Contagion

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Director: Steven Soderbergh
Writer: Scott Z. Burns
Released: September 2011
Starring: Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, Gwyneth Paltrow, Jennifer Ehle, Elliot Gould and Kate Winslet

I’m 100% sure I have reviewed Contagion before… But I can’t find it anywhere so I must have only thought about writing about it. Anyway.

Contagion is almost like an apocalyptic film that explores what may happen in the event of a major epidemic that threatens to wipe out much of the population, similar to that of the Spanish flu that killed about 1% of the word’s population at the time (50-100 million people during 1918).

It plays on our fears of being vulnerable and desperate to protect ourselves and our family.

It follows the lives of multiple people such as an ordinary citizen (Matt Damon) whose [cheating] wife (Gweneth Paltrow) is affected by the epidemic (funny how the first person to die is someone who is guilty of having an affair), a doctor (Marion Cotillard) who attempts to trace the origin of the flu, and another doctor (Kate Winslet) who investigates the nature/behaviour of the virus. In the background is Jennifer Ehle’s character who is working hard to find the vaccine to this unknown flu strain.

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Meanwhile, we see the ‘faces’ of the epidemic: Laurence Fishburne’s character’s professional opinion is sought after by the Centre of Disease Control, and he is asked to do interviews on the news.

“No one can know until everyone knows”

In the other corner is Jude Law’s character who is a popular conspiracy theorist who attempts to prove that the disease is a bio terrorism weapon used by the government to financially profit from the vaccines. He believes he has found a homeopathic cure for the fatal disease.

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It’s so interesting – every opinion is represented by a character, including the medical industry, government and citizens. The conspiracy theorist – although shown in a negative light with little integrity or authenticity (even given a gammy tooth for good measure) – raises a lot of good questions that should be asked. Challenging authority in such situations isn’t necessarily dangerous, but spreading propaganda may well be.

A thrilling ride with lots of interesting ‘what if’ scenarios.

My only criticism is the music. It’s such bizarre music. It’s sort of indie-sci-fi and reminds me of the Blade Runner soundtrack. The noises certainly put you on edge, but I’m not sure it always works with the more emotional scenes.

Jodie’s rating: 7/10

Glass

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2019
Starring: James McAvoy, Bruce Willis, Anya Taylor-Joy, Sarah Paulson and Samuel L. Jackson

Okay. So. In order to enjoy this movie to the max, I strongly recommend you view the two prequels before heading to the cinema.

The very first movie in this trilogy (look at me assuming there’s only going to be three…) is UnbreakableThis came out 2000 and actually has a stronger connection to Glass than Split.

The second movie was Split, and this is important to understand the backstory of the ‘villain’ (James McAvoy) and the ‘brain box’ (Samuel L. Jackson).

I’m so excited about this film, I don’t know where to begin!

Okay, so if you loved seeing all the characters that James McAvoy played in the previous film, then you will feel like you’ve died and gone to heaven in this film. You will learn more about each of his personalities and understand Patricia a little more. But you must watch Split before seeing Glass if you want to understand and appreciate the relationship between the different personalities.

I know that everyone knows, but James McAvoy is just a remarkable actor! He portrays each personality so accurately that you swear you were looking at a different actor. Absolutely obsessed with this character! So amazing to watch. You’ll giggle with nervousness, and chuckle at the absurdity, but ultimately he’s the scariest villain I’ve come across.

Where Unbreakable was about the ‘reluctant hero’ (Bruce Willis), Glass is about the baddies. A psychiatrist (Sarah Paulson) has captured all three characters (Kevin Crumb/The Horde, Elijah Price/Mr. Glass and David Dunn/The Overseer) and locked them in a secure unit. They are unable to escape as each of their weaknesses guards their cell. What kryptonite is to Superman: water is to Dunn, flashes of light is to Crumb and a room void of mental stimulation is to Price.

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How will they escape? Who’s really in charge?

There are tonnes of references to comic book tropes and character stereotypes, which I loved! Also, because much of the film is shot via security cameras within the secure unit, you feel like it’s a movie within a movie. Especially because Elijah Price almost narrates the film in third person, referring to each main character as the ‘villain’ and the ‘reluctant hero’.

“That sounds like the bad guys teaming up.” – Mr. Glass

A couple of presenters on either Coast or Radio Hauraki (I can’t remember which) only gave Glass 2/5. But one of the presenters hadn’t watched Split, and the other presenter hadn’t watched Unbreakable. So I think this was likely the reason for their low rating. They probably found it boring because they would have missed the interesting details and references.

You must watch this film if you love movies in general, comics or M. Night Shyamalan.

Jodie’s rating: 7/10

 

 

Forget My Name – J.S. Monroe

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Writer: J.S. Monroe
Genre: Mystery/crime
Released: 2018
Blurb: How do you know who to trust when you don’t even know who you are?
You are outside your front door. There are strangers in your house. Then you realise. You can’t remember your name. She arrived at the train station after a difficult week at work. Her bag had been stolen, and with it, her identity. Her whole life was in there – passport, wallet, house key. When she tried to report the theft, she couldn’t remember her own name. All she knew was her own address. Now she’s outside Tony and Laura’s front door. She says she lives in their home. They say they have never met her before.
One of them is lying.


This was one of those books that I just took a punt on: I plucked it off the shelf and bought it without any research at all.

I read the synopsis and was captivated enough to read the first page of it in the shop. Then the second. Then the third… So I bought it. (As Tim Weaver mentioned in an interview once, it’s important to find an author who writes how you like to read, and this author certainly does!)

What a find!

It’s another one to add to the Girl on the Train/The Couple Next Door/Gone Girl band wagon to be honest. It’s a psychological thriller with a twist (or two)!

Forget My Name is about a woman who has has forgotten who she is. All she remembers is how to get home from the airport she’s found herself at. But when she arrives at the house that she recognises, she finds two people living there who say that they’ve lived there for several years. They kindly take her in until she can recall more of her life and figure out what has happened.

It certainly gets the cogs turning as it’s a very mysterious story indeed!

Sadly though, there are a few times where my suspense of disbelief was tested with the intriguing twists becoming unexpected u-turns. The story didn’t continue in the direction I’d hoped for as there were a few left-field story arcs.

Nevertheless, it was a page-turner and was good enough for me to recommend to others.

I particularly love the way it was written with the perspective of the different characters alternating between chapters.

It’ll keep you guessing from start to finish, but you’re not going to figure it out!

Jodie’s rating: 6/10

Bird Box

A review of Bird Box.

Director: Susanne Bier
Writer: Eric Heisserer (screenplay). Based on book by Josh Malerman
Released: December 2018
Starring: Sandra Bullock, Trevante Rhodes, John Malkovich, Vivien Lyra Blair, Julian Edwards, Danielle Macdonald, Lil Rel Howery, Jacki Weaver, Rosa Salazar, BD Wong, Tom Hollander, Sarah Paulson and Colson Baker

Firstly, if you’ve seen A Quiet Place, then you’ve seen Bird Box. It’s quite comical how similar they both are.

Nevertheless, that is not an excuse not to watch Bird Box – especially if you enjoy an apocalyptic film.

It’s about a mysterious force that if seen, will cause people to kill themselves or harm others. This results in mass suicides, turning the world into a survival of the fittest. No one can go outside without being blindfolded for fear of seeing the nearly invisible killer.

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The movie follows a pretty predictable storyline, but that doesn’t stop it from being shocking and unnerving. Especially when the force tempts people to take down their blindfolds by echoing the voice of a loved one.

I’m actually surprised that the storyline didn’t cause mass outrage or offence, considering it’s about suicides. I thought there would be fears of copycat behaviour. From the point of view of mental illness, I also thought offence would be taken by the fact that clinically insane people can see the killer but not kill themselves. Instead, they turn into murderers.

At the very least, I thought offence would be caused by the main character Mallorie (Sandra Bullock) naming the two children she’s looking after Boy and Girl (which are very gender-specific names in this gender diverse world).

 

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However, I despair at what has got people talking: The Bird Box Challenges.

People are posting videos of themselves doing everyday activities – such as driving – blindfolded to see if they would survive in the apocalyptic world that was depicted. This reaction to the movie has resulted in warnings being posted by Netflix.

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Nevertheless, I thought the movie was well cast – I love Sandra Bullock anyway – but she did so well portraying a desperate mother. I think Reese Witherspoon would have done a good job too.

The storyline moved quickly with lots of twists and turns, which kept you on your feet.

So take your blindfold off – Bird Box is definitely worth watching!

Jodie’s rating: 7/10

War of the Worlds

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Director: Steven Spielberg
Writer: Josh Friedman, David Koepp (screenplay), H.G. Wells (story)
Released: June 2005
Starring: Tom Cruise, Dakota Fanning, Justin Chatwin, Miranda Otto, Tim Robbins

Firstly, ‘yes’ I am a massive fan of War of the Worlds. I studied film at high school and university, where H.G. Wells’s original story The War of the Worlds and the 1953 film of the same name were frequently picked apart.

Also, one of my favourite childhood memories is going to see Jeff Wayne’s War of the Worlds musical in Auckland during 2007.

I had always been obsessed with Jeff Wayne’s 1970s musical interpretation of the story. I listened to his soundtrack on repeat before I went to bed most nights as a teenager, as did my father before me. It’s a masterpiece and it can not be improved upon.

Therefore, for the first time ever, I was disappointed to hear Morgan Freeman’s narration on Spielberg’s film version. In my mind, it was an insult to change Richard Burton’s spoken word on Jeff Wayne’s soundtrack.

Nevertheless, I definitely love this film interpretation despite it not reflecting the musical masterpiece that came before it.

It is a sci-fi horror about Ray (Tom Cruise) and his two children Rachel (Dakota Fanning) and Robbie (Justin Chatwin) trying to escape the alien invasion. The aliens are relentless and terrifying as they displace millions of people.

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There’s no where to run, there’s no where to hide and there’s no way to kill the aliens and their machines.

Horrifying!

Ray soon finds a safe haven with a man named Harlan who takes them in. But Harlan begins to lose his cool and Ray realises that with the pressure on, it’s survival of the fittest – the aliens are no longer the only danger.

Steven Spielberg aced the art of suspense, but so has Tom Cruise and Dakota Fanning – they are both incredibly talented no matter what you think about them on a personal level. They’ve done well to capture the essence of our most primal fears and created a blockbuster film out of it.

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Although, Tom Cruise and Steven Spielberg do turn this global disaster into a very American hero, nuclear family sort of story. I think it would have been a little more raw and real if it was English-made. Or maybe I’m just being too patriotic.

To me, this film is a classic in many ways. I can see the essence of Signs in this retelling of War of the Worlds, and I have seen War of the Worlds echoing in many sci-fi invasion films since.

Jodie’s rating: 7/10

Signs

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: August 2002
Starring: Mel Gibson, Joaquin Phoenix, Rory Culkin, Abigail Breslin

What a shame.

I love The Sixth Sense. I love The Village. I love Split. Unbreakable was pretty cool. But how has Signs not kept up with the Shyamalan grade?

I love a good sci-fi thriller as much as the next person, but this had all the potential and none of the thrills.

It’s about Father Graham Hess (Mel Gibson – I guess Bruce Willis was sick that day) who has lost faith in God after his wife was killed by a driver, Ray (M. Night Shyamalan), who fell asleep at the wheel. If he had fallen asleep and veered off the road at literally any other point during his journey, then Graham’s wife would still be alive. This fact haunts both Graham and Ray.

Ray: I’ve never fallen asleep while driving before. It had to be at that right moment. That 10-15 seconds when I passed her walking. It’s like it was meant to be.

This theme of  fate and destiny plays a large part in this film.

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Graham: People break down into two groups. When they experience something lucky, group number one sees it as more than luck, more than coincidence. They see it as a sign, evidence, that there is someone up there, watching out for them. Group number two sees it as just pure luck. Just a happy turn of chance…

Meanwhile, what is supposed to be the main plot point takes a back seat thanks to all the internal conflict: Graham has bloody great big crop circles appearing on his land. Then, unidentified intruders begin to appear on his property.

His younger brother Merrill (Joaquin Phoenix) and Graham’s two children Bo (Abigail Breslin) and Morgan (Rory Culkin – Haley Joel Osment must not have been available) hide in the basement when the aliens begin to attack.

Now I see what helped inspire the Tom Cruise film War of the Worlds. Especially with the whole single dad and smart-ass children thing going on. Cruise’s character is even call Ray in War of the Worlds – just like Shyamalan’s character in this movie!

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Unfortunately, the Morgan character was such a little know-it-all that he’d basically tell the audience exactly what was going to happen, just before it happened. So by the time the aliens did invade, you already knew what they’d do and why anyway.

In addition to his over-shares, was that we are shown the aliens in broad daylight – big mistake. It’s far more scary when you don’t know what the monsters look like.

If that wasn’t enough, the lack of music did not work in the film’s favour at all. Isn’t that rule number one of filmmaking? It’s the music that sets the mood, but the lack of if in vital scenes during this film meant that there were many points where it fell flat instead of making you jump.

Bo: There’s a monster outside my room, can I have a glass of water?

Very flat. To the point where the story of alien invasion ground to a halt while Graham reflected on his faith and internalised emotional conflict.

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The story was trying to be more complex and more philosophical than it needs to be, with jarringly comedic dialogue to snap you out of any suspense that may have been growing. It drags the film to a crawl and you no longer feel afraid – which, I’m certain was the opposite effect they were going for.

Graham: Everybody in this family needs to just calm down and eat some fruit or something.

There were too many monologues and too many over-layered scenes for me to really get stuck in.

I’m so disappointed because I can see this story had so much potential, I just think it was executed in the wrong way. Which is doubly-disappointing because the genius M. Night Shyamalan is behind it all.

What happened?

Jodie’s rating: 3/10

The Sixth Sense

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: August 1999
Starring:  Bruce Willis, Toni Collette, Olivia Williams, Haley Joel Osment

The Sixth Sense is another Shyamalan creation that everyone must see. It’s about a psychiatrist called Malcolm (Bruce Willis) who tries to help a traumatised and anxious child named Cole (Haley Joel Osment).

Cole reminds Malcolm of a patient he failed to save back in the day, the patient killed himself and Malcolm became adamant that he will never fail another patient again. Therefore, he persists in helping Cole despite his reluctance, and eventually Cole confides in him: “I see dead people.”

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In conjunction with The Village and The Others, The Sixth Sense has a massive twist. While I’m sure many of you know the twist whether you’ve watched it or not, I’m hoping the younger generation are yet to experience the brilliance of this film. I wish I could watch it for the first time again!

Malcolm: Do you ever talk to your mom about how things are with Tommy?
Cole: I don’t tell her things.
Malcolm: Why not?
Cole: Because she doesn’t look at me like everybody else, and I don’t want her to. I don’t want her to know.
Malcolm: Know what?
Cole: That I’m a freak.

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I remember my dad said that when it first came out in the cinema someone said ‘I saw that twist a mile off, it was so obvious.’ But I’m quite certain that this pompous movie-goer was lying. The script is genius and makes for a brilliant watch.

Cole: Grandma says hi.
[His mother (Toni Collette) looks up sharply]
Cole: She says she’s sorry for taking the bumblebee pendant. She just likes it a lot.

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I think everyone in this film is an outstanding actor. But Toni Collette, who plays Cole’s mother, is absolutely incredible. I adore her so much – she’s so realistic. You can see the desperation in her eyes, trying to figure out what is wrong with her child. When she cries, I cry.

Lynn: Look at my face; I was not thinking anything bad about you.

The Sixth Sense is a particularly scary thriller, there are certainly several horror-heavy scenes that scared me when I was younger. However, I would encourage you to be brave and watch it anyway because it’s a touching and thought-provoking film. Definitely a must-watch!

As usual, Shyamalan has a guest appearance so keep an eye out for him!

Jodie’s rating: 7/10

I’d advise avoiding the below trailer. It’s an old-fashioned trailer, so it’s not that great and I think it over-shares the plot.

The Village

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: July 2004
Starring:  Joaquin Phoenix, Adrien Brody, Bryce Dallas Howard, William Hurt, Sigourney Weaver, Brendan Gleeson

The Village is my favourite M. Night Shyamalan film ever. I must have watched it at an impressionable time, because I still catch myself daydreaming about it.

It’s about a 19th century village surrounded by woods. It is said that there are dangerous creatures – The Ones We Do Not Speak Of – in the woods who will attack if anyone goes into their territory. The elders of the village are in charge of keeping the rest of the community safe, ensuring nobody wanders into the woods.

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However, when Lucius (Joaquin Phoenix) becomes ill, Ivy (Bryce Dallas Howard) volunteers to brave the woods in order to retrieve medicine from the towns beyond. Plot twist: Ivy is blind (that is definitely not the only plot twist).

Mrs. Clack: How could you have sent her. She is blind.
Ivy’s Father: She is more capable than most in this village. And she is led by love. The world moves for love. It kneels before it in awe.

Despite being a thriller, The Village is such an honest, romantic and innocent film that delves into the fundamental human connection between lovers Ivy and Lucius. It strips life right back and reveals what is important to people, and how far we would go to save the ones we love.

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The script writing is divine. I’d like to have my house covered in quotes from these characters. I think Shyamalan’s writing overshadows his talent for directing.

Ivy: Sometimes we don’t do things we want to do so that others won’t know we want to do them.

What makes this film spectacular is the music. It really sets it apart from other thrillers. Hilary Hahn is a fantastic violinist and without her solos The Village wouldn’t have that tender and hopeful feel to it. It’s so emotive that it gives me shivers just listening to it on its own:

I would recommend this film to everyone. You don’t have to like thrillers to appreciate the beauty of this movie because the storyline is so pure and touching.

The most beautiful scene is the one below. Ivy proves Lucius’s loyalty and love during a raid on the village by Those Who We Do Not Speak Of. She stands with an out-stretched arm on the porch, knowing Lucius will not let her fall to the monsters who are on the hunt through their village. He saves her, and the use of slow motion and the frantic violins brings tears to my eyes!

At first I didn’t think Bryce Dallas Howard was a convincing blind person. However, after multiple watches, I realised that she can see faint colour and shadows. Which makes more sense.

Ivy: I do long to do boy things. Like that game the boys play at the stump. They put their backs to the woods and see how long they can wait before getting scared. It’s so exciting. I understand you hold the record? It will never be broken they say.
Lucius: It’s just childish games.
It’s a must-watch. If you get bored through the first half, which I hear some people do, please do persist because it’s well worth it.
Jodie’s rating: 8/10

A Quiet Place

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Director: John Krasinski
Writer:  Bryan Woods, Scott Beck
Released: April 2018
Starring: Emily Blunt, John Krasinski

I was expecting a lot from this movie because I had heard and read incredible reviews.

Without reading up about what the film was about – as I correctly thought this may giveaway too much about this thriller – I went in with optimism and excitement. I was about to be thrilled by my favourite actress, Emily Blunt.

It’s about a family who is living in the year 2020 among blind alien beings who hunt using only sound. Therefore, everyone must be silent if they are to survive. This dystopian future was brilliantly thought-out as the way of life changes significantly, from not eating with noisy knives and forks, to walking barefooted on sand rather than stones.

A Quiet Place sets the story up quickly, explains the world and what is at stake within the first 15 minutes or so. Despite the silence of the beginning, your attention is held fast. The story grows in suspense quickly, accelerated by the fact that you don’t actually see the monsters in the flesh until a lot later. They only show extreme close-ups and flashes of them in the distance. Classic The Blair Witch Project technique, whereby your imagination makes it a lot scarier than it is.

I’m struggling to say much more without giving the game away because the trailer gives away next to nothing – and rightly so! Because the less you know about this movie, the better it is.

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What I loved about this film is that it is unlike anything I have ever seen before. If I had to choose a likeness, I’d probably say War of the Worlds is the closest because of the alien invasion story line with a family in the centre of it.

However, A Quite Place focused heavily on the unspoken – for obvious reasons. This meant that the emotional tension was very high because the rocky relationships between some of the family members was amplified by the silence.

It is a genius concept that was so well thought-through and executed.

The actors did particularly well with not over-acting, which would have been easy to do as they had very little dialogue to rely on, compounded by them using sign language in the film. They were essentially in a silent movie and would have had to go back to basics.

I was thinking who else could have played Emily Blunt’s role and I couldn’t think of anyone who could have done better. The character was strong, warm, modest, maternal and brave. So I understand why Blunt’s action and romance background would have been appealing.

Of course, the real reason she was chosen is because her husband in real life, John Krasinski (from US series The Office), played her character’s husband in the movie (he looks an awful lot like Shia LeBeouff with that beard). He also directed and co-wrote the film. Nevertheless, I don’t think there was anyone who could have played the role better.

Their children in the movie were brilliant. The daughter is deaf, and the actor who played her is deaf in real life. She didn’t look much like either of the parents in the movie, but I can see why they cast her anyway. She was faultless.

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While this movie is certainly a horror/thriller, its dramatic story line is extremely emotional indeed. I was sobbing all the way through it. There is so much at stake and this family love each other so much – they won’t let anything happen to each other. But in this dangerous environment not everything is within their control.

From a ponsy scholarly point-of-view this movie will be dissected and studied in film school for years to come. They used sound, or more appropriately the lack-of sound, really well. Particularly the shots from the point-of-view of their deaf daughter where the sound is muted completely.

However, from an average audience member’s point-of-view, this film is Blu-Ray-worthy and a brilliant watch… Until the final scene.

Up until the final scene, this movie was a strong 9/10. Only losing marks due to a couple of disagreements I personally had with the story line, and a couple of pointless scary moments that were included just to make you jump. While I expected that from cheap and dirty Hollywood horrors, I didn’t expect it from A Quiet Place. Having said that, it only happened once or twice.

So yes, the ending. The ending didn’t conclude as I expected, nor did it wrap up the family’s problems satisfactorily. This 90-minute film needed an extra 10 minutes to show what we all assume happened. (I’m struggling not to give too much away here.) Therefore, A Quiet Place is a strong 8/10.

I highly recommend watching it, even if you’re not a horror fan. Yes, it is certainly scary, but more than anything, it is full of hope and strength and an emotional family bond. You will cry more through admiration and sadness than you will from being terrified.

Jodie’s rating: 8/10

Dark Places

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Director: Gilles Paquet-Brenner
Writer: Gilles Paquet-Brenner (Based on Dark Places by Gillian Flynn)
Released: August 2015
StarringCharlize Theron, Nicholas Hoult and Chloë Grace Moretz

Why do I do this to myself? I read the book, then watch the movie. Of course I’m going to be disappointed.

As per the Gillian Flynn book of the same name, this is a story about a seven-year-old girl, Libby Day, who witnessed the massacre of her family. She testifies against her 15-year-old brother, who gets jail for life.

Libby is still emotionally scarred by the murders 25 years on, and is struggling with depression, to pay bills, to even get out of bed in the mornings. When one day, some random (Nicholas Hoult) gets in touch to explain there is growing belief that her brother is innocent.

With the motivation of getting a bit of desperately-needed cash by speaking to this man, she begins to question what happened that day. Did she really see her brother killing her family?

Basically, what was a layered and intriguing mystery in the book, becomes a simplified one-watch film. It’s really nothing special. It’s just a good-looking woman skulking about, and figuring out the mystery with very little effort.

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Beyond this basic storyline, is my annoyance at the casting of Libby Day. Libby is a big-breasted, short, red-haired woman with a temper. She is not a tall, athletic, beautiful pixie-haired woman… In other words, Charlize Theron should not have been the main character. But she produced it, so she cast herself despite the obvious physical differences. She don’t care. #richpeoplelife

It’s just so annoying! The integrity of the story is weakened by this obvious disregard for the main character. Then again, have you ever heard of an average-looking Hollywood actor getting a main part in a movie? I guess there’s a bigger force at play here.

I was able to watch Dark Places while simultaneously doing multiple other things and still felt like I experienced what little impact there was to experience.

Overall, it’s an easy-watch (even though it’s not supposed to be).

Jodie’s rating: 5/10

Sharp Objects – Gillian Flynn

Sharp Objects book by Gillian Flynn

Writer: Gillian Flynn
Genre: Mystery/crime
Released: 2006
Blurb: When two girls are abducted and killed in Missouri, journalist Camille Preaker is sent back to her home town to report on the crimes. Long-haunted by a childhood tragedy and estranged from her mother for years, Camille suddenly finds herself installed once again in her family’s mansion, reacquainting herself with her distant mother and the half-sister she barely knows – a precocious 13-year-old who holds a disquieting grip on the town. As Camille works to uncover the truth about these violent crimes. Dogged by her own demons, Camille will have to confront what happened to her years before if she wants to survive this homecoming.

Gillian Flynn’s first novel, Sharp Objects, is a medley of haunting and distressing themes, which frequently give-way to Flynn’s budding talent for telling crime stories.

Like many first-time authors, Flynn draws on a subject she knows about for her first novel; journalism. The main character, Camille, goes back to her creepy hometown to cover the story of preteen murders. Camille also has to confront her over-bearing mother and manic half-sister, all the while, battling with self-harm.

Not going to lie, for the most part, Sharp Objects is sadistically dark for no good reason. It’s more of a horror story about mentally-ill characters, rather than a cleverly-told mystery.

It’s clear Sharp Objects is Flynn’s debut novel, as her tone seems to be in development; it’s slower in pace and is a bit more padded out. It feels like Flynn is trying to be a bit too smart, which makes the crime seem more layered than it really is.

But, her quirky descriptions of characters are featured, which I love. Particularly regarding Camille’s step-father, Alan:

Now he sat, needly legs jutting out of white safari shorts, with a baby blue sweater draped over a crisp oxford. He sweated not at all. Alan is the opposite of moist.

Very rarely did Alan and I talk outside of my mother’s presence. As a child, I’d once bumped into him in the hallway, and he’d bent down stiffly, to eye level, and said, “Hello, I hope you’re well.” We’d been living in the same house for more than five years, and that’s all he could come up with. “Yes, thank you,” was all I could give in return.

It seems like this novel was a great starting point for Gillian Flynn to develop her style of writing, and a place to kickstart her career as an author. However, it certainly isn’t her best work, and not my favourite of hers.

It’s simply too sadistic for no good reason, whereas her novels later on down the line – Dark Places and Gone Girl – are both genius, mysterious thrillers that are brilliantly told. They’re more thought-provoking and complex.

Everyone has to start somewhere though! Flynn’s novels get better and better.

Keep an eye-out for the TV series that is to be released soon, based on Sharp Objects. The director of the series Big Little Lies is behind it!

Jodie’s rating: 5/10

Big Little Lies (TV series)

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DirectorJean-Marc Vallée (He directed Wild)
Writer: David E. Kelley (Based on novel by Liane Moriarty)
Released: February 2017
StarringReese Witherspoon, Nicole Kidman, Shailene Woodley, Alexander Skarsgård, Adam Scott, Zoë Kravitz, James Tupper, Jeffrey Nordling and Laura Dern

I was expecting ‘Desperate Housewives‘, chick-flick kind of show on steroids… But Big Little Lies was so much darker than that.

It begins with a murder. We don’t know who died, and we don’t know who did it.

Big Little Lies follows the backstory leading up to the murder, and all the secrets and shocking circumstances leads you to believe that everyone is a suspect, and everyone is a victim.

It’s sort of like reality tv series The Real Housewives but as a thriller. It’s shocking, scary, haunting and mysterious, featuring beautiful (and seemingly flawless) characters against the fashionable backdrop of Monterey, California.

It is all about the characters:

Reese Witherspoon is the stand-out performance for me; she’s fascinating to watch. Her character, Madeline, is also my favourite. Actually, her character reminds me of Tamra from The Real Housewives of Orange County – both in terms of looks and storyline. Overall, Madeline will make you laugh, and you’d want her to be your best friend.big little lies 2

Laura Dern takes a step away from her sweat-pant-wearing motherly roles, and into the role of a posh and wealthy, but pushy ‘bulldog’, CEO called Renata. She reminds me of Vicki in The Real Housewives of Orange County.
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Nicole Kidman’s role as Celeste is the scariest and most difficult storyline to watch. In fact, I wanted to turn the show off a couple of times because of the horrific scenes depicting her abusive husband. Nevertheless, she does well despite her American accent slipping a bit at times – as it always does. There’s an online debate regarding whether her hair is a wig or not… What do you reckon?
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To bring it all down to earth, Shailene Woodley plays the role of Jane. Jane is a little bit in awe of the glamorous people, and cherishes the kindness of Madeline while she makes a new start here in California. She isn’t as wealthy or as fancy, but does have one of the most anxiety-driven storylines.
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Then, there’s the husbands, who go to show not all the drama comes from the women!

My favourite thing about Big Little Lies, however, is the soundtrack. Oh my goodness. I could listen to the soundtrack on repeat! Brilliant.

Overall, this was a much darker thriller than I expected, but for the sake of watching Reese Witherspoon’s character again, I will certainly watch series two!

Jodie’s rating: 7/10

 

According to Nicole’s Instagram, series two is being filmed and Meryl Streep is in it! Aaaaaahh!

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Dark Places – Gillian Flynn

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Writer: Gillian Flynn
Genre: Mystery/crime
Released: 2009
Blurb: Libby Day was seven when her mother and two sisters were murdered in “The Satan Sacrifice” of Kinnakee, Kansas. She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. The unimaginable truth soon emerges, and Libby finds herself right back where she started—on the run from a killer.

After finishing Murder on the Orient Express on holiday, I moved on to Dark Places; a natural choice as I loved Gone Girl so much.

Dark Places is a story about a seven-year-old girl, Libby Day, who witnessed the massacre of her family. She testifies against her 15-year-old brother, who ends up in jail.

Libby is still deeply emotionally scarred by the murders 25 years on, and is struggling with depression, to pay bills, to even get out of bed in the mornings. When one day, she receives a phone call from a man explaining that there is a growing belief in the community that her brother is innocent.

With the motivation of getting a bit of desperately-needed cash by speaking to this man, she begins to question what happened that day. Did she really see her brother killing her family? Or was this man right, in that Libby was just a confused seven-year-old, guided by police and councillors to testify against her big brother?

She goes on a rocky, dark quest to discover the truth. Previously buried memories are remembered, and hidden clues are found.

This was certainly a very dark story. More horror than thriller in parts, particularly due to the satanic themes. So it’s not really a novel I would whole-heartedly recommend to everyone.

I certainly don’t think Dark Places should have a ‘if you liked Gone Girl, you’ll love this‘ kind of review. Because they’re both rather different.

However, it still has Gillian Flynn’s genius way of writing. You’re bouncing all over the place, between different characters’ points of view (which I LOVE), from before, during and after the murders, and not once are you lost or confused. How does she do it??

What I have learnt from Flynn’s writing is that she loves flawed characters. Same with Gone Girl; there’s no goodie and baddie, really. They’re all bad and all good in one way or another. Mostly bad. But still human enough to relate to them in some ways.

Prepare yourself for the bitter self-loathing you’ll endure because Gillian Flynn is such an amazing writer. So amazing that it seems totally unattainable to ever become half as good as her. It’s very annoying.

She has a talent of describing exactly what she means in such few words. From memory, a line that stood in my mind was when a character was trying to get another character’s attention in an intimidating way, and Flynn uses the word ‘needled’ to describe the sharp annoyance of the character’s persistence. Who would have thought to use that word? You get the whole picture in just one word! Genius.

I thought I couldn’t enjoy a book if I didn’t like the main character. Turns out, I can. I was hooked! It’s a classic ‘who dunnit’ mystery, laced with terror, gore and fear.

Overall, yes, you must read this. It’s fantastic. Gillian Flynn is a remarkably talented writer. But just prepare yourself for satanic sacrifices and horrific descriptions. It’s a bit full on.

Now that I’ve finished the book and started Googling about it, I realised there was a 2015 movie based on this book! Dark Places, the movie, features Charlize Theron (totally wrong casting right off the bat), which I will be watching this week. I’ll let you know if the poor reviews are accurate!

Jodie’s rating: 8/10

Unbreakable

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: November 2000
Starring: Bruce Willis, Samuel L. Jackson and Robin Wright Penn

Did anyone else not realise that Unbreakable is a prequel to Split?

As soon as we found out, we got our hands on the DVD since we loved Split so much.

You can tell it is an M. Night Shyamalan film immediately. The looooooong shots, the reflections in televisions and glass… The list goes on – it’s very Shyamalan-y.

Unbreakable is about David (Bruce Willis) who discovers he’s invincible. He’s essentially a superhero. So this is the story about him coming to terms with this, and discovering his arch enemy – something ever superhero must have.

Doctor: To answer your question, there are two reasons why I’m looking at you like this. One, because it seems in a few minutes you will officially be the only survivor of this train wreck, and two, because you didn’t break one bone. You don’t have a scratch on you.

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The film is an arduous journey. It’s a long, slow arch that takes you on an epic journey, very… very… very… slowly…

I thought, because of this, Unbreakable must have have been made well before The Sixth Sense, as Unbreakable felt a little less complex, and it looked a bit ‘basic’.

Elijah Price (Samuel L. Jackson): Do you know what the scariest thing is? To not know your place in this world, to not know why you’re here. That’s – that’s just an awful feeling.

The casting for The Sixth Sense and Unbreakable are very similar – I can only assume Hayley Joel Osment was not available, because Shyamalan found his doppelgänger, Spencer Treat Clark.

Just like every other Shyamalan film, he makes an appearance – keep an eye out for him!

If you’re a comic book fan, you’ll probably enjoy the nuances of the comic-inspired characters, and will be happy to endure the long pauses and dialogue-heavy scenes.

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Elijah Price: It’s alright to be afraid, David, because this part won’t be like a comic book. Real life doesn’t fit into little boxes that were drawn for it.

It was good, but not great. I like Bruce Willis, and I like Shyamalan films, but this wasn’t their best work. (The Village is still my favourite film by this director.)

Nevertheless, it’s an interesting backstory to Split. It fills the holes in a bit.

Keep an eye out for the third instalment: Glass.

Jodie’s rating: 5/10

Split

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Director: M. Night Shyamalan
Writer: M. Night Shyamalan
Released: January 2017
Starring: James McAvoy and Betty Buckley

Another brilliant film from M. Night Shyamalan. It’s the best kind of story – the kind that you’ll be thinking about for days.

For me, Split is a return to Shyamalan’s trademark of well-rounded characters and fantastic storylines. It’s a film that echoes the genius of The Village and The Sixth Sense.

Split is about a man called Kevin Wendell-Crumb (James McAvoy, whose talent will be gushed upon shortly) who has 23 personalities. He kidnaps three girls and keeps them hostage. All the while, one of the three girls cottons on to his multiple personalities, and tries to manipulate one of them – a nine-year-old boy – to help them escape. But, will they be able to escape before the mysterious 24th personality reveals itself?

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I can’t explain how remarkable McAvoy is in this film. I know McAvoy as Mr Tumnus from the Narnia films, we named our goat Mr Tumnus after his portrayal of this character because we loved him so much.

Every one of McAvoy’s personalities in this film is so believable, especially Patricia. Oh my goodness, she’s scary. The crazy thing is, you feel relieved when you realise McAvoy’s character is the nine-year-old, and petrified when he’s Patricia, even though he’s physically the same person. That’s how talented he is. He can morph himself into different people seemlessly.

I didn’t think much of the hostages’ acting. They were mostly appearing dumb-founded with a lot of silent, wide-eyed staring. But I was fascinated by the psychiatrist in the film, Dr Karen Fletcher (Betty Buckley). Buckley’s acting was phenomenal. I was hooked on every word she said; she was so articulate and fascinating. So actually, perhaps I should say kudos to the screen writing. Nevertheless, along with McAvoy, she was great.

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I was expecting a horror, but this is actually a thriller. More than that, it is a sequel to the thriller Unbreakable (featuring Bruce Willis), and a prequel to a thriller called Glass, which is set to be released next year! I’m on that like white on rice.

I thoroughly enjoyed this film. If you loved Shyamalan’s films from the early days, then you’ll love this too. Brilliant writing, fantastic casting, and horrifyingly complex characters and theories that will have you dwelling on the film for days.

Highly recommend seeing it.

Jodie’s rating: 8.5/10

 

Into the Water – Paula Hawkins

into the water book review

Writer: Paula Hawkins
Genre: Thriller
Released: 2017
Blurb: Just days before her sister plunged to her death, Jules ignored her call. Now Nel is dead. They say she jumped. And Jules must return to her sister’s house to care for her daughter, and to face the mystery of Nel’s death. But Jules is afraid. Of her long-buried memories, of the old Mill House, of this small town that is drowning in secrecy . . . And of knowing that Nel would never have jumped.

Firstly, I will save the suspense and answer your call; ‘no’, it’s not as good as Girl on the TrainNevertheless, it is a fantastic book in its own right. Keeping Paula Hawkins’s style of short chapters from different characters’ points of view, you’ll find your self on the final chapter without even realising it.

Into the Water is a compelling and moody ‘who done it’ tale about the most recent death at a particular spot in a river known as the ‘drowning pool’ within the town of Beckford. The drowning pool is where suspected witches were drowned years ago, but the haunting tales and myths of the area are oppressive and obsessed upon by many.

“Beckford is not a suicide spot. Beckford is a place to get rid of troublesome women.”

Beckford is where many residence are said to be descendants of witches, and the river is as much a character as anyone. It courses like veins through the town, connecting all the characters as it weaves itself through their lives.

“Some say the women left something of themselves in the water; some say it retains some of their power, for ever since then it has drawn to its shores the unlucky, the desperate, the unhappy, the lost. They come here to swim with their sisters.”

We follow the story of Jules mostly, whose dark childhood of growing up by the river is reflected upon. She has had to return to the town because her estranged sister, Nel, is dead. Nel was researching and writing about the drownings in the river until she became the most recent victim. Was she murdered? Did she commit suicide like all the women she wrote about? Or was it something even more mysterious?

“You were never the princess, you were never the passive beauty waiting for a prince, you were something else. You sided with darkness, with the wicked stepmother, the bad fairy, the witch.”

This was a page turner in the same fashion that Girl on the Train was, with the same gritty, dark and moody themes. But unfortunately, like a Scooby Doo cartoon, the fear surrounding the almost supernatural river that claims lives in a trance-like way is soon unmasked to show nothing more than a body of water surrounded by superstition.

Into The Water is less about witches and curses and unexplained deaths, and more about female victims becoming strong, and male villains getting their just deserts. Which, was disappointing for me.

“No one liked to think about the fact that the water in that river was infected with the blood and bile of persecuted women, unhappy women; they drank it every day.”

Nevertheless, there are a couple of twists in there, with one twist being the final line on the final page. (So don’t rush through the ending.)

If you enjoyed Girl on the Train, I still think Into the Water is worth a read. I praise Hawkins’s style of writing, which makes for addictive reading. It’s absolutely brilliant.

Jodie’s rating: 6/10

 

I Am Missing – Tim Weaver

Tim Weaver book I Am Missing

Writer: Tim Weaver
Genre: Crime thriller
Released: 2017
Blurb: When a young man wakes up bruised, beaten and with no memory of who he is or where he came from, the press immediately dub him ‘The Lost Man’. Ten months later, Richard Kite – if that is even his real name – remains as desperate as ever. Despite appeals and the efforts of the police, no one knows this man. Kite’s last hope may be private investigator David Raker – a seasoned locator of missing people. But Raker has more questions than answers.
Who is Richard Kite?
Why does no one know him?
And what links him to the body of a woman found beside a London railway line two years ago?

*I have tried my best not to include any spoilers in this review*

Within five days of reading it whenever I could steal an hour or two, I finished I Am Missing. I breathed a massive sigh of relief; I had been carrying a heavy burden over the last five days. I lived and breathed this story, and I felt as though I had experienced this mystery first-hand. Needless to say, I’m feeling emotionally exhausted now (in a good way).

As the story is written in first-person (rather effectively too), I felt like I was walking in the protagonist David Raker’s shoes. After Raker meets the man without any memory, ‘Richard Kite’, I felt like I had reached a dead-end along with Raker – despite only being five chapters in. It’s a missing person’s case where the missing person is standing right in front of him… Where on earth do you start to figure out who he is and where he’s come from?

“I started to wonder for the first time whether taking this case may have been a mistake.” -Investigator David Raker, chapter 5

Believe me, Raker, I was too. I was scratching my head thinking, ‘how the hell are we going to get to the bottom of where this Richard Kite fellow has come from?’. I felt genuinely anxious and concerned, my eyes drifted away from the book as I bit my lip worriedly, trying to think what to do…

Before reminding myself that I am, in fact, not a private investigator called David Raker, and I am merely sitting on a couch reading a fictional book.

Idiot.

This book does suck you right in, though. I had no awareness of my surroundings when I was reading I Am Missing. An hour became three, and at the end of every chapter phrases such as ‘no way’, ‘shut-up’, ‘holy Jesus Christ’, ‘get out of town’, ‘he did not just do that…’ were muttered as I sat in shock and suspense.

This book was particularly poignant for me because it is partly based in the Dorset/Devon area, which is where I live! I love reading about stories based so close to home.

Style of writing
Being a massive fan of Agatha Christie’s murder-mysteries, I knew I would enjoy Tim Weaver’s crime-thriller from the first page. But it was Weaver’s style of writing that hooked me in before the story itself did; it’s the author’s ability to write an exciting story in an easy-to-read fashion. Perhaps it’s his journalistic background that has influenced his style.

Don’t get me wrong: that is not a reflection of simple or amateur writing by any means. Rather an enviable skill of creating complex and exciting scenes without confusing or losing the reader along the way.

I loved how short the chapters were; it’s such a sense of accomplishment. (This 516-page novel is divided into 81 chapters, which is an average of 6.4 pages per chapter.) But what’s genius about it, is how there is a cliffhanger at the end of every chapter! I really struggled to keep my heart rate down, particularly the few chapters about the ‘The Monster’.

It was about a hundred feet away, on the fringes of the torchlight…Whatever it was, it was following them, crouched slightly, the arch of its back, its arms, visible above the apex of the grass… –The Monster

I read this part on the train, and I can’t imagine what my expression looked like when the guard interrupted my engrossed reading to check my ticket.

The only passages in his book that I found jarring were a few bits of dialogue from a young character called Beth. Maybe Weaver isn’t too familiar with how young teenage girls talk to each other? I would have swapped a few words, and written the dialogue a bit differently. But perhaps that’s simply because I was a teenage girl once. Nevertheless, it didn’t detriment the story in any way.

How I wish I could write a well-articulated story. I kept thinking about Kristen Wiig’s character in Walter Mitty who spoke about how to write a mystery book:

“Connect the clues, and then scatter them so they seem unrelated” – Cheryl, The Secret Life of Walter Mitty

Although, in my attempts at writing a novel, it certainly isn’t as easy as Cheryl makes it seem!

Characters
Although there was no character in particular I could strongly identify with or whom I looked forward to reading about, the characters certainly all had a strong sense of identity. Perhaps I didn’t resonate with the characters as much as I have with other books because I tend to read books about a female character’s internal, emotional struggle rather than external, environmental problems that Raker experienced in this book.

I did, however, enjoy that the protagonist was not a cold-hearted killing machine, which I’ve found tends to be the case in crime and action books. The emotions of this character surprised me, as he endured remorse, regret and a reflection of what his conscience would be battling with afterward. I liked that about him the most; he’s a forward-thinking empathetic person.

“I pushed the guilt down, burying it with all the grief I’d tried to suppress over the years, the regrets, the fear…” –Raker, chapter 62

There were mini summaries at the end of most chapters, whereby Raker would go over all the notes he had just taken and all the remaining questions yet to be answered, which was massively helpful for the reader.

I also liked how, even in a situation of panic and where a decision had to be made quickly, Weaver would write out the decision-making process of the protagonist. Surprisingly, this didn’t take away from the urgency of the situation either – it heightened the intensity if anything.

“A moment of hesitation halted me, gluing me to the carpet. Take it, and he’d know for sure that someone had broken in. Don’t, and I might never know the truth. In a split second, I thought about the consequences of taking it – stealing it…” –David Raker’s decision-making, chapter 31

Overall
In Weaver’s story, I was absolutely taken into another world where I studied what every character said and did. I wasn’t just reading, I felt like I was actively taking part in solving the mystery. As cheesy and lame as that sounds… I just mean that my suspension of disbelief never wavered.

I Am Missing is a tense read, but I strongly recommend it. I know it’s a cliche, but you seriously won’t be able to put it down. I read it on the train, over dinner, on the toilet, in the bath, at work while pretending to listen to angry customers over the phone, before breakfast… Seriously. At the end of every chapter, your stomach will drop and you’ll be fighting nervous sweats.

There aren’t any lulls or ‘fluffy’ chapters, just a lot of mystery and questions that ever so slowly get answered – but probably not with the answers you’d expect.

Jodie’s rating: 8/10

PS. Note to publisher: On page 248, 11 lines from the bottom, there is an error where the word ‘were’ has been repeated. ‘So what were they were doing together?’ #hireme #wannabeproofreader

The Girl on the Train

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Directed: Tate Taylor
Written: Erin Cressida Wilson. Based on The Girl on the Train by Paula Hawkins
Released: October 2016
Starring: Emily Blunt, Rebecca Ferguson, Justin Theroux, Haley Bennett, Luke Evans, Allison Janney (Juno’s mum!), Édgar Ramírez and Lisa Kudrow.

The Girl on the Train is up there with Gone Girl! A mind-twisting psychological thriller, through the eyes of Rachel (Emily Blunt) – a frail alcoholic who is the last person to see Megan Hipwell (Haley Bennett) alive.

However, as we see the events unfold from Rachel’s point of view, you never know what is real and what has been imagined, as she struggles to remember what she saw .

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Is she the murderer? Was it the ginger dude on the train? Was it Megan’s husband? You honestly wouldn’t know for sure – massive twists!

We experience the battle against herself as she grows stronger and more focussed on trying to remember what she saw that night when Megan went missing.

I have read the book, and if I had of seen the movie immediately after I think I would have agreed with the public’s negative reaction of it being too different to the novel. As instead of it being set in the dingy outer suburbs of London, it is set in glamourous waterside mansions of New York.

Apparently the movie was always going to be set somewhere in the USA, because alcoholism is ‘less accepted there‘, and the juxtaposition of the character’s sadness with the glorious mansions she passed on the train made it visually shocking… I still don’t think it was necessary to change the country’s setting, but whatever. At least Emily Blunt was allowed to remain English.

girltrain3I enjoyed it very much, though. The characters are believable and relatable (my two big ticks for every movie). Emily Blunt makes an amazing drunk person – that must have taken a lot of practice to look that authentic. It’s actually scary and makes you think twice about drinking.

I’m pleased they didn’t make her look flawless while she was drunk. I was worried they would make her look too ‘pretty’, but her cheeks are puffy and red, her eye make-up is smudged and her hair is messy – you wouldn’t know she’s a celebrity.

But if I had to be nit-picky, the male characters all looked far too similar. I guess this was to encourage you to see through the hazy eyes of a drunkard who couldn’t identify anyone. But with the film being visually dark, everyone having short, dark hair could get confusing if you didn’t know the storyline.

Or maybe it’s just our crappy TV that makes the contrast too deep.

Nevertheless, if you haven’t read the book you’ll likely enjoy it more, because you wouldn’t be able to notice the differences from the novel. But you may find it a bit slow-paced and long-winded at times.

Would recommend!

Jodie’s rating: 8/10

PS. On more than one occasion, I have been told that if I didn’t have crooked teeth, chubby cheeks or many of my current facial features, that I would look JUST like Emily! 🤪🤪 *so proud*.

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The Dressmaker

The Dressmaker with Kate Winslet movie review

Director: Jocelyn Moorhouse
Writer: Screenplay by Jocelyn Moorhouse & P.J Hogan. Based on the book by Rosalie Ham.
Released: September 2015
Starring: Kate Winslet, Judy Davis, Liam Hemsworth and Hugo Weaving

What I thought was going to be a quirky, enchanting, and uplifting story, turned out to be a dark and twisted tale.

Despite Kate Winslet’s beauty and surprisingly accurate Australian accent, this story was far from a sweet and innocent drama. The Dressmaker with Kate Winslet movie reviewThe Dressmaker is about a woman returning home from Europe to the rural Australian village she grew up in. She endeavors to discover the secrets of her childhood.

Who knew that the secrets would be so tragic and dark. I watched The Dressmaker while home alone, and I couldn’t get to sleep for hours afterward. The violence, black humour and horrifically tragic deaths that occurred scarred me!

Probably because I was expecting a light-weight drama, and didn’t foresee the horrors that unfolded. But it was still a tad sadistic, and I felt a little ripped-off because nothing good happens to the supposedly ‘cursed’ main character, Tilly (Winslet).

I am a fan of Kate Winslet, but the unfortunate surprises and twists in this movie were not pleasant. The Dressmaker with Kate Winslet movie reviewBut then again, I’m not a fan of dark humour. Especially when the DVD cover in no way hints at the horror that unfolds. Good grief.

It’s not a poor movie, but it certainly wasn’t for me. So, I would say, watch The Dressmaker by all means! But be warned that this is not a rom/com/drama. It’s more of a horror/thriller/creepy kind of movie… You’ll never want to trust anyone again after seeing what the creepy villagers in the movie get up to.

Jodie’s rating: 6/10

Gone Girl

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Director: David Fincher
Writer: Gillian Flynn (based on her novel of the same name)
Released: October 2014
Starring: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry and Carrie Coon

Let me just begin by saying, oh my Lord, Gillian Flynn wrote the screenplay to her own novel! That never happens!

When writing my last post, What are you like, Rosamund Pike? (about actors whose public perception changes based on the roles they choose), I wondered how I was going to write this review…

I was so shocked by Rosamund Pike’s performance – she was fantastic of course – but I wasn’t prepared for her to pick this role.

Let’s be clear, this isn’t the mystery/detective/Midsomer Murders deal I was expecting. This is a story of a manic, psychopathic panther disguised as a house cat.

Pike’s character, Amy, is the wife to Nick (Ben Affleck), when she goes missing. They were a seemingly perfect couple who live in the suburbs, but how happy were they really before this tragedy happened?

Their house is a gory crime scene on the day of her disappearance, so it’s assumed that a brutal murder has taken place and her body has been hidden, but who did it?

Gone Girl film - Ben Affleck's speechIt gets dark very quickly by this point as they outline the characters’ backstories, and how it came to this.

Nick is thrust into the spotlight of the media, who struggles to be the likeable and concerned husband that the public expect. He is quickly labeled as number one suspect, and Nick gets lawyered-up!

It is certainly a tragic and unnerving film, with some scenes being particularly distressing so this thriller is not a sleepy Sunday afternoon kind of film.

Nevertheless, this is a psychological thriller, which is always one step ahead of you; it has you flip-flopping between characters as to who to root for.

Amy is portrayed as a trustworthy and humble suburban woman on the outside, but has a twisted mind. I was a bit terrified of her as we realise the full potential of her off-kilted psyche. But I still kind of liked her – she has a bit of Thelma & Louise in her storyline.

Nick is a good-looking, albeit, quietly egotistical, depressed and selfish man, so he’s not all that great either. But that doesn’t necessarily make him guilty… Does it?

As Pike said in an interview about this “social satire” film, we are all editing ourselves – on Facebook and in public – so who are we all really? What are we capable of?

Rosamund Pike in Gone Girl film

Gone Girl  does challenge you to acknowledge the major social issues and kinks in human nature within society. As we’re rubbing shoulders with the best and the worst of humanity.

Jodie’s rating: 8/10

Nightcrawler

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Director: Dan Gilroy
Writer: Dan Gilroy
Starring: Jake Gyllenhaal, Rene Russo, Riz Ahmed and Bill Paxton (the dude from Titanic)
Released: November 2014

This film is by far one of the creepiest films I’ve seen. It’s not so much scary, but it does put you on edge and makes your skin crawl. I guess, hence the film title.

Jake Gyllenhaal with his goggly, baby-bird eyes and sharp cheek bones, is enough to make you squirm. Let alone the control he has over everyone. It is so captivating.Nightcrawler+Movie

He lost more than 13kg (30 pounds) to play the ‘literally and figuratively hungry’  character, Lou Bloom. Gyllenhaal did so by running a lot and eating only kale and chewing gum. He said the diet was completely safe and healthy.

Lou Bloom, is searching for a job he’s really good at. He soon discovers the media industry where freelance camera operators use police scanners to find car crashes, shootings and what-not, to film and sell to local news outlets.

Bloom dives into this career and quickly makes a sweet sum.

He basically represents the media industry and the control they have over broadcasts and the law. He steps on and manipulates every relationship, smudging the lines of ethical coverage along the way.

gyllenhaal-nightcrawlerHaving recently gained a degree in journalism, I found the subject relatable. I don’t think I’ve seen a movie like Nightcrawler before where the story is from the media industry’s point of view.

It’s a fascinating film that is quite difficult to explain. But it certainly gets you thinking. But if you just want to be entertained, you’ll certainly find yourself laughing at Bloom quite often! His intense delivery of lines is sure to give you fits of nervous giggles.

Actually, come to think of it, his character sometimes reminds me of Jim Carrey’s Andy Kaufman character in Man on the Moon.

The only thing I was disappointed about was how there were no consequences for Bloom – which I know is the point because he represents the gigantic conglomerate of the untouchable media. But just when there was a major conflict, the movie ended.

Despite that, I loved it, and I am definitely going to watch it again.

Jodie’s rating: 8/10

Gravity

Gravity-2013-Movie-PosterDirector: Alfonso Cuarón
Writers: Alfonso Cuarón and Jonás Cuarón
Released: October 2013
Starring: Sandra Bullock and George Clooney

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maxresdefaultThis movie is out of this world!
Ha.
I saw Gravity 3D and it was spectacular. The director, Alfonso Cuarón, said movies should be a visual experience – a lot of dialogue isn’t necessary to tell the story – and he certainly did that well.

Claustrophobia, agoraphobia, isolation, suffocation and death. This is a terrifying movie, playing on our natural fears. It is a very ‘human’ film – it goes back to basics – which is extremely effective in such an alien environment.

I’m not sure how to describe the epicness of the visuals… It is inviolable. Simply spectacular. The shot of the Northern Lights from outer space, and of the sun emerging from behind Earth… Wow.gravity_inline_2

Ryan (Sandra Bullock) and Matt (George Clooney) were absolutely incredible. I am a huge fan of George Clooney anyway, who played a chatty and upbeat character. But I was pleasantly surprised with Sandra Bullock! She convincingly played a strong protagonist.

All the dialogue used makes a huge impact. There is literally no unnecessary dialogue. The spoken word is almost used as a parallel storyline; Ryan’s back story links to her current traumas.

GRAVITYThe audio is so detailed and layered. The use of silence is powerful and serene. Ryan’s  heartbeat can often be heard in the background. The point-of-view shots include the dampened sounds of collision as though heard from inside the astronaut suit.

Speaking of audio, the soundtrack is incredibly moving – especially in the final scene! RANDOM FACT: Steven Price, who composed for Gravity, also composed for The World’s End.

Sgravity-sandra-bullock-image-1tructurally, the story keeps you hooked. The count down before the next debris shower from the destroyed satellite near-by, and the suspense as the oxygen depletes… You literally find yourself holding your breath.

The loneliness, desperation, mourning, horror and serenity creates a hugely emotional journey. The point-of-view shots, as mentioned before, just gets you closer to the action.

All my favourite movies are character-orientated and emotional. Juno, Young Adult, About A Boy, Little Miss Sunshine, The Perks of Being A Wallflower.. I could go on! But imagine that character development in a terrifying thriller with a totally original environment.

Intense, stunning and creative. It is definitely worth seeing in 3D.

I loved it!
Jodie’s rating: 9.5/10

The trailer gives away nothing. The storyline is barely touched upon – you’re in for a treat!
I just got chills. Again.

The Butterfly Effect

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Directors: Eric Bress and J. Mackye Gruber
Writer: Eric Bress and J. Mackye Gruber
Released: January 2004
Featuring: Ashton Kutcher and Amy Smart

prisonkutcherSoooo creepy! But in an awesome way. I have never seen anything like this film before.

Of course I was weary about Ashton Kutcher being in a serious thriller, but he was fantastic! Like, seriously convincing.

The Butterfly Effect is where a seemingly innocuous act can have a domino effect and create chaos.

It has been said that something as small as the flutter of a butterfly‘s wing can ultimately cause a typhoon halfway around the world.

kutcherkidThis film plays on this theory where Ashton’s  character, Evan, has the ability or curse to travel back to predetermined points in his life. But every time he tries to make one thing better, something else goes terribly wrong. There are five main characters and if he saves one, one of the others experience a huge trauma in their life. He never wins.

Evan's father had the same abilities.
Evan’s father had the same abilities.

It is an amazing film, truly. I get so creeped out by it though. I think it is 60% because of the music used, it is perfect for the story. I love time travel and this is a very dark story of the possibilities behind the ability to do so.

A very intense, scary, worrying, cringe-worthy and incredibly delusional story of how something bad, no matter how small, can grow and shape somebody’s life. The powerlessness that Evan feels and the consequences that he has to live with is impacted on the viewer, for sure.

It is written so well! The twists and turns, the gaps and surprises. The ending is not easy to guess either.

Jodie’s rating: 8.5/10
It’s a pretty complicated storyline to explain in a 2min trailer, so, just know that it’s way cooler than this:

The Blair Witch Project

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Directors: Daniel Myrick and Eduardo Sánchez
Writers: Daniel Myrick and Eduardo Sánchez
Released: January 1999

I literally did not sleep last night.

I remember seeing snippets of this film when I was about 11, but I had not remembered how effective the horror aspect of it was! It is the best horror/psychological thriller I have seen in a very long time.

blairmissingThree film makers go missing in the woods while covering the legend of the Blair Witch that supposedly haunted the area. The film makers were never found again, but their footage was, which makes up this film.

Pretty simple plot line with amateur filming which is very convincing! The idea of this horror is that the less you see the more your imagination runs a riot. You never actually see any witch or any sort of witch craft or supernatural beings, but the sounds and supposed actions of the Blair Witch is more than enough to keep you on edge.

Reading a bit about the making of this film is quite interesting. 2000 actors auditioned and the three actors with the best improvisational skills got the parts. The actors got a very loose script to work with, and to get into to character the cast were taken hiking and camping in the woods, depriving them of food and harassing them at night by the crew.

blairwitchproThe acting is well done, with Heather being the main character as she uses the camera (and talks) the most. She is certainly an annoying character who is a total know it all, but apparently that was intentional – perhaps to keep the audience in a false sense of security as she seems convinced that at no point are they ever lost. The other two actors are fantastically convincing and natural too.

A scary story to say the least. The further toward the end it gets, the more terrifying it becomes. The final shot is still freaking me out. Considering this was all done with handy cams and mostly improvised, makes this film a more effective horror.

So awesome!!

Jodie’s rating: 8/10

The Prestige

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Director: Christopher Nolan
Writer: Jonathan Nolan and Christopher Nolan
Released: October 2006
Featuring: Hugh Jackman, Christian Bale, Michael Caine, Scarlett Johansson and David Bowie

david-bowie-teslaDavid Bowie is in it… I don’t think anything more really needs to be said…

Act one: “The Pledge”

Are you watching closely?
The Prestige is an incredible movie with real mystery and thrilling themes, like nothing you have ever seen before. Its dark and haunting aesthetic with the ruthless, deceitful, cut-throat and competitive characters makes an extremely intense film.

It is the story of strong-willed magicians who guard their incredible tricks of illusions with their lives resulting in sacrifices way beyond their expectations the_prestige-stageas their hunger for dominance of rival magicians runs riot.

Of course, I can’t forget to mention the era that this movie is set in, the late 1800s. I wouldn’t mind living in those times… Only if I was very wealthy of course. Beautiful dresses, old school showmanship, horse and carts and the thrill of newly discovered electricity.

With the complexity of Nolan’s Inception, the grungy look of The Dark Knight, but with a hint of total tragedy, this is just another of Christopher’s incredible creations.

Act Two: “The Turn”

prestige-ropeI’m sure it will be compared to The Illusionist… But that doesn’t come anywhere near to what The Prestige delivers, nor does it deliver as much mystery, heart-break or violence. The Prestige is truly a one of a kind movie that makes you feel scared, desperate, amazed and sit mesmerised at the end trying to figure out the wild twists and turns in the story.

The trailer for The Illusionist, a second class film in comparison, but a pretty decent film nonetheless.

Michael-Caine-in-The-PrestigeThis film makes you gasp, cry, feel a sense of desperation and total awe as Hugh Jackman and Christian Bale’s characters go to extreme lengths, bending moral judgment to the expense of their loved ones, as they attempt to steal each other’s secrets of their most breath-taking, and threatening, tricks.

With such unexpected twists and turns, it is impossible to guess the ending. Unfortunately, knowing the ending can spoil the magic of the film for future viewing, sort of like in the second or third viewing of The Others.

Act Three: “The Prestige”

There really is no thrill in knowing the secret behind the magic. “The secret impresses no one”.

So incredible.

Jodie’s rating: 9/10