I have referenced this unofficial genre in many film reviews of late, so I thought I should dedicate a post to it. Especially since it doesn’t have a Wikipedia page.
Because I made it up.
I did a check list for the genre in Wild. So I’ll copy and past it here, and elaborate.
THE RUNAWAY GENRE GROUND RULES:
One or two characters who have suffered trauma
Inner-conflict (usually expressed via flashbacks)
At least one emotional breakdown
Typically involves a marriage break-up or violence
Expression of every emotion
Writing down of feelings/diary-keeping
Genre that is mostly likely to conclude with tragedy (according to unofficial polling)
Now, I love this genre. Sure, I’ve made up the title and the rules, but they are typically wondrous, fantastical, deep, meaningful, adventurous insights into a character.
I love psychology, and these movies tend to play on why we make the decisions we do, and why we interact in the way we do.
Keep an eye out for films of this genre. They’re quite easy to pick.
Director: Sean Penn
Writer: Sean Penn based on Into the Wild by Jon Krakauer
Starring: Emile Hirsch, Marcia Gay Harden, William Hurt, Jena Malone, Catherine Keener, Brian Dierker, Vince Vaughn, Zach Galifianakis, Kristen Stewart, Hal Holbrook
Released: September 2007
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WARNING: THIS FILM MAY GIVE A GIANT REALITY CHECK TO MANY ASPIRING TRAVELLERS. YOU MAY END UP CANCELLING YOUR ADVENTURE PLANS AND BECOME CONTENT WITH A SECURE, SAFE 9-5 JOB.
This took me soooo long to sit down, and watch successfully from beginning to end. I attempted watching it twice, about two years ago. But I found it slow-paced and uneventful.
Oh boy was I wrong.
Based on a true story, Into the Wild is about a privileged young man, Christopher McCandless (Emile Hirsch), who graduates from university. He has the world in his hands, from the outside he has a top-class education, and wealthy, supportive parents.
But his deepest desire is to distance himself from the material world of money and ‘things’. So he sets off on a journey in search of adventures in the Alaskan wilderness.
I’m gonna be all the way out there, all the way f*cking out there. Just on my own. You know, no f*cking watch, no map, no axe, no nothing. No nothing. Just be out there. Just be out there in it. You know, big mountains, rivers, sky, game. Just be out there in it, you know? In the wild.
A few months ago I took the time to watch it properly. I watched it just before my graduation from university, which was probably why I loved it so much; the story seemed to parallel my life at that point.
I think everyone’s had that desire to break away from the life they know and rough it out in East Jesus nowhere. And, just like every other ‘runaway’ film, Into the Wild lives out your secret fantasy.
Society, man! You know, society! Cause, you know what I don’t understand? I don’t understand why people, why every f*cking person is so bad to each other so f*cking often.
It’s certainly a sad story, and it bursts your idealistic bubble of living in the wilderness. As it turns out, being in the wild is a brutal place to be. Especially all alone.
But, in Christopher’s eyes, he did exactly what he wanted to do. He created his own challenges and hurdles, his own dreams and goals. I feel he was in complete control of his life for once. And despite the tragedies along the way, at least you can say he truly led a free life.
Check out Christopher’s real-life story, there’s a few interesting facts you’ll find out about him… But it’s probably best to read the true story after watching the film. Otherwise you’ll kill the magic in the film.
With this gorgeous song leaving you at the end of the film, I found myself to feel extremely humbled. Christopher’s story was an incredible one to say the least, but as I said, it will smash your travelling dreams with one heavy swing of reality.
This is a ‘quieter’ film to Wild, which is why the rating is a smidgen lower. I think the lack of dialogue and music works for this film, but I ultimately prefer Wild‘s soundtrack and use of dialogue more.
Jodie’s rating: 7.5/10
Please watch the trailer – the score and the editing just punches you in the face with awesomeness.
Director: Jean-Marc Vallee Writer: Nick Hornby (screenplay), Cheryl Strayed (novel) Released: December 2014 (USA), January 2015 (NZ) Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Michiel Huisman and Gaby Hoffman
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Based on a true story, Cheryl Strayed (Reese Witherspoon) battles the ghosts of her past: heroin addiction, divorce, the death of her mother and the abandonment of her father. As a way to start fresh, she goes on a 1000-mile journey along the Pacific Crest Trail.
To be frank, the flashbacks made me feel really uncomfortable. But… I guess the world of heroin addicts shouldn’t exactly be attractive.
A classic ‘runaway movie‘, although I’m not entirely sure if this is actually a sub-genre. Nevertheless, Wild fits into this category along with Into the Wild,Thelma and Louise.
In fact, if you enjoyed Into the Wild (also a biographic), then you’re likely to enjoy Wild. It’s basically the same story but from the perspective of a woman, with different life problems.
I honestly had little doubt in Reese Witherspoon. I knew she would play this complicated character well. I’ve really enjoyed her more serious roles ever since Walk the Line.
When I walked out of the cinema, I needed time to process. I really felt moved by this film, not only because I love the ‘runaway genre’, but because the film makers portrayed Strayed’s emotions so convincingly that I started to take her problems on board.
I’d like to point out that the screenplay was written by Nick Hornby, who wrote About A Boy. Whatta guy!
Wow, almost forgot to mention the soundtrack! The songs include a perfectly fitting Portishead song (Glory Box) that plays during flash-backs to Strayed’s lowest of times as an addict.
Other amazing artists on the soundtrack include Simon & Garfunkel, an R.E.M cover by First Aid Kit, Wings, Leonard Cohen, Bruce Springsteen… It goes on.
I think the best movies make you laugh, cry and leave you with something to ponder. Wild certainly does. Some parts are hard to watch (not quite on par with the dreaded Requiem for a Dream though), but for the most part, I enjoyed it.
I recently reviewed Thelma and Louise, which is my favourite movie of all time.
Out of the two main characters, I connected with Louise more because I admire her more than Thelma (who is ditsy, and reminds me too much of myself!).
“Suspect: Louise Elizabeth Sawyer. Red hair, brown eyes, five-foot, seven inches tall, on hundred and twenty pounds…”
Louise is so sassy. In the bar scene at the beginning of their road trip, I love how she doesn’t even give Harlan (a guy at the bar who is hitting on them) the time of day.
At that point, Harlan seemed like just a confident gentleman who approached the pair. But she saw right through him.
Harlan: Hey! Now what are a couple of Kewpie dolls like you doin’ in a place like this?
Louise: Mindin’ our own business. Why don’t you try it.
Despite her straight-up-and-down character, she has a generous side. Like when she left the waitress “a huge tip” at a bar. Sawyer is a waitress by day, so I think she completely understood how far a bigger tip would go.
She drives a green/blue T-Bird convertible, wears well-fitted jackets and western-style boots.
Susan Sarandon does a spectacular job portraying her as a motherly, yet, fiercely independent woman. Louise seems like somebody who you could rely on.
Jodie.
There’s not a lot out there, so this trailer will have to do. However, this is the original 90s trailer which portrays the movie as a straight-laced comedy, which isn’t accurate at all.