Author Archives: NZ Film Freak

You Won’t Just Cry When They Die – Elizabeth Deacle

Love, Loss and the heartbreaking reality of grief.
A little book to help you survive, cope and gently heal when your whole world falls apart.

You Won’t Just Cry When They Die is a must-read book on grief for anyone who has loved and lost.

Offering 101 gentle messages, this little book will help you to survive, cope and tenderly heal when your insurmountable grief and loss are unbearable, and you face those days you can’t face.

“How brave it was for you to pick up this book. How incredibly brave. I’m sorry that you found it. Glad. But sorry.”

– Elizabeth Deacle // You Won’t Just Cry When They Die

With the author’s meditative voice, You Won’t Just Cry When They Die by Elizabeth Deacle is an audiobook that gave me the warm hug I didn’t know I needed.

This book is a collection of 101 messages for those navigating through the world of heart-shattering loss. Each chapter presents a gentle acknowledgement of the reader’s pain, with encouragement for them to take the next step.

I felt like each of these messages is like a wrung on a ladder, allowing the reader the opportunity to slowly climb out of their hiding place.

“Let out an almighty breath. Bellow, boom, roar, scream. Released what is begging to be released.”

Elizabeth slowly unfolds the journey of grief – one that everyone will no doubt experience in their lifetime. I felt the unforgiving ache of loss heavily.

But then, without pressure or expectation, she creates a space for the reader to simply be. A place to recognise their emotions, to make it a little easier to cope with their pain, and to endure grief just that little bit better.

“We think of being sad as being empty… But many years ago the word sad meant something else. It originated from the old English word saed. Which meant full… Overtime this fullness took on an emotional weight… of being heavy hearted… So when you say you’re sad, you’re speaking an ancient truth… You are full of sorrow, yes, but not just that… You’re full of love with a place for it to go. And that place is grief.”

While listening to this book, it made me think of what other people have said about grief. I thought of Corinne Bailey Rae’s song The Sea, and I thought of when Jimmy Carr said “grief is the price we pay for love”. Like Elizabeth says, everyone will experience grief, and there is no right or wrong way to get through it because it’s yours.

The author is an absolute word-wizard. While I have not yet experienced a deep loss, it didn’t prevent me from following her through this book with empathy, and with a newfound appreciation and respect of grief.

She sustains her natural sense of humour while being totally grounded and humbling.

“You’ll feel so incredibly sensitive… to films, to music, to quotes… to noise to silence, to heat and to cold. Sensitive to shrunken bed sheets… and crusty towels.”

The pain that she has clearly endured first-hand has been translated beautifully into words, and woven with emotion into memorable poetry.

Among the many thought-provoking metaphors, I took away that grief is a place you have to go to in order to heal. Images of trains being waved through, like grief being allowed to be released. Of hot air balloons taking you away without control. And of digging in gardens.

“I have been digging around in the garden of grief. Hitting rocks and hard stones, planting seeds and forgetting to water them. Upturning sorrowful soil and patting it down again. Raking through reasons and ploughing through pain. And, little by little, sob by scream, tear by tear, I have grown stronger.”

This is a safe and easy book to read or listen to by even those in the most fragile of mindsets. It can be started on any page with a promise of a soft but enduring whisper of support. Its ease of short chapters is just another small way of helping the reader through. Each chapter is a small recognition of their sorrow.

“Turn to nature for comfort; you’ll find she gives without boundaries.”

You Won’t Just Cry When They Die is the first step to acceptance and peace. It’s the friend you can pick up and put down, the hand you can hold and release, the person you can hug and let go of. The control has been put back into the reader’s hands – quite literally.

This book’s accessibility makes it the perfect gift for someone needing a light to be turned on during their time of darkness. Grief requires patience and time, so it’s not something you can fix for someone. But you can reach out and give them this book as a tool to help them rebuild at their own pace.

Like Elizabeth says, soon your grief will be like a dragon out of puff. And this book of peaceful messages helps the reader to face the sun again.

“Because you’re doing so very, very well.”

Find your copy. Buy direct from Elizabeth’s website, or on Amazon (cheaper shipping for NZ, Australia and Canada).

You Won't Just Cry When They Die - available in audiobook, ebook, hardcover and paperback.

Vecna vs Voldemort & The Boys Who Lived

I am OBSESSED with Stranger Things, and have been hanging on every episode of Season 5. (How they can drag these out is just cruel!)

I have noticed, however, some bold similarities between Season 5 of Stranger Things, and Harry Potter...

Before you attack me, please rest assured that I love both Stranger Things and Harry Potter equally. I am not accusing anyone of copying anyone. But I feel I must address this. Just as my dad felt the need to address the similarities between Star Wars and Harry Potter…

Or, perhaps Stranger Things is designed for Gen Z, Harry Potter is for the Millennials, and Star Wars for Boomers. Perhaps these cross-overs are simply reinventions for the newer generations, and comparisons shouldn’t really be drawn between them.

Nevertheless, here it is! The official NZ Film Freak list, highlighting the similarities of Stranger Things and Harry Potter.

Why? Because I can’t stop thinking about Stranger Things, so I must write about it to occupy myself until the finale.

  • The antagonists’ names are similar
    Vecna and Voldemort / Henry Creel and Tom Riddle
  • The antagonists have a similar look
    They both have long fingers/fingernails, bald heads, and no noses
  • Both heroes are magical
    Harry is a wizard, Will is labeled The Sorcerer
  • Both heroes acquire their powers by mistake
    Harry and Will both inherit their arch enemy’s powers – Harry is a horcrux made by Voldemort, Will becomes like a radio receiver of Vecna after the attack.
  • Harry and Will were their enemies’ first obsessions
    They were also both kids when they are first attacked.
  • Both heroes ‘feel’ when their antagonist is nearby
    Harry’s burning scar, and Will’s prickly neck
  • Both boys are ordinary until…
    Harry and Will are nothing special, until destiny finds them

Missed any? Add them in the comment section below!

In Need of Seawater – Documentary Short Film

A beautiful walk through the life of poet Mark Anthony Thomas; In Need of Seawater. It’s an absolute treat of a short film for any poetry lover.

“When I was 21 I wanted to reflect on life, so I started working on my second book called The Poetic Repercussion,” Mark begins.

“Everything I share with you tonight, I wrote between the ages of 21 to 24… it really tells the story of a young black man finding himself in this country. Everything I’ve done in my life, nothing is more meaningful than the experience of writing this book.”

In Need of Seawater is the performance of Mark’s early poetry works, read in the intimate setting of an apartment surrounded by friends. Poems such as Ink Blot Testing, The Declaration, and Even the Sky takes us on a stroll through his life.

Each poem is presented like a chapter, fantastically edited with accompanying music, and re-enactments by young actor Ziaire Mann. Directed by Richard Yeagley, the cinematography is stunning and an absolutely beautiful piece of art within itself.

We experience where Mark’s head was at when he wrote this poetry. Every poem puts a spotlight on a a turn point or important moment during his young adulthood – and we see it through his eyes thanks to his talent for the written word.

I noticed that it’s not only his talent of the written word that transports us, but his ability to perform his work too. I think that’s a rare quality in a writer; being able to speak up as well as he can write down.

In Need of Seawater covers topics such as stereotypes, self-discovery and even the security of a barbershop chair, which provides the opportunity to speak without judgement. This was a personal favourite of mine.

“In this shop, status means nothing; it falls like hair to the ground. At least it should.” – In the Shop.

This is not my first time enjoying the works of Mark Anthony Thomas. In 2022, I wrote about a performance of his – Folded Whispers – and I’m so pleased to have had the opportunity to write about his work again.

In Need of Seawater is set to be released in January 2026. Check out the trailer below, and follow Mark on Facebook and Instagram for updates.

Are you an artist looking for a promotional post about you or your project? Get in touch to see how I can help: beachmarketing.co.nz

Boddybag: The Creative Kiwi Duo Bringing Joy Back to Film Sets

“Make stuff that is fun, make stuff that can impact someone in a good way, make stuff that is ridiculous, be curious in others and everyday things outside of what you know.”
– Julia Boddy // Actor

Julia and James Boddy are New Zealand’s hidden filmmaking gems who have recently returned to our shores from Ireland.

Former Hamilton police officer, Julia Boddy is now an emerging actor with formal training at Bow Street Academy (home to the acting coach whose clients include the likes of Orlando Bloom, Meryl Streep and Johnny Depp).

James Boddy hailed from Palmerston North, and graduated from the New Zealand Broadcasting School. His twenty five year long career was launched after writing a screenplay that won a national competition, and went on to work on the likes of our infamous L&P adverts, First Responders, and Location, Location, Location NZ.

“Dad owned a comic shop which is a pretty sweet way of immersing yourself into the narrative world,” James said. “Though my teenage brain wasn’t comprehending it at the time, a diet of comic books is one of the best teachers when it comes to writing for the screen.”

He is re-emerging into the film and television industry again after taking a step back to raise his daughter, Catherine Boddy who won New Zealand’s Young Designer of the Year in 2016. She has since settled in London as a fashion designer, so James has dived back into the film and television industry.

James and Julia have teamed up and operate under the name of Boddybag. Their freelancing outfit covers every basis of filmmaking, from writing to directing to acting.

The duo have been writing and developing new projects over the last two years. One of them is with Emmy winning and 2025 BAFTA nominated producer Liz DiFiore.

“We’ve been in this business for ages,” James said. “We know which way to point a lens, what lights not to stand under, what fade-in means, and where that clicking noise in the mag is from.”

They are currently filming a television series throughout New Zealand, but are available to work anywhere in the world.

“We have already been asked to return to Ireland in the New Year to work on a film in February and March. We are open to anything!” Julia said.

With a wealth of experience behind them, Boddybag are making fresh opportunities for themselves as creatives in their forties.

This new chapter in their lives has come with an upbeat and collaborative approach to filmmaking. Ensuring cast and crew are having a good time is essential to Boddybag’s signature environment on set.

“People always work at their best when they are able to have a laugh, have a voice and are actually valued as humans,” Julia said. “It’s so nice to have feedback that our projects are always a good time… People keep coming back, and want to collaborate together on their projects.”

Boddybag currently has availability in January 2026 for another project before they return to Ireland, so if you’re looking for a director, writer, actor or a hand on set, get in touch to see how the team can help via their website: boddybag.com

Otherwise, chuck them a follow on Insta to keep in the loop with their amazing work in New Zealand and beyond.

Are you an artist or a creative who wants their project seen? Get in touch with Jodie at Beach Marketing for a promotional article.

Budding Kiwi Musician Busking on Queen Street with Big Dreams

Saem - nz musician

At just 19, Auckland-based singer-songwriter Saem Millward is busking his way into New Zealand’s music industry.

Originally from Palmerston North, Saem’s musical story began at age 13 when he sat down at a keyboard, picking up melodies by ear before moving into classical piano lessons.

High school brought a new chapter. Inspired by watching the school choir perform, he joined them before auditioning and landing a spot in the 2023-24 New Zealand Secondary Students Choir.

Having found his voice, he officially caught the music bug in Year 13 with a song he wrote called I Don’t Wanna Change for an NCEA Internal exam. But what began as an assignment, soon became his first recorded work.

“I liked it so much that I got it recorded by local producer Hayden Lauridson, with the help of some of my musically talented friends on the instruments,” Saem said.

In the summer of 2024, Saem hit the streets of Auckland, busking in the style of Sinatra and Bublé. He got such a good reception that you’ll now often find him on Queen Street performing between classes at the University of Auckland, where he’s studying Law and Classical Singing as a conjoint degree.

With his feet firmly marching toward the New Zealand music industry, his interest and talent among various genres is what makes his style unique.

“I think my interest and participation in a variety of genres such as jazz, pop, RnB, classical, musical theatre sets me apart from other musicians set to one genre.”

What next? Saem hopes to make it in the music industry somehow.

“I’m ultimately hoping to be a multi-media artist of some sort… I would love to branch out into writing, acting, art design, production, and anything else artistic. Anything but an office job!”

He’s just getting started, but there’s something grass-roots and honest about his approach to making it in the industry, which I love!

Stay away from the office jobs, Saem – we’re excited to see what comes next for you in the creative sector.

Follow his story on TikTok (saem207), Insta (saemmusicnz) and YouTube (saemmusicnz).

This is a paid promotion.

Do you have a project you’d like a promotion for? Get in touch to see how I can help.

Saxophonist’s ‘Ambitious Project’ Comes to New Zealand

Simon Byrne

“Inspiration comes from my belief that anything can be creative, and is.” – Simon Byrne.

Saxophonist Simon Byrne recently made the leap from Britain to start a new life in Wellington.

Completing a Law degree in a previous life, Byrne’s calling has always been music. Using hospitality roles as a way to explore and perform his way around New Zealand, he is now committed to making music his main work source.

“…the saxophone has been the real constant in my life… so I wouldn’t mind people having a listen and creating some enjoyment!”

Byrne isn’t just a solo artist though – he enjoys collaborating with fellow musicians too (feel free to reach out!).

Reflecting on the differences of music scene between here and Britain, Byrne noted that New Zealand has more of an awareness of its roots with an encouraging atmosphere, feeling as though “we’re all in it together”. Whereas Britain’s vast scale of musicians can be perceived as intimidating, with it feeling easy to get lost in the crowd.

Described as a versatile and high-energy saxophonist, Byrne lending his music to weddings, gigs, live performances and recording sessions.

While he plays every genre, even accepting song requests at events, his versatility as a saxophonist is reflected in his favourite genre; jazz.

“Whilst I will pretty much play anything at the drop of a busker’s hat, it has to be Jazz. But don’t be scared! It suits so many moods and audiences in different ways. It comes into soul, funk, hooks in pop, electronica – all sorts.”

It’s the spontaneous performances, particularly those accompanying a DJ, that he find most rewarding.

Getting his teeth stuck into New Zealand’s music scene, Byrne has big ideas for his next step.

Proclaimed as an ‘ambitious project’, Byrne is developing a show that will boast visuals, electronic music and improvisational sections. An intense and fun performance set to be delivered at festivals and other arts spaces.

“My latest original work will be premiered in 2026. It’s not a play, poetry, gig or recording. Yet, watch this space!”

Keep in the loop with Simon Byrne’s work on his website, Instagram and YouTube.

This was a paid article.

Finding Freedom: From Builder to Musician Overnight

Musician Geoff Kunac.

When life took a turn in 2019, 40-year-old Kiwi builder and designer Geoff Kunac picked up a guitar. 

Six months later, he had nearly enough songs for a whole album.

“I think for lack of anything better to do more than anything else,” Geoff says. “It became my cathartic diary or voice, as I was silently watching my life simultaneously fall apart around me.”

Geoff of Martinborough didn’t come from a background of music. Teenage memories of messing around on the family’s piano, dropping out of guitar lessons at school, and listening to his older sister’s CDs and mixed tapes were the extent of his music experience.

But a messy break up was the bump in the road that urged him to dust off his mum’s old $200 guitar as a way to process the darker days.

“Chords or melodies would just flow out onto the guitar whenever they felt like it… I didn’t have much control over it. I quickly learned to push record on my phone to capture the moment or I’d wake up the next day with no idea what the tune was or how I’d played it.”

There was no intention to take the recordings any further, it was merely a way to “stay sane”. But he soon decided to try and make something of his creations by taking an online singing course, picking up a free piano, tambourine, and learning to use some old microphones and a recorder his friend had given him.

The 10-song album Freedom was released and published on Spotify and other streaming providers this year.

“The whole thing was hard. I was going through messy personal stuff. Drifting around, living in an office, cabin, caravan and trying to build a little house to get settled, while at the same time trying to creep myself into this world of ‘music’ that I knew absolutely nothing about – at forty.”

Described as avant-garde, Freedom is a collection of raw, acoustic, indie-rock tunes. Geoff’s emotion and honest storytelling is at the forefront of this album, with the single-mic and ground floor method of recording only complimenting the rustic feeling of his songs.

When asked if music would continue to be just a hobby and outlet, Geoff responded definitively: No – he wasn’t going to stop now.

“I have much bigger plans – I want to take it as far as I can. I have lots of songs waiting to be produced. I’d love to perform on the big stage someday. I like to travel – Glastonbury or the US somewhere would be great fun, I think.”

Keep an eye out on Geoff’s Instagram here for upcoming gigs over the summer where he will be performing his debut album. In the meantime, check out his debut album Freedom below.

(My personal favourite are Something in Your Way and the guitar in Dancing in the Sea. Geoff’s favourites are Gypsea Son and Rainlight.)

https://open.spotify.com/album/0kOc4SZo9sB6cxKXqW8NPG?si=yceio3e6RHaYfxzFNaJnyg&fbclid=IwY2xjawNaVpVleHRuA2FlbQIxMAABHvwA7kJNtDOCGWUUfgxFeIV2Za9EmcwYOen3Ne6_2LBLx1GFsxMYk6mLxsUL_aem_D0K2sIcD7Zf4pe_8oKNjig&nd=1&dlsi=d2924da2ab5b4097&flow_ctx=62ed462c-29e2-46b0-a2fc-8f1301f28149%3A1760419131

This was a paid promotion.

Lasting Flames (short film)

The grief of heartbreak is both a unique and universally relatable theme explored in the short film Lasting Flames. It perceives break-ups as a grieving process; mourning someone who is still alive.

Written and directed by Federica Alice Carlino – recently recognised as the most awarded director under 35 – Lasting Flames is a deeply personal project that almost wasn’t pursued.

“I wrote this project based on a very personal feeling and experience. It took me a while to decide whether or not to produce this short, as it came from a deep emotional place,” Carlino said.

Above: Federica Carlino

A story close to her heart, Carlino explained that as painters paint, and songwriters write, she processed her experiences through writing stories. She pursued the idea, knowing it was a universal experience many could relate to.

“It was an incredibly cathartic process for me, and I’m proud to have come to a place where I can share it with others… [As] I was explaining the concept to my cast and crew, I could see their minds travelling through their memories. Some of them told me they could definitely relate to it, and that was one of the first impressions that showed me I was on the right path.”

Lasting Flames follows ex-lovers Danielle and Jack, who have recently broken up and now experience the agonising loss of one another.

Above: Danielle and Jack played by Emeline Nsingi Nkosi and Jack Roper

However, through their emotional journey, the film explores the theme of hope.

As Danielle and Jack learn to live without each other, they find solace in cherishing their memories together, forever holding onto the love they once shared. The painful process of moving on is contrasted by the enduring power of love, memory, and the quiet promise that the past will never be forgotten.

Lasting Flames celebrates previous relationships that you look back on fondly. They’re the people who have taught you lessons that help you to become a better person for your future relationships.

“You learn to give your whole heart again,” Carlino explains. “This [short film is] for the good exes that you don’t resent in any way.”

Currently in pre-production, Carlino’s favourite part so far has been the casting process.

Danielle is played by Emeline Nsingi Nkosi and Jack is played by Jack Roper. Their new partners, Ashton and Mary are played by Nathan Bryant and Willow Zhao respectively.

Carlino will include English voiceover narration by Rory Kilgor from USA, and Italian narration by Michele Vitarelli from Italy.

“It was important for me to have it in my language as well,” Carlino said.

Born in Milan, Italy, Carlino first explored television before studying filmmaking, acting, photography, editing, visual effects, prothetics and makeup. In 2016, she relocated to Los Angeles, where she earned a BFA from the New York Film Academy. She further honed her acting skills at the Met Film School in Ealing, UK, and Pinewood Studios.

Despite living and working in Los Angeles, Carlino is shooting her new project in London, England. She had to start networking all over again and assemble a new crew to work with.

“The most challenging part is definitely finding my way in a new city. I had to find new people to collaborate with from scratch when I moved to London… Surprisingly it was smoother than expected, but it still had its challenges.”

Above: Ruby Ballantyne, Director of Photography.

Carlino always hoped to work with a predominantly female team, and on this project, it came together naturally.

The film is produced by Cameron Wight and shot by cinematographer Ruby Ballantyne. Gracie Herring handled hair and makeup, including the wig for Danielle’s character. Amy Reid (gaffer) and Chelsea Bernard (first assistant camera) played crucial roles in shaping the film’s visual style.

The film’s music is being composed by Victor Muñoz from Spain.

Being on set with the cast and crew is another of Carlino’s favourite parts of the process.

“I’ve been doing this for more than 15 years now, and it’s still the same feeling. There’s a sense of energy and creativity in the air, and it’s truly a magical experience to be a part of.”

Lasting Flames will be released on YouTube this year (2025), and within film festivals worldwide.

To stay up to date with the short film’s release, follow their Instagram account @lastingflamesmovie, and @federica.alice.carlino for sneak peeks behind the scenes.

With Carlino’s professional influences including Steven Spielberg, Tim Burton and Greta Gerwig, this short film is sure to be an emotional and visually transportive experience for anyone who has ever been in love.

“I hope to reach broken-hearted people with my work [and] offer them some relief, as I found it for myself. I want them to know that what they feel is valid and it’s part of life, but there’s hope.”

Above: Cameron Wight, Producer

All imagery by Leon Philipp.

This is a paid article.

[Debut Album] D.I.Y by CHOZE

“Failure is when you’re trying to please everybody… Just do you, and you only.”

– CHOZE


Alternative Grime is a genre of music that was previously unknown to me. But far from the rough-around-the-edges rappers with flabby and hollowly aggressive rhymes, is word wizard Ricardo Marinoni.

Marinoni is the well-presented, self-assured and lyrically talented front man of CHOZE.

From South-West London, CHOZE’s music is influenced by his unforgiving and sometimes violent neighbourhood that he grew up in. The survival instinct required to not only avoid danger but also to build a respectable life despite his unforgiving environment is the thrust behind his music career.

In this concrete jungle where the dapper dons rumble (wake up) 
Don’t sleep on us mate 
Or your temple gets crumbled

‘Wake Up‘ – CHOZE

In his words music was his saviour, and the catalyst to his life’s change of direction after an ankle injury stopped his budding professional football career in its tracks.

Going solo in 2015, CHOZE found immediate success in underground gigs and quickly built a loyal fanbase from his electric performances. This wave of success carried him to incredible venues and attracted collaborations that soon signed him to a label.

His debut album D.I.Y was released by 2022.

“I decided to create a body of work that represents my journey and belief. That’s one of the reasons why I called the album D.I.Y,” CHOZE said.

It seems like his live performances are the heart of his musical identity, and carrying this energy through on to a recorded medium may have been perceived as an initial hinderance to the success of CHOZE’s music.

However, after listening to D.I.Y I was immediately struck by the high production level, as well as the well articulated lyrics (something sorely lacking from new rap artists, in my opinion).

Here’s my favourite lyric:

MC’s should chill like a spring break 
Analyse their mistakes, no retakes 
Coz will cook you up like your flake 
Or expose your weaknesses like Ricki Lake 

‘Built 4 Dis‘ – CHOZE, Lion Art

I think CHOZE has picked his team well, and has enabled his work to be launched in the best possible way.

No lyric is lost in translation, and no message goes overlooked on this album.

But I won’t be a soul trader 
Even though I am a sole trader 
So don’t paint me with the same brush as a slaver

‘DIY Interlude‘ – CHOZE

“I was actually ill when I recorded this record, so the biggest shock for me was when I was invited to a DJ gig by a Sony scout. He dropped my instrumental in a mix to a packed crowd and they went mad, mad, mad!”

Badderz is the first single released from the D.I.Y record and is accompanied by a music video, which is another high quality production in itself. A futuristic depiction of success, alongside a Reservoir Dogs-inspired wardrobe.

It encapsulates CHOZE’s sharp brand of being a clean cut, well-spoken artist with a clear vision.

“Badderz, it’s my introduction to this modern world,” CHOZE said. “The reason why Badderz was produced is because we are living in a new era where sound and innovation have taken on a whole new approach.”

I love a success story. CHOZE’s journey is particularly inspirational for musicians and artists alike because he started at the bottom, with nothing but shear talent and motivation to get him to the top.

If you’re new to the alternative grime scene, don’t be nervous. D.I.Y is an approachable album with strong lyrics and clever hooks that will live rent-free in your head for a long time.

Listen to the album on all major streaming platforms here, including Spotify.

Follow CHOZE’s journey on Instagram, Facebook and Twitter.

This is a paid promotion.

Private Cinema Hire: Another Look at the Classics

Based at ODEON cinemas across the UK, an exciting service has become available:

Hire a cinema. All to yourself.

I knew cinema hire was a thing for large private screenings or elaborate Hen Do’s, but I thought that was only by special request and at great expense. I definitely didn’t know it was a sparkly new service offered nationwide with its own website and all!

You can hire the whole theatre for a movie or to play video games with friends:

Bring your own console and video games, and up to 20 mates for the same price. The price varies between cinemas and times, but looks like it’s around £150, which is only £7.50 per person for two hours (if you’re lucky enough to have 20 friends).

(Although, one may argue that most multi-player games suit up to four people so make sure you take turns!)

More of a movie buff like myself? Rent the cinema to watch your favourite film ever without the riff-raff of strangers around you.

There’s plenty to choose from in every genre, so this is something that would suit audiences of all ages. Just browsing through the recently added, there are blockbusters like Interstellar, Die Hard and The Lion King, and oldies but goodies like The Holiday, Stuart Little and Pretty Woman.

However, you can always request a movie if you can’t find what you’re looking for.

Again, prices can vary between cinemas and booking times, but you can get up to 20 people in your own cinema for just shy of £300. That’s £15 per person ticket (before popcorn and drinks), but I can definitely see the appeal.

Heck, if I had a cinema to myself and just my other half watching Harry Potter and the Prisoner of Azkaban, my life would be MADE.

(I’d suggest booking in for a three-hour Peter Jackson feature to get your money’s worth!)

What’s super cute is you can add a 60 second personal message at the start of your movie to wish your better half a happy anniversary or your bestie a happy birthday.

Certainly a very cool new service that cinemas are delving into. It’s a creative solution to the move away from cinemas and toward home streaming services, and I think it would make a thrilling gift for someone special or reunion for friends.

Book the cinema to watch your favourite movie, or play your video games on the big screen here.

This is a paid promotion.

Up and Coming Talent: Shayla Tharp

Shayla Tharp

I love being sent new talent to watch!

Shayla Tharp is an actor who hails from Iowa, USA and is currently living in London.

Former personal assistant to comedic actress Kristen Johnston, Tharp has spread her wings and pursuing her own acting path.

When asked what actors influence her work, Tharp referenced powerful women who are ‘fierce and brave’: “I’d say Mariska Hargitay, Laurie Metcalf, Judith Light, Sigourney Weaver. I love that they’re unafraid to push the boundaries in their craft, to be able to play all sorts of characters.”

In the short that I watched of Tharp playing her interpretation of Annie Wilkes from the 1980 horror Misery, her confidence held my attention. Her ability to channel Wilkes’ characteristics without copying Kathy Bates’ performance was unreal.

I don’t know a whole lot about the art of acting, but thanks to the advice that Emma Thompson, and Michael Caine, offered in interviews I know this:

  • Don’t cry unless absolutely necessary
  • Don’t sigh (it’s a cheater’s way to buy time)
  • Don’t blink (it weakens you)

Shayla Tharp certainly ticks the boxes! Her performances keep your eyes on the screen for sure.

I’m really looking forward to see where her career takes her in the UK, and wouldn’t be surprised to see her on television in a dramatic – or maybe even a comedic role like Kristen Johnston.

“I’d say my goals would be simple,” Tharp said. “To make a living doing what I love. There’s a reason I’ve studied so long for this career and worked my tail off, it’s because I want to do the thing that I love. Don’t we all want that?”

Check out Tharp’s work on her website, and follow her on Instagram.

Ty Bru: A Night In Charlotte with Sweeney Ty

As a self-proclaimed Sweeney Todd fiend, Ty Bru: A Night In Charlotte with Sweeney Ty immediately piqued my interest.

Clearly inspired by Sweeney Todd: The Demon Barber of Fleet Street, this rap/hip-hop production gave the melodramatic victorian tale a previously unseen twist.

Ty Brueilly is the front man – and presumably the vision behind this performance – who has been involved with independent music for nearly two decades.

Intercepting and merging with Ty Bru’s rap are the familiar voices and instrumentals from Tim Burton’s Sweeney Todd musical. The two genres weaved between each other effortlessly.

In the same way that Baz Lurhmann’s The Great Gatsby mashed the twenties with modern music, I think this performance did a great job of blending the victorian-based thriller with modern rap.

While the smoke machine sets the scene, the make up is individualistic and the camera work is smooth, what’s lacking from this performance is slickness. It seems loose, particularly when considering performers in the background who act as though they can’t be seen when others are in the foreground. I think this makes the performance messy and breaks the illusion.

Having said that, from another point of view this could just be the interjection of a typical imperturbable rapper’s performance to the theatre stage show backdrop.

Nevertheless, I enjoyed the theatrical nature of this Sweeney Todd inspired performance. Certainly very creative and unlike anything I’d seen before.

If this sounds like a bit of you, check it out below!

Follow Ty’s film and music work on Facebook and Instagram.

This is a paid review

Folded Whispers: A Night of Poetry with Mark Anthony Thomas

Mark Anthony Thomas is an economic development official in Baltimore, Maryland. However, he has an extensive creative background in writing. Thomas is a published poet and has recently released a short film documenting a live reading of his original poetry.

Folded Whispers is performed in Kelly Strayhorn Theater to friends and members of the Pittsburgh community. It captures a collection of his work that covers love, loss, race, identity, urbanisation and the pandemic.

This is his first performance in 15 years. Thomas explains that he wouldn’t be where he is now if he hadn’t started writing as a teenager. From humble beginnings, he described his childhood as his rocketship that helped him to develop his career as an economic development officer.

The poems walk us through poignant times in his life over the last decade and a half. The journey is vivid in his storytelling, touching on universal fears and experiences.

I will pray for rain.
Open no blinds.
Change no channels.
Write no new testaments or disguise them as folded whispers.
The day before will be my dissertation, and I’ll sleep in until my judgement is called.

End of the World – Mark Anthony Thomas

The journey with Mark Anthony Thomas begins with the End of the World, encapsulating what I believe to be the depression of the pandemic.

Superpowers seeking dominance will pray to Jesus and He’ll be answering no calls.

In this poem, I heard the fears from every walk of life being the same, with no one to save any of them. I think it’s the story of everyone being in the same boat, regardless of economic status or beliefs.

The performance ends with a pick-me-up, For Real. With the promise to himself that despite his wrongdoings, he will find love again. That he is not doomed to walk with bad karma on his back if he doesn’t choose to. That the only way forward is to believe in himself, instead of spiralling in his guilt.

“The aftermath can keep us tumbling.
The repercussions can be endless journeys.
Neither now appear to be my destiny.”

For Real – Mark Anthony Thomas

Having had a secret interest in poetry slams, Folded Whispers was of immediate interest to me. Check out his short documentary film below and let me know what interpretations you experienced in the comments.

Follow Mark Anthony Thomas on Facebook, Twitter and LinkedIn.

Jodie

[This is a paid promotion]

[Album] Sonder – Greg Kozakiewicz

Polish-born British composer and pianist, Greg Kozakiewicz, has just released his second album, Sonder.

The meaning of the word Sonder is the realisation that each random passerby is living a life as vivid and as complex as your own.

The album was born from the isolation of the pandemic lockdown, where Kozakiewicz reflected on how the era of technology meant people could still influence each other despite the distance between them.

“We live in strange times. The pandemic altered the way we relate to the world, nature and everything around us. Our lives slowed down and the noise of daily life faded out… The age of communication removed boundaries and let us passively absorb other people’s lives and be influenced by them in a positive or negative way. People live much more interesting lives than we think.”

– Greg Kozakiewicz

These philosophical concepts are the basis of this instrumental album. Despite the strong emotion behind it, the soft piano offers the flexibility of drifting through as background music, or offering a story to be tuned into and interpreted by the listener.

For me, I found there to be a nostalgic or bittersweet quality to the music. Specifically in the track Lucy. Having never heard the song before, I can’t explain why it transported me to the feeling of returning to my childhood home. I think that’s the magic of music.

Silent Sirens was a track that, as the name suggests, reminded me of the alarming nature of the pandemic, which was contrasted by the silence of the streets as everyone isolated themselves.

Despite the various interpretations an album can have, Sonder is one that brings everyone on the same page; you’re not suffering alone. Not only in the pandemic, but in life generally. Everyone feels pain, but Kozakiewicz reminds us that that’s where you find poetry too.

Sit back and listen to Sonder below on Spotify, or on Apple Music.
Find out more on Greg’s website and Instagram.

[This is a paid promotion.]

Coda Nova – Fable

Atlanta-based four-piece progressive rock band, Coda Nova, have released their third single, Fable.

With drums that lean toward heavy metal, hooks that remind me of My Chemical Romance (in the early days!), electric guitar that screams straight from the 1980s, and vocals that echo Placebo, Coda Nova is an authentic mash up of all things rock to create a distinct sound of their own.

This eight-minute track bends all the ‘rules’ of modern three-minute tracks, which in itself sets this band apart. This step off of the beaten track reminds me of the forward-thinking Pink Floyd.

“Say what you will, this fable’s in decline.”

– Coda Nova

Fable speeds up and slows down like waves of emotion as the story builds momentum. A brave and progressive song structure against poetic lyrics woven between classic rock riffs makes this single memorable.

“Feel that elation
That pull of greed
Exaggeration of things we need
What is left to fill
But all the minds we see
are just left for guessing”

– Coda Nova

My only wish is that they’d crank up the bass guitar a little, as the song sounds a bit thin at times with the lead guitar taking centre stage without a much-needed heartbeat.

Listen to Fable on Spotify, Bandcamp, Soundcloud or Amazon today, and let us know what you think in the comments below!

This is a paid review.

Stardust – Odd-Arne Jacobsen (cover)

Picture by: Aliona Pazdniakova

Stardust is a song that has been covered by the greats – Ella Fitzgerald, Nat King Cole, Ringo Starr, Willie Nelson, Bob Dylan, John Coltrane, Frank Sinatra and more – since its first recording by Hoagy Carmichael in 1927.

You’d have heard Stardust feature in movies such as Sleepless in Seattle, Goodfellas, The Aviator, and even as recent as 2018’s A Star is Born too.

When our love was new
And each kiss an inspiration
But that was long ago
And now my consolation is in the stardust of a song.

Stardust

Among these covers, is Odd-Arne Jacobsen’s version. This Norwegian guitarist has covered Stardust three times during his music career, as featured in the video below.

The first one version was recorded at NRK Tromsø in 1980, the second one in Umeå, Sweden in 1987, and the last one recorded in Jacobsen’s music room in Oslo, Norway in 2009.

But why has Stardust attracted so much attention over the years? For Jacobsen, it’s a melody that has followed him throughout his career, and is a song that will be eternally timeless.

“When I started my career as a guitarist in Tromsø in northern Norway, Stardust was often the opening tune at Grand Restaurant in Tromsø. The melody has traveled with me all the time and it has something timeless about it; a bit of melancholy and reflection on life’s ups and downs,” Jacobsen said.

Though I dream in vain
In my heart it will remain
My stardust melody
The memory of love’s refrain.

Stardust

A professional musician since the 1970s, Odd-Arne Jacobsen has seen success in multiple countries. He gained popularity in Russia where he performed as a guest solo artist at the Moscow international Jazz Festival, and in New York where he was the first Norwegian guitarist to hold a solo concert in Weil Recital Hall at Carnegie Hall. 

Touring China and Japan influenced brought inspiration to his signature sound. But Jacobsen is also inspired by 1940s music; an era that saw huge leaps in guitar development such as the release of the Les Paul guitar.

“The forties stand out to me as a decade with clear guides towards today’s pop-rock, jazz and hip-hop,” Jacobsen said.

As a well-established European Jazz musician, he has worked with a lot of music students on very different levels.

Jacobsen’s inspiration and obvious musical talent has turned this nearly 100-year-old tune into a refreshed and personalised song once again. His talent as a guitarist and composer certainly shines through in his performances, with strong jazz vibes as the backbone of every version.

With every cover of Stardust being filtered through so many different artists, I think this song has become one of the most inspirational and versatile musical creations of all time.

Check out Odd-Arne Jacobsen’s covers of Stardust below, and click on the icons to follow his updates on Facebook and Youtube:

Find out more about Odd-Arne here: Wikipedia & Reverbnation

This is a promoted review.

Malibu Crush

Director: James Pratt
Writer: James Pratt
Released: 2021
Starring: James Pratt, Demitra Sealy, Hayley Gia Hughes, Jessica Ross and Aiden Mckenzie

Inspired by the writing style of the Farrelly Brothers’ (Dumb & Dumber), Malibu Crush is a labour of love by award-winning actor and director, James Pratt.

It’s a quirky Indie film about two best friends from Pasadena who pretend to be highly acclaimed film school students in order to declare their love for an ex-girlfriend living in Sydney, Australia.

With the physical comedy gags peppered throughout the movie, I can not only see the Dumb & Dumber-inspired sketches, but I’m also reminded of Seinfeld‘s Kramer. (Which, automatically makes me a big fan!)

I think the only thing it’s missing is a punchy soundtrack to set it apart a little more from other indies.

However, you wouldn’t know this movie was completed on a small but respectable budget (at least in comparison to mainstream Hollywood films) or during Sydney’s heavy Covid restrictions. Its high-quality camera work takes centre stage, and the bright colours steal the show.

James Pratt is the star of Malibu Crush, both on and off-screen. He was born in Sydney and attended the acting school there. In 2012 he made a $200 short film in the outback of Australia, which was a finalist at the 2012 NBC Universal Shorts Fest in San Francisco. Since then, he has since won more than 23 acting and directing awards in Hollywood.

Malibu Crush is a must-see Indie Comedy. It’s scheduled for release in Australia and NZ on 7 September 2022, and in October across America and Europe. Watch the trailer below!

Jodie

Follow James Pratt to stay up to date:
Instagram: james_pratt7
YouTube: Jamesprattpofficial

This was a paid review.

The Days of Aqua Net – After Adam

The Days of Aqua Net is a pop-rock anthem by After Adam, and it’ll be a sure hit with Gen Z.

It’s an innocent recollection of the past, filled with nostalgia, regret and fresh perspectives.

Those were the days of aqua net
Those are the days I’ll never forget
I only have one regret
And that’s not kissing you

It reminds me of the kinds of songs that would be played in the disco scenes of children’s tv shows such as Lizzy Maguire.

The song and music video make more sense when you Google what aqua net is. It’s a brand of hairspray from the 1950s that had a huge comeback in the 80s when the trend for big hair returned.

An enjoyable and innocent tune!

This is a sponsored review via Fiverr.

Holly Anna Lisa – Tyme, LiL Flip & Killa Kyleon

Houston-born rapper Tyme has teamed up with Lil Flip and Killa Kyleon and released a new rap single called Holly Anna Lisa.

Jeseka Price of Price Royalty Publishing Company is the executive producer and music publisher of the rapping trio.

Honestly, rap is not my thing. So I probably don’t have the capacity to fully appreciate this song. But I hear that these three rappers are the real deal in the industry.

They speak so fast I can’t understand what they’re talking about. However, I do like the choir in the background. Combined with the high-pitched melody, it creates a spooky feel.

Check their song out on YouTube below, or head to Spotify!

This is a paid song review via Fiverr.

Under the Clocks (Stay) – Echolily

Echolily is a doctor by day a bedroom musician by night.

Inspired by the likes of Sia and Bjork, this singer/songwriter is incorporating the best of her favourite artists while creating an identity of her own.

The song Under the Clocks (Stay) is an echoey and haunting song with electronic pop vibes. I could easily imagine it being remixed for the clubs!

I love how Echolily has produced the song entirely on her own. It gives the music a raw, independent quality that I really enjoy, because it’s not been overproduced or manipulated too much. I love her description of sound; electronica downtempo, synth pop, trip hop and ‘can you make that more lo-fi please?’.

My favourite thing about this song is the meaning behind it. Inspired by the love of the city of Melbourne, and the overwhelming emptiness of it during Covid. The singer says she met a man while busking outside Flinders Station (the iconic train station you would have seen on postcards), who told her that he used to meet his lover here. He’d just say ‘meet me under the clocks’ of Flinders Station. Hence the song title.

Having visited Melbourne several times, I know Flinders Station well. I totally understand the romance of its architecture, which is why I love this story so much.

Her connection with the pandemic goes beyond empty city streets. Echolily is a frontline health worker, and experienced Covid-19 head-on. I think that brings a new depth to the song.

Check out her song on YouTube or Spotify!

This is a paid review via Fiverr.

No Goodbyes – Norman Alexander

R&B singer/songwriter Norman Alexander hails from Queens, New York.

His song No Goodbyes is a catchy yet solemn tune that showcases his natural vocal talent. Despite the electronic tinny drumbeat, Norman Alexander’s voice is a far cry from the auto-tuned, synthetic sounds typical of the R&B pop genre.

A song derived from the loss of his brother and sister, the mournful chorus certainly captures the sadness felt by the singer. I think the emotional heartbreak of the song is a welcome reality check to the genre that’s so often flooded with the far more shallow aspects of life.

An authentic and heartfelt song that is definitely worth a listen. Check it out below!

This is a paid review via Fiverr.

Bright Light – Neil and Adam

This is a paid review via Fiverr.

The St. Louis-based duo have a few thousand followers across their channels, with Bright Light already receiving more than 8,000 plays.

While Neil and Adam’s song Bright Light does sound quite generic, I suppose that is the essence of the pop genre.

It actually sounds like the kind of song that’s played over the credits of a coming of age movie like Fault in our Stars or The Way Way Back. It’s very upbeat, positive and nostalgic.

Scared of the bright light
Burning in your heart
Waiting for the fist fight
That rages in your heart

With a catchy chorus and smooth vocals, you’re bound to enjoy it! It’s easy to sing along to, and it certainly gets stuck in your head.

Check it out:

This is a paid review via Fiverr.

Unhinge – Panophonic ft Dani Mari

Singer/songwriter Tom Hugo is the frontman for Panophonic, who hails from Philidelphia. He’s written this track, Unhinge, which reminds me of a classic ‘Lazy Sunday’ album jam; it threw me back to the early 2000s.

Described as electro rock/indie pop Panophonic has a unique sound, which transforms triumphantly in this track. It sounds like it should be featured on a coming-of-age film like Up in the Air.

I quite enjoyed this song, particularly the ethereal vocals of Dani Mari.

Check out their new album Awakening here.

This is a paid review via Fiverr.

Adios – Hybrid Blues

This is a paid review via Fiverr.

Hybrid Blues is a band that’s homegrown. The mature band members come from a wide range of backgrounds, but have all seem to have joined forces in New Zealand’s East coast city of Tauranga.

Their music is blues meets rock meets country, but it’s certainly upbeat! The rock and roll vibe of their song Adios reminds me of the darker rhythm and blues sound of Johnny Cash. I think it’s the guitar and gravelly vocals.

Adios tells a haunting story, supported by echoed vocals and a solemn guitar solo, which makes me think of The Eagles’ Hotel California.

The only thing missing is for the vocalist to totally let loose after the guitar solo. It’s as though the whole song leads up to a crescendo that isn’t quite there. I think the song should also continue the echoed vocals right through to the end with the story fading out; marching on past us.

Nevertheless, this would be an awesome band to see live! I think their passion is masked by a recording studio. I get the feeling that their live performances would give audiences chills.

It looks like they perform around New Zealand, so keep an eye out for them!

Check Adios out on Spotify!

This is a paid review via Fiverr.