This is the second song I’ve reviewed of Billy Roberts’.
Seen It All Beforehas a different sound to No More Mr Nice Guy. The last one was more country, but this one sounds more like a garage band; a bit rockier!
But this song still carries the same unique sound of Billy Robert and the Rough Riders, with the same spoken-word kind of singing style.
It’s an upbeat and fun song with great electric guitar parts mixed in with an organ, making an interesting and distinct sound.
The chorus is very catchy! My only critique would upping the energy in the vocals a bit! As the vocals aren’t carrying much emotion like he rest of the instruments.
Director: Ben Affleck Writers: Based on the novel Prince of Thieves by Chuck Hogan. Screenplay: Ben Affleck, Peter Craig and Aaron Stockard Released: 2010 Starring: Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner, Blake Lively, Titus Welliver, Pete Postlethwaite and Chris Cooper
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I think this movie has everything in it – a compelling love story, fantastic action scenes and Ben Affleck *swoon*. You also can’t go wrong with a rough Boston accent either!
A story about a town in Boston named Charlestown. Where, for some, bank robbery is a way of life and treated as an art handed down through the generations.
In the first robbery of the film, a masked Doug (Ben Affleck) is calming Claire (Rebecca Hall) who is franticly opening the safe, while the rest of the robbers intimidate the hostages.
A few days after the robbery, Doug ‘bumps into’ the woman to see how much she knows about the robbers and what she’s told the police. Which, I thought was a super cool part of the film. By getting close with one of the few witnesses Doug had the inside scoop of how far off the police were.
Anyway, she basically falls in love with Doug – who, little does she know, was responsible for one of the most traumatic experiences of her life.
I like movies where you’re on the side of the ‘badies’. Kind of like in Gone Girlwhere I found myself rooting for the mad killer. It was the same as in this film – I was backing the robbers the whole time. but what The Town did differently was that they went a step further and villainised the ‘goodies’ – the police.
It’s a thorough insight into a vastly different culture. The robbers are brutal, tough, but incredibly loyal toward each other.
Doug: I need you to do something with me. I can’t tell you why, you can’t ask me about it after and we’re gonna hurt people.” Jem: Whose car we gonna take?
God, but bloody Affleck. Being the main character, director and one of the writers, OF COURSE he had to write himself a saucy love scene. Boys, eh!
Lovable, exciting – yet violent – characters, a believable love story with fantastic action sequences between uplifting scenes. A cool twist to the average cold, stale bank robbing film. I like how, although it is scary and violent and intense, it’s still personable and emotional.
Director: Tim Burton
Writer: Larry Karaszewski and Scott Alexander
Released: December 2014
Featuring: Amy Adams and Christoph Waltz
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A Tim Burton film with Christoph Waltz and Amy Adams in it, and composed by Danny Elfman… I kind of knew how this was going to pan out before even pressing play.
It was going to be a bit creepy – because Burton. Quirky and fun – because Adams. Emotionally charged and dark – because Waltz. And choirs and strings – because Elfman.
Nevertheless! This was not a totally predictable Burton tale because it was based on real people and events.
Being set in an era I love, with mesmerising art and admirable, strong female characters, I enjoyed this film very much.
This is the story of Margaret (Adams) who is the artist responsible for the memorable paintings of the children with big eyes during the sixties and seventies.
She married a salesman Walter Keane (Waltz) after walking out on her previous husband. (Which was a big thing for women of that time.) Keane told her that people don’t buy ‘lady art’, so it would be in both of their best financial interests if Margaret’s art was passed off as his.
Over 10 years, that lie snowballed into something much larger, where Margaret was lying to her daughter, lying to herself and losing her identity in a dominated relationship.
Big Eyes follows Margaret’s struggle to pick herself up and stand up to her husband. She had his name, therefore he had her work and consequently, her identity. It wasn’t going to be an easy fight.
Tim Burton has won me back as a Burton fan, because it was different enough, while still keeping the Burton-esk feel. Not everyone had heavy eyeliner, striped fingerless gloves, and Helena Bonham Carter and Johnny Depp were not cast!
Yet the pastel colours, crazy eyes and gorgeous costumes still brought back fond memories of Edward Scissorhandsand Dark Shadows.
There were some great scenes, like when everyone’s eyes were like dinner plates in the supermarket. I was mesmerised by how believable Amy Adams is! She is an incredible actress for sure. I could completely understand how blinded she was in her marriage, just by her nervous gestures and mannerisms.
Christoph Waltz is so talented. He is portrayed as the conman who is vindictive and dark, yet so trustworthy and confident – like a used-car salesman. I think he is the best villainous actor in Hollywood.
I love films where the underdog gets justice and revenge…
A true story portrayed like that of a fairytale. We get in the head of a suppressed artist and woman, who expresses her feelings through the sad eyes of the children she paints. Wonderful film, with great 60s and 70s music and décor. Beautiful!
The first thing I noticed about this nine minute film was the sound. It’s incredible how simple effects, such as the overlapping of sound between scenes can make such a huge impact.
The score during the credits fits the mood perfectly. The sound and original score is by Tony Agar.
This is a story about a child, Rosie (Aimee Branson), who in basic terms has Alzheimer’s disease. The mother, Anna (Lindsay Bennett), has a choice: To enjoy the final 18 months with her daughter, or have a procedure that allows Rosie to survive, but with a 99 percent chance of her having no existing memories remain.
‘Delete her life’ – she dies either way.
The second thing I noticed was how believable the actors were. I especially thought the doctor, Stephen Fawkes, was convincing.
A short, simple film that is layered and told in a powerful way.
I thoroughly enjoyed Goldfish – well done to the small cast and crew involved! I think the hardest part is to stay within one’s means when making films. But with three characters and almost as many scenes, they managed to send a strong message without going too broad.
But I think this is a heart-warming, yet tragic story. The harsh lighting, score and believable acting certainly carries the emotions across.
I’m fascinated by memory – which is why Inception and Inside Out are two of my favourite films. Goldfish is definitely worth checking out!
Easy listening for the over 25-year-old single or broken-hearted ladies out there.
Every Bridget Jones-esk spinster, or recent singletons, would have this track on repeat during their Sunday afternoon wine.
It is the new smooth sound – quite literally. You may have been equally deprived of this fact, but New Smooth Sound is a legit genre combining R&B, pop, and jazz.
With the cool lyrics that any Michael Bublé listener would love, and casual banter similar to the monologues one hears in sixties songs to kick the song off, I can see this tune being a hit.
Very well mixed and recorded, with talented singers and musicians for sure.
Reading about AJ Smooth he seems like a genuine guy who is ‘known to dip an occasional fry into mayonnaise’, and whom writes his own songs.
This is not a song easily disliked, this is atmospheric coast music at its best.
“How to get a boyfriend on Tinder… You don’t get boyfriends on Tinder. To get a boyfriend on Tinder, you need to uninstall Tinder.”
*Since writing this, Rosalea has added more videos, so I shall embed them at the bottom of this review as they are made!
This is a hilarious reality check to all those singles out there expecting to find true love on the dating app with the worst reputation.
Rosalea definitely reminds me of the American vlogger Jenna Marbles who has been vlogging for years. Both talented with hair and make up, and both hilarious.
“You’re not going to find someone that you click with like no one’s business… Who brings you a 750 gram tub of Nutella with a spoon on it and says ‘yo, let’s go sit on that mountain and discuss the invention of Cruskits.'”
This is the first episode uploaded by Rosalea, and I’m excited to see more. This isn’t a ‘Tinder tantrum’, this is an in-depth and thoroughly entertaining insight into the world of Tindering.
“They think I’m a slut and I think they’re a douche.”
She has a natural ability to make mundane experiences into hilarious stories, with her subtle expressions and bizarre metaphors.
After a brief and incredibly informal interview, Rosalea talked about her passion for vlogging – something she has been doing for a while in private.
“I’ve secretly wanted to try become a giant YouTuber for ages and sometimes I make vlogs for kicks when I’m bored. They’re somewhat entertaining to watch so I was like ‘let’s see if people like this.'” It is only now that she has posted her exploits online.
UPDATE: You have to watch Rosalea’s latest video – so hilarious:
With a desk lamp, phone and a bunch of mousse in her hair, she is well equipped to be New Zealand’s very own Jenna Marbles.
Be sure to follow her on Twitter and subscribe on YouTube – she comes out with some real chestnuts sometimes, and you don’t want to miss out.
Director: Pete Docter
Writer: Pete Docter and Ronnie del Carmen
Released: June 2015
Starring: Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, Mindy Kaling, Richard Kind, Kaitlyn Dias, Diane Lane, Kyle MacLachlan
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What a fantastic premise!
I am fascinated by psychology and why people behave the way they do, and this film has simplified our complex behaviours into an entertaining and interesting animation.
It’s about a young girl… Well, more like the emotions that make up a young girl. We see inside her head and see who controls her moods, decisions and feelings:
Joy, Sadness, Disgust, Anger and Fear.
Each are relatable and lovable, each with pros and cons, strengths and weaknesses. No mood is less important than the other, or more favourable than the other. Which is a moral within itself.
My favourite character was Sadness. Because she seems so helpless and incorrigible, but she’s not self-loathing or deceitful.
Joy was my least favourite… She is positively irritating.
However! I was surprised to notice there are more female characters than male characters.
I love how much we find out about this world – the subconscious, personal values, suppressed memories, even her imaginary friend. But my favourite part is the explanation of dreams…
“Action!”
By turning the brain from a wibbly-wobbly system, a complex map – if you will – of intertwined motorways, power lines, unpredictable traffic jams and road rage. This movie physicalises many components of what makes you, you!
All that is natured and nurtured, all that is influential and permanent. This movie has assigned a character to represent it.
Thoroughly enjoyed it. I think perhaps, on a deeper level beyond the entertainment value, perhaps this film could shine a new light on why people are the way they are. Hopefully increasing understanding and acceptance among us… That’s wishful thinking…
But you should see it.
My only hope is that an R16 version comes out where it’s not an animation, but a real person. Who is a psychopathic murderer like Hannibal… IMAGINE THAT. Watching what Hannibal Lecter is THINKING…
Perhaps a sequel?
Jodie’s rating: 8/10
Why not a 10/10? Because it sagged a little at times, and at the end, you realise you spent $18.50 on a children’s movie…
Director: Alan Clay
Writer: Alan Clay
Released: 2013
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A coming of age romantic comedy in which a Beverly Hills girl falls for a Venice Beach street clown named Chaos and she must overcome her inhibitions and become a clown herself for the relationship to survive.
Once a clown, now a director, Alan Clay is a successful homegrown indie filmmaker who has made this film Courting Chaos.
The film is about a girl, Ginger (Rachelle DiMaria), who falls in love with a street clown, Chaos (Alastair Bayardo). But in order for the relationship to work, she has to change.
Having not seen the whole shebang, I’m not sure if the moral of the story is ‘change who you are to make someone like you’, or if it’s ‘be who you really want to be – even if it’s not what most deem to be acceptable’.
I’m assuming it’s the latter.
Judging by the sneak preview I have seen, it is certainly comedic. With the acting well above par, and the pacing of the jokes very well performed, I am looking forward to seeing the whole thing.
Courting Chaos seems to be an upbeat, colourful film. The most impressive thing about it, is that the film was made within 22 days!
Good on the cast and crew!
To sum it up, I’d say it is a quirky and honest film that anyone could enjoy.
They remind me of Radiohead, mixed with a sort of Shihad kind of deal – sort of grunge, but upbeat.
I cranked this baby up, and the layering of the vocals is what makes this song! His gravelly voice raises the song above a typical pop song into a something with a sound I haven’t really heard anywhere before.
The music video is super cool! Thoroughly enjoyed it. It’s pretty much just one shot the whole time. I’m assuming it’s shot in the UK – I’d love to know where.
I reckon their music would suit movies like The Lost Boys.
If you’re into grungy, catchy, punk rock tunes, check Warme out! Facebook and Twitter.
First of all, I should declare that rap music really isn’t my jam.
But I do appreciate the general gist of the song meaning, which I understand it to be about making something of yourself when everything is against you.
Every story got a two-side
T-shirt tryna make it to the suit and tie
I think New Guy would be a great candidate for a remix.
The video is certainly something to rave about though; so cool! It’s directed by Justin Campos. Kudos to the editor too! Very impressive video.
When times is tough they look at me for answers
Hoping I can lift ‘em off from their fears and progress
So I grind, Sunday to Monday
I’m that new guy
I think if you’re into rap music, New Guy will be worth a listen.
The first thing I thought was ‘Nick Cave’. I think it’s David Arn’s gravelly voice and story-telling songs.
I agree with Arn’s previous critics who say that his strong point is certainly the lyrics.
“When you lost your situation, gypsies went home sick”
When Lost In Your Situationsounds like a song I’d expect to hear on one of my favourite films, Thelma & Louise, or on classic indie stations and films with its lost-sounding guitar and the grounding vocals.
The guitar and deep voice is let down slightly by the organ. If my critique is worth anything, I’d like to accent the pounding heartbeat of the bass guitar, and enhancing the rich piano. Just to make the song sound ‘solid’ with more depth to the song.
(Or, at least I’d like to see what it sounds like.)
These two suggestions are simply to reinforce the intensity of the song. So that the weight of the deep and bold vocals, guitar and lyrics can be fully supported by the rest of the instruments.
Despite that, I am already a fan of the enchanting, entrancing music of David Arn.
Written and directed by Joe Scott, who also wrote Tamla Rose. Released: 2015
Production company: Ace Film
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A slightly abstract musical about a young woman uncovering mysteries of her childhood.
Reiga (Sabrina Dickens) is a music student suffering from flashbacks and hallucinations, particularly of a little girl. As the movie goes on, it gets darker and even rather creepy.
The little girl is Reiga’s younger self, who helps her uncover family secrets and come to terms with the tragedies of her past that she has mentally blocked out.
A fantastically lit, well-made feature-length film. I thought Sabrina Dickens was a believable actress whom I enjoyed watching.
Although I’m not a fan of musicals – usually because they get mellow-dramatic rather quickly – I found that the songs not only fitted in very well with the tone of the movie, but actually carried the story further. Particularly because the protagonist was experiencing surreal delusions, so the realism wasn’t broken when the actress began singing.
Despite the occasional shot hinting at the film’s low budget, I think it was a creative and an incredibly brave storyline that was pulled off well.
I think the only way this film could have been improved, would be to play around with the lighting a little, or even using simple in-camera tricks to highlight the creepiness and uneasiness of the situations.
Despite that, I think it is a great film with great songs. But I am particularly impressed with the continuity and set lighting. Even though there wasn’t a huge amount of creativity within the set design, the crew certainly stuck to what they know and do best. Limitations are an important thing to recognise on a low budget, and these guys used it to their advantage.
Pokey LaFarge returns to Auckland! It was grand. This time, promoting their brand new album Something In the Water, which was released in New Zealand on the night – well before the official April 7 release date.
A lot has changed with their sound, still keeping their fantastic ragtime/blues genre and tempo, but with an extra player added to the team: Matt the drummer! It was amazing. It was a loud and energetic atmosphere to say the least with the lead singer, Pokey, making the crowd laugh in between songs.
Chloe the spectacular sax/clarinet player did a duet with Pokey on a couple of songs which was so, so cool! I loved it!
I will restrain my inner fan this year and not write a mile-long post, but it was a fantastic show that sold out much earlier than last year – so lucky I was on the guest list! Yes, this band treats their psycho fans rather well.
I can’t wait to buy their album (I didn’t bring cash on the night to buy one! What an amateur mistake on my behalf.)
Director: Damien Chazelle
Writer: Damien Chazelle
Released: October 2014
Featuring: Miles Teller, J.K. Simmons and Paul Reiser—
I’m sure you’ve heard of Whiplash, and referred to it as ‘that drumming film with Juno‘s dad in it.’
Or, perhaps you first heard of it when J.K. Simmons won best supporting actor at the Oscars for his role in Whiplash. (Which, OH MY GOD did he deserve. He was… Every teacher I’ve ever feared.)
Although, I reckon everyone should have known Whiplash as ‘that amazing film I went to see yesterday for the second time’. Yet, at least in Auckland’s case, it was barely shown – if at all – in the major cinemas.
“Not my tempo.” – Terence Fletcher (J.K. Simmons)
This film has the darkness of Black Swan, the mind-twisted characters of Nightcrawler, and the photography of… What’s a fantastically-lit and composed movie… The King’s Speech? Anyway. Very well shot indeed.
It was like a way more intense and less-uplifting version of Peaceful Warrior. (A movie about a gymnast mentally and physically pushed to the limit.)
The basic plot is about Andrew Neiman (Miles Teller), a first-year college/university jazz drummer at America’s best music school. J.K. Simmons is his teacher who has a few screws loose. Whiplash is the internal battle of a boy’s appetite for fame and success, while being drained by his teacher who plays mind games and throws chairs at him and what not.
You don’t have to be a drummer, a musician, or even like music to thoroughly enjoy this movie. However, I have heard from some of my drummer friends that if you do play drums, you will notice some inaccuracies. (Probably like how horseriders feel when watching horse movies.)
I think the only thing holding this move back was its simplicity… Or maybe that aided it… I’m not too sure, but I wonder if Whiplash could have become as disturbing as Black Swan with some more scenes expressing Neiman’s inner emotions..?
“WERE YOU RUSHING, OR WERE YOU DRAGGING!?” – Terence Fletcher (J.K. Simmons)
You must watch this scene!:
Despite that, I loved it… Loved it, loved it, loved it. I got so stuck into the story, completely immersed in Andrew Neiman’s struggle, obsession and frustration.
I’d be so happy to see more of this sort of film in the cinema. If you’ve got an appetite for dark and emotionally exhausting films, this is for you.
This came on the news last night and I am really excited!
No more Craig Ferguson. James Corden is the new host for The Late Late Show, and I think he’s going to be great.
At 36, he’s the youngest host of a late night show ever to grace an American network (probably the funniest too). I’m such a fan of his, particularly when he was in the show Gavin & Stacey.
After watching some of the show’s YouTube clips, I’m definitely keen to see the whole shebang! But boy, five shows, five night a week… That’s got to be a challenge!
Check this ‘back story’ to Corden’s unlikely position as a host:
Or… If you don’t have eight minutes to spare, spare one minute on this:
These may have slipped your memory because they are from the late 90s/early 2000s. But for some, they are embedded in childhood brains.
Here It Goes Again by OK GO Don’t tell me you weren’t mesmerised by their choreography using treadmills. Or at least fascinated by their costumes.
Weapon of Choice by Fatboy Slim A favourite of my parental’s. Played on repeat throughout my impressionable years.
Praise You by Fatboy Slim
A favourite of mine. Their dancing reminds me of my current style of expressive dance that I like to impress people with at nightclubs. I actually didn’t realise Praise you and Weapon of Choice were by the same artist until just now…
Freestyler by Bomfunk MC’s
My brother’s favourite song, played on repeat in the car. Everywhere. Great video though.
Sophie by Goodshirt From us Kiwis comes ingenuity. One shot. Straight through. Who can be bothered with editing? So why not just… Let the camera roll. Well done, guys. A humble and funny video.
What do you reckon? Basically, I like quirky videos.
Oh! Weezer’s Say It Ain’t So video was narrowly cut out! I love how the singer pauses to take a sip of milk. That’s it. Fantastic moment.
I have noticed the following story has been redone many times.
With slight variations, the general story lines are extremely similar:
The unsuspecting and naive child or ‘street kid’ helps a disabled or lonely adult who drinks a lot and whom nobody likes. In return, the adult helps the younger person mature.
Here is the check list to qualify for this ‘sub-genre’:
Heavy drinking scenes
Adult and young adult/child combo
Driving is to be involved in at least one scene
The younger of the two will become more confident and mature at the end
The older of the two will have a new-found acceptance or appreciation of life (except for You’re Not You… lol)
Comedy/drama genre
At least one character is witty with good come-backs
If it’s an English movie, some haircuts will be questionable
Tends to have a good soundtrack
Driving Lessons “When a woman says she doesn’t want to go on, she doesn’t mean she doesn’t want to go on! I’m just nervous!” Evie (Julie Walters) is a retired actress who is lonely and drinks a lot. She hires a young man, Ben (Rupert Grint), to help her around the house. Ben is unwittingly taken on a camping trip on the way up to Edinburgh. Ron learns to relax and indulge his writing talent, and Evie learns to move on from grief and loneliness after making piece with her acting career.
Scent of a Woman “I don’t know whether to shoot you, or adopt you!” Frank Slade (Al Pacino) is a retired, blind Lieutenant Colonel who is lonely and drinks a lot. He hires a young man, Charlie (Chris O’Donnel), as a caregiver over a long weekend. Charlie is unwittingly taken on a trip to New York with no expense spared. Charlie learns that a problem back at his school can be solved through loyalty and not by snitching. Frank learns there is still something to live for despite being hated, lonely and blind.
You’re Not You “She doesn’t make me feel like a patient” Kate (Hilary Swank) is a pianist diagnosed with ALS and hires a young woman Bec, (Emmy Rossum) as a caregiver. They decide to take a few trips together. Kate learns that she doesn’t want to be with her husband and accepts her fate, and Bec realises she can be a performer without fear.
The Intouchables “That’s what I want… No pity.” Philippe (François Cluzet) is a quadriplegic and hires a young man Driss, (Omar Sy) as his caregiver. They go out together on numerous drives and adventures. Philippe learns that he can still enjoy life, and Driss gets out of the gang life and on the straight and narrow, supporting his family.
St. Vincent “He doesn’t like people, people don’t like him… Why do you like him?”
Vincent (Bill Murray) is a retired veteran who is hired to be the after-school caregiver for his new neighbour 12-year-old Oliver (Jaeden Lieberher). After school activities involve going to the races, gambling and going to the pub. Oliver learns to confront his bullies and becomes more mature. Vincent learns that not everyone hates him, and despite having a tremendous ‘absolute low’ during the film, finds friends who include him as family. He also matures thanks to Oliver.
About a Boy “I’m an island”
Will (Hugh Grant) is a wealthy man in early retirement who is approached by 12-year-old Marcus (Nicholas Hoult) who Will reluctantly takes under his wing. After regular after-school caregiving, Will tries to make Marcus ‘cooler’ to help him not get bullied so often. He also tries to help with his suicidal mother’s depression. Marcus learns to be himself in a way where he doesn’t get bullied, and Will learns that being alone won’t make him happy. That family and friends can bring happiness.
Some of these films are certainly amazing though. Must be a popular tale!
Let me know if you can think of any more!
I’m basically doing my homework the night before it’s due…
I am very behind with all of this nonsense as the nominees were released on January 15th… and The Oscars are tomorrow. But just in case, like me, these things slip under your radar, I thought I should update you on who is in the running.
Before we begin: Just in case you’re as inept with modern culture as I, here is a quick differentiation between the entertainment award ceremonies:
Academy Award (rebranded as The Oscars in 2013) – Award in the Film Industry Golden Globe Award – Award in Motion Picture and Televison Emmy Award – Award in Televison Grammy Award – Award in Music Tony Award – Award in Theatre
Right! So now we are clued up on the ceremonies, here are the nominees:
*Update: the winners are in bold
Best Picture (Drama) Boyhood
Foxcatcher
The Imitation Game
Selma
The Theory of Everything
Best Picture (Musical/Comedy) The Grand Budapest Hotel Birdman Into the Woods Pride St. Vincent
Best Animated Film How to Train Your Dragon 2 The Tale of Princess Kaguya The Boxtrolls Big Hero 6 Song of the Sea
Best Actress (Drama) Julianne Moore (Still Alice)
Felicity Jones (The Theory of Everything)
Jennifer Aniston (Cake)
Reese Witherspoon (Wild)
Rosamund Pike (Gone Girl)
Best Actress (Musical/Comedy) Amy Adams (Big Eyes) Emily Blunt (Into the Woods)
Helen Mirren (The Hundred-Foot Journey)
Julianne Moore (Maps to the Stars)
Quvenzhané Wallis (Annie)
Best Supporting Actress (Drama) Patricia Arquette (Boyhood)
Emma Stone (Birdman)
Meryl Streep (Into the Woods)
Laura Dern (Wild)
Keira Knightley (The Imitation Game)
Best Actor (Drama)
Eddie Redmayne (The Theory of Everything) Steve Carell – (Foxcatcher)
Benedict Cumberbatch (The Imitation Game) Jake Gyllenhaal (Nightcrawler)
David Oyelowo (Selma)
Best Actor (Musical/Comedy) Michael Keaton (Birdman) Ralph Fiennes (The Grand Budapest Hotel)
Bill Murray (St. Vincent)
Joaquin Phoenix (Inherent Vice)
Christoph Waltz (Big Eyes)
Best Supporting Actor J.K. Simmons (Whiplash) Mark Ruffalo (Foxcatcher)
Edward Norton (Birdman)
Robert Duvall (The Judge) Ethan Hawke (Boyhood)
Best Director Richard Linklater (Boyhood) Morten Tyldum (The Imitation Game)
Bennett Miller (Foxcatcher) Alejandro González Iñárritu (Birdman)
Wes Anderson (The Grand Budapest Hotel)
There’s quite a few more sub-categories including Best Sound Editing, Best Film Editing, Best Costume Design and Best Makeup… The list goes on!
I haven’t seen Monsters University, but I would imagine that would have skewed my perception of tertiary education as well. Probably would have been disappointed not to see one-eyed monsters or something.
Because of my obsessive indulgence in movies, I have found myself to be continually underwhelmed and disappointing at every stage of life. Starting high school, turning 16, first party, turning 18 and, the biggest disappointment of all: going to university.
C minus, ladies and gentlemen! I am below average!
Of course, American schools are totally different to the likes of New Zealand schools. But these movies certainly raised my expectations.
Particularly on the day I got accepted into uni, and the night before my first day of uni. It was all like a normal day for me, thank you very much The Perks of Being a Wallflower, Toy Story 3 and American Graffiti.
(Although, I didn’t actually “leave” for uni, so that may have been why…)
Here are my top five disappointments, thanks to university/college-based movies:
Everyone will look sophisticated all the time Thank you Big Fish and The Notebook. Despite only having one or two scenes set in university, everyone looks incredible. Okay, okay, they were both set in the 40s/50s, but that didn’t stop me hoping for the best.
Unfortunately, just like the odd non-uniform day at high school, everyone wears their best clothes on the first day of university. But by week two, the sweat pants, ugg boots and the odd onesie begins to creep in. That was disappointing.
Everyone is wise beyond their years Thanks The Pelican Brief , 21 and Good Will Hunting. They actually act like adults, studying law and maths! Every movie, I was watching psychologists, mathematicians, lawyers…
Despite only studying communications, I thought I’d be surrounded by people intrigued by ethics and politics. As it turns out, we are no wiser than we were in high school a few months previous, and we don’t suddenly become open minded and smart just because we’ve been accepted into university. I thought we’d all be calling out corrupted corporations, and getting shoulder-tapped for major companies within a year.
Sadly, this was not the case. At all.
There will be a diversity and range of interesting people
“But if you think this is just some high school club where you can sing and dance your way through any social issue… Or confuse sexuality, you have come to the wrong place.”
Thanks Pitch Perfect. I never met a fun-loving Fat Amy, a rebellious Beca or a strange Lily. Everyone was just like me: a middle of the road, average Jo, without a whole load of talent for singing. Gutted.
I guess I just assumed everyone would suddenly become cool over the summer, will work out who they are and flaunt it by the time they reach uni. However, there is actually still a hierarchy at uni. In fact, along with our self-confidence, we’ve been demoted back to ‘the newbie,’ like we were in high school.
Big parties. All the time. Thanks 22 Jump Street. Okay, you’re probably thinking: “Jodie, there were huge parties, you just didn’t want to socialise.” Or, “Jodie, we had awesome parties but you weren’t invited.”
Perhaps that is true. Nevertheless, I had never even heard a whisper about “that party last night that became a street party where that millionaire’s son bought everyone a round of drinks and I got dropped home in a Ferrari.”
Extraordinary things will happen Thanks Scent of aWoman, The Social Network and 21.
I never got whisked away to New York by accident after agreeing to look after a blind man. Nor did anything absolutely scandalous occur, like in The Social Network. Nor was I trained up to win big in Vegas casinos, like in 21.
University was a pretty mundane experience actually.
Add the lies Hollywood told you in the comments section below! May do a high school one if you’re interested.
Spotless shoe soles
This obviously happens because the shoes are brand new, bought for the actor and the character they’re playing. But I’m tired of never seeing a scuff, scratch or smudge. No dirt or wear to the shoes at all. Work them in a little!
Empty coffee cups
This annoys me to no end. It’s usually those take-away cups where it is obvious there is nothing in them. Put some water in them or something! Because no matter how great an actor is at drinking pretend coffee, (Brad Pitt is quite talented at this) when they set that cup down on a table – it wobbles. Act your way outa that one!
Drivers that never look at the road! The passenger may have very intriguing things to say, but it’s been like… a solid six seconds since you last looked where you’re driving. The last time I saw this was on that incredible political TV show, House of Cards. But, it happens in a lot of films and shows.
People not eating or drinking
I know, I know, having actors eat and drink during every take is a continuity nightmare. But twirling pasta and pushing it around the plate is so frustrating to watch. Up in the Air is a fantastic movie and one of my favourites, but there’s a scene where George Clooney and Anna Kendrick are in a restaurant staring at food and tapping it with forks.
The scene is long, my friends. That food is cold, and uneaten.
The Up in the Air director (Jason Reitman) probably learned his lesson from when he did Juno though. In that movie, he asked Jennifer Garner to drink the red wine in her hand take after take. She eventually started to bung-up her lines, sway and slur her words. But it looked realistic, nonetheless!
In Julie & Julia the director was adamant that the actors must eat the food. A chef was on site, and the food was apparently delicious. But take after take, the actors did begin to feel sick from the amount they were eating!
In the most recent TV show Hannibal, the actors had to eat the food because it had to look legit. You can’t exactly skimp on the eating part in a show about a cannibal! But man did the crew work for it! The dietary requirements of the actors must have been an annoyance. Making it look like everyone is eating the same thing, but some being vegetarian or gluten intolerant or vegan… Phwah! For the love of art, right?
Flawless make-up during battles and strenuous exercise
This annoys me more than any of the rest. I get it. Women are supposed to be flawless in movies. I know there are unrealistic beauty standards, but that aside. Lipstick fades. Eye shadow smudges. Mascara bleeds. If anything, seeing a character sweat without the make-up shifting breaks my suspension of disbelief. In action scenes like in Edge of Tomorrow or the fourth Transformers(God, there’s so much wrong with that film, invincible make-up is the least of its worries), putting a bit of dirt on their face doesn’t count. Tussle the hair! Uneven the eyeliner! Streak the foundation! Do something!
Add your pet peeves in the comments section below!
Abed: I can tell life from TV, Jeff. TV makes sense, it has structure, logic, rules, and likeable leading men. In life, we have this. We have you.
Horse films are typically watched by horseriders, which means the film is going to have a very critical audience right off the bat.
I can’t enjoy horse films or TV shows (although… I don’t really know anyone over the age of 12 who does) because it’s really difficult not to nit-pick.
These are the things that always seem to let a horse film down:
Foals not being the gender they’re supposed to be. (War Horse and Black Beauty (1994)).
Using incorrect terminology. (Racing Stripes).
Fake white markings. Therefore, making the differences between all four of the horses used to play the main horse very obvious.
“Wild horses” wearing metal shoes (Of Horses and Men and The Saddle Club).
Actors who can’t ride! The studio cut-aways to the actor riding in front of a green screen does not make up for it! (Flicka).
Giving the actor a saddle to use when they’re supposed to be riding bareback (Snow White and the Huntsman and McLeod’s Daughters, watch it here). Also, “bridleless” horses (see right) wearing bridles made of string (The Lion, the Witch and the Wardrobe).
Wrong sound effects used for when horses are cantering on grass. Sometimes it sounds like they’re galloping on concrete wearing iron shoes (Black Beauty).
– So much rearing!!
Excessive loyalty between horse and rider. Horses aren’t dogs. Horses don’t sniff out their human from across a battlefield. I’m referring to that bloody War Horse film again of course.
The worst thing? The excessive neighs and horse sounds. Horses are actually really quiet animals in most circumstances. This blunder is in every film with horses.
I think the biggest disappointment though, is the false hope we get from horse films. I always get so pumped to go out for a ride after watching Black Beauty or whatever, but when I hop on my old nag, he refuses to look awesome and respond in the same way as a Friesian does. He also has never protected me from so much as a wasp, let alone a fire, a speeding truck or gun-waving soldiers as seen in the movies.
I must give a thumbs-up to the following horse movies though. For the most part, they got a lot right.
Seabiscuit.
Certainly looks like Toby Maguire can ride!
Black Beauty (1994).
I’m still baffled as to how they got the horses to do half the things they did. Maybe the animal welfare laws were a tad lax in those days? Fantastic score though!
The Horse Whisperer (featuring Scarlett Johansson).
Again, how they got the horses to do much of what they did is amazing. A very realistic approach to training for once too. And, yes! That’s another dig at War Horse! It’s terrible! I wrote all about it here. Including the part where horses climb ladders to get into the loft.
Of Horses and Men.
A beautiful Icelandic horse film celebrating the horses’ way of life there.
Random facts:
Most horses in films are solid colours because it’s easier to get a double that looks the same. That’s why you rarely see spotty, patchy or dappled horses on the screen – even the ones in the background, so as not to draw attention away from the main horse… I wasn’t going to break out the Saddle Club fan girl in me, but that’s why Comanche is an Appaloosa in the books but a bay in the TV series! SCANDAL!
Solid black horses with no white markings tend to be difficult to come across. Hence why Friesians are often used (Lord of the Rings/The Hobbit, Dawn of the Planet of the Apes, any war or fantasy film you can think of), because that breed only comes in black, never has white markings and they’re all similar in size and height.
Horses are taught to rear to show resistance to the rider because teaching them to buck is much, much harder to do.
The two gorgeous ponies in Sleepy Hollow are my favourites. Johnny Depp even adopted the one he rode (named Gunpowder in the film, and Goldeneye in real life) because he was going to be put down after the film! *Sigh*
Thank you to my fellow equestrian friends for helping me collate this list!
Let me leave you with the worst and most cringe-worthy horse film trailer I’ve seen. Enjoy.
Director: Gareth Edwards Writers: Story: David Callaham Screenplay: Max Borenstein Released: May 2014 Starring: Aaron Taylor-Johnson, Ken Watanabe, Elizabeth Olsen, Juliette Binoche, Sally Hawkins, David Strathairn, Bryan Cranston
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I thoroughly enjoyed Godzilla. I thought it would be just another King Kongmovie: looooooong, with a damsel in distress and a brutal ending highlighting the selfishness of mankind.
However, this was more like a monster sci-fi movie. Giving a nod to Jurassic Park, Space Odyssey (music), War of the Worlds, Captain America… You name it.
A movie that plays on our fears of nuclear and natural disasters… And, giant lizards. It’s fantastic. My favourite part is when they talk about why the nuclear testing occurred in the 1950s. Very. Scandalous.
The director definitely teases us. Every time we think we’re about to see Godzilla, he cuts away. Just as a massive fight is about to happen, he cuts away. Right until the bitter end! Certainly keeps you interested though.
The sound design is flawless. Absolutely incredible. Don’t waste it by watching it on a laptop or something. Invest in some decent speakers or headphones, because you don’t want to miss the sound effects of some of these monsters!
Yes, you may have noticed I’m using a plural: monsters. IT’S SO AWESOME!
I think the makers may have spent all their money on making the monsters look realistic, and on the spine chilling sound, because the smoke and landscapes in some scenes look quite unrealistic. But I’m not complaining! Something had to give.
Better than Kong (2005). This is scary, exciting, and untypical of the genre! Must see!
I have referenced this unofficial genre in many film reviews of late, so I thought I should dedicate a post to it. Especially since it doesn’t have a Wikipedia page.
Because I made it up.
I did a check list for the genre in Wild. So I’ll copy and past it here, and elaborate.
THE RUNAWAY GENRE GROUND RULES:
One or two characters who have suffered trauma
Inner-conflict (usually expressed via flashbacks)
At least one emotional breakdown
Typically involves a marriage break-up or violence
Expression of every emotion
Writing down of feelings/diary-keeping
Genre that is mostly likely to conclude with tragedy (according to unofficial polling)
Now, I love this genre. Sure, I’ve made up the title and the rules, but they are typically wondrous, fantastical, deep, meaningful, adventurous insights into a character.
I love psychology, and these movies tend to play on why we make the decisions we do, and why we interact in the way we do.
Keep an eye out for films of this genre. They’re quite easy to pick.
Director: Peter Chelsom
Writer: Peter Chelsom,Tinker Lindsay and Maria von Heland. Based on the novel of the same name by François Lelord
Released: September 2014
Starring: Simon Pegg, Rosamund Pike and Toni Collette
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I thought this was going to be an English version of Walter Mitty… I think that was the aim anyway, but it certainly wasn’t the final product.
Unfortunately, this potentially deep and meaningful storyline was not achieved due to the general lack of believability, and the distaste toward the main character, Hector (Simon Pegg).
Basically, Hector is a psychiatrist and he finds himself unfulfilled. So he goes on a journey around the world, visiting countries including China and Africa, to find out what makes people happy.
But right off the bat, the audience stops rooting for the protagonist when he cheats on his wife in China, then meets up with an old flame in America. Suddenly, we no longer think well of Hector and the story goes down hill from there.
So the suspension of disbelief has plummeted, and for the rest of the film I’m hoping his wife Clara (Rosamund Pike) tells him he’s a disgusting excuse for a man and dumps him.
To save you the suspense, here are some of the things he learns makes people happy. Like most other films in the ‘runaway’ genre, he writes down his experiences.
Making comparisons can spoil your happiness.
A lot of people think happiness is being rich or important.
Many people see happiness only in their future.
Happiness could be the freedom to love more than one woman at the same time. (Which I’m sure will result in the unhappiness of people around him!)
Nostalgia is not what it used to be.
Anyway. I was disappointed because I love Walter Mittyso much and I thought this would be just as inspiring. Although, the fact it wasn’t shown in the major theatres here in New Zealand should have been a clue.
A great excuse to travel the world for some lucky cast and crew.
Jodie’s rating: 4/10
1) Because I still enjoy movies about travel, 2) it has Simon Pegg in it, 3) it has Rosamund Pike in it, and 4) the trailer is pretty awesome.
Directors: Andy Hamilton and Guy Jenkin
Writers: Andy Hamilton and Guy Jenkin
Released: September 2014
Starring: David Tennant, Rosamund Pike and Billy Connolly
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Like my horse, it’s funny at the beginning, saggy in the middle and a bit crappy at the end.
This is a film – featuring the spectacular David Tennant (Dr. Who!!) and Rosamund Pike – about a family of five going on holiday to Scotland for the grandfather’s 75th birthday party.
Long story short, the parents are having a divorce but only the children know, and they are sworn to secrecy while visiting their sickly grandfather so as to keep his final years pleasant.
Pike plays the mum, Abi, Tennant as the dad, Doug, and Billy Connolly as the granddad, Gordie.
Abi and Doug have three children, the easiest way to describe them is as the intelligent and serious one, the creative one and the youngest and funniest one. Sort of like in that Lemoney Snicket movie A Series of Unfortunate Events.
I found the first third of the movie hilarious – such a typical English comedy. It reminded me of About a Boy. I was laughing out loud watching it on the plane and everything. (Although, that was after two bourbon and cokes…)
After that, it got quite slow. The drama began to set in, but there wasn’t enough at stake, perhaps, for the audience to feel to effected?
Nevertheless, the script was amazing. Some fantastic one-liners! For example, the youngest child has a brick and a rock as friends:
Doug: Have you seen anybody about this?
Abi: Like a geologist?
And a whooooooole other bunch of funny lines, which I can’t find on the internet for you because it’s a newish film.
I think this movie has great intentions, and it was almost awesome from beginning to end, with philosophical and comedic moments.