MOVIES – MUSIC – TV – BOOKS
Everlasting Light on their album, Brothers.
That. Bass. *Drool* The distorted vocals. That beat. Phwaaaar!
The backing vocals are such an unexpected surprise. The fifties “shoo-shoo-shoowah” is such a cool twist!
Let me be your everlasting light
Your train going away from pain
Love is the coal that makes this train roll
Let me be your everlasting light
A wicked song! Will be on repeat for a while!
Jodie.
If you’re in to old school country/rock ‘n’ roll, I think you’ll be interested in this band.
Billy Roberts and the Rough Riders certainly have a similar style of writing as the likes of Johnny Cash – and I’m a sucker for Johnny Cash songs!
The beginning of No More Mr Nice Guy has a spine-tingling harmonica and a wicked steel guitar. So awesome! My favourite part is probably the bluesy piano though.
The vocals are a little flat, making the singer sound bored. It would be great to pick up the energy for this folky genre, a genre that is great to get up and dance to. The drums sound a little too mechanical for the genre as well – we need a bit more improv!
For the most part, I really enjoyed the songs of Billy Roberts and the Rough Riders. You can check out their YouTube page here:
http://www.youtube.com/channel/UC-Fj5L70KfWvrhORMjkF6fQ
And their website:
http://billyrobertsandtheroughriders.bandcamp.com/
I say ‘well done’ for completing these decent tunes. If the band sounds like they’re enjoying their music, so will others. A more casual approach would perfect this band. I’m very pleased to be introduced to this band’s music!
Jodie.
Book me to review your favourite song, music video or film here.
I was talking to my hairdresser about how tired I am with the monotonous pop songs and icons who are thrown into the spotlight until they’re wrung dry, with their music played relentlessly on the radio. We both mentioned some artists we enjoy who are quite underground in the music scene, who we hoped to hear more from in popular culture.
Any artist who goes out of their way to sound different should be applauded. It is certainly difficult to break away from the mold, and I think along with many other indie/alternative artists, Claus Zinger is doing it.
His sound is original, with inspiration from his homeland, Israel, branching into a rock/electro sound. If I had to make a similarity, it would be to Nick Cave. They both have a raw, rough sound which is a great change of pace.
His songs are typically about despair, about “the pain attached to the essence of the world, which cannot be ignored.”
My favourite of the songs I have heard of his is “Last Night”. Reading the lyrics along with the song makes it very powerful. The strings and piano are solid, creating impact and sorrow, with the drums picking up the pace.
The layered vocals can be almost distressing because of the heaviness of it. But his voice is certainly distinctive.
I say good on him! Claus Zinger is doing his own thing. His music is powerful, emotional and original. I hope to hear more from him, and others like him.
Check out his music including my personal fave, Last Night.
http://clauszinger.bandcamp.com/
https://soundcloud.com/claus-zinger/sets
Jodie.
Book me to review your favourite song, music video or film here.
Hurricane is the second song I have reviewed of Junior Turner’s – the first being Natural and Nice.
This is a country-pop sounding song with upbeat melodies. It’s really quite inspirational-sounding!
In my last review for Junior Turner’s song, I said his voice sounds “like David Bowie mixed with Robbie Williams”, but I can hear Nick Cave in this one! Pretty cool.
This song has been fantastically recorded and produced – a very clear and professional sound.
A solid beat with great vocal harmonies between the singers. Hurricane is an easy listening song, bound to please many listeners.
A digital version of this song will be available on iTunes, Amazon & Play.com on September 27th, 2013.
Keep track of Junior Turner here:
www.juniorturner.co.uk
Twitter
FaceBook
YouTube
Jodie.
Book me to review your favourite song, music video or film here.
This is one of my favourite songs by Canadian twins, Tegan and Sara.
These indie rock singer-song-writers have been around since 1995, now with seven albums. This song is from their fourth album, So Jealous.
I guess my favourite thing about I Can’t Take It, is the pace of the song. As soon as the guitar starts it suddenly makes me feel super relaxed.
I love those songs that are so emotive!
Check out their other tunage. Most of my favourite songs are on the album called The Con, but So Jealous is close behind.
The more you listen, the more you can tell which song is written by who, and who is singing. Tegan and Sara have very distinctive writing and singing styles.
Such awesome musicians!
Jodie.
Hey kids!
So I recently heard about this song and it is pretty cool!
I’ll tell you what, Junior Turner’s voice sounds similar to the likes of David Bowie mixed with Robbie Williams. Pretty awesome sound actually.
Junior Turner reached fame after winning the chance to release a single for the BBC Children In Need competition in 2010, against 110,000 applicants! Talent much!!
I guess this is technically pop music, but it’s got trumpets and techno keyboards… It’s a concoction of 80s dance music and 90s pop music, with a twist!
I love the sound – fun to dance to, easy to sing to and really upbeat.
Here is the sample of Natural and Nice, but you can buy the whole song on iTunes.
Check out Junior Turner’s Facebook, Twitter and website!
I’m sure you’ll enjoy his music. Another of my favourite songs by Junior Turner is ‘Hurt‘ featuring Neil Taylor. Check it out!
This guy is super talented.
Jodie.
Book me to review your favourite song, music video or film here.
I have always loved the electric violin, but this has been taken it to a new level.
Dubstep + electric violins… Who would have thought it could work so well! Particularly in this song, Ignite the Fuse.
FUSE, featuring Linzi Stoppard, is an English-based group who has been around since 2007. I recently heard about them and enjoyed their originality and energy. Perhaps a little theatrical, but a breath of fresh air for the music industry nevertheless.
Looking at their website, I actually really enjoyed the song they’re performing on the front page. Their violins sound like electric guitars in a James Bond intro.
What an interesting sound! I can see some awesome remixes being done with their work.
Jodie.
Book me to review your song or film here.
I have rediscovered this sixties gem!
It begins like an intro to a James Bond film with the orchestra.
Nina’s voice is so distinctive! It’s like she’s bantering with the absolutely spine-tingling saxophone. It sounds like they’re just jamming.
Her first line is “I put a spell on you” and it sounds like she is bitterly angry with someone… You can so tell from her voice!
Nina has such emotion in her voice. I can totally imagine her just getting all up in some dude’s face and being all like, “And I don’t care if you don’t want me! I’m yours right now!!” *saxophone which gives you shivers*
It is such an emotive song! I’ve got it on repeat at the moment… Really listen to the lyrics, Nina delivers them like she’s really raging at somebody.
I put a spell on you
‘Cause you’re mine!You better stop the things you do
I ain’t lyin’
No I ain’t lyin’!You know I can’t stand it
You’re runnin’ around
You know better daddy
I can’t stand it cause you put me down
Yeah, YeahI put a spell on you
Because you’re mine
You’re mine!*epic sax solo*
I love you, I love you, I love you
I love you anyhow
And I don’t care!
If you don’t want me
I’m yours right nowYou hear me
I put a spell on you
Because you’re mine!
So amazing. Check out the live versions on youtube!
Jodie.
I first heard this song on the trailer for The Conjuring – I. LOVED. IT. Works SO well with the horror genre.
It was recorded in the sixties and became a hippy-related song. George Harrison actually helped write the song, however, his verse was not included in the single that was released.
Awesome song. Psychedelic and creepy!
Jodie.
This is one of my favourite 50s songs!
Connie Francis did this cover in 1958, but there have been many versions with some of the earliest being in 1923 by Marion Harris, Irving Kaufman and an orchestral version by Isham Jones. Ella Fitzgerald also covered this song in 1960.
But none of these beat Connie’s version, which is probably just as slow, but more ‘jukebox’…
I love 50s and 60s music.
In case you are interested, this is Marion Harris’ version:
Jodie.
Director: Baz Luhrmann
Writers: Baz Luhrmann and Craig Pearce. Based on F. Scott Fitzgerald’s The Great Gatsby
Released: May 2013
Starring: Leonardo DiCaprio, Tobey Maguire, Carey Mulligan, Joel Edgerton, Isla Fisher and Jason Clarke
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Visually, this film was MIND BLOWING! This is Moulin Rouge! on steroids.
The party scenes are phenomenal! The lights, the atmosphere, colours, fashion, music… It is ground breaking. Just beautiful sets, like we’re being sent to another world.
The overall feel of the movie is very similar to the likes of The Curious Case of Benjamin Button, Edward Scissorhands (the garden scenes) and of course, Luhrmann’s Moulin Rouge! and Romeo + Juliet. I think it’s because all of these movies are fantastical and out of this world.
The actors were very convincing, Leonardo DiCaprio gave another ground-breaking performance. Although his accent was a little confusing on occasion, his dialogue was incredible! I feel like speaking formally, like an upper class person from the 1920s now.
Gatsby: Come on, old sport!
I wasn’t expecting much from Toby Maguire, and for a while believed that Ewan McGregor could have done a better job, until it was mentioned to me that his “pluckiness” was what made his character convincing. Which, I thought was a good point.
I’ve never been a huge fan of Carey Mulligan, but I have to say she did a pretty decent job in this film – her eyes are incredible! Like, she plays such a depressed character, and her eyes tell you that from the first scene. Carey Mulligan has since become one of my favourite actors.
The music was perfectly selected. Florence + the Machine’s Over Your Love is my new favourite song at the moment. But, the coolest track was Lana Del Rey’s 1920s Jazz version of the popular Young and Beautiful.
However, there were some major disappointments.
This is a film that is based strongly on characters. They fuel the story almost conclusively. Therefore, it was so disappointing that I did not become attached to any of the characters. I was not rooting for or against any of them – I didn’t feel like I had gotten to know them properly.
People are complicated, these characters were not, considering it was such a ‘people story’. Too many of their thoughts and emotions were not portrayed clearly. Most of the time there was a lot of emotion without obvious reasoning behind them.
I was forever looking too deep into the plot, expecting complicated and unforeseen twists. When in fact, the plot is too easy to figure out. I think it is supposed to be very mysterious, which was not portrayed in this film.
They should have kept the audience one step behind – like in the Sherlock Holmes films – until the end for a huge “I did not see that coming!” moment.
I wish the character development was more insightful, and the plot line more curious and unexpected.
Nevertheless, as I said at the beginning, the aesthetics were simply candy for the eyeballs. It enforces the idea that Baz Luhrmann was the ideal director for the film; the parties, grand interior shots and wonderland-esk exterior shots, simply gorgeous.
Oh, I bet Baz Luhrmann could have done an amazing version of Alice In Wonderland…
Jodie’s rating: 6.5/10
This band was recently recommended to me. :)
I had never even heard of them before, but I have loved every song of theirs so far.
This one stood out. The Wanting Comes In Waves/Repaid. It is like two songs alternated, as though two people are talking to each other. It is a really powerful and theatrical song, unlike some of their other songs, which are a little more folk-sounding.
Jodie.
This is a fun, uplifting song by a kiwi singer, Lisa Crawley. I really enjoy the choppy sound of the piano.
Enjoy!
Jodie.
Director: Rodger Mitchell
Writer: Aline Brosh McKenna
Released: November 2010
Starring: Rachel McAdams, Harrison Ford and Diane Keaton
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I love this movie. This is my happy movie.
Rachel McAdams plays Becky Fuller, a workaholic who is made redundant. She eventually gets hired by a breakfast show that’s going down the pan. The story follows her struggles to rebuild herself, and the show.
There are some fantastic lines! Harrison Ford is so dry with his delivery. It’s so perfect!
Mike: Why do we have to mention that first cup of coffee? Why not just say, “Watch Mike Pomeroy before your morning dump?”
I love Becky because she has arms flailing all over the place, her hair is messy and she’s so intensely dedicated to her job. Rachel McAdams was reluctant to take this part because she said she’s not funny enough to be in a comedy. But I disagree! McAdams is so natural in this, she makes it funny in a Bridget Jones sort of way.
Morning Glory‘s morals are sort of similar to The Devil Wears Prada… Well, it’s written by the same person, so I guess that’s why. But they’re basically about how important a career can be to someone, treating it like a relationship. In fact, when Becky discusses her job, it sounds like she’s talking about a person.
I guess although I understand why the reviews of this movie are average, I personally love it because I can relate to the industry having studied television and journalism. Becky is a character who I would love to be! I want her hair, wardrobe, confidence and success.
Becky: Why haven’t they bumped you up [to executive producer]?
Lenny: It’s not for me. I did it for a couple of weeks once, but they put me back at Number Two. Apparently, the crying was distracting.
Keep an eye out for how Becky’s hair and clothes change as she grows and becomes more secure. It’s the attention to detail that makes this movie fun.
A very funny film, particularly if you’re familiar with the news industry!
Jodie’s rating: 7/10
I had no idea this rock band was from New Zealand (Wellington)! So crazy.
I love this song. I remember hearing a lot growing up and recently stumbled across it again. A song about letting go of somebody who has moved on to somebody else.
Am I surprised to see you here with Lydia,
She’s oh so nice and easier to love than I
Jodie.
Directors: Eric Bress and J. Mackye Gruber
Writer: Eric Bress and J. Mackye Gruber
Released: January 2004
Featuring: Ashton Kutcher and Amy Smart
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Soooo creepy! But in an awesome way. I have never seen anything like this film before.
Of course I was weary about Ashton Kutcher being in a serious thriller, but he was fantastic! Like, seriously convincing.
The Butterfly Effect is where a seemingly innocuous act can have a domino effect and create chaos.
It has been said that something as small as the flutter of a butterfly‘s wing can ultimately cause a typhoon halfway around the world.
This film plays on this theory where Ashton’s character, Evan, has the ability or curse to travel back to predetermined points in his life. But every time he tries to make one thing better, something else goes terribly wrong. There are five main characters and if he saves one, one of the others experience a huge trauma in their life. He never wins.
It is an amazing film, truly. I get so creeped out by it though. I think it is 60% because of the music used, it is perfect for the story. I love time travel and this is a very dark story of the possibilities behind the ability to do so.
A very intense, scary, worrying, cringe-worthy and incredibly delusional story of how something bad, no matter how small, can grow and shape somebody’s life. The powerlessness that Evan feels and the consequences that he has to live with is impacted on the viewer, for sure.
It is written so well! The twists and turns, the gaps and surprises. The ending is not easy to guess either.
Jodie’s rating: 8.5/10
It’s a pretty complicated storyline to explain in a 2min trailer, so, just know that it’s way cooler than this:
Director: James Mangold
Writer: James Mangold and Gill Dennis
Released: November 2005
Featuring: Joaquin Phoenix and Reese Witherspoon
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I thoroughly enjoyed this biopic about one of the best country rock n roll singers of the sixties, Johnny Cash.
Joaquin Phoenix did an incredible job of becoming Johnny Cash. His natural intensity was perfect for the really heavy and dark life of Johnny Cash. I didn’t know much about Johnny Cash until I impulsively bought this movie. I had a few of his songs and enjoyed them, but assumed that he was just a country singer for geriatrics.
It turns out that Johnny Cash’s life and the people he rubbed shoulders with is incredible. The stories he has are inspiring. I am not sticking up for everything that Johnny Cash did, but I have to say that it was so unfortunate that he was married with children just before he reached his dream of being a musician. He let that old life go, hurting his family, and continue on following his dreams and the new life that come with it.
A lot of ups and downs which can become exhausting to watch, however, that just proves how convincing the film was; it really put you in Cash’s shoes.
Reese Witherspoon, having not enjoyed her performances for almost all of her movies, pleasantly surprised me in Walk The Line. She was very convincing as June Carter and I have a new found respect for her.
Joaquin and Reese both did their own vocals… I’m afraid that I enjoyed their vocal performances more that the original Johnny and June performances! I feel bad for saying that, but their sound is so upbeat and their voices are quite similar to Johnny and June’s. Very well done indeed!
I love the sixties – as I am sure you are aware – so seeing Elvis, Jerry Lee Lewis and a few of my other favourite rock n roll stars was awesome! The clothes, the atmosphere that was so convincingly authentic was beautiful.
A gorgeously filmed biopic with fantastic actors and characters.
Jodie’s rating: 7.5/10
La Fille de Joie Est Triste (L’accordéoniste)
“The Accordionist” (1940)
This is a beautiful song written and performed by Edith Piaf (Non, Je Ne Regrette Rien – Inception and Tu es Partout – Saving Private Ryan). The chorus gives me chills.
It is about a prostitute who is married to an accordionist who will be going to war soon and will not return to her alive.
Her man will never come back.
Goodbye to beautiful dreams.
Her life is done for.
I interpret her story as though she has to forget her emotions while she’s working, but as soon as she leaves and watches her husband play the Java, she becomes overwhelmed with emotion.
She wants to weep, it’s physical
All of her being is tense
Her breath suspended
The music has wrung her out
This song may be derived from similar life experiences. Piaf was abandoned by her parents and lived with her grandmother who owned a brothel. The prostitutes raised her and took care of her. By the age of 17 she had a child who then died at the age of two. Edith was involved in three near fatal car crashes, resulting in alcoholism that contributed to her liver cancer that took her life.
Such an unfortunate life, contrasted by her huge fame during the 1930s to 60s is tragic. But has most certainly been channelled in her beautifully emotional songs.
Obviously this song is sung in French, but that does not take any of the emotion away at all! Before I knew what she was singing about, I could hear the desperation and longing in her voice.
STOP!
Stop the music.
A beautiful song.
Jodie.
The final chorus from 2.40 is chilling!
Director: Steven Antin
Writers: Susannah Grant. Screenplay by Steven Antin and Diablo Cody
Released: November 2010
Starring: Christina Aguilera, Cher, Eric Dane, Cam Gigandet, Kristen Bell, Julianne Hough, Alan Cumming, Peter Gallagher, Stanley Tucci, Dianna Agron
—
So, Burlesque is pretty much a lighter, chick flick version of Moulin Rouge. It is an upbeat, modern story with back to back songs that make you want to get up and dance.
Christina Aguilera is a singer who I admire for her talent, yet if I am honest, I do not enjoy her music.
She does an amazing job during the scenes where she is performing on stage. However, for the most part her acting is much to be desired. Her squeaky voice gets a little on nerves considering she has such a deep, powerful singing voice.
The same goes for Cher, her acting was average… But so was her auto-tuned voice. I’m not convinced that she should really be classed as “a legend”…
I swear Life After Love is the only successful song of hers that I can think of.
But Stanley Tucci is one of my favourite actors – he is great in this movie as usual!
I don’t love the songs enough to buy the soundtrack. But there are a couple that are pretty catchy! Unfortunately, Christina Aguilera’s voice is so distinct that sometimes her improvisation during the songs can become irritating. Hence why I have never bought an album of hers.
Following a typical chick-flick structure, the ending is no surprise. Over used morals of “do what you love”, “just do it” and “don’t give up” drowns this movie. But it is a film that is not supposed to be much more than enjoyable.
Looking for a pick me up? I think this high-energy, fun film will do the trick!
(Moulin Rouge + Glee = Burlesque)
Jodie’s rating: 6/10
Director: Woody Allen
Writer: Woody Allen
Released: June 2011
Starring: Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Adrien Brody
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When I first watched this film I was disappointed because I had hyped up the plot of Gil (Owen Wilson) travelling through different time eras of Paris. The artistic, fashionable, sophisticated and elaborate times of the 1920s, as well as the ceremonious, coming of age times of the 1890s. But after letting my great expectations subside, I really enjoyed the watch.
The plot is about the Golden Age. That is, longing to live in a time before your own. For example, mine is the early 1960s. Rock and roll music and amazing fashion, with the huge liberal movement against war and for free will.
Paul: Nostalgia is denial – denial of the painful present… the name for this denial is golden age thinking – the erroneous notion that a different time period is better than the one one’s living in – it’s a flaw in the romantic imagination of those people who find it difficult to cope with the present.
However, Midnight In Paris attempts to shroud my Golden Age in contempt, trying to convince me that few are content with the current times and to get over it. It dampened my comfort of believing I would be happier in a different time, because the reality is – as Gil discovers – that you would simply find another time that you would believe to be better.
There is a lot of magic in this film, which I love. Gil goes through a wormhole of sorts, where at the strike of midnight every night a 1920s car picks him up and takes him to parties with his literary heroes. It’s a beautiful “what if” storyline that lives out everybody’s dream to travel through time to experience a life not meant for them.
I think that the decision for Gil to be transported to different era via transport appropriate for that time was perfect. It seems like a small, obvious detail, but I’m just glad that there was no CGI, special effects or sound effects to make the transition obvious.
This magic does not last throughout the film, however. “The grass is always greener on the other side” is a phrase that has been converted into the moral of this story – the cold, harsh light of day is not welcoming.
Gil sees that the beauty of every era can still be inspiring without having the ability to experience it first hand. Which is disappointing since it seems that he is throwing away his idyllic time era of 1920s Paris for an average life in 2010 Paris. He could have continued to live his dream, but chose not to for no convincing reason.
On the other hand, I loved how his heroes gave him advice and support, which ultimately builds his confidence to improve his life in the present.
Gil: Would you read it?
Ernest Hemingway: Your novel?
Gil: Yeah, it’s about 400 pages long, and I’m just looking for an opinion.
Ernest Hemingway: My opinion is I hate it.
Gil: Well you haven’t even read it yet.
Ernest Hemingway: If it’s bad, I’ll hate it because I hate bad writing, and if it’s good, I’ll be envious and hate all the more. You don’t want the opinion of another writer.
Instead of taking the easy option of staying in his dream, he takes the tough road of building his life into what he really wants. I guess he shook of the security blanket of living in the past – an easier place to live because you know what’s coming for you.
Gil: Adriana, if you stay here though, and this becomes your present then pretty soon you’ll start imagining another time was really your… You know, was really the golden time. Yeah, that’s what the present is. It’s a little unsatisfying because life’s a little unsatisfying.
Gertrude Stein: We all fear death and question our place in the universe. The artist’s job is not to succumb to despair, but to find an antidote for the emptiness of existence.
The beautiful French music was glorious! Seriously considering buying the soundtrack.
The acting was very well done. I really hated Rachel McAdam’s character. Like, it got to the point where I was starting to think that she must be a total bi-atch in real life because she played evil Inez so convincingly. So, kudos to her acting ability.
Owen Wilson was pretty much the same character he is in everything. I’m not totally sure why he was cast. Perhaps to keep the film upbeat.
It is an uplifting tale of something that many of us dream of doing. The ending was rather disappointing, at first. But I have come to terms with it, and I think it works well for Gil.
Worth a watch, but don’t expect it to be a deep and meaningful movie – you will be disappointed! Look at it as a quirky drama/rom-com. Although, I do think that it would have been a very moving film if it was heavier with more drama and emotion.
Jodie’s rating: 8/10
Director: Will Gluck
Writer: Bert V. Royal
Released: September 2010
Starring: Emma Stone, Amanda Bynes, Lisa Kudrow, Stanley Tucci
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This is quite a different version to the typical high school chick flick that drowns the market. Easy A is about how rumours can make or break your reputation. But also how you can take insults and use them to your advantage.
It has a funny script with some catchy insults from the witty and very sarcastic Olive (Emma Stone) – similar dialogue to Juno.
Her best come backs are usually toward the “Jesus Freak”, Marianne (Amanda Bynes), who was responsible for spreading the false rumour of Olive losing her virginity.
Marianne: There’s a higher power that will judge you for your indecency.
Olive: Tom Cruise?
This movie covers everything that one would come across in high school; self expression, religious beliefs, hypocritical people, assumptions and rumour-spreaders. Of course, Olive uses all of this to her advantage.
She sassed up her wardrobe “just like they asked” and becomes her alter ego of the ‘whore’, despite being a very respectable 17-year-old. Just goes to show that what you may see on the outside is not always what is on the inside. And vice versa.
Nina: Perhaps you should embroider a red A on your wardrobe, you abominable tramp.
Olive: Perhaps you should get a wardrobe, you abominable twat.
I really enjoyed this movie because it is a huge, gigantic middle finger to society. You can’t change what people think of you, but you can choose not to be a victim to it.
People rumoured that Olive was a bit of a “skank”, so she began to dress like one! They didn’t whisper about it behind her back after she started wearing corsets and high heels to school, making the scandal-filled rumour less shocking.
It is a fun movie with references to eighties high school movies such as The Breakfast Club which I thought was really smart and made it a story that seemed more human because everybody wants to be in an eighties high school film.
The music is pretty awesome, too. Jessie J’s Sexy Silk is a fun song, with a modernised version of We Go Together (from Grease) by I Heart Homework. But with my personal favourite being from The Breakfast Club called Don’t You (Forget About Me) originally by Simple Minds, but covered by AM.
Oh, and since watching Easy A, Natasha Bedingfield’s Pocket Full of Sunshine has not left my mind for the past few days. You should expect the same thing after watching the film.
Mr. Griffith: I don’t know what your generation’s fascination is with documenting your every thought… “Roman is having an OK day, and bought a Coke Zero at the gas station. Raise the roof.”
Olive: He got a Coke Zero AGAIN. Ah, that Roman. Incorrigible.
Easy A is a fun and easy watch. The script enables viewers to look into it as far as they wish with layered themes and slightly more complex characters than usual. Obviously not a film for everyone, but it’s definitely my favourite movie at the moment – up there with The Breakfast Club! A 2010 version of a 1985 chick flick.
Actually, I would say that it is on par with Pitch Perfect.
Jodie’s rating: 7.5/10
I found this album in my mum’s CD collection and gave it a listen.
Heavy much! As soon as this song begins you suddenly feel in a daze… Perhaps that’s not an overly positive reaction, but that’s how strong this song is, it’s very influential on your emotions. Really puts you on edge, for sure.
In fact most of Portishead‘s songs are, (particularly on their album Dummy (1994) anyway), the drone of the instruments mixed with the drowned vocals is original and gives you chills. If you need to chillax or need to have a good cry, give this song a listen.
I just read that the Portishead genre is referred to as “trip hop”. Never heard of that term before. Also, watching the music video, the lead singer looks like Jodie Foster… What do you reckon?
Love it!
Jodie.
Saving Private Ryan (1998) “…and I find that marvellous.”
I had first heard of Edith Piaf when I saw Inception (Non, Je Ne Regrette Rien). She is a famous French singer from the twenties through to the sixties, and I adore her music.
Since learning about her songs, this scene in Saving Private Ryan jumped out at me. It is a bonding scene between the soldiers that begins with a conversation about Piaf’s song (Tu es Partout), like most of my other favourite scenes, it’s slower paced and one of the quieter moments of the movie.
I just really enjoy one of the more sensitive soldiers translating the song to the others.
Jodie.
Yes Man (2008): I got blisters on ma fingers!
This scene jumps out from the otherwise somewhat average comedy as Jim Carrey’s character, Carl, talks down a reluctant suicidal jumper via sing-song. A song called, rather appropriately, “Jumper” by Third Eye Blind (jump to the start of the song at 1.17 in you’d like).
Jodie.
Director: John Hughes
Writer: John Hughes
Released: February 1985
Featuring:Emilio Estevez, Molly Ringwald, Judd Nelson, Anthony Michael Hall, Ally Sheedy, Paul Gleason
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Probably the best high school based film. Openly addressing and mocking their stereotypes and the pressures each one of them are under by their associated peers.
It is a very well made film because it is entirely based in one place during one day, with a tiny cast. We are sitting in on a Saturday detention with five completely contrasting students who soon find out what they hate and what they love about each other and themselves. Very human, very emotionally rooted.
The Characters:
The cheerleader type referred to as ‘the princess’ named Claire (Molly Ringwald).
The jock referred to as ‘sporto’ named Andrew (Emilio Estevez).
‘The brain’ named Brian (Anthony Michael Hall).
The kook or ‘the basket case’ named Allison (Ally Sheedy).
The messed up ‘criminal’ called John (Judd Nelson).
What is great about these characters, is that we can see qualities in ourselves in all of them. They are a mirror image of the teenage audience. We all know somebody with qualities like them, we all find some of them in ourselves and we all find characteristics in them that we want to possess.
Despite being about five typical stereotypes, by the end of the movie, you realise that they are a group of misfits who don’t want to belong to a group who tells them who to be.
I think if there was an extended version of this movie, it would be how each one of them over came the pressure of their groups and openly hung out with other cliques, because they’re all strong characters who would become role models. Well, that’s what I would like to think would happen anyway.
Made in the eighties and it certainly looks like the eighties! I swear I am transported to that era every time I watch it. Great eighties music too, including one of my favourite songs Don’t You (Forget About Me) by Simple Minds. If you want to listen to some eighties music on the go, this site has some great eighties music.
It’s true, high school really does suck. But this movie will make you feel better about it.
Jodie’s rating: 8/10
I would just like to say that they have excluded all of the funny bits in this trailer, so if you like the look of this, you’re going to love the film.
NZ Film Freak