
Directed: Joe Wright
Written: Anothony McCarten
Released: January 2018
Starring: Gary Oldman Kristin Scott Thomas Lily James Stephen Dillane Ronald Pickup Ben Mendelsohn
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If you thought Dunkirk and The King’s Speech were epics, wait until you see Darkest Hour. It’s another perspective of the remarkable rescue of British soldiers from the shores of Dunkirk, this time the story is told from inside British parliament.
With the Germans closing in, the battle appears to be lost. But Britain’s new prime minister Winston Churchill is not ready to give up. While his cabinet threatens resignation unless he agrees to peace talks with Hitler, Churchill becomes desperate to find a way to save the men on the front lines, and prevent invasion.
With merely hours to go until the Germans get through Dunkirk, Churchill has the weight of the nation on his shoulders as he figures out a way stop them on his own. But time is ticking!
Winston Churchill is played by Gary Oldman, whom I had seen in a lot of films without even realising it (Harry Potter, Batman, A Christmas Carol…). What a guy. The prosthetics are flawless, and his impersonation of how we’ve come to know Churchill was brilliant. You would think they had brought him back from the dead for the film!

Churchill’s speeches and his word-wizardry is legendary, and this film certainly takes advantage of this. It is dialogue-heavy, but I think that’s where the magic is, so make sure you hold your attention. There are some hard-hitting one-liners in this movie, powered by the shear emotion and strength.
Will you stop interrupting me while I am interrupting you! – Churchill
It is almost unbelievable how Winston Churchill saved not only the UK, but Europe from Hitler’s reign. He did it without the support of his cabinet, although, the British public were behind him as shown in a fantastic scene depicting Churchill’s first ride on the underground.
He speaks frankly with the public in his carriage; not speaking down to them and not sugar-coating anything. I got chills from the unity of the people, as they all proclaimed that they would stand up to Hitler and not reason with him in peace talks. As Churchill said:
You can not reason with a Tiger when your head is in its mouth! – Churchill
I don’t know how it must have felt having such a decision to make, but this movie certainly projected the stress and weight of the situation well.

A brilliant film with fantastic cast members, lighting and suspense. Akin to a courtroom drama, I suppose, but ultimately a fantastic alternative to watching a documentary on the events.
Definitely worth a watch, but I think the second watch would be better because there’s so much information to absorb.
Jodie’s rating: 8.5/10

The King’s Speech is the account of King George VI, who is forced to overcome his debilitating speech impediment to reach his full potential as a strong ruler which he becomes by default due to his Father’s death, King George V (Sir Michael John Gambon) and the resignation of his brother, King Edward VIII (Guy Pearce). Despite the premise of this film sounding as if it may become a repetitive and stationary story of pure frustration and despair, The King’s Speech was actually an incredible journey of expectation, victory and unity.
After countless ‘royalty approved’ doctors, they were about to give up when Queen Elizabeth (Helena Bonham Carter) found Lionel Logue (Geoffrey Rush). This begins the strong friendship created between the King and his unlikely acquaintance as well as the trust that has to be built between patient and doctor. The humourous, innovative methods and remarkable outcomes of the pair are inspirational and uplifting.
The cast for this movie was not short of perfect. Colin Firth is the protagonist who became the stuttering King George VI convincingly. He shows that he is a versatile actor who is capable of mastering any genre – from Bridget Jones’ Diary to The King’s Speech.
Tom Hooper shows himself to be quite a genius director. The composition of each shot supports the feelings of the King. With the claustrophobic feel of the environment when he is unable to communicate what he needs to say as well as the unsupportive feel of large and empty rooms. Warm and quality lighting creates the atmosphere of being in the presence of Royalty, contrasting the cold, dim, dark glow of the London streets.
This is wonderfully layered film which allows viewers to look into it as deep as they like. Therefore, the second and third viewing is as enjoyable as the first. The King’s Speech is a fantastically made film with every shot perfectly composed and every scene well constructed – this really is a motion picture suitable for anybody old enough to appreciate it.