tom hanks – NZ Film Freak

The Post

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Director: Steven Spielberg
Writer: Liz Hannah, Josh Singer
Released: December 2017
Starring: Meryl Streep, Tom Hanks, Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood, Matthew Rhys
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The Post comes across as a film with similar emotional impact to the likes of Spotlight (a highly recommended investigative journalism movie), but it sorely missed the mark.

It follows the real-life story of the Washington Post in the 1960s, a paper passed down to Katharine Graham (Meryl Streep) who is struggling to keep the company financially afloat. Then, a big story breaks as government secrets relating to the Vietnam war are leaked – this massive story could make or break the paper.

But with the New York Times already being threatened with legal action for publishing only part of the information now available, Katherine is reluctant to allow editor-in-chief Ben Bradlee (Tom Hanks) to publish the story for fear of bankrupting the paper. Meanwhile, she is fighting the emotional turmoil of being a woman in a man’s world.

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The movie opens with a scene of the Vietnam war, which was definitely not required and I believe it was only included to pay homage to Stephen Spielberg’s Saving Private Ryan success. So that kicked this film off poorly.

Then it was about an hour of long, dry dialogue, which I struggled to pay attention to. So I’m not entirely sure if they explained what the government secrets were specifically, but I’m pretty sure the gist was that the government knew the US would lose the war but continued to send troops for fear of being embarrassed. But I don’t see how that could have taken an hour to explain… Maybe I missed something.

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The second half of the film focussed on gender inequality and women’s rights as it follows Katherine, who slowly becomes more self-confident as she learned the ropes of running the paper after her husband’s death. She is spoken down to by colleagues, which makes the decision of publishing the leaked information or not even more difficult to make.

The cast was great of course. Meryl Streep is amazing and Tom Hanks is his usual great self, but did come across as more ‘family man’ than ‘tough editor’. I do wonder if Bryan Cranston was considered for this role due to the amount of Breaking Bad actors featured (Bob Odenkirk and Jesse Plemons). I think his darker domineer would have come across well.

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Overall, the exciting, fast-paced and emotionally-charged storyline that I was expecting was not there. Just a ton of unnecessary dialogue and a story that didn’t portray the risk and stress of the situation very well.

Oh well. Perhaps it needs a second viewing.

Jodie’s rating: 5/10

You’ve Got Mail

Director: Nora Ephron
Writer: Nora Ephron and Delia Ephron
Released: December 1998
Starring: Tom Hanks, Meg Ryan, Parker Posey, Jean Stapleton, Dave Chappelle, Steve Zahn, Greg Kinnear
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A classic 1990s rom-com! Featuring the mum and dad of 90s rom-coms – Tom Hanks and Meg Ryan.

It’s from the writer/director Nora Ephron – the brain behind When Harry Met Sally, the similar 90s story of Sleepless in Seattle, and Julie & Julia. (She must have really loved Meg Ryan – I wonder if Nora considered her for Julie & Julia because she has a striking resemblance to Amy Adams.)

You’ve Got Mail is the ultimate feel-good film. It’s everyone’s daydream; realising the love of your life has been in front of you the entire time. In this movie, Kathleen Kelly (Meg Ryan) owns a quaint book shop, until a giant book-selling conglomerate – owned by Joe Fox (Tom Hanks) – moves right up the road from her.

Kathleen: [writing to “NY152”] People are always telling you that change is a good thing. But all they’re really saying is that something you didn’t want to happen at all… has happened.

This threatens her family business, so Kathleen takes comfort in a stranger online – known as NY152 – whom she confides in. Developing feelings for the stranger, and vice versa, they decide to meet and you’ll never guess who NY152 turns out to be.

(Meanwhile, Kathleen is dating a complete arse (Greg Kinnear) who I absolutely adore hating.)

Kathleen: [in an email to “NY152”] The odd thing about this form of communication is that you’re more likely to talk about nothing than something. But I just want to say that all this nothing has meant more to me than so many somethings.

It’s got just the right amount of cheese for this outlandish twist of fate to be believable and enjoyable. It reminds me of Serendipity in that way.

I love the nonsense that Kathleen talks about. She really does have her head in a book even when she’s not reading:

Kathleen: [writing to “NY152”] Once I read a story about a butterfly in the subway, and today, I saw one! It got on at 42nd and off at 59th, where, I assume, it was going to Bloomingdales to buy a hat that will turn out to be a mistake, as almost all hats are.

It’s the perfect rainy Sunday watch. Its happiness and joy will make the sun come out in your life!

Jodie’s rating: 6/10

Kathleen: I love daisies.
Joe: You told me.
Kathleen: They’re so friendly. Don’t you think daisies are the friendliest flower?

I agree! ❤️

Saving Mr. Banks

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Welcome to the 400th post! It’s taken six years and four months to get here.

Director: John Lee Hancock
Writer: Kelly Marcel, Sue Smith
Released: November 2013
Starring: Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell
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I think Saving Mr. Banks is a brilliant take on the Mary Poppins story. It’s not a remake or a sequel, it’s more of the ‘behind the scenes’ of the classic Mary Poppins story. It’s the story behind the story.

It follows Pamela Travers (Emma Thompson) who is approached by Walt Disney (Tom Hanks) himself regarding her children’s book series, Mary Poppins.

Walt Disney: Look at you! I could eat you up!
P.L. Travers: That wouldn’t be appropriate.

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While we follow her reluctancy to give up the copyright, her guard is ever so slowly lowered as we begin to find out the root of her Poppins stories. They are in fact based on a lady who comes to look after young Travers and her siblings while her dad, ‘Mr. Banks’ (Colin Farrell) suffers alcoholism and slowly dies.

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It comes to be that the Mary Poppins character in Travers’s childhood is a woman who isn’t there to save her or her siblings, but is there to try and save her beloved father. Hence why Travers is so reluctant to have her stories meddled with; she’s still coming to terms with the guilt.

Walt Disney: “No whimsy or sentiment!” says the woman who sends a flying nanny with a talking umbrella to save the children.
P.L. Travers: You think Mary Poppins is saving the children, Mr. Disney?
[Walt and the other filmmakers are stunned silent]
P.L. Travers: Oh, dear!

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Throughout the melancholy scenes are the uplifting songs that Walt Disney’s composers are developing. The music that we associate with the 1964 Mary Poppins musical is reused to support Travers’s journey of trusting Walt Disney and their rocky working relationship.

Richard Sherman: Room here for everyone / Gather around / The constable’s “responstible!” / Now how does that sound?
P.L. Travers: No, no, no, no, no! “Responstible” is not a word!
Richard Sherman: We made it up.
P.L. Travers: Well, un-make it up.

Saving Mr Banks is an incredible story that simultaneously warms and breaks your heart. I was crying my eyes out through much of this film, especially the ‘let’s go fly a kite’ scene, holy Jesus. It brings a whole new meaning and depth to the Mary Poppins we have come to know.

Tom Hanks was the perfect choice to play Walt Disney. They both have an optimistic persona, while being untouchable American treasures.

I love this ‘prequel’ of sorts to the Julie Andrews musical. It’s entertaining and insightful, although perhaps a little dry in places, and a little too heavy in others.

Jodie’s rating: 6/10

Sully: Miracle on the Hudson

Sully movie with Tom Hanks Director: Clint Eastwood
Writer: Todd Komarnicki
Released: September 2016
Starring: Tom Hanks, Aaron Eckhart and Laura Linney
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If this film was a human, it would be:
A white American male holding the US flag in one hand with a hamburger in the other, a bald eagle perched on his shoulder, while sitting on a mustang, wearing a cowboy hat and a shirt that reads ‘God bless America’, with keys in his back pocket to his Chevrolet and his white-picket-fenced suburban home in the distance… This movie was an all-American film indeed.

Based of course on the spectacular events of January 2009 where Chesley Sullenberger (Sully) landed a commercial plane on the Hudson river after an birdstrike took out both the plane’s engines. All 155 souls onboard survived.

What Sully: Miracle on the Hudson focusses on is the aftermath where our hero is interrogated as questions over whether both engines really did stop working arise, and whether or not Sully really did make the safest decision to make a water landing.

Sully movie with Tom Hanks The reenactments of the plane crash were remarkable, and Tom Hanks did a marvellous job of portraying the self-doubt and desperation his character experienced as he tried to keep his reputation as a pilot and safety expert intact. But of course Tom Hanks did an incredible job; he’s Tom Hanks.

The actors playing the parts of the passengers, I reluctantly say, were particularly poor at acting. Over-acting made them extremely unbelievable.

Imagine if this incident happened in the UK – I would love to see that movie. Because Great Britain doesn’t hail heroes, we hail underdogs. As Ricky Gervais once said, that’s the difference between the English and the Americans – we love a good underdog story because we focus on the negative, whereas they focus on the positive. ‘Anyone can be the next president’ versus ‘it would never happen to you’ kind of attitude, which feeds into our society and films. As my media studies teach once said, films are the mirrors held up to society.

Our Sully movie would be down-to-Earth (no pun intended) and probably a lot of depressing. Which, strangely I would probably relate to more. Therefore, I enjoyed Sully, but it was a bit difficult to relate to as it was a tad ‘happy-clappy’ and a bit too intensely positive.

I wouldn’t say it’s an inspirational epic, but it was an enjoyable story.

Jodie’s rating: 6.5/10

My Favourite Scene: Saving Private Ryan

Saving Private Ryan (1998) “…and I find that marvellous.”

I had first heard of Edith Piaf when I saw Inception (Non, Je Ne Regrette Rien). She is a famous French singer from the twenties through to the sixties, and I adore her music.

Since learning about her songs, this scene in Saving Private Ryan jumped out at me. It is a bonding scene between the soldiers that begins with a conversation about Piaf’s song (Tu es Partout), like most of my other favourite scenes, it’s slower paced and one of the quieter moments of the movie.

I just really enjoy one of the more sensitive soldiers translating the song to the others.

Jodie.

Forrest Gump

Director: Robert Zemeckis
Writer: Screenplay by Eric Roth. Based Forrest Gump by Winston Groom
Released: 1994
Starring: Tom Hanks, Sally Field and Robyn Wright
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I love these films. The kind of stories that are based on a character’s life adventures are the most inspirational because the scripts tend to be quite philosophical. Forrest Gump is, of course, a very innocent story of a man’s journey through his life. The hurdles and the triumphs are all narrated by the protagonist Forrest Gump (Tom Hanks).

Forrest Gump is a film that shares the genre with the likes of The Curious Case of Benjamin Button, Big Fish and perhaps Driving Lessons. It’s those life stories that remind you of the stories that your grandparents’ would tell you. The morals, meanings and journeys that are motivational and inspirational make great films because they are believable and fascinating.

forrestjenny — Forrest (Hanks) and Jenny (Wright) take two very different paths in their lives, but their paths frequently cross as if they are drawn together.

Tom Hanks is an amazingly talented actor, so it’s no wonder that he makes a fantastic Forrest Gump – the innocent, yet dim, Southern man who only has three important things in his life; his Mother (Sally Field), his love, Jenny (Robyn Wright – incredible actress!) and God. His simplistic life takes many strange turns as he brushes among some of America’s major historical occurrences from the Vietnam war to exposing the Watergate scandal. As well as meeting the likes of President John F. Kennedy, Elvis Presley – ending up influencing Presley’s dance moves – and John Lennon; consequently helping to inspire his hit song “Imagine”.

Sorry it’s a bit out of sync.

Forrest is such a likeable protagonist because of his lack of prejudice or anger toward others. This movie is based in the fifties and sixties in the South during the height of racism, but Forrest Gump has no part of it. He literally treats everybody the same, completely ignorant of their look, their race and beliefs.

There are some very sad scenes, but that is what makes Gump’s story so real. Although there many mockeries and memes at Gump’s expense, you can’t deny the script has many pearls of wisdom. Analysing fate and the existence of God, life and death – represented by a feather blowing in the wind. So deep!

Considering that this film was made in the nineties, the technology-use is absolutely fantastic! It has been made so incredibly well – I don’t see how it could possibly be improved by today’s technology… And ‘no’ making it 3D does not necessarily improve a film.

I have the soundtrack that I thoroughly enjoy. Alan Silvestri is the composer who has captured the feel of Forrest Gump very accurately. On the soundtrack are many popular sixties songs and artists including Lynyrd Skynyrd, Elvis Presley, The Youngbloods and Joan Baez. Incredible compilation!

It’s great that the drama and philosophical self-reflection is balanced out by the comedic scenes involving Forrest’s naivety, and the heart-warming moments between Forrest and Jenny. At almost two and a half hours long, this is not a film one would watch to chillax and unwind. However, it is certainly a fantastic film to have in the DVD collection at home. It is easy to get emotionally invested in as the characters are so animated and realistic.

Jodie’s Rating: 9.5/10