was in the first movie… Despite the inexhaustible crying.

In terms of shots and visuals, there is one kinopoisk.ruimpressive birds’ eye shot, and the fire on Katniss’ dress is more realistic. But I can’t say it was worth the hype I’ve heard recently.

I’m so upset. The movies are expected to make a lot of money, to ensure this, the deep themes and interesting ideas have been ditched for a cheap love story to cater for a wider audience. Which goes against the entire point of the actual Hunger Games story! Anti-corporation and anti-consumerism.

I reckon a small independent film company would have done a far better job; staying true to the ideas of the story, rather than aiming for a cheap buck.

…the musical score were average. But perhaps the soundtrack will be different.

What a sell out. Going to go have a fat cry now.

Jodie’s rating: 5/10

Burlesque

burlesqueDirector: Steven Antin
Writers: Susannah Grant. Screenplay by Steven Antin and Diablo Cody
Released: November 2010
Starring: Christina Aguilera, Cher, Eric Dane, Cam Gigandet, Kristen Bell, Julianne Hough, Alan Cumming, Peter Gallagher, Stanley Tucci, Dianna Agron

So, Burlesque is pretty much a lighter, chick flick version of Moulin Rouge. It is an upbeat, modern story with back to back songs that make you want to get up and dance.

Christina Aguilera is a singer who I admire for her talent, yet if I am honest, I do not enjoy her music.

Amazing costumes, with themes ranging from the classic 1940s to the 1960s.She does an amazing job during the scenes where she is performing on stage. However, for the most part her acting is much to be desired. Her squeaky voice gets a little on nerves considering she has such a deep, powerful singing voice.

The same goes for Cher, her acting was average… But so was her auto-tuned voice. I’m not convinced that she should really be classed as “a legend”…

I swear Life After Love is the only successful song of hers that I can think of.

But Stanley Tucci is one of my favourite actors – he is great in this movie as usual!

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I don’t love the songs enough to buy the soundtrack. But there are a couple that are pretty catchy! Unfortunately, Christina Aguilera’s voice is so distinct that sometimes her improvisation during the songs can become irritating. Hence why I have never bought an album of hers.

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Following a typical chick-flick structure, the ending is no surprise. Over used morals of “do what you love”, “just do it” and “don’t give up” drowns this movie. But it is a film that is not supposed to be much more than enjoyable.

Looking for a pick me up? I think this high-energy, fun film will do the trick!

(Moulin Rouge + Glee = Burlesque)
Jodie’s rating: 6/10

The Hunger Games

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Director: Gary Ross
Writer: Suzanne Collins (novel)
Released: March 2012
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Stanley Tucci, Donald Sutherland, Willow Shields

Imagine the over-powering control as seen in The Truman Show, the effect on the audiences’ instincts as felt in the 2010 film 127 Hours, but with the overwhelming popularity of Twilight.

Wow, chills went down my spine!

Although I haven’t read the novels, I found I got totally immersed in the storyline of the first of the series about a world of twisted priorities with little respect for life, with a brewing love story beneath the conflict.

It’s an exciting plot about Katniss Everdeen (Jennifer Lawrence) who volunteers in place of her younger sister to be the tribute in a murderous game that is televised for public entertainment. A blood-thirsty game of physical strength and instinctive survival skills, out of 24 tributes, the final survivor will win.

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The game is played in a controlled arena where the makers play God with the harsh environment – similar to that in The Truman Show.

I love the idea of the cruel business-like approach of life and death. In order to have the best chance of surviving, the tributes have to make themselves liked by the audience watching the game from home, which encourages sponsors to support the players in their plight for survival.

Gary Ross used a lot of point-of-view shots and shaky camera work which occasionally separated me from what was actually going on, but certainly added to the intensity of  the importance of Katniss’ survival.

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I assumed Katniss was 18 years-old, but it turns out she is supposed to be 16 which I don’t think was very convincing. However, Katniss was a strong protagonist who split from the group from the get go. She escaped the “blood bath” at the starting line and we follow her survival from there.

Jennifer Lawrence is a very talented actress who kept the character believable yet admirable and relatable. She kept Katniss neutral enough to be adored by everyone, but personable enough not to let the character become emotionless.

I was hoping the film would be a bit more realistic in regards to the fighting as it appeared a tad tame. However, I suppose the rating needed to stay low for the novel’s younger readership to be able to watch it.

With a mixture of old and future technologies it reminded me of Harry Potter (lack of guns and ammunition, yet futuristic medical potions, computers and genetically modified animals). But I think this made the land even more mystical and unknown.

This may well become the new “in” film series, except with a much wider audience who will be inspired by the strong characters rather than the submissive love-struck protagonists of Twilight.

The Hunger Games is much deeper than just another romantic fantasy story.

“May the odds be ever in your favour”

Jodie’s rating: 8/10
Check out the sequel: The Hunger Games: Catching Fire review

April 2013: Since reading the books, I can see that the adaptation was pretty decent! Of course novels and movies are different mediums so there are obviously some amazing scenes that were left out. But the way I see it, the novel is the behind the scenes of the movie, with cool details and extras to discover.

The trailer is average compared to the emotion you get from watching the whole film.